The Philadelphia Orchestra – The Columbia Legacy
Tracklist
| Early Recordings: 1944-1950 - Lalo, Borodin, Respighi, Gluck, Suppé | |||
| Symphonie Espagnole In D Minor, Op. 21 | |||
| 1-1 | I. Allegro Non Troppo | 7:29 | |
| 1-2 | II. Scherzando. Allegro Molto | 3:54 | |
| 1-3 | IV. Andante | 6:14 | |
| 1-4 | V. Rondo. Allegro | 6:27 | |
| 1-5 | Polovtsian Dances (From: Prince Igor) | 7:24 | |
| 1-6 | Arie Di Corte (From: Ancient Airs And Dances, Suite No. 3): Andante Cantabile - Allegretto - Vivace - Lento Con Grande Espressione - Allegro Vivace - Vivacissimo - Andante Cantabile | 7:29 | |
| 1-7 | Mélodie (Andante From “Dance Of The Blessed Spirits” From: Orphée Et Eurydice) | 4:32 | |
| 1-8 | Dichter Und Bauer: Overture | 9:19 | |
| Early Recordings: 1944-1950 - Harl McDonald, Paul White, Howard Hanson, Kent Kennan | |||
| My Country At War | |||
| 2-1 | I. 1941 | 6:48 | |
| 2-2 | II. Bataan | 7:46 | |
| 2-3 | III. Elegy | 2:34 | |
| 2-4 | IV. Hymn Of The People | 4:37 | |
| Sea Chanty For Harp And Solo Strings | |||
| 2-5 | Allegro Non Troppo (After “Blow The Man Down”) | 6:24 | |
| 2-6 | Andante Espressivo (After “Tommy's Gone To Hilo”) | 4:22 | |
| 2-7 | Allegro Giocoso (After “O Wake Her, O Shake Her”) | 4:00 | |
| 2-8 | Serenade For Flute, Harp And String Orchestra, Op. 35: Andante Con Moto (𝅘𝅥 = 69-72) | 4:25 | |
| 2-9 | Night Soliloquy For Flute, Piano And String Orchestra: Larghetto (𝅘𝅥 = 50) | 3:43 | |
| Beethoven: Symphony No.7 (1944) / Brahms: Symphony No.4 (1944) | |||
| Symphony No. 7 In A Major, Op. 92 | |||
| 3-1 | I. Poco Sostenuto - Vivace | 12:04 | |
| 3-2 | II. Allegretto | 8:42 | |
| 3-3 | III. Presto - Assai Meno Presto - Presto | 7:07 | |
| 3-4 | IV. Allegro Con Brio | 6:38 | |
| Symphony No. 4 In E Minor, Op. 98 | |||
| 3-5 | I. Allegro Non Troppo | 11:36 | |
| 3-6 | II. Andante Moderato | 11:11 | |
| 3-7 | III. Allegro Giocoso - Poco Meno Presto - Tempo I | 5:47 | |
| 3-8 | IV. Allegro Energico E ionato - Più Allegro | 9:02 | |
| Brahms: Piano Concerto No.2 (1945) / Schumann: Piano Concerto (1946) | |||
| Concerto For Piano And Orchestra No. 2 In B-flat Major, Op. 83 | |||
| 4-1 | I. Allegro Non Troppo | 16:04 | |
| 4-2 | II. Allegro Apionato | 8:04 | |
| 4-3 | III. Andante - Più Adagio - Tempo I | 11:48 | |
| 4-4 | IV. Allegretto Grazioso - Un Poco Più Presto | 9:02 | |
| Concerto For Piano And Orchestra In A Minor, Op. 54 | |||
| 4-5 | I. Allegro Affettuoso | 14:21 | |
| 4-6 | II. Intermezzo. Andantino Grazioso (attacca) | 4:56 | |
| 4-7 | III. Allegro Vivace | 9:42 | |
| Brahms: Violin Concerto (1945) | |||
| Concerto For Violin And Orchestra In D Major, Op. 77 | |||
| 5-1 | I. Allegro Non Troppo | 21:21 | |
| 5-2 | II. Adagio | 8:50 | |
| 5-3 | III. Allegro Giocoso, Ma Non Troppo Vivace | 7:53 | |
| Glière / Fernández / Smetana / Dvořák / Brahms / J. Strauss II / Debussy | |||
| 6-1 | Russian Sailors’ Dance (From: The Red Poppy, Op. 70): Allegro - Pesanto - Moderato - Animato - Sostenuto Poco - Più Tranquillo - Più Mosso - Presto - Più Mosso - Prestissimo | 3:11 | |
| 6-2 | Batuque (From: Malazarte) | 2:24 | |
| 6-3 | Dance Of The Comedians (From: The Bartered Bride): Vivace | 3:51 | |
| 6-4 | Slavonic Dance In E Minor, Op. 72/2: Allegretto Grazioso | 4:24 | |
| 6-5 | Hungarian Dance No. 5 In G Minor, WoO 1/5: Allegro | 2:47 | |
| 6-6 | Wein, Weib Ung Gesang, Op. 333 (Waltz) | 4:14 | |
| 6-7 | La Damoiselle Élue, L 62, Poème Lyrique For Women's Voices, Soloists, Chorus And Orchestra | 20:10 | |
| Debussy: Nocturnes (1944) / Respighi: Pini di Roma (1946) | |||
| Nocturnes, L 91 | |||
| 7-1 | I. Nuages. Modéré - Un Peu Animé | 7:33 | |
| 7-2 | Ii. Fêtes. Animé Et Très Rythmé - Modéré Mais Toujours Très Rythmé - De Plus En Plus Sonore Et En Serrant Le Mouvement | 5:57 | |
| Pini di Roma | |||
| 7-3 | I. I Pini Di Villa Borghese. Allegretto Vivace - Più Vivo - Vivace | 2:33 | |
| 7-4 | II. Pini Presso Una Catacomba. Lento - Più Mosso - Ancora Più Mosso | 6:16 | |
| 7-5 | III. I Pini Del Gianicolo. Lento | 6:23 | |
| 7-6 | IV. I Pini Della Via Appia. Tempo di Marcia | 4:19 | |
| Dvořák: Cello Concerto (1946) / Bruch: Kol Nidrei (1947) | |||
| Concerto For Cello And Orchestra In B Minor, Op. 104 | |||
| 8-1 | I. Allegro | 14:29 | |
| 8-2 | II. Adagio, Ma Non Troppo | 10:38 | |
| 8-3 | III. Finale. Allegro Moderato | 11:27 | |
| 8-4 | Kol Nidrei, Op. 47. Adagio Ma Non Troppo - Un Poco Più Animato | 8:44 | |
| Dvořák: Symphony No. 9 “From The New World” (1944-1946) | |||
| Symphony No. 9 In E Minor “From The New World”, Op. 95 | |||
| 9-1 | I. Adagio - Allegro Molto | 8:24 | |
| 9-2 | II. Largo | 11:49 | |
| 9-3 | III. Scherzo. Molto Vivace | 7:42 | |
| 9-4 | IV. Allegro Con Fuoco | 10:47 | |
| Franck: Symphony In D Minor (1945) | |||
| Symphony In D Minor, FWV 48 | |||
| 10-1 | I. Lento - Allegro Non Troppo | 17:42 | |
| 10-2 | II. Allegretto | 11:00 | |
| 10-3 | III. Allegro Non Troppo | 10:33 | |
| Richard Strauss: Rosenkavalier Suite (1947) / Tod Und Verklärung (1944-47) / Salome - Dance Of The Seven Veils (1947) | |||
| Der Rosenkavalier, Concert Suite For Orchestra, Trv 227d | (21:26) | ||
| 11-1.1 | Prelude To Act I. Con Moto Agitato - Attacca | ||
| 11-1.2 | Presentation Of The Silver Rose. Allegro Molto - Attacca | ||
| 11-1.3 | Baron Ochs's Waltz. Tempo Di Valse, Assai Comodo Da Primo - Attacca | ||
| 11-1.4 | Closing Duet: “Ist Ein Traum”. Moderato Molto Sostenuto - Attacca | ||
| 11-1.5 | Waltz (Reprise) | 21:26 | |
| Tod Und Verklärung, Op. 24, Symphonic Poem For Large Orchestra | |||
| 11-2 | Largo - Attacca | 4:39 | |
| 11-3 | Allegro Molto Agitato - Attacca | 3:20 | |
| 11-4 | Meno Mosso, Ma Sempre Alla Breve - Attacca | 7:13 | |
| 11-5 | Moderato | 7:14 | |
| 11-6 | Salome, Op. 54: Dance Of The Seven Veils | 8:38 | |
| Tchaikovsky: Symphony No. 4 (1947) / Serenade For Strings (1946) | |||
| Symphony No. 4 In F Minor, Op. 36 | |||
| 12-1 | I. Andante Sostenuto - Moderato Con Anima - Moderato Assai, Quasi Andante - Allegro Vivo | 17:39 | |
| 12-2 | II. Andantino In Modo Di Canzona | 9:01 | |
| 12-3 | III. Scherzo. Pizzicato Ostinato. Allegro | 5:42 | |
| 12-4 | IV. Finale. Allegro Con Fuoco | 9:40 | |
| Serenade For String Orchestra In C Major, Op. 48 | |||
| 12-5 | I. Pezzo In Forma Di Sonatina. Andante Non Troppo - Allegro Moderato | 8:05 | |
| 12-6 | II. Valse. Moderato. Tempo Di Valse | 3:38 | |
| 12-7 | III. Élégie. Larghetto Elegiaco | 7:14 | |
| 12-8 | IV. Finale. Tema Russo. Andante - Allegro Con Spirito | 4:24 | |
| Beethoven: Piano Concerto No. 4 (1947) / Ravel: Piano Concerto For Left Hand (1947) | |||
| Concerto For Piano And Orchestra No. 4 In G Major, Op. 58 | |||
| 13-1 | I. Allegro Moderato | 15:52 | |
| 13-2 | II. Andante Con Moto (attacca) | 4:31 | |
| 13-3 | III. Rondo. Vivace | 8:52 | |
| 13-4 | Piano Concerto For The Left Hand In D Major, M 82: Lento - Andante - Allegro - Tempo I | 17:01 | |
| Brahms: Symphony No. 3 (1946) / Haydn Variations (1946) / Liszt: Les Préludes (1946) | |||
| Symphony No. 3 In F Major, Op. 90 | |||
| 14-1 | I. Allegro Con Brio | 9:07 | |
| 14-2 | Ii. Andante | 8:31 | |
| 14-3 | III. Poco Allegretto | 5:54 | |
| 14-4 | IV. Allegro | 8:34 | |
| Variations On A Theme By Joseph Haydn In B-flat Major, Op. 56a | |||
| 14-5 | Thema. Chorale St. Antoni. Andante | 2:03 | |
| 14-6 | Variation I. Poco Più Animato | 1:04 | |
| 14-7 | Variation II. Più Vivace | 0:56 | |
| 14-8 | Variation III. Con Moto | 1:33 | |
| 14-9 | Variation IV. Andante Con Moto | 1:50 | |
| 14-10 | Variation V. Vivace | 0:52 | |
| 14-11 | Variation VI. Vivace | 1:08 | |
| 14-12 | Variation VII. Grazioso | 2:15 | |
| 14-13 | Variation VIII. Presto Non Troppo | 0:50 | |
| 14-14 | Finale. Andante | 3:21 | |
| 14-15 | Les Préludes, S 97 | 16:02 | |
| Rimsky-Korsakov: Scheherazade (1947) | |||
| Scheherazade, Op. 35 | |||
| 15-1 | I. Largo E Maestoso - Allegro Non Troppo - Tranquillo (The Sea And Sinbad's Ship) | 8:56 | |
| 15-2 | II. Lento - Andantino - Allegro Molto - Vivace Scherzando - Moderato Assai - Allegro Molto Ed Animato - Con Moto (The Story Of The Kalender Prince) | 10:51 | |
| 15-3 | III. Andantino Quasi Allegretto (The Young Prince And The Young Princess) | 8:26 | |
| 15-4 | IV. Allegro Molto E Frenetico - Vivo - Allegro Non Troppo E Maestoso - Tempo Come I (Festival At Baghdad - The Sea - The Shipwreck On A Rock Surmounted By A Bronze Warrior - Conclusion) | 11:47 | |
| Tchaikovsky: Piano Concerto No. 1 (1947) / Gershwin: Rhapsody In Blue (1945) | |||
| Concerto For Piano And Orchestra No. 1 In B-flat Minor, Op. 23 | |||
| 16-1 | I. Allegro Non Troppo E Molto Maestoso - Allegro Con Spirito | 18:23 | |
| 16-2 | II. Andantino Semplice - Prestissimo - Tempo I | 6:35 | |
| 16-3 | III. Allegro Con Fuoco | 6:16 | |
| 16-4 | Rhapsody in Blue | 12:46 | |
| Beethoven: Symphony No. 9 (1945-1946) | |||
| Symphony No. 9 In D Minor “Choral”, Op. 125 | |||
| 17-1 | I. Allegro Ma Non Troppo, Un Poco Maestoso | 14:16 | |
| 17-2 | II. Molto vivace - Presto | 12:48 | |
| 17-3 | III. Adagio Molto E Cantabile - Andante Moderato - Adagio | 14:07 | |
| 17-4 | IV. Presto - Allegro Assai - Presto - | 5:52 | |
| 17-5 | IV. Recitativo: “O Freunde, Nicht Diese Töne!” - Allegro Assai - Allegro Assai Vivace. Alla Marcia - Andante Maestoso - Adagio Ma Non Troppo Ma Divoto - Allegro Energico, Sempre Ben Marcato - Allegro Ma Non Tanto - Poco Adagio - Prestissimo | 16:53 | |
| Sibelius: Symphony No. 2 (1947) | |||
| Symphony No. 2 In D Major, Op. 43 | |||
| 18-1 | I. Allegretto | 8:57 | |
| 18-2 | II. Tempo Andante, Ma Rubato | 12:55 | |
| 18-3 | III. Vivacissimo (attacca) | 5:28 | |
| 18-4 | IV. Finale. Allegro Moderato | 13:51 | |
| Grieg: Peer Gynt Suite No. 1 (1947) / Liszt: Hungarian Rhapsodies (1946-1947) | |||
| Peer Gynt Suite No. 1, Op. 46 | |||
| 19-1 | I. Morning Mood. Allegretto Pastorale | 3:41 | |
| 19-2 | II. The Death Of Åse. Andante Doloroso | 4:23 | |
| 19-3 | III. Anitra's Dance. Tempo di Mazurka | 3:26 | |
| 19-4 | IV. In The Hall Of The Mountain King. Alla Marcia E Molto Marcato | 2:35 | |
| 19-5 | Hungarian Rhapsody In F Minor, S 359/1 | 8:47 | |
| 19-6 | Hungarian Rhapsody In C-sharp Minor, S 244/2 | 8:55 | |
| Overtures & Waltzes: Johann Strauss II (1947) / Glinka (1946-1947) / Weber (1946-1947) / Weinberger (1944) | |||
| 20-1 | Die Fledermaus: Overture | 8:25 | |
| 20-2 | Der Zigeunerbaron: Overture | 7:35 | |
| 20-3 | An Der Schönen Blauen Donau, Op. 314. Waltz | 7:51 | |
| 20-4 | Geschichten Aus Dem Wienerwald, Op. 325. Waltz | 8:56 | |
| 20-5 | Ruslan And Lyudmila: Overture. Presto | 5:18 | |
| 20-6 | Aufforderung Zum Tanz, Op. 65 | 8:54 | |
| 20-7 | Der Freischütz, Op. 7: Overture. Adagio - Molto Vivace | 8:38 | |
| 20-8 | Schwanda The Bagpiper (Švanda Dudák): Polka And Fugue | 7:32 | |
| Prokofiev: Scythian Suite (1947) / Respighi: Feste Romane (1946) | |||
| Scythian Suite, Op. 20 | |||
| 21-1 | I. The Adoration Of Veles And Ala. Allegro Feroce - Poco Meno Mosso - Poco Più Lento | 6:54 | |
| 21-2 | II. The Enemy God And The Dance Of The Spirits Of Darkness. Allegro Sostenuto | 3:16 | |
| 21-3 | III. Night. Andantino - Poco Più Mosso | 5:33 | |
| 21-4 | IV. The Glorious Departure Of Lolli And The Sun's Procession. Tempestoso - Allegro - Andante Sostenuto | 4:31 | |
| Feste Romane | |||
| 21-5 | I. Circenses | 4:17 | |
| 21-6 | II. Il Giubileo | 6:11 | |
| 21-7 | III. L'Ottobrata | 7:15 | |
| 21-8 | IV. La Befana | 4:26 | |
| Bach: Orchestral Arrangements (1946-1947) / Handel: Water Music (1946), Trumpets And Horns Concerto (1945) / Corelli: Suite For Strings (1947) | |||
| 22-1 | acaglia And Fugue In C Minor, BWV 582 | 14:14 | |
| 22-2 | Toccata And Fugue In D Minor, BWV 565 | 8:50 | |
| 23-3 | “Herz Und Mund Und Tat Und Leben”, BWV 147: Jesus Bleibet Meine Freude | 3:33 | |
| 22-4 | Wachet Auf, Ruft Uns Die Stimme, BWV 645 | 4:00 | |
| Water Music, HWV 348-350 | |||
| 22-5 | I. Allegro | 2:42 | |
| 22-6 | II. Andante | 3:28 | |
| 22-7 | III. Allegro | 2:42 | |
| 22-8 | IV. Air | 3:07 | |
| 22-9 | V. Bourrée | 0:44 | |
| 22-10 | VI. Hornpipe | 0:54 | |
| 22-11 | VII. Allegro Deciso | 3:02 | |
| Concerto For Trumpets And Horns In D Major, HWV 335a | (8:06) | ||
| 22-12.1 | I. Largo | ||
| 22-12.2 | III. Allegro Ma Non Troppo | ||
| 22-12.3 | II. Allegro | ||
| Suite For String Orchestra | |||
| 22-13 | I. Sarabanda. Largo | 3:14 | |
| 22-14 | II. Giga. Allegro | 2:38 | |
| 22-15 | III. Badinerie. Vivace | 1:00 | |
| Hindemith: Nobilissima Visione (1947), Symphonic Metamorphosis (1947) | |||
| Nobilissima visione. Orchestral Suite | |||
| 23-1 | I. Einleitung Und Rondo. Sehr Langsam - Rondo. Mäßig Schnell | 8:00 | |
| 23-2 | II. Marsch Und Pastorale. Lebhaft | 8:24 | |
| 23-3 | III. acaglia. Feierlich Bewegt | 4:51 | |
| Symphonic Metamorphosis Of Themes By Carl Maria von Weber | |||
| 23-4 | I. Allegro | 3:42 | |
| 23-5 | II. “Turandot” Scherzo. Moderato - Lebhaft | 6:44 | |
| 23-6 | III. Andantino | 3:49 | |
| 23-7 | IV. Marsch | 4:04 | |
| Bartók: Piano Concerto No. 3 (1946) / Miaskovsky: Symphony No. 21 (1947) | |||
| Concerto For Piano And Orchestra No. 3, Sz. 119 | |||
| 24-1 | I. Allegretto | 6:20 | |
| 24-2 | II. Adagio religioso - Poco più mosso - Tempo I | 8:11 | |
| 24-3 | III. Allegro vivace - Presto - Tempo I | 6:41 | |
| 24-4 | Symphony No. 21 In F-sharp Minor, Op. 51: Andante Sostenuto - Allegro Non Troppo, Ma Con Impeto - Poco Meno Mosso (quasi Andante) - Allegro I - Più Vivo E Poco Agitato - Più Largamente (quasi Andante) - Allegro I - Poco Meno Mosso (quasi Andante) - Tempo I | 15:04 | |
| Prokofiev: Alexander Nevsky (1945), Classical Symphony (1946) / Rimsky-Korsakov: Russian Easter Festival (1946) | |||
| Alexander Nevsky, Op. 78 | |||
| 25-1 | I. Russia Under The Mongolian Yoke | 2:48 | |
| 25-2 | II. Song About Alexander Nevsky | 2:49 | |
| 25-3 | III. The Crusaders In Pskov | 6:24 | |
| 25-4 | IV. Arise, Ye Russian People | 2:14 | |
| 25-5 | V. The Battle On The Ice | 12:03 | |
| 25-6 | VI. Field of the Dead | 6:04 | |
| 25-7 | VII. Alexander's Entry Into Pskov | 4:17 | |
| Classical Symphony (No. 1) In D Major, Op. 25 | |||
| 25-8 | I. Allegro | 3:44 | |
| 25-9 | II. Larghetto | 3:12 | |
| 25-10 | III. Gavotta. Non Troppo Allegro | 1:36 | |
| 25-11 | IV. Finale. Molto Vivace | 3:52 | |
| 25-12 | Russian Easter Festival, Op. 36. Overture On Russian Orthodox Liturgical Themes | 13:44 | |
| Tchaikovsky: Violin Concerto (1949) / Saint-Saëns: Cello Concerto No. 1 (1949) | |||
| Concerto For Violin And Orchestra In D Major, Op. 35 | |||
| 26-1 | I. Allegro Moderato | 17:17 | |
| 26-2 | II. Canzonetta. Andante (attacca) | 6:05 | |
| 26-3 | III. Finale. Allegro Vivacissimo | 9:17 | |
| Concerto For Cello And Orchestra No. 1 In A Minor, Op. 33 | |||
| 26-4 | Allegro Non Troppo - | 5:17 | |
| 26-5 | Allegretto Con Moto (- Cadenza) - | 4:59 | |
| 26-6 | Tempo I - Un Peu Moins Vite - Molto Allegro | 8:28 | |
| Virgil Thomson: Louisiana Story (1949), 5 Portraits (1945) / Berg: Wozzeck (1947) / Harl Mcdonald: Children's Symphony (1950) / Max Brand: The Wonderful One-Hoss Shay (1950) | |||
| Louisiana Story. Suite For Orchestra | |||
| 27-1 | I. Pastoral. The Bayou And The Marsh Buggy | 4:32 | |
| 27-2 | II. Chorale. The Derrick Arrives | 3:04 | |
| 27-3.1 | III. acaglia. Robbing the Alligator's Nest | 9:07 | |
| 27-3.2 | IV. Fugue. Boy Fights Alligator | ||
| 5 Portraits, For Various Instruments | |||
| 27-4 | Bugles And Birds:Pablo Picasso | 2:09 | |
| 27-5 | Percussion Piece: Mrs Chester Whitin Lasell | 2:17 | |
| 27-6 | Cantabile For Strings: Nicolas de Châtelain | 4:21 | |
| 27-7 | Tango Lullaby: Flavie Alvarez de Toledo (Madame Jean-Pierre Cazelles) | 2:08 | |
| 27-8 | Fugue: Alexander Smallens | 2:39 | |
| Wozzeck, Op. 7 (Excerpts) | |||
| 27-9 | Interlude - Military Music - Cradle Song | 5:41 | |
| 27-10 | Marie's Bible Reading | 4:23 | |
| 27-11 | Death Of Wozzeck - Final Scene | 6:06 | |
| Children's Symphony | |||
| 27-12 | I. Allegro Moderato | 3:40 | |
| 27-13 | II. Andante Patetico | 4:12 | |
| 27-14 | III. Allegro Scherzando | 3:05 | |
| 27-15 | IV. Allegro Marziale | 4:03 | |
| 27-16 | The Wonderful One-Hoss Shay | 11:33 | |
| Haydn: Symphony No. 88 (1947), No. 92 “Oxford” (1949) & No. 101 “The Clock” (1949) | |||
| Symphony No. 101 In D Major “The Clock”, Hob. I:101 | |||
| 28-1 | I. Adagio | 7:18 | |
| 28-2 | II. Andante | 7:37 | |
| 28-3 | III. Menuet. Allegretto - Trio | 7:05 | |
| 28-4 | IV. Finale. Vivace | 4:19 | |
| Symphony No. 92 In G Major “Oxford”, Hob. I:92 | |||
| 28-5 | I. Adagio - Allegro Spiritoso | 7:46 | |
| 28-6 | II. Adagio | 7:16 | |
| 28-7 | III. Menuet - Trio | 4:03 | |
| 28-8 | IV. Finale. Presto | 4:22 | |
| Symphony No. 88 In G Major, Hob. I:88 | |||
| 28-9 | I. Adagio - Allegro | 6:09 | |
| 28-10 | II. Largo | 7:16 | |
| 28-11 | III. Menuetto. Allegretto - Trio | 4:03 | |
| 28-12 | IV. Finale. Allegro Con Spirito | 3:09 | |
| Ravel: Rapsodie Espagnole (1950) / Kodály: Háry János Suite (1946) | |||
| Rapsodie Espagnole, M 54 | |||
| 29-1 | I. Prélude à la Nuit | 4:01 | |
| 29-2 | II. Malagueña | 2:04 | |
| 29-3 | III. Habanera | 2:35 | |
| 29-4 | IV. Feria | 6:15 | |
| Háry János Suite, Op. 15 | |||
| 29-5 | I. Prelude: The Fairy Tale Begins | 3:14 | |
| 29-6 | II. Viennese Musical Clock | 2:14 | |
| 29-7 | III. Song | 5:11 | |
| 29-8 | IV. The Battle And Defeat Of Napoleon | 3:46 | |
| 29-9 | V. Intermezzo | 4:23 | |
| 29-10 | VI. Entrance Of The Emperor And His Court | 2:57 | |
| Ravel: Daphnis Et Chloé Suite No. 1 (1950) & No. 2 (1949) / Schoenberg: Verklärte Nacht (1950) | |||
| Daphnis Et Chloé: Suite No. 1, M 57a | |||
| 30-1 | Nocturne - (Modéré - Lent Et Très Souple de Mesure - 𝅘𝅥 = 40 - 𝅘𝅥 = 50) | 4:24 | |
| 30-2 | Interlude - (Même mouvement) | 2:45 | |
| 30-3 | Danse Guerrière (Animé Très Rude 𝅘𝅥 = 138) | 3:44 | |
| Daphnis et Chloé: Suite no. 2, M 57b | |||
| 30-4 | Lever du jour - (Lent) | 6:13 | |
| 30-5 | Pantomime - (Lent - Très Lent - Vif - Très Lent - 𝅘𝅥 = 80) | 4:24 | |
| 30-6 | Danse Générale (Animé) | 4:09 | |
| 30-7 | Verklärte Nacht, Op. 4 (1943 Version For String Orchestra): Grave - Molto Rallentando - Pesante - Adagio - Adagio | 30:45 | |
| Debussy: Prélude à L'après-midi D'un Faune (1947) / Dukas: L'Apprenti Sorcier (1947) / Honneger: Concertino For Piano And Orchestra (1950) / Sibelius: Finlandia, The Swan Of Tunnela (1950) / Rachmaninov: Préludes (1950) | |||
| 31-1 | Prélude à L'après-midi D'un Faune, L 86: Très Modéré | 9:06 | |
| 31-2 | L'Apprenti Sorcier | 9:02 | |
| 31-3 | Concertino For Piano And Orchestra: Allegro Molto Moderato - Larghetto Sostenuto - Allegro | 10:20 | |
| 31-4 | Finlandia, Op. 26: Andante Sostenuto - Allegro Moderato - Allegro | 8:30 | |
| 31-5 | The Swan Of Tuonela, Op. 22/2: Andante Molto Sostenuto | 9:44 | |
| 31-6 | Prélude In C-sharp Minor, Op. 3/2: Lento | 4:55 | |
| 31-7 | Prélude In G Major, Op. 32/5: Moderato | 3:26 | |
| 31-8 | Prélude In G Minor, Op. 23/5: Alla Marcia | 3:42 | |
| Prokofiev: Symphony No.6 (1950) | |||
| Symphony No. 6 In E-flat Minor, Op. 111 | |||
| 32-1 | I. Allegro Moderato - Andante Molto - Allegro - Moderato | 13:07 | |
| 32-2 | II. Largo | 16:06 | |
| 32-3 | III. Vivace - Andante Tenero - Vivace, Come Prima | 11:29 | |
| J. Strauss II: Die Fledermaus (1951) (Sung In English) | |||
| Die Fledermaus | |||
| 33-1 | Overture | 8:08 | |
| 33-2 | Act I. No. 1 Introduction: “Do You Still Belong To Me” (Alfred, Adele) / No. 1a Solo And Duet: “I've A Sister Rarely Writes Me” (Rosalinda, Adele) | 4:18 | |
| 33-3 | Act I. No. 2 Trio: “Let Me Tell You” (Eisenstein, Rosalinda, Blind) | 3:38 | |
| 33-4 | Act I. No. 3 Duet: “I've A Plan For A Man” (Falke, Eisenstein) | 3:16 | |
| 33-5 | Act I. No. 4 Trio: “The Graying Sea, The Leaden Sky” (Rosalinda, Adele, Eisenstein) | 3:38 | |
| 33-6 | Act I. No. 5 Finale I: “What A Lovely Rendezvous” (Alfred, Rosalinda, Frank) | 11:08 | |
| 33-7 | Act II. No. 6 Entr'acte And Ensemble: “You Will Find If Your Mind Is An Ever-sharp Stiletto” (chorus) | 1:35 | |
| 33-8 | Act II. No. 7 Couplet: “I've Many Peculiarities” (Orlofsky) | 2:53 | |
| 33-9 | Act II. No. 8 Ensemble And Couplet: “It Seems We're Entertaining An Uninvited Guest” - “Look Me Over Once, Look Me Over Twice” (Adele's Laughing Song) (Orlofsky, Falke, Ensemble, Adele, Eisenstein) | 4:35 | |
| 34-1 | Act II. No. 9 Duet: “What A Beauty” (Eisenstein, Rosalinda) | 4:09 | |
| 34-2 | Act II. No. 10 Csárdás: “Some Days You're Lonely” (Rosalinda) | 4:11 | |
| 34-3 | Act II. No. 11a Finale Iia: “A Bacchanalian Revel” (Orlofsky, Eisenstein, Adele, Ensemble) | 8:10 | |
| 34-4 | Act II. Ballet: Roses From The South, Op. 388 (from operetta "Das Spitzentuch der Königin) | 7:14 | |
| 34-5 | Act II. No. 11a Finale Iib: “Let's Hope This Never Halts” (Orlofsky, Ensemble, Eisenstein, Adele) | 4:19 | |
| 34-6 | Act III. No. 12: Entr'acte | 0:57 | |
| 34-7 | Act III. No. 13 Melodrama: “Then Up With The Wine And Drink Her Down” (Frank) | 3:39 | |
| 34-8 | Act III. No. 14 Couplet: “I Am Portraying A Farm Girl” (Adele, Frank) | 4:27 | |
| 34-9 | Act III. No. 15 Trio: “The Case That You Take Up” (Rosalinda, Alfred, Eisenstein) | 6:36 | |
| 34-10 | Act III. No. 16 Finale Iii: “Die Fledermaus, Die Fledermaus” (ensemble) | 4:59 | |
| Beethoven: Violin Concerto (1950) / Chausson: Poème (1950) | |||
| Concerto For Violin And Orchestra In D Major, Op. 61 | |||
| 35-1 | I. Allegro Ma Non Troppo | 23:36 | |
| 35-2 | II. Larghetto (attacca) | 9:47 | |
| 35-3 | III. Rondo. Allegro | 9:52 | |
| 35-4 | Poème, Op. 25: Lento E Misterioso - Molto Animato - Animato - Poco Lento - Poco Meno Lento - Allegro - Tempo I - Tranquillo | 15:32 | |
| Beethoven: Piano Concerto No.5 "Emperor" (1950) / Mozart: Piano Concerto No.20 (1951) | |||
| Concerto For Piano And Orchestra No. 5 In E-flat Major “Emperor”, Op. 73 | |||
| 36-1 | I. Allegro | 19:21 | |
| 36-2 | II. Adagio Un Poco Moto (attacca) | 8:58 | |
| 36-3 | III. Rondo. Allegro | 9:51 | |
| Concerto For Piano And Orchestra No. 20 In D Minor, K. 466 | |||
| 36-4 | I. Allegro | 12:32 | |
| 36-5 | II. Romance | 9:03 | |
| 36-6 | III. [Allegro Assai] | 7:07 | |
| Tchaikovsky: Symphony No. 5 (1950) | |||
| Symphony No. 5 In E Minor, Op. 64 | |||
| 37-1 | I. Andante - Allegro Con Anima | 14:32 | |
| 37-2 | II. Andante Cantabile, Con Alcuna Licenza - Moderato Con Anima - Andante Mosso - Allegro Non Troppo - Tempo I | 13:33 | |
| 37-3 | III. Valse. Allegro Moderato | 5:58 | |
| 37-4 | IV. Finale. Andante Maestoso - Allegro Vivace - Molto Vivace - Moderato Assai E Molto Maestoso - Presto | 12:11 | |
| William Schuman: Symphony No. 3 (1951) / Debussy: Ibéria (1951) | |||
| Symphony No. 3 | |||
| 38-1 | Part I. acaglia - | 7:03 | |
| 38-2 | Part I. Fugue | 6:44 | |
| 38-3 | Part II. Chorale - | 10:02 | |
| 38-4 | Part II. Toccata | 6:28 | |
| Ibéria, L 122/2 (From: Images Pour Orchestre No. 2) | |||
| 38-5 | I. Par Les Rues Et Par Les Chemins | 6:56 | |
| 38-6 | II. Les Parfums de la Nuit | 7:52 | |
| 38-7 | III. Le Matin D'un Jour de Fête | 4:31 | |
| Rachmaninoff: Symphony No. 2 (1951) | |||
| Symphony No. 2 In E Minor, Op. 27 | |||
| 39-1 | I. Largo - Allegro Molto | 15:49 | |
| 39-2 | II. Allegro Molto | 7:25 | |
| 39-3 | III. Adagio | 11:23 | |
| 39-4 | IV. Allegro Vivace | 11:17 | |
| Berlioz: Symphonie Fantastique (1950) | |||
| Symphonie Fantastique, Op. 14 | |||
| 40-1 | I. Rêveries - ions. Largo - Allegro Agitato Ed Apionato Assai | 12:54 | |
| 40-2 | II. Un Bal. Valse. Allegro Non Troppo | 5:55 | |
| 40-3 | III. Scène Aux Champs. Adagio | 15:35 | |
| 40-4 | IV. Marche Au Supplice. Allegretto Non Troppo | 4:28 | |
| 40-5 | V. Songe D'une Nuit de Sabbat. Larghetto - Adagio | 8:57 | |
| Brahms: Symphony No. 1 (1950) | |||
| Symphony No. 1 In C Minor, Op. 68 | |||
| 41-1 | I. Un Poco Sostenuto - Allegro | 12:26 | |
| 41-2 | II. Andante Sostenuto | 9:20 | |
| 41-3 | III. Un Poco Allegretto E Grazioso | 4:25 | |
| 41-4 | IV. Adagio - Più Andante - Allegro Non Troppo, Ma Con Brio - Più Allegro | 16:55 | |
| Tchaikovsky: Symphony No. 6 “Pathétique” (1952) | |||
| Symphony No. 6 In B Minor “Pathétique”, Op. 74 | |||
| 42-1 | I. Adagio - Allegro Non Troppo - Andante - Moderato Moss - Andante - Moderato Assai - Allegro Vivo - Andante Come Prima - Andante Mosso | 18:10 | |
| 42-2 | II. Allegro Con Grazia | 8:21 | |
| 42-3 | III. Allegro Molto Vivace | 8:39 | |
| 42-4 | IV. Finale. Adagio Lamentoso - Andante | 10:32 | |
| Johann Strauss II, Josef Strauss, Eduard Strauss: Waltzes (1951) / Beethoven: Coriolan & Egmont Overture (1951) | |||
| 43-1 | Eine Nacht In Venedig: Overture | 6:47 | |
| 43-2 | Accelerationen, Op. 234: Waltz | 7:29 | |
| 43-3 | Feuerfest!, Op. 269: Polka Française | 2:25 | |
| 43-4 | Bahn Frei!, Op. 45: Polka Schnell | 1:59 | |
| 43-5 | Wein, Weib Und Gesang, Op. 333: Waltz | 5:43 | |
| 43-6 | Perpetuum Mobile, Op. 257: Musical Joke | 2:36 | |
| 43-7 | Kaiser-Waltzer, Op. 437 | 10:00 | |
| 43-8 | Coriolan Overture, Op. 62 - Allegro Con Brio | 6:52 | |
| 43-9 | Egmont, Op. 84: Overture. Sostenuto, Ma Non Troppo - Allegro | 7:52 | |
| Gottschalk: Cakewalk (1952) / Gould: Fall River Legend (1952) / Walton: 4 Dances From Façade (1952) / Bernstein: 3 Dance Variations From Fancy Free (1952) | |||
| Cakewalk, Ballet Suite | |||
| 44-1 | I. Grand Walkaround | 3:05 | |
| 44-2 | II. 3 Variations: Wallflower Waltz - | 2:10 | |
| 44-3 | II. 3 Variations: Sleight Of Feet - | 2:00 | |
| 44-4 | II. 3 Variations: Perpendicular Points | 2:12 | |
| 44-5 | III. Freebee | 3:57 | |
| 44-6 | IV. Magic Act: Entrance Of The Magicians - | 1:08 | |
| 44-7 | IV. Magic Act: Venus And Three Graces - | 1:19 | |
| 44-8 | IV. Magic Act: The Wild Pony - | 1:50 | |
| 44-9 | IV. Magic Act: Pas de Deux - | 3:25 | |
| 44-10 | IV. Magic Act: Rideout - | 0:37 | |
| 44-11 | IV. Magic Act: Finale. Gala Cakewalk | 3:35 | |
| Fall River Legend, Ballet Suite | |||
| 44-12 | I. Prologue And Waltzes | 3:21 | |
| 44-13 | II. Elegy | 3:31 | |
| 44-14 | III. Church Social | 3:33 | |
| 44-15 | III. Serenade | 3:34 | |
| 44-16 | IV. Hymnal Variations | 4:13 | |
| 44-17 | V. Cotillion | 3:37 | |
| 44-18 | VI. Epilogue | 2:41 | |
| 4 Dances From Façade | |||
| 44-19 | Popular Song | 2:12 | |
| 44-20 | Country Song | 1:55 | |
| 44-21 | Scotch Rhapsody | 1:05 | |
| 44-22 | Tarantella Sevillana | 2:19 | |
| Fancy Free: 3 Dance Variations | |||
| 44-23 | Danzon | 2:47 | |
| 44-24 | Waltz | 2:41 | |
| 44-25 | Galop | 1:33 | |
| First Chair: Virtuosi Players From The Philadelphia Orchestra (1952) | |||
| 45-1 | A Trumpet Voluntary In D Major | 1:59 | |
| 45-2 | Poem For Flute And Orchestra | 9:20 | |
| Concerto For Oboe And String Orchestra No. 3 In G Minor, HWV 287 | |||
| 45-3 | I. Grave | 3:23 | |
| 45-4 | II. Allegro | 2:03 | |
| 45-5 | III. Sarabande. Largo | 2:38 | |
| 45-6 | IV. Allegro | 2:24 | |
| 45-7 | Concert Piece For Bassoon And String Orchestra | 3:43 | |
| Adagio And Rondo In F Major | |||
| 45-8 | I. Adagio | 2:37 | |
| 45-9 | II. Rondo | 2:36 | |
| 45-10 | Larghetto For Horn And Orchestra | 7:56 | |
| 45-11 | Romance For Violin And Orchestra No. 2 In F Major, Op. 50: Adagio Cantabile | 9:53 | |
| 45-12 | Concertino For Clarinet And Orchestra In E-flat Major, Op. 26: Adagio Ma Non Troppo | 8:28 | |
| Chopin: Piano Concerto No. 1 (1952) | |||
| Concerto For Piano And Orchestra No. 1 In E Minor, Op. 11 | |||
| 46-1 | I. Allegro maestoso | 16:39 | |
| 46-2 | II. Romance. Larghetto (attacca) | 10:21 | |
| 46-3 | III. Rondo. Vivace | 9:12 | |
| Sibelius: Lemminkäinen Suite (1951) | |||
| Lemminkäinen Suite, Op. 22 | |||
| 47-1 | No. 1: Lemminkäinen And The Maidens Of The Island. Allegro Molto Moderato | 14:36 | |
| 47-2 | No. 2: The Swan Of Tuonela. Andante Molto Sostenuto | 9:44 | |
| 47-3 | No. 3: Lemminkäinen In Tuonela. Il Tempo Largamente | 14:35 | |
| 47-4 | No. 4: Return Of Lemminkäinen. Allegro Con Fuoco | 5:34 | |
| Haydn: Symphony No. 7 “Le Midi” (1950) & No. 45 “Farewell” (1952) | |||
| Symphony No. 45 In F-sharp Minor “Farewell”, Hob. I:45 | |||
| 48-1 | I. Allegro Assai | 4:11 | |
| 48-2 | II. Adagio | 7:09 | |
| 48-3 | III. Menuet. Allegretto - Trio | 3:45 | |
| 48-4 | IV. Finale. Presto | 7:57 | |
| Symphony No. 7 In C Major “Le Midi”, Hob. I:7 | |||
| 48-5 | I. Adagio - Allegro | 7:50 | |
| 48-6 | II. Recitativo. Adagio - Allegro - Adagio | 2:49 | |
| 48-7 | III. Adagio - Ferma (Cadenza) - Allegro - Adagio | 6:17 | |
| 48-8 | IV. Menuetto - Trio | 3:31 | |
| 48-9 | V. Finale. Allegro | 3:47 | |
| Honegger: Jeanne D'Arc Au Bûcher (1952) | |||
| Jeanne D'Arc Au Bûcher | |||
| 49-1 | Prologue (Chœur, Récitant) | 7:21 | |
| 49-2 | Scène 1. Les Voix Du Ciel (Chœur) | 1:59 | |
| 49-3 | Scène 2. Le Livre (Frère Dominique, Jeanne, Chœur) | 3:08 | |
| 49-4 | Scène 3. Les Voix de la Terre (Frère Dominique, Jeanne, Chœur) | 3:26 | |
| 49-5 | Scène 4. Jeanne Livrée Aux Bêtes (l'Appariteur, Héraut, Chœur, Porcus, L'Âne, Pecus) | 7:50 | |
| 49-6 | Scène 5. Jeanne Au Poteau (Jeanne, Frère Dominique, Chœur) | 3:10 | |
| 49-7 | Scène 6. Les Rois Ou L'invention Du Jeu de Cartes (Héraut I-IIi, Jeanne, Regnault de Chartres, Le Duc de Bedford, Guillaume de Flavy, Jean de Luxembourg, Chœur) | 5:00 | |
| 49-8 | Scène 7. Catherine Et Marguerite (Jeanne, Frère Dominique, Chœur, Catherine, Marguerite) | 2:44 | |
| 49-9 | Le Roi Qui Va-t-à Reims (Chœur, Chœur D'enfants, Heurtebise, La Mère Aux Tonneaux, Le Clerc, Jeanne, Frère Dominique) | 10:24 | |
| 49-10 | Scène 9. L'Épée de Jeanne (Marguerite, Jeanne, Chœur, Frère Dominique, Catherine, Voix D'enfants) | 13:46 | |
| 49-11 | Scène 10. Trimazô (Jeanne) | 0:54 | |
| 49-12 | Scène 11. Jeanne D'Arc En Flammes (La Vierge, Chœur, Un Prêtre, Jeanne, Marguerite, Catherine, Enfants) | 12:21 | |
| Liszt: Piano Concerto No. 1 (1952), Fantasia On Hungarian Folk Melodies (1952) / Beethoven: Piano Concerto No. 3 (1947) | |||
| Concerto For Piano And Orchestra No. 1 In E-flat Major, S 124 | |||
| 50-1 | Allegro Maestoso. Tempo Giusto | 5:40 | |
| 50-2 | Quasi Adagio - | 5:26 | |
| 50-3 | Allegretto Vivace - Allegro Animato - Tempo I (Allegro Maestoso) - | 4:11 | |
| 50-4 | Allegro Marziale Animato - Presto | 4:04 | |
| Fantasia On Hungarian Folk Melodies For Piano And Orchestra, S 123 | |||
| 50-5 | Andante Mesto - Adagio - Allegro Molto (Cadenza) - | 3:35 | |
| 50-6 | Allegro Eroico - | 2:48 | |
| 50-7 | Molto Adagio, Quasi Fantasia - Moderato. Fest - Allegretto Alla Zingarese - Molto Animato - Cadenza - | 5:51 | |
| 50-8 | Vivace Assai - Prestissimo | 3:27 | |
| Concerto For Piano And Orchestra No. 3 In C Minor, Op. 37 | |||
| 50-9 | I. Allegro Con Brio | 15:51 | |
| 50-10 | II. Largo | 10:39 | |
| 50-11 | III. Rondo. Allegro | 8:35 | |
| Prokofiev: Symphony No. 7 (1953) / Tchaikovsky: Romeo And Juliet (1953), 1812 Festival Overture (1951), Slavonic March (1951) | |||
| Symphony No. 7 In C-sharp Minor, Op. 131 | |||
| 51-1 | I. Moderato | 8:53 | |
| 51-2 | II. Allegretto | 7:31 | |
| 51-3 | III. Andante Espressivo | 5:22 | |
| 51-4 | IV. Vivace | 8:22 | |
| 51-5 | Romeo And Juliet, Fantasy Overture After Shakespeare: Andante Non Tanto Quasi Moderato - Allegro Giusto - Moderato Assai | 19:20 | |
| 51-6 | 1812 Festival Orchestra, Op. 49: Largo - Andante - Allegro Giusto - Largo - Allegro Vivace | 13:47 | |
| 51-7 | Slavonic March, Op. 31: Moderato In Modo di Marcia Funebre - Più Mosso. Allegro - Andante Molto Maestoso - Allegro Risoluto | 10:12 | |
| Johann Strauss II / Josef Strauss / Johann Strauss I: Overtures, Polkas, Marches (1952-1953) | |||
| 52-1 | Die Fledermaus: Overture | 7:49 | |
| 52-2 | Pizzicato-Polka | 2:52 | |
| 52-3 | Unter Donner Und Blitz, Op. 324 (Polka Schnell) | 2:44 | |
| 52-4 | Tik-Tak-Polka, Op. 365 (Polka Schnell) | 2:18 | |
| 52-5 | Ägyptischer Marsch, Op. 335 | 3:39 | |
| 52-6 | Das Spitzentuch Der Königin: Overture | 5:25 | |
| 52-7 | Explosions-Polka, Op. 43 | 2:00 | |
| 52-8 | Annen-Polka, Op. 117 | 2:48 | |
| 52-9 | Tritsch-Tratsch-Polka, Op. 214 (Polka Schnell) | 2:24 | |
| 52-10 | Radetzky-Marsch, Op. 228 | 2:08 | |
| 52-11 | Waldmeister: Overture | 7:28 | |
| Mussorgsky: Pictures At An Exhibition (1953) / Stravinsky: L'Oiseau de Feu: Suite (1953) | |||
| Pictures At An Exhibition | |||
| 53-1 | Promenade. Allegro Giusto, Nel Modo Russico; Senza Allegrezza, Ma Poco Sostenuto | 1:37 | |
| 53-2 | I. Gnomus. Vivo | 2:38 | |
| 53-3 | Promenade | 0:51 | |
| 53-4 | II. Il Vecchio Castello. Andante | 4:05 | |
| 53-5 | Promenade. Moderato Non Tanto, Pesamente | 0:30 | |
| 53-6 | III. Tuileries. Allegretto Non Troppo, Capriccioso | 1:00 | |
| 53-7 | IV. Bydlo. Sempre Moderato, Pesante | 2:17 | |
| 53-8 | Promenade. Tranquillo | 0:47 | |
| 53-9 | V. Ballet Des Poussins Dans Leurs Coques. Scherzino. Vivo, Leggiero | 1:17 | |
| 53-10 | VI. Samuel Goldenberg Et Schmuÿle. Andante | 2:10 | |
| 53-11 | VII Limoges - Le Marché. Allegretto Vivo, Sempre Scherzando (attacca) | 1:22 | |
| 53-12 | VIII. Catacombae (Sepulcrum Romanum). Largo (attacca) | 1:43 | |
| 53-13 | VIII. Cum Mortuis In Lingua Mortua. Andante Non Troppo, Con Lamento | 1:45 | |
| 53-14 | IX. La Cabane Sur Des Pattes de Poule (Baba-Yaga). Allegro Con Brio, Feroce - Andante Mosso - Allegro Molto (attacca) | 2:17 | |
| 53-15 | X La Grande Porte de Kiev. Allegro Alla Breve. Maestoso. Con Grandezza | 4:53 | |
| L'Oiseau de Feu: Suite (1919 Version) | |||
| 53-16 | Introduction | 2:40 | |
| 53-17 | L'Oiseau de Feu Et Sa Danse - Variation de L'Oiseau de Feu | 1:17 | |
| 53-18 | Ronde Des Princesses | 4:24 | |
| 53-19 | Danse Infernale Du Roi Kachtcheï | 3:55 | |
| 53-20 | Berceuse | 3:50 | |
| 53-21 | Final | 2:51 | |
| Tchaikovsky: Nutcracker Suite (1953), Sleeping Beauty Suite (1952) | |||
| The Nutcracker: Suite, Op. 71a | |||
| 54-1 | I. Ouverture Miniature. Allegro Giusto | 3:13 | |
| 54-2 | II. Danses Caractéristiques: Marche. Tempo di Marcia Viva | 2:11 | |
| 54-3 | II. Danses Caractéristiques: Danse de la Fée Dragée. Andante Non Troppo | 1:54 | |
| 54-4 | II. Danses Caractéristiques: Danse Russe. Trépak. Tempo di Trépak, Molto Vivace | 1:08 | |
| 54-5 | II. Danses Caractéristiques: Danse Arabe. Allegretto | 3:27 | |
| 54-6 | II. Danses Caractéristiques: Danse Chinoise. Allegro Moderato | 1:07 | |
| 53-7 | II. Danses Caractéristiques: Danse Des Mirlitons. Moderato Assai | 2:09 | |
| 54-8 | III. Valse des Fleurs. Tempo di Valse | 6:27 | |
| The Sleeping Beauty: Suite, Op. 66a | |||
| 54-9 | I. Introduction. La Fée Des Lilas. Allegro Vivo - Andantino - Andante Sostenuto | 3:53 | |
| 54-10 | Ii. Adagio. Pas D'action. Andante - Adagio Maestoso - Tempo I - Molto Sostenuto, Quasi Più Andante - Tempo I | 5:16 | |
| 54-11 | III. Pas de Caractère. La Chat Botté Et la Chatte Blanche. Allegro Moderato | 1:52 | |
| 54-12 | IV. Panorama. Andantino | 2:45 | |
| 54-13 | V. Valse. Allegro (Tempo di Valse) | 4:19 | |
| Wagner: Tristan und Isolde & Götterdämmerung (1952) (Excerpts) | |||
| Tristan Und Isolde (Excerpts) | |||
| 55-1 | Prelude | 10:49 | |
| 55-2 | Liebesnacht | 8:39 | |
| 55-3 | Liebestod | 10:32 | |
| Götterdämmerung (Excerpts) | |||
| 55-4 | Siegfried's Death And Funeral Music | 9:15 | |
| 55-5 | Brunnhilde's Immolation Scene. “Starke Scheite Schichtet Mir Dort” | 18:11 | |
| Hindemith: Symphony “Mathis Der Maler” (1952), Concert Music For String Orchestra And Brass (1953) | |||
| Symphony “Mathis Der Maler” | |||
| 56-1 | I. Engelkonzert. Ruhig Bewegt | 7:43 | |
| 56-2 | II. Grablegung. Sehr Langsam | 4:10 | |
| 56-3 | III. Versuchung Des Heiligen Antonius. Sehr Langsam, Frei Im Zeitmaß - Sehr Lebhaft | 12:53 | |
| Concert Music For String Orchestra And Brass, Op. 50 | |||
| 56-4 | Part I. Mäßig Schnell, Mit Kraft - | 4:33 | |
| 56-5 | Part I. Sehr Breit, Aber Stets Fließend | 4:04 | |
| 56-6 | Part II. Lebhaft - | 2:03 | |
| 56-7 | Part II. Langsam - | 2:53 | |
| 56-8 | Part II. Im Ersten Zeitmaß - | 2:02 | |
| 56-9 | Part II. Lebhaft | 0:54 | |
| Brahms: Symphony No. 2 (1953) | |||
| Symphony No. 2 In D Major, Op. 73 | |||
| 57-1 | I. Allegro Non Troppo | 13:45 | |
| 57-2 | II. Adagio Non Troppo - L'istesso Tempo, Ma Grazioso | 9:36 | |
| 57-3 | III. Allegretto Grazioso (Quasi Andantino) - Presto Ma Non Assai - Tempo I | 5:01 | |
| 57-4 | IV. Allegro Con Spirito | 8:39 | |
| Rimsky-Korsakov: Capriccio Espagnol, The Flight Of The Bumblebee, Dance Of The Tumblers (1953) / Tchaikovsky: Capriccio Italien, Andante Cantabile (1953) | |||
| Capriccio Espagnol, Op. 34 | |||
| 58-1 | I. Alborada | 1:15 | |
| 58-2 | II. Variazioni | 4:48 | |
| 58-3 | III. Alborada | 1:14 | |
| 58-4 | IV. Scena E Canto Gitano | 5:00 | |
| 58-5 | V. Fandango Asturiano | 3:05 | |
| 58-6 | The Flight Of The Bumblebee (from: The Tale Of Tsar Saltan, Op. 57) | 1:20 | |
| 58-7 | Dance Of The Tumblers (from: The Snow Maiden) | 3:20 | |
| 58-8 | Capriccio Italien, Op. 45: Andante Un Poco Rubato - Allegro Moderato - Andante - Presto - Allegro Moderato - Presto - Prestissimo | 15:35 | |
| 58-9 | Andante Cantabile (from: String Quartet No. 1, Op. 11) | 6:58 | |
| Wagner: Orchestral Excerpts From: Tannhä, Lohengrin, Walküre, Meistersinger (1953) | |||
| 59-1 | Tannhä Und Der Sängerkrieg Auf Wartburg (Paris Version): Overture - Venusberg Music | 22:04 | |
| 59-2 | Lohengrin: Prelude To Act III | 3:23 | |
| Die Walküre | |||
| 59-3 | The Ride Of The Valkyries | 4:46 | |
| 59-4 | Magic Fire Music | 4:10 | |
| Die Meistersinger Von Nürnberg | |||
| 59-5 | Prelude to Act III | 6:13 | |
| 59-6 | Dance Of The Apprentices | 3:26 | |
| 59-7 | Entry Of The Masters | 2:31 | |
| Waldteufel: Waltz Suites (1953) / Lehár: Waltzes (1953) | |||
| Estudiantina Op. 191 : Waltz Suite after Paul Lacôme's "Duo Espagnol" | (5:10) | ||
| 60-1.1 | Introduction. Tempo di Valse - | ||
| 60-1.2 | I. Estudiantina (Refrain) | ||
| 60-1.3 | II. Estudiantina (Couplet) - Chanson D'automne - | ||
| 60-1.4 | III. Jota de la Estudiantina - Tirana - | ||
| 60-1.5 | IV. De Cádiz Al Puerto - El Tripili - Coda | ||
| España, Op. 236 : Waltz Suite After Emmanuel Chabrier's Rhapsody | (5:05) | ||
| 60-2.1 | Introduction. Andantino Quasi Allegretto - | ||
| 60-2.2 | I. Con Fuoco - Con Grazia - | ||
| 60-2.3 | II. Arioso - Risoluto - | ||
| 60-2.4 | III. Leggiero - Con Spirito - Amabile - | ||
| 60-2.5 | IV. Energico - Coda. Risoluto | ||
| Pluie de Diamants, Op. 160: Waltz Suite | (6:32) | ||
| 60-3.1 | Introduction. Polonaise - | ||
| 60-3.2 | I. Con Anima - Con Fuoco - | ||
| 60-3.3 | II. Scherzando - Cantabile - | ||
| 60-3.4 | III. Con Espressione - Scherzando - | ||
| 60-3.5 | IV. [...] - Amabile - Coda | ||
| Les Patineurs, Op. 183 : Waltz Suite | (5:21) | ||
| 60-4.1 | Introduction. Andante | ||
| 60-4.2 | I. Espressivo | ||
| 60-4.3 | II. Risoluto | ||
| 60-4.4 | III. Espressivo - Grazioso | ||
| 60-4.5 | IV. Amabile - Coda. Risoluto | ||
| 60-5 | Die Lustige Witwe: Walzer-Intermezzo (“Lippen Schweigen”). Allegretto Moderato | 5:45 | |
| 60-6 | Das Land Des Lächelns: “Dein Ist Mein Ganzes Herz” | 3:34 | |
| 60-7 | Eva: Eva-Walzer | 7:27 | |
| 60-8 | Die lustige Witwe: Vilja-Lied | 2:46 | |
| 60-9 | Gold Und Silber, Op. 79 (Waltz) | 5:51 | |
| Richard Strauss: Ein Heldenleben (1954) | |||
| Ein Heldenleben, Op. 40 (A Hero's Life, Tone Poem For Large Orchestra) | |||
| 61-1 | Der Held (The Hero). Lebhaft Bewegt | 4:07 | |
| 61-2 | Des Helden Widersacher (The Hero's Adversaries). Etwas Langsamer | 3:09 | |
| 61-3 | Des Helden Gefährtin (The Hero's Companion). Lebhaft Bewegt | 13:13 | |
| 61-4 | Des Helden Walstatt (The Hero's Balltlefield). Lebhaft | 6:44 | |
| 61-5 | Des Helden Friedenwerke (The Hero's Works Of Peace). Mit Großem Schwung Und Begeisterung | 6:17 | |
| 61-6 | Des Helden Weltflucht Und Vollendung (The Hero's Retreat From The World And Fulfilment). Mäßig Langsam | 11:03 | |
| Rimsky-Korsakov: Scheherazade (1953) | |||
| Scheherazade, Op. 35 | |||
| 62-1 | I. Largo e maestoso - Allegro non troppo - Tranquillo (The Sea and Sinbad's Ship) | 9:46 | |
| 62-2 | II. Lento - Andantino - Allegro Molto - Vivace Scherzando - Moderato Assai - Allegro Molto Ed Animato - Con Moto (Ths Story Of The Kalender Prince) | 10:46 | |
| 62-3 | III. Andantino Quasi Allegretto (The Young Prince And The Young Princess) | 9:01 | |
| 62-4 | IV. Allegro Molto E Frenetico - Vivo - Allegro Non Troppo E Maestoso - Tempo Come I (Festival At Baghdad - The Sea - The Shipwreck On A Rock Surmounted By A Bronze Warrior - Conclusion) | 11:56 | |
| Offenbach: Gaîté Parisienne (1954) / Chopin: Les Sylphides (1954) | |||
| Gaîté Parisienne. Ballet In 1 Act | |||
| 63-1 | Ouverture. Allegro (from La Vie Parisienne) | 2:00 | |
| 63-2 | I. Allegro Brillante (Tortoni) (From: Mesdames de la Halle) | 0:59 | |
| 63-3 | II. Polka (from: Le Voyage Dans la Lune) | 1:27 | |
| 63-4 | III. Poco Allegro - A Tempo de Ländler (From: Lieschen Et Fritzchen) | 1:43 | |
| 63-5 | IV. Mazurka. Largo - Allegro - Meno Mosso - A Tempo (from: Vert-Vert) | 1:55 | |
| 63-6 | V. Valse (From: La Vie Parisienne) | 1:59 | |
| 63-7 | VI. Allegro (Galop) (From: La Vie Parisienne) | 1:03 | |
| 63-8 | VII. Polka. Grazioso (From: La Belle Hélène) | 1:24 | |
| 63-9 | VIII. Valse Lente (From: Orphée Aux Enfers) | 2:04 | |
| 63-10 | IX. Tempo di Marcia (March) (From: Tromb-al-Cazar) | 1:16 | |
| 63-11 | X. Valse Moderato - Calmato (From: La Vie Parisienne) | 2:03 | |
| 63-12 | XI. Vivo - Attacca (From: La Vie Parisienne) | 0:12 | |
| 63-13 | XII. Valse. Valse Con Grazia (From: Les Contes D'Hoffmann) | 2:05 | |
| 63-14 | XIII. Allegro Molto (From: Le Voyage Dans La Lune) | 2:00 | |
| 63-15 | XIV. Valse. Valse Moderato (Grande Valse) (From: La Périchole) | 3:16 | |
| 63-16 | XV. Allegro Vivo | 0:24 | |
| 63-17 | XVI. Cancan. Moderato - Allegro | 1:54 | |
| 63-18.1 | XVII. Quadrille | 1:42 | |
| 63-18.2 | XVIII. Allegro | ||
| 63-19 | XIX. Allegro Moderato | 0:36 | |
| 63-20 | XX. Allegro | 0:24 | |
| 63-21 | XXI. [Vivo] | 0:54 | |
| 63-22 | XXII. Vivo - Molto Marcato (Cancan) - Attacca | 0:54 | |
| 63-23 | XXIII. Barcarolle. Allegro Moderato - Vivo | 3:35 | |
| Les Sylphides. Ballet In 1 Act | |||
| 63-24 | Prélude In A Major, Op. 28/7 | 0:52 | |
| 63-25 | Nocturne In A-flat Major, Op. 32/2 | 5:55 | |
| 63-26 | Waltz In G-flat Major, Op. Posth. 70/1 | 2:09 | |
| 63-27 | Prélude In A Major, Op. 28/7 | 2:33 | |
| 63-28 | Mazurka In C Major, Op. Posth. 67/3 | 1:30 | |
| 63-29 | Mazurka In D Major, Op. 33/2 | 2:33 | |
| 63-30 | Waltz In C-sharp Minor, Op. 64/2 | 3:54 | |
| 63-31 | Waltz In E-flat Major “Grande Valse Brillante”, Op. 18 | 4:56 | |
| Virgil Thomson: 3 Pictures For Orchestra (1954) / 5 Songs From William Blake (1952) | |||
| 3 Pictures for Orchestra | |||
| 64-1 | No. 1: The Seine At Night | 7:59 | |
| 64-2 | No. 2: Wheat Field At Noon | 6:06 | |
| 64-3 | No. 3: Sea Piece With Birds | 4:41 | |
| 5 Songs From William Blake, For Baritone And Orchestra | |||
| 64-4 | No. 1: The Divine Image | 2:37 | |
| 64-5 | No. 2: Tiger! Tiger! | 2:49 | |
| 64-6 | No. 3: The Land Of Dreams | 3:08 | |
| 64-7 | No. 4: The Little Black Boy | 3:54 | |
| 64-8 | No. 5: And Did Those Feet | 3:02 | |
| Beethoven: Piano Concerto No. 1 (1954) & No. 3 (1953) | |||
| Concerto For Piano And Orchestra No. 1 In C Major, Op. 15 | |||
| 65-1 | I. Allegro Con Brio | 16:03 | |
| 65-2 | II. Largo | 11:35 | |
| 65-3 | III. Rondo. Allegro Scherzando | 8:44 | |
| Concerto For Piano And Orchestra No. 3 In C Minor, Op. 37 | |||
| 65-4 | I. Allegro Con Brio | 14:58 | |
| 65-5 | II. Largo | 9:47 | |
| 65-6 | III. Rondo. Allegro | 8:38 | |
| Franck: Symphony In D Minor (1953) | |||
| Symphony In D Minor, FWV 48 | |||
| 66-1 | I. Lento - Allegro Non Troppo | 17:31 | |
| 66-2 | II. Allegretto | 9:57 | |
| 66-3 | III. Allegro Non Troppo | 9:46 | |
| Rachmaninoff: Symphony No. 3 (1954) / Vocalise (1954) | |||
| Symphony No. 3 In A Minor, Op. 44 | |||
| 67-1 | I. Lento - Allegro Moderato - Più Vivo (Allegro) - Allegro Molto - Tempo I - Allegro | 12:39 | |
| 67-2 | II. Adagio Ma Non Troppo - Allegro Vivace - Alla Breve. L'istesso Tempo - Adagio | 11:51 | |
| 67-3 | III. Allegro - Meno Mosso - Allegro Vivace - Moderato - Tempo I - Andante Con Moto - Allegretto - Allegro Vivace | 12:20 | |
| 67-4 | Vocalise, Op. 34/14 (From: 14 Romances, Orchestral Version). Lentamente. Molto Cantabile | 6:03 | |
| French Music: Ravel: Boléro, La Valse (1953), Pavane (1954) / Ibert: Escales (1954) / Debussy: Clair de Lune (1954) / Chabrier: España (1954) | |||
| 68-1 | Boléro, M 81: Tempo di Bolero Moderato Assai | 14:04 | |
| 68-2 | La Valse, M 72 Choreographic Poem: Mouvement de Valse Viennoise - Un Peu Plus Modéré - Premier Mouvement - Assez Animé | 11:35 | |
| Escales, Symphonic Poem | |||
| 68-3 | I. Rome - Palermo. Calme - Assez Animé - Calme | 6:55 | |
| 68-4 | II. Tunis - Nefta. Modéré, Très Rhythmé - Attacca | 2:40 | |
| 68-5 | III. Valencia. Animé - Légèrement Moins Animé - Modéré - Animé - Un Peu Plus Animé | 5:16 | |
| 68-6 | Pavane Pour Une Infante Défunte, M 19: Lent | 5:15 | |
| 68-7 | Clair de Lune. Andante Très Expressif (No. 3 From: Suite Bergamasque) | 4:13 | |
| 68-8 | España, Rhapsody For Orchestra: Allegro Con Fuoco | 5:57 | |
| Bartok: Concerto For Orchestra (1954) | |||
| Concerto For Orchestra, Sz. 116 | |||
| 69-1 | I. Introduzione. Andante Non Troppo - Allegro Vivace - Tempo I | 9:33 | |
| 69-2 | II. Giuco Delle Coppie. Allegretto Scherzando | 6:30 | |
| 69-3 | III. Elegia. Andante, Non Troppo | 7:25 | |
| 69-4 | IV. Intermezzo Interrotto. Allegretto | 4:15 | |
| 69-5 | V. Finale. Pesante - Presto | 8:52 | |
| Yardumian: Armenian Suite (1954), Desolate City, Violin Concerto, Psalms Symphony (1954) | |||
| Armenian Suite | |||
| 70-1 | I. Introduction: Harvest | 1:02 | |
| 70-2 | II. Song: Reminiscences Of A Song From Childhood | 2:45 | |
| 70-3 | III. Lullaby | 1:21 | |
| 70-4 | IV. Dance No. 1: Love Song | 0:48 | |
| 70-5 | V. Interlude: The Bells Rang Out Good Morning | 2:15 | |
| 70-6 | VI. Dance No. 2: Allegro Spiritoso | 2:23 | |
| 70-7 | VII. Finale | 4:15 | |
| 70-8 | Desolate City | 5:51 | |
| Concerto for Violin and Orchestra | |||
| 70-9 | I. Maestoso | 12:04 | |
| 70-10 | II. Allegro | 4:03 | |
| 70-11 | Symphony No. 2 “Psalms”, for Medium Voice and Orchestra: I. Psalm 130 | 10:19 | |
| William Schuman: Symphony No. 6 (1953) / Walter Piston: Symphony No. 4 (1054) | |||
| 71-1 | Symphony No. 6, In One Movement: Largo - Moderato Con Moto - Leggeramente - Adagio - Allegro Risoluto - Presto - Larghissimo | 27:44 | |
| Symphony No. 4 | |||
| 71-2 | I. Piacevole | 5:55 | |
| 71-3 | II. Ballando | 4:59 | |
| 71-4 | III. Contemplativo | 8:26 | |
| 71-5 | IV. Energico | 4:13 | |
| Stravinsky: Le Sacre Du Printemps (1955), Pétrouchka: Suite (1954) | |||
| Le Sacre Du Printemps | |||
| 72-1 | Part I L'Adoration de la Terre: Introduction - Les Augures Printaniers (Danses Des Adolescentes) - Jeu Du Rapt - Rondes Printanières - Jeux Des Cités Rivales - Cortège Du Sage - Adoration de la Terre - Le Sage - Danse de la Terre | 13:58 | |
| 72-2 | Part II Le Sacrifice: Introduction - Cercles Mystérieux Des Adolescentes - Glorification De L'Élue - Évocation Des Ancêtres - Action Rituelle Des Ancêtres - Danse Sacrale. L'Élue | 15:49 | |
| Pétrouchka: Suite (1911 version) | |||
| 72-3 | Scene 1. Fête Populaire de la Semaine Grasse | 0:53 | |
| 72-4 | Scene 1. La Foule | 4:24 | |
| 72-5 | Scene 1. La Cabine Du Charlatan | 1:42 | |
| 72-6 | Scene 1. Danse Russe | 2:27 | |
| 72-7 | Scene 2. Chez Pétrouchka | 4:17 | |
| 72-8 | Scene 4. Fête Populaire de la Semaine Grasse (Vers Le Soir) | 0:57 | |
| 72-9 | Scene 4. Danse Des Nounous | 2:22 | |
| 72-10 | Scene 4. Danse Du Paysan Et de L'ours | 1:38 | |
| 72-11 | Scene 4. Le Joyeux Négociant Et Deux Bohémiennes | 0:51 | |
| 72-12 | Scene 4. Danse Des Cochers Et Des Palefreniers | ||
| 72-13 | Scene 4. Les Déguisés | ||
| Grieg: Peer Gynt Suites Nos. 1 & 2 (1955) / Bizet: L'Arlésienne Suites Nos. 1 & 2 (1955) | |||
| Peer Gynt Suite No. 1, Op. 46 | |||
| 73-1 | I. Morning Mood. Allegretto Pastorale | 3:35 | |
| 73-2 | II. The Death Of Åse. Andante Doloroso | 4:05 | |
| 73-3 | III. Anitra's Dance. Tempo di Mazurka | 2:10 | |
| 73-4 | IV. In The Hall Of The Mountain King. Alla Marcia E Molto Marcato | 2:35 | |
| Peer Gynt Suite No. 2, Op. 55 | |||
| 73-5 | I. The Abduction of the Bride - Ingrid's Lament. Allegro furioso - Andante doloroso | 3:43 | |
| 73-6 | II. Arabian Dance. Allegretto Vivace | 4:34 | |
| 73-7 | III. Peer Gynt's Homecoming - Stormy Evening On The Sea. Allegro Agitato | 2:33 | |
| 73-8 | IV. Solveig's Song. Andante - Allegretto Tranquillamente | 4:25 | |
| L'Arlésienne Suite No. 1 | |||
| 73-9 | I. Prelude. Allegro Deciso (Tempo di Marcia) - Andantino - Andante Molto | 5:48 | |
| 73-10 | II. Minuetto. Allegro Giocoso | 2:55 | |
| 73-11 | III. Adagietto. Adagio | 2:22 | |
| 73-12 | IV. Carillon. Allegro Moderato - Andantino - Tempo I | 3:59 | |
| L'Arlésienne Suite No. 2 | |||
| 73-13 | I. Pastorale. Andante Sostenuto Assai - Andantino - Tempo I | 5:21 | |
| 73-14 | II. Intermezzo. Andante Moderato Ma Con Moto - Allegro Moderato - Tempo I | 3:43 | |
| 73-15 | III. Menuet. Andantino Quasi Allegretto | 3:47 | |
| 73-16 | IV. Farandole. Allegro Deciso (Tempo di Marcia) - Allegro Vivo E Deciso | 3:15 | |
| Beethoven: Piano Concertos Nos. 2 & 4 (1955) | |||
| Concerto For Piano And Orchestra No. 4 In G Major, Op. 58 | |||
| 74-1 | I. Allegro Moderato | 17:39 | |
| 74-2 | II. Andante Con Moto - Attacca | 5:07 | |
| 74-3 | III. Rondo. Vivace | 9:10 | |
| Concerto For Piano And Orchestra No. 2 In B-flat Major, Op. 19 | |||
| 74-4 | I. Allegro Con Brio | 12:36 | |
| 74-5 | II. Adagio | 10:00 | |
| 74-6 | III. Rondo. Molto Allegro | 5:44 | |
| Sibelius: Symphonies Nos. 4 & 5 (1954) | |||
| Symphony No. 4 In A Minor, Op. 63 | |||
| 75-1 | I. Tempo Molto Moderato, Quasi Adagio | 8:55 | |
| 75-2 | II. Allegro Molto Vivace - Doppio Più Lento | 4:43 | |
| 75-3 | III. Il Tempo Largo | 8:37 | |
| 75-4 | IV. Allegro | 9:04 | |
| Symphony No. 5 In E-flat Major, Op. 82 | |||
| 75-6 | I. Tempo Molto Moderato - Allegro Moderato (Ma Poco A Poco Stretto) - Presto - Più Presto | 12:11 | |
| 75-7 | II. Andante Mosso, Quasi Allegretto - Tranquillo - Poco A Poco Stretto - Tempo I | 7:53 | |
| 75-8 | III. Allegro Molto - Misterioso - Largamente Assai - Un Pochettino Stretto | 8:53 | |
| Rachmaninoff: The Bells, The Isle of the Dead (1954) | |||
| The Bells, Op. 35 | |||
| 76-1 | I. The Silver Sleigh Bells. Allegro, Ma Non Tanto | 6:00 | |
| 76-2 | II. The Mellow Wedding Bells. Lento - Adagio | 9:26 | |
| 76-3 | III. The Loud Alarm Bells. Presto - Prestissimo | 8:02 | |
| 76-4 | IV. The Mournful Iron Bells. Lento Lugubre - Allegro - Andante - Tempo I | 10:39 | |
| 76-5 | The Isle Of The Dead, Op. 29: Lento - Tranquillo - Largo - Allegro Molto - Largo - Tempo I | 19:09 | |
| Tchaikovsky: Symphony No. 4 (1953) | |||
| Symphony No. 4 In F Minor, Op. 36 | |||
| 77-1 | I. Andante Sostenuto - Moderato Con Anima - Moderato Assai, Quasi Andante - Allegro Vivo | 17:15 | |
| 77-2 | II. Andantino In Modo di Canzone | 9:15 | |
| 77-3 | III. Scherzo. Pizzicato Ostinato. Allegro | 5:11 | |
| 77-4 | IV. Finale. Allegro Con Fuoco | 9:05 | |
| Bach: Orchestral Arrangements (1954-1955) | |||
| Fantasia And Fugue In B Minor, BWV 542 | |||
| 78-1 | Fantasie (Praeludium) | 6:43 | |
| 78-2 | Fuga | 5:21 | |
| 78-3 | Air On The G String, From: Orchestral Suite (Overture) No. 3 In D Major, BWV 1068 | 4:25 | |
| Prelude And Fugue In C Minor, BWV 546 | |||
| 78-4 | Praeludium | 7:03 | |
| 78-5 | Fuga | 4:14 | |
| 78-6 | Ich Steh Mit Einem Fuß Im Grabe. Aria From Cantata “Ich Steh Mit Einem Fuß Im Grabe”, BWV 156 | 5:10 | |
| 78-7 | Ach Gott, Vom Himmel Sieh Darein, Choral Prelude, BWV 741 | 4:42 | |
| 78-8 | Fugue In G Minor, BWV 578 | 3:39 | |
| Fantasia And Fugue In C Minor, BWV 537 | |||
| 78-9 | Fantasia | 4:55 | |
| 78-10 | Fuga | 3:19 | |
| 78-11 | Komm, Süßer Tod, Komm, Sel'ge Ruh!, BWV 478 (Sacred Song From: Schemelli's Song-Book) | 4:07 | |
| Vivaldi: Concerto For 2 Violins (1955) / Bach: Violin Concertos No.1 & 2 (1955-1956) / Mendelssohn: Violin Concerto (1950) | |||
| Concerto For 2 Violins, Strings And Basso Continuo In A Minor, RV 522 | |||
| 79-1 | I. Allegro | 3:49 | |
| 79-2 | II. Larghetto E Spiritoso | 4:51 | |
| 79-3 | III. Allegro (Booklet Note: Transposed Version Of The Last Movement Of Vivaldi's Concerto In D Minor, RV 813) | 2:46 | |
| Concerto For Violin, Strings And Basso Continuo No. 1 In A Minor, BWV 1041 | |||
| 79-4 | I. [Allegro Moderato] | 4:15 | |
| 79-5 | II. Andante | 7:03 | |
| 79-6 | III. Allegro Assai | 4:06 | |
| Concerto For Violin, Strings And Basso Continuo No. 2 In E Major, BWV 1042 | |||
| 79-7 | I. Allegro | 7:57 | |
| 79-8 | II. Adagio | 6:45 | |
| 79-9 | III. Allegro Assai | 2:50 | |
| Concerto For Violin And Orchestra In E Minor, Op. 64 | |||
| 79-10 | I. Allegro Molto Apionato - Attacca | 12:11 | |
| 79-11 | II. Andante - Attacca | 7:56 | |
| 79-12 | III. Allegretto Non Troppo - Allegro Molto Vivace | 6:08 | |
| Wagner: Orchestral Music From Parsifal (1955) | |||
| Parsifal, A Sacred Stage Festival Play In 3 Acts (Excerpts) | |||
| 80-1 | Prelude | 14:32 | |
| 80-2 | Act I. Transformation Music - Closing Scene | 8:05 | |
| 80-3 | Act II. Klingsor's Magic Garden | 11:15 | |
| 80-4 | Act III. Good Friday Music | 10:16 | |
| 80-5 | Act III. Closing Scene | 6:40 | |
| Mendelssohn: Violin Concerto (1955) / Mozart: Violin Concerto No.4 (1955) / Paganini: Violin Concerto No. 1 (1950) | |||
| Concerto For Violin And Orchestra In E Minor, Op. 64 | |||
| 81-1 | I. Allegro Molto Apionato - Attacca | 12:46 | |
| 81-2 | II. Andante - Attacca | 8:14 | |
| 81-3 | III. Allegretto Non Troppo - Allegro Molto Vivace | 6:12 | |
| Concerto For Violin And Orchestra No. 4 In D Major, K. 218 | |||
| 81-4 | I. Allegro | 9:23 | |
| 81-5 | II. Andante Cantabile | 8:06 | |
| 81-6 | III. Rondeau. Andante Grazioso - Allegro Ma Non Troppo | 7:40 | |
| Concerto For Violin And Orchestra No. 1 In D Major, Op. 6 | |||
| 81-7 | I. Allegro Maestoso | 15:59 | |
| 81-8 | II. Adagio | 4:04 | |
| 81-9 | III. Rondo. Allegro Spiritoso | 5:44 | |
| Rachmaninoff: Piano Concerto No. 2 (1956), 2 Préludes (1950) | |||
| Concerto For Piano And Orchestra No. 2 In C Minor, Op. 18 | |||
| 82-1 | I. Moderato - Più Vivo - Allegro - Maestoso (Alla Marcia) - Moderato | 10:08 | |
| 82-2 | II. Adagio Sostenuto | 10:38 | |
| 82-3 | III. Allegro Scherzando - Moderato - Allegro Scherzando - Presto - Moderato - Allegro Scherzando - Alla Breve - Presto - Maestoso - Risoluto | 10:57 | |
| 82-4 | Prélude In G Major, Op. 32/5: Moderato | 3:26 | |
| 82-5 | Prélude In G Minor, Op. 23/5: Alla Marcia | 3:42 | |
| Roy Harris: Symphony No. 7 (1955) & “1933” (No. 1) (1934) | |||
| 83-1 | Symphony No. 7 | 18:53 | |
| Symphony “1933” (No. 1) | |||
| 83-2 | I. Allegro | 8:10 | |
| 83-3 | II. Andante | 11:18 | |
| 83-4 | III. Finale. Maestoso | 6:31 | |
| Beethoven: Symphony No. 5 (1955) / Mozart: Symphony No. 40 (1956) | |||
| Symphony No. 5 In C Minor, Op. 67 | |||
| 84-1 | I. Allegro Con Brio | 7:39 | |
| 84-2 | II. Andante Con Moto | 9:56 | |
| 84-3 | III. Allegro - Attacca | 5:09 | |
| 84-4 | IV. Allegro | 8:43 | |
| Symphony No. 40 In G Minor, K. 550 | |||
| 84-5 | I. Molto Allegro | 7:47 | |
| 84-6 | II. Andante | 7:27 | |
| 84-7 | III. Menuetto. Allegretto - Trio | 4:17 | |
| 84-8 | IV. Allegro Assai | 9:15 | |
| Vincent Persichetti: Symphony No. 4 (1954) / Louis Gesensway: 4 Squares Of Philadelphia (1955) | |||
| Symphony No. 4, Op. 51 | |||
| 85-1 | I. Adagio - Allegro | 7:35 | |
| 85-2 | II. Andante | 5:46 | |
| 85-3 | III. Allegretto | 4:17 | |
| 85-4 | IV. Presto | 6:21 | |
| 4 Squares Of Philadelphia | |||
| 85-5 | Prologue - Washington Square. Early Morning | 7:58 | |
| 85-6 | Rittenhouse Square. Afternoon | 4:11 | |
| 85-7 | Logan Square At Dusk | 7:43 | |
| 85-8 | Franklin Square At Night - Epilogue | 7:23 | |
| Debussy: Prélude À L'après-midi D'un Faune, Nocturnes (1955) / Ravel: Daphnis Et Chloé, Suite No. 2 (1955) | |||
| 86-1 | Prélude à L'après-midi D'un Faune, L 86: Très Modéré | 9:55 | |
| Daphnis Et Chloé: Symphonic Fragments, Suite No. 2, M 57b | |||
| 86-2 | I. Lever Du jour. Lent | 4:42 | |
| 86-3 | II. Pantomime. Lent - Très Lent - Vif - Très Lent - 𝅘𝅥 = 80 - Attacca | 6:09 | |
| 86-4 | III. Danse Générale. Animé | 4:14 | |
| Nocturnes, L 91: Symphonic Triptych For Orchestra And Choirs | |||
| 86-5 | Nuages. Modéré - Un Peu Animé | 8:04 | |
| 86-6 | Fêtes. Animé Et Très Rythmé - De Plus En Plus Sonore Et En Serrant Le Mouvement | 6:05 | |
| 86-7 | Sirènes. Modérément Animé | 11:27 | |
| Lalo: Symphonie Espagnole (1956) / Bruch: Violin Concerto No. 1 (1956) | |||
| Symphonie Espagnole In D Minor, Op. 21 | |||
| 87-1 | I. Allegro Non Troppo | 7:34 | |
| 87-2 | II. Scherzando. Allegro Molto | 4:16 | |
| 87-3 | III. Intermezzo. Allegretto Non Troppo | 5:56 | |
| 87-4 | IV. Andante | 6:18 | |
| 87-5 | V. Rondo. Allegro | 6:49 | |
| Concerto For Violin And Orchestra No. 1 In G Minor, Op. 26 | |||
| 87-6 | I. Vorspiel. Allegro Moderato - Attacca | 7:55 | |
| 87-7 | II. Adagio | 8:31 | |
| 87-8 | III. Finale. Allegro Energico - Presto | 6:41 | |
| Brahms: Violin Concerto (1956) / Vieuxtemps: Violin Concerto No. 4 (1957) | |||
| Concerto For Violin And Orchestra In D Major, Op. 77 | |||
| 88-1 | I. Allegro Non Troppo (Cadenza: Joseph Joachim) | 21:06 | |
| 88-2 | II. Adagio | 8:58 | |
| 88-3 | III. Allegro Giocoso, Ma Non Troppo Vivace - Poco Più Presto | 7:49 | |
| Concerto For Violin And Orchestra No. 4 In D Minor, Op. 31 | |||
| 88-4 | I. Andante - Moderato - Attacca | 9:27 | |
| 88-5 | II. Adagio Religioso | 6:33 | |
| 88-6 | III. Scherzo. Vivace - Trio (Meno Mosso) | 4:37 | |
| 88-7 | IV. Finale Marziale. Andante - Allegro | 7:50 | |
| Dvořák: Symphony No. 9 “From The New World” (1956) | |||
| Symphony No. 9 In E Minor “From The New World”, Op. 95 | |||
| 89-1 | I. Adagio - Allegro Molto | 8:38 | |
| 89-2 | II. Largo | 12:07 | |
| 89-3 | III. Scherzo. Molto Vivace | 7:39 | |
| 89-4 | IV. Allegro Con Fuoco | 10:50 | |
| Brahms: Piano Concerto No. 2 (1956) | |||
| Concerto For Piano And Orchestra No. 2 In B-flat Major, Op. 83 | |||
| 90-1 | I. Allegro Non Troppo | 15:49 | |
| 90-2 | II. Allegro Apionato | 8:12 | |
| 90-3 | III. Andante - Più Adagio - Tempo I | 12:45 | |
| 90-4 | IV. Allegretto Grazioso - Un Poco Più Presto | 8:44 | |
| Virtuosi Di Philadelphia (1955) | |||
| 91-1 | Moto Perpetuo, Op. 11 | 4:54 | |
| 91-2 | Sonata Pian' E Forte (From: Sacrae Symphoniae - Book 1: No. 33) | 5:12 | |
| 91-3 | Concerto For Percussion And Small Orchestra, Op. 109: Vif 𝅘𝅥 = 116. Rude Et Dramatique | 7:07 | |
| 91-4 | Serenade In E-flat Major, Op. 7 For 13 Wind Instruments | 9:07 | |
| Serenade No. 2 In A Major, Op. 16 For Small Orchestra (excerpts) | |||
| 91-5 | III. Adagio Non Troppo | 8:02 | |
| 91-6 | V. Rondo. Allegro | 6:35 | |
| 91-7 | Pomp And Circumstance March No. 1 In D Major, Op. 39/1: Allegro, Con Molto Fuoco - Trio. Largamente - Molto Maestoso | 6:14 | |
| Albéniz: Iberia (1956) | |||
| Iberia | |||
| 92-1 | Book I. Evocación | 4:08 | |
| 92-2 | Book I. El Puerto | 4:51 | |
| 92-3 | Book I. El Corpus En Sevilla | 8:14 | |
| 92-4 | Book II. Rondeña | 6:20 | |
| 92-5 | Book II. Almeria | 7:21 | |
| 92-6 | Book II. Triana | 4:57 | |
| 92-7 | Book III. El Albaicín | 6:12 | |
| 92-8 | Book III. El Polo | 5:46 | |
| 92-9 | Book III. Lavapiés | 7:11 | |
| 92-10 | Book IV. Málaga | 5:45 | |
| 92-11 | Book IV. Jérez | 6:27 | |
| 92-12 | Book IV. Eritaña | 4:31 | |
| Khachaturian: Gayane (1956) / Kabalevsky: The Comedians (1956) | |||
| Gayane. Excerpts from the Ballet | |||
| 93-1 | Sabre Dance | 2:31 | |
| 93-2 | Lullaby | 4:48 | |
| 93-3 | Dance Of The Rose Maidens | 1:59 | |
| 93-4 | Andante (Introduction) | 7:40 | |
| 93-5 | Lesghinka | 2:52 | |
| The Comedians, Op. 26. Suite For Small Orchestra | |||
| 93-6 | I. Prologue | 1:05 | |
| 93-7 | II. Comedians' Gallop. Presto | 1:35 | |
| 93-8 | III. March. Moderato | 1:21 | |
| 93-9 | IV. Waltz. Moderato | 1:15 | |
| 93-10 | V. Pantomine. Sostenuto E Pesante | 1:41 | |
| 93-11 | VI. Intermezzo. Allegro Scherzando | 0:52 | |
| 93-12 | VII. Little Lyrical Scene. Andante Semplice | 1:27 | |
| 93-13 | VIII. Gavotte. Allegretto | 1:45 | |
| 93-14 | IX. Scherzo. Presto Assai E Molto Leggiero | 1:54 | |
| 93-15 | X. Epilogue. Allegro Molto E Con Brio | 2:18 | |
| Copland: Appalachian Spring (1954), Billy the Kid (1955) | |||
| Appalachian Spring. Ballet For Martha | |||
| 94-1 | Introduction Of Characters. Very Slowly | 2:46 | |
| 94-2 | Display Of Action. Allegro | 2:33 | |
| 94-3 | Pas de Deux For The Bride And The Groom. Moderato | 3:12 | |
| 94-4 | Revival Meeting. Fast - Molto Moderato | 3:10 | |
| 94-5 | Bride's Solo. Subito Allegro - Presto | 3:33 | |
| 94-6 | As At First (Slowly) | 1:37 | |
| 94-7 | Shaker Theme: “The Gift To Be Simple” And Variations Underscoring Scenes Of Daily Activity For The Bride And Groom. Doppio Movimento | 11:12 | |
| 94-8 | Coda. Moderato - Andante (Very Calm) | 2:52 | |
| Billy The Kid. Ballet Suite | |||
| 94-9 | Introduction. The Open Prairie | 3:27 | |
| 94-10 | Street In A Frontier Town - Mexican Dance And Finale | 6:28 | |
| 94-11 | Prairie Night (Card Game At Night) | 3:06 | |
| 94-12 | Gun Battle | 1:57 | |
| 94-13 | Celebration (After Billy's Capture) | 2:18 | |
| 94-14 | Billy's Death | 1:03 | |
| 94-15 | The Open Prairie Again | 1:41 | |
| Johann Strauss II: Die Fledermaus Overture & Suite, Waltzes (1952-1958) / Josef Strauss: Waltzes (1955) | |||
| 95-1 | Die Fledermaus: Overture | 7:50 | |
| 95-2 | Die Fledermaus: Suite | 13:11 | |
| 95-3 | Tausend Und Eine Nacht, Op. 346: Waltz | 7:02 | |
| 95-4 | Sphärenklänge, Op. 235: Waltz | 7:22 | |
| 95-5 | Schwert Und Leier, Op. 71: Waltz | 6:12 | |
| 95-6 | Kaiser-Walzer, Op. 437 | 10:04 | |
| 95-7 | An Der Schönen Blauen Donau, Op. 314: Waltz | 8:37 | |
| 95-8 | Rosen Aus Dem Süden, Op. 388: Waltz | 8:12 | |
| Schumann: Piano Concerto (1956) / Richard Strauss: Burleske (1955) | |||
| Concerto For Piano And Orchestra In A Minor, Op. 54 | |||
| 96-1 | I. Allegro Affettuoso | 14:16 | |
| 96-2 | II. Intermezzo. Andantino Grazioso - Attacca | 4:54 | |
| 96-3 | III. Allegro Vivace | 9:37 | |
| 96-4 | Burleske For Piano And Orchestra In D Minor, TRV 145 | 17:23 | |
| Richard Strauss: Don Juan (1955), Till Eulenspiegel, Rosenkavalier Waltzes, Feuersnot Love Scene (1952) | |||
| 97-1 | Don Juan, Op. 20. Tone Poem After Nokolaus Lenau For Large Orchestra: Allegro Molto Con Brio | 16:46 | |
| 97-2 | Der Rosenkavalier: Waltzes | 9:21 | |
| Till Eulenspiegel Lustige Streiche, Op. 28 | |||
| 97-3 | Gemächlich - | 1:08 | |
| 97-4 | Immer Sehr Lebhaft - | 7:08 | |
| 97-5 | Etwas Gemütlicher - | 3:17 | |
| 97-6 | 4 Bars Before Fig. 38 - | 1:41 | |
| 97-7 | Epilog. Doppelt So Langsam | 1:17 | |
| 97-8 | Feuersnot, Op. 50: Love Scene | 8:02 | |
| William Schuman: Credendum (1956) / Leon Kirchner: Piano Concerto No. 1 (1956) | |||
| Credendum (Article Of Faith) | |||
| 98-1 | I. Declaration. Moderato Con Fuoco - Attacca | 3:11 | |
| 98-2 | II. Chorale. Lento - Attacca | 7:24 | |
| 98-3 | III. Finale. Presto | 6:57 | |
| Concerto For Piano And Orchestra No. 1 | |||
| 98-4 | I. Allegro 𝅘𝅥 = ca. 92 | 10:50 | |
| 98-5 | II. 𝅘𝅥 = 72-76 | 10:05 | |
| 98-6 | III. 𝅘𝅥 𝅼 = 66-72 | 9:25 | |
| Tchaikovsky: Serenade For Strings (1952) / Borodin: Notturno (1957) / Barber: Adagio (1957) / Vaughn Williams: Greensleeves (1957) | |||
| Serenade For String Orchestra In C Major, Op. 48 | |||
| 99-1 | I. Pezzo In Forma di Sonatina. Andante Non Troppo - Allegro Moderato | 8:46 | |
| 99-2 | II. Valse. Moderato. Tempo di Valse | 3:38 | |
| 99-3 | III. Élégie. Larghetto Elegiaco | 7:21 | |
| 99-4 | IV. Finale. Tema Russo. Andante - Allegro Con Spirito | 4:32 | |
| 99-5 | Notturno (from: String Quartet No.2) | 8:54 | |
| 99-6 | Adagio For Strings. Molto Adagio (Arrangement Of Movement II Of String Quartet Op. 11) | 8:15 | |
| 99-7 | Fantasia On “Greensleeves” | 5:00 | |
| Reinhold Glière: Symphony No. 3 “Ilya Muromets” (1956) | |||
| Symphony No. 3 In B Minor “Ilya Muromets”, Op. 42 | |||
| 100-1 | I. Pèlerins Errants. Ilia Mourometz Et Sviatogor. Andante Sostenuto - Più Mosso - Andante Con Moto - Allegro Risoluto - Tranquillo Misterioso - Tempo I - Più Mosso E Molto Agitato - Maestoso | 15:04 | |
| 100-2 | II. Solovéï Le Brigand. Andante - Tranquillo Molto - Animando Poco A Poco - Agitato - Tempo I - Poco Più Mosso | 15:39 | |
| 100-3 | III. Chez Vladimir Beau Soleil. Allegro | 6:55 | |
| 100-4 | IV. Les Prouesses Et la Pétrification D'Ilia Mourometz. Allegro Tumultoso - Allegro Furioso - Tranquillo - Più Mosso - Giocoso - Maestoso Solenne - Poco Mosso - Andante Sostenuto | 17:00 | |
| Tchaikovsky: Swan Lake. Ballet in 4 Acts (1956) (excerptsE | |||
| Swan Lake, Op. 20 | |||
| 101-1 | Act I. No. 1: Scène. Allegro giusto | 2:53 | |
| 101-2 | Act I. No. 2: Valse. Tempo di Valse | 5:21 | |
| 101-3 | Act I. No. 7: Sujet | 0:36 | |
| 101-4 | Act I. No. 8: Danse Des Coupes. Tempo di Polacca | 4:13 | |
| 101-5 | Act II. No. 10: Scène. Moderato | 2:51 | |
| 101-6 | Act II. No. 13e Danse Des Cygnes: Pas D'action. Andante - Andante Non Troppo - Tempo I - Allegro - | 6:38 | |
| 101-7 | Act II. No. 13d Danse Des Cygnes: Allegro Moderato | 1:29 | |
| 101-8 | Act II. No. 13g Danse Des Cygnes: Coda. Allegro Vivo | 1:26 | |
| 101-9 | Act III. No. 21: Danse Espagnole. Allegro Non Troppo (Tempo di Bolero) | 2:17 | |
| 101-10 | Act III. No. 20: Danse Hongroise. Czardas. Moderato Assai - Allegro Moderato - Vivace | 2:46 | |
| 101-11 | Act III. No. 23: Mazurka. Tempo di Mazurka | 3:17 | |
| 101-12 | Act IV. No. 27: Danses Des Petits Cygnes. Moderato | 4:29 | |
| 101-13 | Act IV. No. 29: Scène Finale. Andante - Allegro Agitato - Alla Breve. Moderato E Maestoso - Moderato | 5:47 | |
| Overtures By: Rossini / Offenbach / Smetana / Thomas / Suppé / Berlioz (1952-1954) | |||
| 102-1 | Guillaume Tell: Overture. Andante - Allegro - Andantino - Allegro Vivace | 11:25 | |
| 102-2 | Orphée Aux Enfers: Overture | 9:45 | |
| 102-3 | The Bartered Bride: Overture. Vivacissimo | 6:43 | |
| 102-4 | Mignon: Overture | 8:32 | |
| 102-5 | Die Schöne Galathée: Overture | 7:04 | |
| 102-6 | Leichte Kavallerie: Overture | 6:59 | |
| 102-7 | Le Carnaval Romain, Op. 9: Allegro Assai Con Fuoco - Andante Sostenuto - Tempo I. Allegro Vivace | 8:41 | |
| Wieniawski: Violin Concerto No.2 (1957) / Saint-Saëns: Introduction Et Rondo Capriccioso (1957) / Ravel: Tzigane (1957) | |||
| Concerto For Violin And Orchestra No. 2 In D Minor, Op. 22 | |||
| 103-1 | I. Allegro Moderato - Attacca | 11:09 | |
| 103-2 | II. Romance. Andante Non Troppo - Allegro Con Fuoco - Cadenza | 4:39 | |
| 103-3 | III. Allegro Moderato (à la Zingara) | 5:54 | |
| 103-4 | Introduction Et Rondo Capriccioso In A Minor, Op. 28: Andante (malinconico) - Allegro Ma Non Troppo - Più Allegro | 8:52 | |
| 103-5 | Tzigane, M 76: Lento, Quasi Cadenza - Molto Espressivo. Portando - Quasi Cadenza - Moderato - Allegro - Sempre Accelerando - Presto | 8:56 | |
| Saint-Saëns: Symphony No. 3 “Organ” (1956) | |||
| Symphony No. 3 In C Minor “Organ”, Op. 78 | |||
| 104-1 | I. Adagio - Allegro Moderato - | 10:04 | |
| 104-2 | I. Poco Adagio | 8:52 | |
| 104-3 | II. Allegro Moderato - Presto - | 7:08 | |
| 104-4 | II. Maestoso - Allegro | 7:26 | |
| Schubert: Symphony No. 8 “Unfinished” (1956) / Mendelssohn: Ein Sommernachtstraum (Excerpts) (1957) | |||
| Symphony No. 8 In B Minor “Unfinished”, D 759 | |||
| 105-1 | I. Allegro Moderato | 10:47 | |
| 105-2 | II. Andante Con Moto | 10:50 | |
| Ein Sommernachtstraum, Op. 61 (A Midsummer Night's Dream) (Excerpts) | |||
| 105-3 | Overture, Op. 21: Allegro di Molto | 12:12 | |
| 105-4 | No. 1: Scherzo. Allegro Vivace | 4:34 | |
| 105-5 | No. 5 [Intermezzo]. Allegro Apionato | 3:09 | |
| 105-6 | No. 7 [Notturno]. Andante Tranquillo | 6:01 | |
| Glière: Russian Sailor's Dance (1957) / Smetana: The Bartered Bride (1953) / Brahms: Hungarian Dances (sel.) (1953-1957) / Khachaturian: Sabre Dance (1956) | |||
| 106-1 | Russian Sailors' Dance (From: The Red Poppy, Op. 70) | 3:25 | |
| The Bartered Bride (Excerpts) | |||
| 106-2 | Polka. Moderato | 4:16 | |
| 106-3 | Furiant. Allegro Energico | 1:57 | |
| 106-4 | Dance Of The Comedians. Vivace | 4:29 | |
| Hungarian Dances, WoO 1 (Sel.) | |||
| 106-5 | No. 5 In G Minor. Allegro - Vivace | 2:49 | |
| 106-6 | No. 6 In D Major. Vivace | 3:08 | |
| 106-7 | No. 17 In F-sharp Minor. Andantino - Vivace | 2:29 | |
| 106-8 | No. 18 In D Major. Molto Vivace | 1:16 | |
| 106-9 | No. 19 In B Minor. Allegretto | 1:49 | |
| 106-10 | No. 20 In E Minor. Poco Allegretto - Vivace | 2:38 | |
| 106-11 | No. 21 In E Minor. Vivace | 1:33 | |
| 106-12 | Gayane: Sabre Dance | 2:30 | |
| Sibelius: En Saga, Pohjola's Daughter, The Oceanides, Tapiola (1955) / Hugo Alfvén: Swedish Rhapsody No. 1 / Grieg: Peer Gynt Suite (excerpts) | |||
| 107-1 | En Saga, Op. 9: Symphonic Poem | 15:41 | |
| 107-2 | Pohjola's Daughter, Op. 49: Symponic Fantasia | 11:45 | |
| 107-3 | The Oceanides, Op. 73: Symphonic Poem. Sostenuto Assai | 8:20 | |
| 107-4 | Tapiola, Op. 112: Symphonic Poem. Largamente - Allegro - Allegro Moderato | 18:03 | |
| 107-5 | Swedish Rhapsody No. 1 “Midsommarvaka”, Op. 19 | 11:37 | |
| Peer Gynt Suite No. 1, Op. 46 (Excerpts) | |||
| 107-6 | III. Anitra's Dance. Tempo Di Mazurka | 3:27 | |
| 107-7 | IV. In The Hall Of The Mountain King. Alla Marcia E Molto Marcato | 2:36 | |
| Enescu: 2 Romanian Rhapsodies (1957) / Dvořák: Carnival Overture (1957) / Tchaikovsky: sca Da Rimini (1955) | |||
| 2 Romanian Rhapsodies, Op. 11 | |||
| 108-1 | No. 1 In A Major | 12:09 | |
| 108-2 | No. 2 in D major | 10:36 | |
| 108-3 | Carnival, Op. 92: Concert Overture. Allegro - Andante Con Moto - Allegro | 8:58 | |
| 108-4 | sca Da Rimini, Op. 32: Symphonic Fantasia After Dante. Andante Lugubre - Allegro Vivo - Andante Cantabile Non Troppo - Allegro Vivo | 22:45 | |
| Sarasate: Zigeunerweisen (1957) / Saint-Saëns: Havanaise (1957), Introduction Et Rondo Capriccioso (1950) / Chausson: Poème (1957) | |||
| Zigeunerweisen, Op. 20 | |||
| 109-1 | Moderato - | 1:13 | |
| 109-2 | Lento - | 4:10 | |
| 109-3 | Un Peu Plus Lent - | 2:22 | |
| 109-4 | Allegro Molto Vivace | 1:53 | |
| Havanaise In E Major, Op. 83 | |||
| 109-5 | Allegretto Lusinghiero - | 2:21 | |
| 109-6 | Allegro - Tempo I - | 5:11 | |
| 109-7 | Allegro Non Troppo - Più Allegro - Allegretto | 2:07 | |
| 109-8 | Introduction Et Rondo Capriccioso In A Minor, Op. 28: Andante (Malinconico) - Allegro Ma Non Troppo - Più Allegro | 8:48 | |
| 109-9 | Poème, Op. 25: Lento E Misterioso - Molto Animato - Animato - Poco Lento - Poco Meno Lento - Allegro - Tempo I - Tranquillo | 15:37 | |
| Smetana: The Moldau (1956) / Weber: Aufforderung Zum Tanz (1957) / Liszt: Mephisto Waltz No. 1 (1958) / Berlioz: La Damnation de Faust (1953) | |||
| The Moldau (Vitava). Symphonic Poem No. 2 From : My Fatherland (Má Vlast) | (12:06) | ||
| 110-1.1 | The First Source Of The Moldau | ||
| 110-1.2 | The Second Source - Woods; Hunt. Allegro Comodo Non Agitato | ||
| 110-1.3 | Peasant Wedding. L'istesso Tempo Ma Moderato | ||
| 110-1.4 | Moonlight; Nymph's Roundelay. L'istesso Tempo | ||
| 110-1.5 | St. John's Rapids. Tempo I | ||
| 110-1.6 | The Moldau Flows Broadly Onward. Più Moto | ||
| 110-1.7 | Vyšehrad | ||
| 110-2 | Aufforderung Zum Tanz, Op. 65 (Invitation To The Dance) | 8:58 | |
| 110-3 | Mephisto Waltz No. 1 “Der Tanz In Der Dorfschenke”, S 110/2 (excerpts): Allegro Vivace, Quasi Presto | 11:20 | |
| La Damnation de Faust, Op. 24 | |||
| 110-4 | Menuets Des Follets. Moderato - Presto E Leggiero | 5:16 | |
| 110-5 | Ballet Des Sylphes. Allegro (Tempo di Valse) | 2:17 | |
| 110-6 | Marche Hongroise (Rákóczy March). Allegro Marcato | 4:05 | |
| Norman Dello Joio: Variations, Chaconne & Finale (1957) / John Vincent: Symphony In D (1957) | |||
| Variations, Chaconne and Finale | |||
| 111-1.1 | Theme (Kyrie from Missa de Angelis) | 11:22 | |
| 111-1.2 | Var. I. Semplice e grazioso | ||
| 111-1.3 | Var. II. Andante Religioso | ||
| 111-1.4 | Var. III. Vivacissimo | ||
| 111-1.5 | Var. IV. Allegro Pesante | ||
| 111-1.6 | Var. V. Amabile | ||
| 111-1.7 | Var. VI. Funebre | ||
| 111-2 | Chaconne. Adagio Serioso | 9:30 | |
| 111-3 | Finale. Allegro Vivo, Giocoso E Ritmico | 4:02 | |
| 111-4 | Symphony in D | 19:03 | |
| Prokofiev: Classical Symphony (1955) / Jaromír Weinberger: Schwanda The Bagpiper / Bizet: Symphony No. 1 | |||
| Classical Symphony (No. 1) In D Major, Op. 25 | |||
| 112-1 | I. Allegro | 3:40 | |
| 112-2 | II. Larghetto | 3:16 | |
| 112-3 | III. Gavotta. Non Troppo Allegro | 1:34 | |
| 112-4 | IV. Finale. Molto Vivace | 3:58 | |
| Schwanda The Bagpiper (Švanda Dudák) | |||
| 112-5 | Polka | 2:10 | |
| 112-6 | Fugue | 5:33 | |
| Symphony No. 1 In C Major | |||
| 112-7 | I. Allegro | 7:36 | |
| 112-8 | II. Adagio | 9:38 | |
| 112-9 | III. Scherzo. Allegro Vivace | 5:15 | |
| 112-10 | IV. Finale. Allegro Vivace | 6:16 | |
| Richard Strauss: Don Quixote (1955) | |||
| Don Quixote, Op. 35 | |||
| 113-1 | Introduktion. Mäßiges Zeitmaß | 5:58 | |
| 113-2 | Thema. Mäßig: Der Ritter von Der Traurigen Gestalt - Maggiore: Sancho Panza | 2:10 | |
| 113-3 | Variation I. Gemächlich: Das Abenteuer Mit Den Windmühlen | 2:40 | |
| 113-4 | Variation II. Kregerisch: Der Kampf Gegen Die Hammelherde | 1:32 | |
| 113-5 | Variation III. Mäßiges Zeitmaß: Gespräche Zwischen Ritter Und Knappe | 7:52 | |
| 113-6 | Variation IV. Etwas Breiter: Das Abenteuer Mit Der Prozession von Büßern | 1:51 | |
| 113-7 | Variation V. Sehr Langsam: Don Quixotes Waffenwache Und Herzensergüsse | 4:33 | |
| 113-8 | Variation VI. Schnell: Die Verzauberte Dulzinea | 1:06 | |
| 113-9 | Variation VII. Ein Wenig Ruhiger Als Vorher: Der Ritt Durch Die Luft | 0:54 | |
| 113-10 | Variation VIII. Gemächlich: Die Fahrt Auf Dem Verzauberten Nachen | 1:53 | |
| 113-11 | Variation IX. Schnell Und Stürmisch: Der Kampf Gegen Die Vermeintlichen | 1:08 | |
| 113-12 | Variation X. Viel Breiter: Zweikampf Mit Dem Ritter Vom Blanken Monde - Heimkehr Des Geschlagenen Don Quixote | 4:23 | |
| 113-13 | Finale. Sehr Ruhig: Don Quixotes Tod | 5:24 | |
| Haydn: Symphonies No. 99 (1954) & No. 100 “Military” (1953) | |||
| Symphony No. 99 In E-flat Major, Hob. I:99 | |||
| 114-1 | I. Adagio - Vivace Assai | 6:06 | |
| 114-2 | II. Adagio | 6:34 | |
| 114-3 | III. Menuet. Allegretto - Trio | 4:59 | |
| 114-4 | IV. Finale. Vivace | 4:09 | |
| Symphony No. 100 In G Major “Military”, Hob. I:100 | |||
| 114-5 | I. Adagio - Allegro | 5:38 | |
| 114-6 | II. Allegretto | 5:25 | |
| 114-7 | III. Menuet. Moderato - Trio | 4:48 | |
| 114-8 | IV. Finale. Presto | 4:44 | |
| Beethoven: Piano Concerto No. 5 “Emperor” (1958) | |||
| Concerto For Piano And Orchestra No. 5 In E-flat Major “Emperor”, Op. 73 | |||
| 115-1 | I. Allegro | 19:43 | |
| 115-2 | Ii. Adagio Un Poco Moto - Attacca | 7:43 | |
| 115-3 | III. Rondo. Allegro | 10:08 | |
| Richard Strauss: Rosenkavalier Suite (1958) / Die Frau Ohne Schatten Fantasia (1957) | |||
| Der Rosenkavalier, Concert Suite For Orchestra TrV 227d | (21:12) | ||
| 116-1.1 | Prelude To Act I. Con Moto Agitato - Attacca | ||
| 116-1.2 | Presentation Of The Silver Rose. Allegro Molto - Attacca | ||
| 116-1.3 | Baron Ochs's Waltz. Tempo di Valse, Assai Comodo Da Primo - Attacca | ||
| 116-1.4 | Closing Duet: “Ist Ein Traum”. Moderato Molto Sostenuto - Attacca | ||
| 116-1.5 | Waltz (Reprise) | ||
| 116-2 | Die Frau Ohne Schatten: Symphonic Fantasia, TrV 234a | 20:15 | |
| Victor Herbert: Panamericana, American Fantasy, Irish Rhapsody, Selections From Naughty Marietta & The Fortune Teller (1952) | |||
| 117-1 | Panamericana: Molto Moderato E Marcato | 3:52 | |
| 117-2 | American Fantasy | 9:51 | |
| 117-3 | Irish Rhapsody | 13:30 | |
| 117-4 | Naughty Marietta: Selections | 8:10 | |
| 117-5 | The Fortune Teller: Selections | 8:22 | |
| Beethoven: Symphony No. 6 “Pastoral” (1946) / Schubert: Symphony No. 8 “Unfinished” (1947) | |||
| Symphony No. 6 In F Major “Pastoral”, Op. 68 | |||
| 118-1 | I. Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande. Allegro Ma Non Troppo | 9:04 | |
| 118-2 | II. Szene Am Bach. Andante Molto Moto | 11:42 | |
| 118-3 | III. Lustiges Zusammensein Der Landleute. Allegro - Attacca | 5:07 | |
| 118-4 | IV. Gewitter, Sturm. Allegro - Attacca | 3:20 | |
| 118-5 | V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | 9:04 | |
| Symphony No. 8 In B Minor “Unfinished”, D 759 | |||
| 118-6 | I. Allegro Moderato | 10:24 | |
| 118-7 | II. Andante Con Moto | 12:09 | |
| Jerome Kern: Show Boat / Richard Rodgers: South Pacific, Slaughter On Tenth Avenue (1951) / Berners: The Triumph Of Neptune (1952) / Rossini: Semiramide Overture (1952) | |||
| 119-1 | Show Boat: Scenario For Orchestra | 21:53 | |
| 119-2 | South Pacific: Symphonic Scenario For Orchestra | 9:51 | |
| 119-3 | Slaughter On Tenth Avenue (From: On Your Toes) | 4:25 | |
| The Triumph Of Neptune | |||
| 119-4 | Harlequinade | 1:25 | |
| 119-5 | Dance of the Fairy Princess | 2:05 | |
| 119-6 | Schottische | 2:26 | |
| 119-7 | Cloudland | 3:41 | |
| 119-8 | Sunday Morning (Intermezzo) | 1:58 | |
| 119-9 | The Sailor's Return (Polka) | 3:19 | |
| 119-10 | Hornpipe | 1:42 | |
| 119-11 | The Frozen Forest | 5:42 | |
| 119-12 | Apotheosis of Neptune | 2:46 | |
| 119-13 | Semiramide: Overture. Allegro Vivace - Andantino - Allegro | 11:52 | |
| Symphony in Brief | |||
| 120-1 | Symphony No. 40 In G Minor, K. 550: I. Molto Allegro | 3:18 | |
| 120-2 | Symphony No. 3 In E-flat Major “Eroica”, Op. 55: III. Scherzo. Allegro Vivace - Trio | 4:10 | |
| 120-3 | Symphony No. 3 In A Minor “Scottish”, Op. 56: II. Vivace Non Troppo | 4:28 | |
| 120-4 | Symphony No. 1 In C Minor, Op. 68: III. Un Poco Allegretto E Grazioso | 4:09 | |
| 120-5 | Scheherazade, Op. 35: III. Andantino Quasi Allegretto | 4:15 | |
| 120-6 | Symphony No. 2 In D Major, Op. 43: IV. Finale. Allegro Moderato | 4:41 | |
| 120-7 | Symphony In D Minor, FWV 48: III. Allegro Non Troppo | 4:29 | |
| 120-8 | Symphony No. 4 In F Minor, Op. 36: IV. Finale. Allegro Con Fuoco | 4:40 |
Companies, etc.
- Phonographic Copyright ℗ – Sony Music Entertainment
- Copyright © – Sony Music Entertainment
- Distributed By – Sony Music Entertainment
- Made By – Sonopress
- Published By – Copyright Control
- Published By – Theodore Presser
- Published By – Carl Fischer
- Published By – Elkan-Vogel
- Published By – G. Schirmer Inc.
- Published By – Boosey & Hawkes
- Published By – Éditions Salabert
- Published By – Breitkopf & Härtel
- Published By – Leeds Music
- Published By – Associated Music Publishers
- Published By – G & C Music Corporation
- Published By – Oxford University Press
- Published By – Harms
- Published By – State Music Publisher Muzgiz
- Published By – Sikorski
- Published By – Bellwin Mills Music
- Published By – Chester Music
- Published By – Schott Music
- Published By – Editions Mario Bois, Paris
- Published By – Hawkes & Son
- Published By – G. Ricordi
- Published By – Edition Wilhelm Hansen
- Published By – Alphonse Leduc
- Published By – Universal Edition
- Published By – MCA Music
- Published By – Merion Music
- Published By – Oxford University Press
- Published By – Enoch & Cie
- Published By – Mills Music
- Published By – Williamson Music
- Published By – Chappell
- Recorded At – Academy Of Music, Philadelphia
- Recorded At – Severance Hall
- Recorded At – Columbia 30th Street Studio
- Recorded At – Carnegie Hall
- Recorded At – Broadwood Hotel, Philadelphia
- Recorded At – Symphony Hall, Boston
- Mixed At – Swan Studios, NYC
- Mastered At – b-sharp (3)
- Mastered At – Swan Studios, NYC
- Remastered At – b-sharp (3)
- Remastered At – Swan Studios, NYC
Credits
- Booklet Editor – Jochen Rudelt
- Conductor – Eugene Ormandy
- Design – [ec:ko] Communications
- Liner Notes – Yannick Nézet-Séguin
- Liner Notes [Translation] – Jean-Claude Poyet
- Mastered By – Rebekah Wineman (tracks: CDs 4, 8)
- Mixed By – Nancy Conforti (tracks: CDs 1, 2, 4–6, 8, 13, 16, 20, 24, 26, 50, 65, 118, 120)
- Photography By – Nick Sangiamo
- Photography By [p. 5] – Chris Lee (16)
- Photography [Analog to Digital Image Conversion] – Che Williams
- Producer – Robert Russ
- Producer [Original] – Thomas Frost (tracks: 99-6)
- Production Manager – Miriam Rodriguez
- Research [Document] – Tom Tierney (4)
- Research [Tape] – Matt Fiveash
- Transferred By [Analogue Discs and Tapes] – Nancy Conforti
- Transferred By [Tapes] – Brett Zinn (tracks: CDs 3, 7, 9, 10, 11, 12, 14, 15, 17–19, 21–23, 25, 27–35, 37, 38, 40–49, 51–53, 55–58, 59 [2–7], 60–64, 66–78, 79 [10–12], 81–89, 91–95, 97–102, 104–117, 119)
Notes
Note by Producer Robert Russ on the Credit Page (p. 206) of the accompanying book.
To cover the Philadelphia Orchestra’s history of mono recordings on Columbia Masterworks, we decided to also include recordings conducted by Alexander Hilsberg, Eugene Ormandy’s associate conductor (1945–1952), as well as recordings by the guest conductors Sir Thomas Beecham, Saul Caston, Charles O’Connell, Harl McDonald, André Kostelanetz, Virgil Thomson and Bruno Walter. The listener can also enjoy recordings by the Philadelphia “Pops” Orchestra, as well as some made by the so-called Columbia Symphony Orchestra in sessions in which its players consisted mainly of “Philadelphians”.
In a few instances we have also included repertoire recorded by other conductors such as Dimitri Mitropoulos, Serge Koussevitzky, George Szell or Fritz Reiner with “their” orchestras when we felt the listener might find enjoyment in hearing the complete repertoire of an original LP release.
It was common, especially in the early days of lacquer disc and tape recording, to make musical cuts of a few bars up to whole segments, mainly to make the repertoire fit on a disc side.
This present edition of 120 remastered CDs has been entirely created and assembled during the worldwide Covid-19 virus pandemic of 2020. Owing to the closures of archives and travel restrictions, we have been limited in our on-site research for further 78rpm covers and historic photos or facsimiles. - Robert Russ
℗ and © 2020 Sony Music Entertainment
Recording dates (YYYY-MM-DD) and venues
CD 1 TT: 53:20
Track 1 to 4: 1944-11-19 & 1945-03-15, Philadelphia, Academy of Music
Track 5: 1944-12-18 & 1945-05-20, Philadelphia, Academy of Music
Track 6: 1946-01-12 & 1946-04-18, Philadelphia, Academy of Music
Track 7: 1949-05-10, Philadelphia, Academy of Music
Track 8: 1950-04-02, Philadelphia, Academy of Music
℗ 1945/1946/1949/1950/1951 Sony Music Entertainment
CD 2 TT: 45:07
Track 1 to 4: 1944-12-20, Philadelphia, Academy of Music; Publisher: Copyright Control
Track 5 to 7: 1945-10-24, Philadelphia, Academy of Music; Publisher: Theodore Presser
Track 8: 1947-12-04, Philadelphia, Academy of Music; Publisher: Carl Fischer
Track 9: 1950-04-02, Philadelphia, Academy of Music; Publisher: Carl Fischer
℗ 1945/1946/1949/1950/1951 Sony Music Entertainment
CD 3 TT: 72:13
Track 1 to 8: 1944-11-19, Philadelphia, Academy of Music
℗ 1945 Sony Music Entertainment
CD 4 TT: 74:04
Track 1 to 4: 1945-03-15, Philadelphia, Academy of Music
Track 5 to 7: 1946-01-21, Philadelphia, Academy of Music
℗ 1945/1948 Sony Music Entertainment
CD 5 TT: 38:08
Track 1 to 3: 1945-02-23, Philadelphia, Academy of Music
℗ 1946 Sony Music Entertainment
CD 6 TT: 41:29
Track 1 to 5: 1945-05-20, Philadelphia, Academy of Music
Track 6: 1945-05-20 & 1946-01-24, Philadelphia, Academy of Music; Publisher: G. Schirmer
Track 7: 1947-03-14, Philadelphia, Academy of Music
℗ 1946/1948 Sony Music Entertainment
CD 7 TT: 33:08
Track 1 to 2: 1944-12-20, Philadelphia, Academy of Music
Track 3 to 6: 1946-01-24, Philadelphia, Academy of Music
℗ 1945/1946 Sony Music Entertainment
CD 8 TT: 45:18
Track 1 to 3: 1946-01-17, Philadelphia, Academy of Music
Track 4: 1947-12-28, Philadelphia, Academy of Music
℗ 1947/1948 Sony Music Entertainmen
CD 9 TT: 38:44
Track 1 to 4: 1944-12-18 & 1946-01-12, Philadelphia, Academy of Music
℗ 1946 Sony Music Entertainment
CD 10 TT: 39:16
Track 1 to 3: 1945-02-23, Philadelphia, Academy of Music
℗ 1946 Sony Music Entertainment
CD 11 TT: 52:42
Track 1: 1947-11-01, Philadelphia, Academy of Music
Track 2 to 5: 1944-11-19 & 1946-01-24 & 1946-04-18, Philadelphia, Academy of Music
Track 6: 1947-03-20, Philadelphia, Academy of Music
℗ 1947/1948/1951 Sony Music Entertainment
CD 12 TT: 65:31
Track 1 to 4: 1947-12-03 & 1947-12-04, Philadelphia, Academy of Music
Track 5 to 8: 1946-04-19, Philadelphia, Academy of Music
℗ 1947/1948 Sony Music Entertainment
CD 13 TT: 46:23
Track 1 to 3: 1947-12-28, Philadelphia, Academy of Music
Track 4: 1947-01-22, Philadelphia, Academy of Music
℗ 1948 Sony Music Entertainment
CD 14 TT: 64:13
Track 1 to 14: 1946-04-19,Philadelphia, Academy of Music
Track 15: 1946-10-13, Philadelphia, Academy of Music
℗ 1946/1949 Sony Music Entertainment
CD 15 TT: 48:20
Track 1 to 4: 1947-10-31 & 1947-11-01, Philadelphia, Academy of Music
℗ 1948 Sony Music Entertainment
CD 16 TT: 44:07
Track 1 to 3: 1947-12-12, Philadelphia, Academy of Music
Track 4: 1945-05-20 & 1945-06-02, Philadelphia, Academy of Music
℗ 1945/1948 Sony Music Entertainment
CD 17 TT: 63:58
Track 1 to 5: 1945-05-20 & 1945-05-21 & 1946-01-12, Philadelphia, Academy of Music
℗ 1945 Sony Music Entertainment
CD 18 TT: 41:13
Track 1 to 4: 1947-11-01, Philadelphia, Academy of Music
℗ 1948 Sony Music Entertainment
CD 19 TT: 31:55
Track 1 to 4: 1947-11-22, Philadelphia, Academy of Music
Track 5: 1947-03-20, Philadelphia, Academy of Music
Track 6: 1946-04-18, Philadelphia, Academy of Music
℗ 1946/1948 Sony Music Entertainment
CD 20 TT: 64:09
Track 1 to 2: 1947-11-22, Philadelphia, Academy of Music
Track 3 to 4: 1947-12-04, Philadelphia, Academy of Music
Track 5: 1946-01-12, Philadelphia, Academy of Music
Track 6: 1947-12-04, Philadelphia, Academy of Music
Track 7 to 8: 1944-12-18, Philadelphia, Academy of Music
℗ 1946/1947/1948/1949 Sony Music Entertainment
CD 21 TT: 42:26
Track 1 to 4: 1947-11-22, Philadelphia, Academy of Music; Publishers: Boosey & Hawkes
Track 5 to 8: 1946-04-18, Philadelphia, Academy of Music
℗ 1947/1949 Sony Music Entertainment
CD 22 TT: 62:32
Track 1: 1946-10-13, Philadelphia, Academy of Music
Track 2: 1947-10-31, Philadelphia, Academy of Music
Track 3: 1947-01-22, Philadelphia, Academy of Music
Track 4: 1947-12-04, Philadelphia, Academy of Music
Track 5 to 11: 1946-01-12, Philadelphia, Academy of Music
Track 12: 1945-05-21, Philadelphia, Academy of Music
Track 13 to 15: 1947-12-28, Philadelphia, Academy of Music
℗ 1946/1947/1948/1949 Sony Music Entertainment
CD 23 TT: 39:41
Track 1 to 3: 1947-03-20, Philadelphia, Academy of Music; Publishers: Associated Music Publishers
Track 4 to 7: 1947-11-25, Cleveland, Severance Hall; Publishers: Associated Music Publishers
℗ 1949 Sony Music Entertainment
CD 24 TT: 36:25
Track 1 to 3: 1946-04-19, Philadelphia, Academy of Music
Track 4: 1947-11-22, Philadelphia, Academy of Music
℗ 1947/1949 Sony Music Entertainment
CD 25 TT: 63:00
Track 1 to 7: 1945-05-21, Philadelphia, Academy of Music
Track 8 to 11: 1946-10-13, Philadelphia, Academy of Music; Publisher: Boosey & Hawkes
Track 12: 1946-10-13, Philadelphia, Academy of Music
℗ 1945/1947 Sony Music Entertainment
CD 26 TT: 51:36
Track 1 to 6: 1949-04-10, Philadelphia, Academy of Music
℗ 1949 Sony Music Entertainment
CD 27 TT: 73:21
Track 1 to 3: 1949-05-10, Philadelphia, Academy of Music; Publisher: Copyright Control
Track 4 to 8: 1945-05-20, Philadelphia, Academy of Music; Publisher: Copyright Control
Track 9 to 11: 1947-11-01, Philadelphia, Academy of Music
Track 12 to 15: 1950-03-19, Philadelphia, Academy of Music; Publisher: Elkan-Vogel / Theodore Presser
Track 16: 1950-03-19, Philadelphia, Academy of Music
℗ 1949/1950 Sony Music Entertainment
CD 28 TT: 70:54
Track 1 to 4: 1949-05-10, Philadelphia, Academy of Music
Track 5 to 8: 1949-04-27, Cleveland, Severance Hall
Track 9 to 12: 1947-12-28, Philadelphia, Academy of Music
℗ 1948/1950 Sony Music Entertainment
CD 29 TT: 36:48
Track 1 to 4: 1950-03-19, Philadelphia, Academy of Music
Track 5 to 10: 1946-01-24, Philadelphia, Academy of Music; Publisher: Universal Edition
℗ 1950 Sony Music Entertainment
CD 30 TT: 56:35
Track 1 to 3: 1950-03-31 & 1950-04-02, Philadelphia, Academy of Music
Track 4 to 6: 1949-05-10, Philadelphia, Academy of Music
Track 7: 1950-03-19, Philadelphia, Academy of Music
℗ 1950 Sony Music Entertainment
CD 31 TT: 59:12
Track 1: 1947-12-03, Philadelphia, Academy of Music
Track 2: 1947-01-22, Philadelphia Academy of Music
Track 3: 1949-07-06, New York City, Columbia 30th Street Studio; Publisher: Éditions Salabert
Track 4 to 5: 1950-04-02, Philadelphia, Academy of Music; Publisher: Breitkopf & Härtel
Track 6 to 8: 1950-04-02, Philadelphia, Academy of Music
℗ 1947/1948/1950 Sony Music Entertainment
CD 32 TT: 40:43
Track 1 to 3: 1950-01-15, Philadelphia, Academy of Music; Publisher: Leeds Music
℗ 1950 Sony Music Entertainment
CD 33 TT: 43:11
CD 34 TT: 46-34
Track 33-1 to 34-10: 1950-12-24, 1950-12-29 & 1951-01-07, New York City, Columbia 30th Street Studio
℗ 1951 Sony Music Entertainment
CD 35 TT: 58:55
Track 1 to 4: 1950-11-05, Philadelphia, Academy of Music
℗ 1951 Sony Music Entertainment
CD 36 TT: 66:59
Track 1 to 3: 1950-11-19, Philadelphia, Academy of Music
Track 4 to 6: 1951-02-11, Philadelphia, Academy of Music
℗ 1951 Sony Music Entertainment
CD 37 TT: 46:16
Track 1 to 4: 1950-11-19, Philadelphia, Academy of Music
℗ 1951 Sony Music Entertainment
CD 38 TT: 49:43
Track 1 to 4: 1951-03-11, Philadelphia, Academy of Music; Publisher: Associated Music Publishers
Track 5 to 7: 1951-03-11, Philadelphia, Academy of Music
℗ 1951 Sony Music Entertainment
CD 39 TT: 45:57
Track 1 to 4: 1951-02-11, Philadelphia, Academy of Music
℗ 1951 Sony Music Entertainment
CD 40 TT: 47:52
Track 1 to 5: 1950-10-30 & 1950-11-05
℗ 1952 Sony Music Entertainment
CD 41 TT: 43:08
Track 1 to 4: 1950-11-05, Philadelphia, Academy of Music, 1950-11-05
℗ 1951 Sony Music Entertainment
CD 42 TT: 45:44
Track 1 to 4: 1952-04-06, Philadelphia, Academy of Music
℗ 1951 Sony Music Entertainment
CD 43 TT: 51:49
Track 1 to 5: 1951-12-23, Philadelphia, Academy of Music
Track 6: 1951-12-21, Philadelphia, Academy of Music
Track 7 to 9: 1951-12-23, Philadelphia, Academy of Music
℗ 1952 Sony Music Entertainment
CD 44 TT: 64:35
Track 1 to 11: 1952-02-17, Philadelphia, Academy of Music
Track 12 to 18: 1952-03-31, New York City, Columbia 30th Street Studio; Publisher: G. & C. Music Corp.
Track 19 to 22: 1952-01-03, Philadelphia, Academy of Music; Publisher: Oxford University Press
Track 23 to 25: 1952-01-03, Philadelphia, Academy of Music; Publisher: Harms
℗ 1950 Sony Music Entertainment
CD 45 TT: 57:39
Track 1 to 6: 1952-04-05 & 1952-04-06 & 1952-05-13, Philadelphia, Academy of Music
Track 7: 1952-04-05 & 1952-04-06 & 1952-05-13, Philadelphia, Academy of Music; Publisher: Copyright Control
Track 8 to 12: 1952-04-05 & 1952-04-06 & 1952-05-13, Philadelphia, Academy of Music
℗ 1953 Sony Music Entertainment
CD 46 TT: 36:14
Track 1 to 3: 1952-11-23, Philadelphia, Academy of Music
℗ 1953 Sony Music Entertainment
CD 47 TT: 44:30
Track 1: 1951-12-16, Philadelphia, Academy of Music
Track 2: 1950-04-02, Philadelphia, Academy of Music
Track 3 to 4: 1951-12-16, Philadelphia, Academy of Music
Track 1 to 4: Publisher: Breitkopf & Härtel
℗ 1953 Sony Music Entertainment
CD 48 TT: 47:23
Track 1 to 4: 1952-02-17, Philadelphia, Academy of Music
Track 5 to 9: 1950-04-02, Philadelphia, Academy of Music
℗ 1953 Sony Music Entertainment
CD 49 TT: 72:05
Track 1 to 12: 1952-11-16 & 1952-12-21, Philadelphia, Academy of Music; Publisher: Éditions Salabert
℗ 1953 Sony Music Entertainment
CD 50 TT: 70:17
Track 1 to 8: 1952-02-17, Philadelphia, Academy of Music
Track 9 to 11: 1947-12-24, Philadelphia, Academy of Music
℗ 1950/1953 Sony Music Entertainment
CD 51 TT: 73:43
Track 1 to 4: 1953-04-26, Philadelphia, Academy of Music; Publishers:Muzgiz / Sikorski / Belwin Mills
Track 5: 1953-12-23, Philadelphia, Academy of Music
Track 6 to 7: 1951-12-16, Philadelphia, Academy of Music
℗ 1953/1955 Sony Music Entertainment
CD 52 TT: 41:28
Track 1 to 2: 1952-05-13, Philadelphia, Academy of Music
Track 3: 1952-05-13 & 1952-12-21, Philadelphia, Academy of Music
Track 4 to 5: 1952-05-13, Philadelphia, Academy of Music
Track 6: 1952-12-21, Philadelphia, Academy of Music
Track 7: 1952-05-13 & 1952-12-21, Philadelphia, Academy of Music
Track 8 to 10: 1952-05-13, Philadelphia, Academy of Music
Track 11: 1953
℗ 1953 Sony Music Entertainment
CD 53 TT: 49:16
Track 1 to 15: 1953-02-16, Philadelphia, Academy of Music
Track 16 to 21: 1953-03-01, Philadelphia, Academy of Music; Publishers: Chester Music / Schott Music
℗ 1953 Sony Music Entertainment
CD 54 TT: 39:49
Track 1 to 8: 1953-11-01, Philadelphia, Academy of Music
Track 9 to 13: 1952-12-20, Philadelphia, Academy of Music
℗ 1953 Sony Music Entertainment
CD 55 TT: 57:33
Track 1 to 3: 1952-02-17, Philadelphia, Academy of Music
Track 4 to 5: 1952-11-23, Philadelphia, Academy of Music
℗ 1953 Sony Music Entertainment
CD 56 TT: 41:22
Track 1 to 3: 1952-11-23, Philadelphia, Academy of Music; Publisher: Schott Music
Track 4 to 9: 1953-11-01, Philadelphia, Academy of Music; Publisher: Schott Music
℗ 1954 Sony Music Entertainment
CD 57 TT: 37:03
Track 1 to 4: 1953-02-16, Philadelphia, Academy of Music
℗ 1954 Sony Music Entertainment
CD 58 TT: 42:49
Track 1 to 8: 1953-11-01, Philadelphia, Academy of Music
Track 9: 1953-11-15, Philadelphia, Academy of Music
℗ 1954 Sony Music Entertainment
CD 59 TT: 46:39
Track 1: 1953-03-01 & 1953-11-01, Philadelphia, Academy of Music
Track 2 to 7: 1953-03-01, Philadelphia, Academy of Music
℗ 1954 Sony Music Entertainment
CD 60 TT: 47:33
Track 1 to 9: 1953-06-26, Philadelphia, Academy of Music
℗ 1954 Sony Music Entertainment
CD 61 TT: 44:34
Track 1 to 6: 1954-03-14, Philadelphia, Academy of Music
℗ 1954 Sony Music Entertainmen
CD 62 TT: 41:30
Track 1 to 4: 1953-12-23, Philadelphia, Academy of Music
℗ 1954 Sony Music Entertainment
CD 63 TT: 60:19
Track 1 to 23: 1954-05-09, Philadelphia, Academy of Music; Publisher: Editions Mario Bois
Track 24 to 31: 1954-05-09, Philadelphia, Academy of Music; Publisher: Hawkes & Son
℗ 1954/1956 Sony Music Entertainment
CD 64 TT: 34:24
Track 1 to 3: 1954-02-14, Philadelphia, Academy of Music; Publisher: G. Schirmer
Track 4 to 8: 1952-11-23, ; Publisher: G. Ricordi
℗ 1954 Sony Music Entertainment
CD 65 TT: 69:53
Track 1 to 3: 1954-02-14, Philadelphia, Academy of Music
Track 4 to 6: 1953-03-22, Philadelphia, Academy of Music
℗ 1953/1954 Sony Music Entertainment
CD 66 TT: 37:17
Track 1 to 3: 1953-12-24, Philadelphia, Academy of Music
℗ 1955 Sony Music Entertainment
CD 67 TT: 43:00
Track 1 to 3: 1954-11-07, Philadelphia, Academy of Music
Track 4: 1954-11-28, Philadelphia, Academy of Music
℗ 1955 Sony Music Entertainment
CD 68 TT: 56:21
Track 1 to 2: 1953-03-22, Philadelphia, Academy of Music
Track 3 to 5: 1954-02-28, Philadelphia, Academy of Music
Track 6 to 7: 1954-12-19, Philadelphia, Academy of Music
Track 8: 1954-1-28, Philadelphia, Academy of Music
℗ 1954/1955 Sony Music Entertainment
CD 69 TT: 36:37
Track 1 to 5: 1954-02-14, Philadelphia, Academy of Music
℗ 1955 Sony Music Entertainment
CD 70 TT: 48:04
Track 1 to 7: 1954-03-14, Philadelphia, Academy of Music; Publishers: Elkan-Vogel / Theodore Presser
Track 8 to 11: 1954-04-15, Philadelphia, Academy of Music; Publishers: Elkan-Vogel / Theodore Presser
℗ 1955 Sony Music Entertainment
CD 71 TT: 51:23
Track 1: 1953-11-15, Philadelphia, Academy of Music; Publisher: G. Schirmer
Track 2 to 5: 1954-04-15, Philadelphia, Academy of Music; Publisher: Associated Music Publishers
℗ 1955 Sony Music Entertainment
CD 72 TT: 53:11
Track 1 to 2: 1955-04-24 & 1955-05-14, Philadelphia, Academy of Music; Publisher: Booset & Hawkes
Track 3 to 13: 1954-11-28; Philadelphia, Academy of Music; Publisher: Booset & Hawkes
℗ 1955 Sony Music Entertainment
CD 73 TT: 59:02
Track 1 to 15: 1955-05-14, Philadelphia, Academy of Music
℗ 1955 Sony Music Entertainment
CD 74 TT: 60:24
Track 1 to 3: 1955-03-11, Philadelphia, Academy of Music
Track 4 to 6: 1954-02-14 & 1955-04-24, Philadelphia, Academy of Music
℗ 1955 Sony Music Entertainment
CD 75 TT: 60:22
Track 1 to 4: 1954-11-28, Philadelphia, Academy of Music; Publisher: Breitkopf & Härtel
Track 5 to 7: 1954-12-19, Philadelphia, Academy of Music; Publisher: Edition Wilhelm Hansen
℗ 1955 Sony Music Entertainment
CD 76 TT: 53:23
Track 1 to 4: 1954-02-28, Philadelphia, Academy of Music
Track 5: 1954-11-07, Philadelphia, Academy of Music
℗ 1955 Sony Music Entertainment
CD 77 TT: 40:49
Track 1 to 4: 1953-12-24, Philadelphia, Academy of Music
℗ 1956 Sony Music Entertainment
CD 78 TT: 53:38
Track 1 to 2: 1955-10-22, Philadelphia, Academy of Music
Track 3: 1954-11-07, Philadelphia, Academy of Music
Track 4 to 5: 1954-12-19, Philadelphia, Academy of Music
Track 6 to 7: 1954-11-07, Philadelphia, Academy of Music
Track 8: 1954-12-19, Philadelphia, Academy of Music
Track 9 to 11: 1954-04-15, Philadelphia, Academy of Music
℗ 1956 Sony Music Entertainment
CD 79 TT: 70:54
Track 1 to 3: 1955-12-24, Philadelphia, Academy of Music
Track 4 to 6: 1956-01-10, Philadelphia, Academy of Music
Track 7 to 9: 1955-12-24, Philadelphia, Academy of Music
Track 10 to 12: 1950-10-30, Philadelphia, Academy of Music
℗ 1950/1956 Sony Music Entertainment
CD 80 TT: 50:49
Track 1: 1955-10-22, Philadelphia, Academy of Music
Track 2 to 5: 1955-04-24, Philadelphia, Academy of Music
℗ 1956 Sony Music Entertainment
CD 81 TT: 78:21
Track 1 to 6: 1955-12-24, Philadelphia, Academy of Music
Track 7 to 9: 1950-01-15, Philadelphia, Academy of Music
℗ 1950/1956 Sony Music Entertainment
CD 82 TT: 38:58
Track 1 to 3: 1956-04-08, Philadelphia, Academy of Music
Track 4 to 5: 1950-04-02, Philadelphia, Academy of Music
℗ 1950/1956 Sony Music Entertainment
CD 83 TT: 44:58
Track 1: 1955-10-22, Philadelphia, Academy of Music; Publisher: Associated Music Publishers
Track 2 to 4: 1934-02-02, New York City, Carnegie Hall (Live); Publisher: Copyright Control
℗ 1934/1956 Sony Music Entertainment
CD 84 TT: 60:20
Track 1 to 4: 1955-10-22, Philadelphia, Academy of Music
Track 5 to 8: 1956-01-10, Philadelphia, Academy of Music
℗ 1956 Sony Music Entertainment
CD 85 TT: 51:22
Track 1 to 4: 1954-12-19, Philadelphia, Academy of Music; Publisher: Elkan-Vogal
Track 5 to 8: 1955-03-11, Philadelphia, Academy of Music; Publisher: Copyright Control
℗ 1956 Sony Music Entertainment
CD 86 TT: 50:49
Track 1 to 7: 1955-12-18, Philadelphia, Academy of Music
℗ 1956 Sony Music Entertainment
CD 87 TT: 54:09
Track 1 to 8: 1956-01-10, Philadelphia, Broadwood Hotel
℗ 1956 Sony Music Entertainment
CD 88 TT: 66:28
Track 1 to 3: 1956-02-19, Philadelphia, Academy of Music
Track 4 to 7: 1957-04-14, Philadelphia, Academy of Music
℗ 1956/1957 Sony Music Entertainment
CD 89 TT: 39:16
Track 1 to 4: 1956-04-08, Philadelphia, Academy of Music
℗ 1956 Sony Music Entertainment
CD 90 TT: 45:32
Track 1 to 4: 1956-03-11, Philadelphia, Academy of Music
℗ 1956 Sony Music Entertainment
CD 91 TT: 47:13
Track 1 to 2: 1955-03-27, Philadelphia, Academy of Music
Track 3: 1955-03-27, Philadelphia, Academy of Music; Publisher: Universal Edition
Track 4 to 7: 1955-03-27, Philadelphia, Academy of Music
℗ 1956 Sony Music Entertainment
CD 92 TT: 70:48
Track 1 to 12: 1956-01-10 & 1956-02-19 & 1956-04-08, Philadelphia, Academy of Music
℗ 1956 Sony Music Entertainment
CD 93 TT: 35:12
Track 1 to 5: 1956-04-08, Philadelphia, Academy of Music; Publisher: G. Schirmer
Track 6 to 15: 1956-04-06, Philadelphia, Academy of Music; Publisher: G. Schirmer
℗ 1956 Sony Music Entertainment
CD 94 TT: 51:02
Track 1 to 8: 1954-11-28, Philadelphia, Academy of Music; Publisher: Boosey & Hawkes
Track 9 to 15: 1955-12-18, Philadelphia, Academy of Music; Publisher: Boosey & Hawkes
℗ 1957 Sony Music Entertainment
CD 95 TT: 68:03
Track 1: 1952-05-13, Philadelphia, Academy of Music
Track 2 to 5: 1955-01-09, Philadelphia, Academy of Music
Track 6: 1958-01-05, Philadelphia, Broadwood Hotel
Track 7: 1957-12-23, Philadelphia, Broadwood Hotel
Track 8: 1956-01-10, Philadelphia, Academy of Music
℗ 1953/1957/1958 Sony Music Entertainment
CD 96 TT: 46:17
Track 1 to 3: 1956-03-11 & 1956-12-19, Philadelphia, Academy of Music
Track 4: 1955-03-11, Philadelphia, Academy of Music
℗ 1957 Sony Music Entertainment
CD 97 TT: 48:56
Track 1: 1955-10-22, Philadelphia, Academy of Music
Track 2: 1952-04-06, Philadelphia, Academy of Music
Track 3 to 7: 1952-11-23, Philadelphia, Academy of Music
Track 8: 1952-04-06, Philadelphia, Academy of Music
℗ 1954/1957 Sony Music Entertainment
CD 98 TT: 48:00
Track 1 to 3: 1956-03-11, Philadelphia, Academy of Music; Publisher: Merion Music
Track 4 to 6: 1956-02-24, New York City, Columbia 30th Street Studio; Publisher: Associated Music Publishers
℗ 1957 Sony Music Entertainment
CD 99 TT: 46:34
Track 1 to 4: 1952-12-20, Philadelphia, Academy of Music
Track 5: 1957-04-14, Philadelphia, Academy of Music; Publisher: Boosey & Hawkes
Track 6: 1957-04-14, Philadelphia, Academy of Music; Publisher: G. Schirmer
Track 7: 1957-04-14, Philadelphia, Academy of Music; Publisher: Oxford University Press
℗ 1957 Sony Music Entertainment
CD 100 TT: 54:42
Track 1 to 4: 1956-11-25, Philadelphia, Broadwood Hotel; Publisher: MCA Music
℗ 1957 Sony Music Entertainment
CD 101 TT: 44:08
Track 1 to 13: 1956-10-07, Boston, Symphony Hall
℗ 1957 Sony Music Entertainment
CD 102 TT: 59:11
Track 1 to 2: 1954-05-09, Philadelphia, Academy of Music
Track 3: 1953-06-23, Philadelphia, Academy of Music
Track 4: 1953-06-24, Philadelphia, Academy of Music
Track 5: 1954-05-09, Philadelphia, Academy of Music
Track 6 to 7: 1952-01-03, Philadelphia, Academy of Music
℗ 1953/1957 Sony Music Entertainment
CD 103 TT: 39:34
Track 1 to 3: 1957-03-14, Philadelphia, Broadwood Hotel
Track 4 to 5: 1957-04-13, Philadelphia, Broadwood Hotel
℗ 1957 Sony Music Entertainment
Important note: The box set was first shipped with a defective version of CD 103. Track 5 (Ravel Tzigane) incorrectly starts with 4-5 secs of silence, and ends abruptly with music being cut off by the same amount of time. A good release of this track can be found in the box set "Isaac Stern Complete Columbia Analogue Recordings", CD 21. A correct version of the disc can be obtained from Sony. Also, the accompanying book incorrectly reports the disc duration to be 48:20. The correct timing is rather 39:34. This timing is shown here.
Later reissues from include the corrected disc.
Matrix of defective disc: 57591513/19439757482-103 21 - Track 5 start and duration using Exact Audio Copy: Start 30:41.66, duration 0:08:54.23
Matrix of corrected disc: 57947678/19439757482-103 21 - Track 5 start and duration using Exact Audio Copy: Start 30:45.06, duration: 0:08:56.20
CD 104 TT: 33:31
Track 1 to 4: 1956-10-17, Boston Symphony Hall
℗ 1957 Sony Music Entertainment
CD 105 TT: 47:46
Track 1 to 2: 1956-11-25, Philadelphia, Broadwood Hotel
Track 3: 1957-02-03, Philadelphia, Broadwood Hotel
Track 4 to 6: 1957-04-13, Philadelphia, Broadwood Hotel
℗ 1957 Sony Music Entertainment
CD 106 TT: 48:20
Track 1: 1957-10-06, Philadelphia, Broadwood Hotel; Publisher: G. Schirmer
Track 2 to 4: 1953-06-26, Philadelphia, Academy of Music
Track 5 to 6: 1953-11-15, Philadelphia, Academy of Music
Track 7 to 11: 1957-04-13, Philadelphia, Broadwood Hotel
Track 12: 1956-04-08, Philadelphia, Academy of Music; Publisher: G. Schirmer
℗ 1958 Sony Music Entertainment
CD 107 TT: 72:01
Track 1 to 2: 1955-03-11, Philadelphia, Academy of Music; Publisher: Associated Music Publishers
Track 3 to 4: 1955-12-24, Philadelphia, Academy of Music; Publisher: Associated Music Publishers
Track 5: 1953-02-16, Philadelphia, Academy of Music; Publisher: Copyright Control
Track 6 to 7: 1953-02-16, Philadelphia, Academy of Music
℗ 1953/1958 Sony Music Entertainment
CD 108 TT: 54:45
Track 1 to 2: 1957-11-10, Philadelphia, Broadwood Hotel; Publisher: Enoch & Cie
Track 3: 1957-12-19, Philadelphia, Broadwood Hotel
Track 4: 1955-01-09, Philadelphia, Academy of Music
℗ 1958 Sony Music Entertainment
CD 109 TT: 43:59
Track 1 to 7: 1957-11-10, Philadelphia, Broadwood Hotel
Track 8: 1950-11-05, Philadelphia, Academy of Music
Track 9: 1957-11-10, Philadelphia, Broadwood Hotel
℗ 1951/1958 Sony Music Entertainment
CD 110 TT: 44:14
Track 1: 1956-01-10, Philadelphia, Academy of Music
Track 2: 1957-12-23, Philadelphia, Broadwood Hotel
Track 3: 1957-12-19 & 1958-03-23, Philadelphia, Broadwood Hotel
Track 4 to 6: 1953-11-15, Philadelphia, Academy of Music
℗ 1958 Sony Music Entertainment
CD 111 TT: 44:04
Track 1 to 3: 1957-03-14, Philadelphia, Broadwood Hotel; Publisher: Carl Fischer
Track 4: 1957-04-14, Philadelphia, Broadwood Hotel; Publisher: Mills Music
℗ 1958 Sony Music Entertainment
CD 112 TT: 49:08
Track 1 to 4: 1955-12-18, Philadelphia, Academy of Music; Publisher: Boosey & Hawkes
Track 5 to 6: 1955-12-24, Philadelphia, Academy of Music; Publisher: Universal Edition
Track 7 to 10: 1955-12-04, Philadelphia, Academy of Music
℗ 1958 Sony Music Entertainment
CD 113 TT: 41:27
Track 1 to 13: 1955-12-04, Philadelphia, Academy of Music
℗ 1958 Sony Music Entertainment
CD 114 TT: 42:30
Track 1 to 4: 1954-04-15, Philadelphia, Academy of Music
Track 5 to 8: 1953-11-15 & 1953-12-23, Philadelphia, Academy of Music
℗ 1958 Sony Music Entertainment
CD 115 TT: 37:35
Track 1 to 3: 1958-01-26, Philadelphia, Broadwood Hotel
℗ 1958 Sony Music Entertainment
CD 116 TT: 41:33
Track 1: 1958-01-05, Philadelphia, Broadwood Hotel
Track 2: 1957-04-14, Philadelphia, Broadwood Hotel
℗ 1959 Sony Music Entertainment
CD 117 TT: 43:47
Track 1 to 5: 1952-05-13, Philadelphia, Academy of Music
℗ 1952/1953 Sony Music Entertainment
CD 118 TT: 61:10
Track 1 to 5: 1946-01-10 & 1946-01-12, Philadelphia, Academy of Music
Track 6 to 7: 1947-03-02, Philadelphia, Academy of Music
℗ 1946/1947 Sony Music Entertainment
CD 119 TT: 73:26
Track 1: 1951-12-27, Philadelphia, Academy of Music
Track 2: 1951-12-27, Philadelphia, Academy of Music; Publisher: Williamson Music
Track 3: 1951-12-27, Philadelphia, Academy of Music; Publisher: Chappell
Track 4 to 13: 1952-02-03, Philadelphia, Academy of Music
℗ 1952/1953 Sony Music Entertainment
CD 120 TT: 34:10
Recording dates and venues unknown
℗ 1950 Sony Music Entertainment
To cover the Philadelphia Orchestra’s history of mono recordings on Columbia Masterworks, we decided to also include recordings conducted by Alexander Hilsberg, Eugene Ormandy’s associate conductor (1945–1952), as well as recordings by the guest conductors Sir Thomas Beecham, Saul Caston, Charles O’Connell, Harl McDonald, André Kostelanetz, Virgil Thomson and Bruno Walter. The listener can also enjoy recordings by the Philadelphia “Pops” Orchestra, as well as some made by the so-called Columbia Symphony Orchestra in sessions in which its players consisted mainly of “Philadelphians”.
In a few instances we have also included repertoire recorded by other conductors such as Dimitri Mitropoulos, Serge Koussevitzky, George Szell or Fritz Reiner with “their” orchestras when we felt the listener might find enjoyment in hearing the complete repertoire of an original LP release.
It was common, especially in the early days of lacquer disc and tape recording, to make musical cuts of a few bars up to whole segments, mainly to make the repertoire fit on a disc side.
This present edition of 120 remastered CDs has been entirely created and assembled during the worldwide Covid-19 virus pandemic of 2020. Owing to the closures of archives and travel restrictions, we have been limited in our on-site research for further 78rpm covers and historic photos or facsimiles. - Robert Russ
℗ and © 2020 Sony Music Entertainment
Recording dates (YYYY-MM-DD) and venues
CD 1 TT: 53:20
Track 1 to 4: 1944-11-19 & 1945-03-15, Philadelphia, Academy of Music
Track 5: 1944-12-18 & 1945-05-20, Philadelphia, Academy of Music
Track 6: 1946-01-12 & 1946-04-18, Philadelphia, Academy of Music
Track 7: 1949-05-10, Philadelphia, Academy of Music
Track 8: 1950-04-02, Philadelphia, Academy of Music
℗ 1945/1946/1949/1950/1951 Sony Music Entertainment
CD 2 TT: 45:07
Track 1 to 4: 1944-12-20, Philadelphia, Academy of Music; Publisher: Copyright Control
Track 5 to 7: 1945-10-24, Philadelphia, Academy of Music; Publisher: Theodore Presser
Track 8: 1947-12-04, Philadelphia, Academy of Music; Publisher: Carl Fischer
Track 9: 1950-04-02, Philadelphia, Academy of Music; Publisher: Carl Fischer
℗ 1945/1946/1949/1950/1951 Sony Music Entertainment
CD 3 TT: 72:13
Track 1 to 8: 1944-11-19, Philadelphia, Academy of Music
℗ 1945 Sony Music Entertainment
CD 4 TT: 74:04
Track 1 to 4: 1945-03-15, Philadelphia, Academy of Music
Track 5 to 7: 1946-01-21, Philadelphia, Academy of Music
℗ 1945/1948 Sony Music Entertainment
CD 5 TT: 38:08
Track 1 to 3: 1945-02-23, Philadelphia, Academy of Music
℗ 1946 Sony Music Entertainment
CD 6 TT: 41:29
Track 1 to 5: 1945-05-20, Philadelphia, Academy of Music
Track 6: 1945-05-20 & 1946-01-24, Philadelphia, Academy of Music; Publisher: G. Schirmer
Track 7: 1947-03-14, Philadelphia, Academy of Music
℗ 1946/1948 Sony Music Entertainment
CD 7 TT: 33:08
Track 1 to 2: 1944-12-20, Philadelphia, Academy of Music
Track 3 to 6: 1946-01-24, Philadelphia, Academy of Music
℗ 1945/1946 Sony Music Entertainment
CD 8 TT: 45:18
Track 1 to 3: 1946-01-17, Philadelphia, Academy of Music
Track 4: 1947-12-28, Philadelphia, Academy of Music
℗ 1947/1948 Sony Music Entertainmen
CD 9 TT: 38:44
Track 1 to 4: 1944-12-18 & 1946-01-12, Philadelphia, Academy of Music
℗ 1946 Sony Music Entertainment
CD 10 TT: 39:16
Track 1 to 3: 1945-02-23, Philadelphia, Academy of Music
℗ 1946 Sony Music Entertainment
CD 11 TT: 52:42
Track 1: 1947-11-01, Philadelphia, Academy of Music
Track 2 to 5: 1944-11-19 & 1946-01-24 & 1946-04-18, Philadelphia, Academy of Music
Track 6: 1947-03-20, Philadelphia, Academy of Music
℗ 1947/1948/1951 Sony Music Entertainment
CD 12 TT: 65:31
Track 1 to 4: 1947-12-03 & 1947-12-04, Philadelphia, Academy of Music
Track 5 to 8: 1946-04-19, Philadelphia, Academy of Music
℗ 1947/1948 Sony Music Entertainment
CD 13 TT: 46:23
Track 1 to 3: 1947-12-28, Philadelphia, Academy of Music
Track 4: 1947-01-22, Philadelphia, Academy of Music
℗ 1948 Sony Music Entertainment
CD 14 TT: 64:13
Track 1 to 14: 1946-04-19,Philadelphia, Academy of Music
Track 15: 1946-10-13, Philadelphia, Academy of Music
℗ 1946/1949 Sony Music Entertainment
CD 15 TT: 48:20
Track 1 to 4: 1947-10-31 & 1947-11-01, Philadelphia, Academy of Music
℗ 1948 Sony Music Entertainment
CD 16 TT: 44:07
Track 1 to 3: 1947-12-12, Philadelphia, Academy of Music
Track 4: 1945-05-20 & 1945-06-02, Philadelphia, Academy of Music
℗ 1945/1948 Sony Music Entertainment
CD 17 TT: 63:58
Track 1 to 5: 1945-05-20 & 1945-05-21 & 1946-01-12, Philadelphia, Academy of Music
℗ 1945 Sony Music Entertainment
CD 18 TT: 41:13
Track 1 to 4: 1947-11-01, Philadelphia, Academy of Music
℗ 1948 Sony Music Entertainment
CD 19 TT: 31:55
Track 1 to 4: 1947-11-22, Philadelphia, Academy of Music
Track 5: 1947-03-20, Philadelphia, Academy of Music
Track 6: 1946-04-18, Philadelphia, Academy of Music
℗ 1946/1948 Sony Music Entertainment
CD 20 TT: 64:09
Track 1 to 2: 1947-11-22, Philadelphia, Academy of Music
Track 3 to 4: 1947-12-04, Philadelphia, Academy of Music
Track 5: 1946-01-12, Philadelphia, Academy of Music
Track 6: 1947-12-04, Philadelphia, Academy of Music
Track 7 to 8: 1944-12-18, Philadelphia, Academy of Music
℗ 1946/1947/1948/1949 Sony Music Entertainment
CD 21 TT: 42:26
Track 1 to 4: 1947-11-22, Philadelphia, Academy of Music; Publishers: Boosey & Hawkes
Track 5 to 8: 1946-04-18, Philadelphia, Academy of Music
℗ 1947/1949 Sony Music Entertainment
CD 22 TT: 62:32
Track 1: 1946-10-13, Philadelphia, Academy of Music
Track 2: 1947-10-31, Philadelphia, Academy of Music
Track 3: 1947-01-22, Philadelphia, Academy of Music
Track 4: 1947-12-04, Philadelphia, Academy of Music
Track 5 to 11: 1946-01-12, Philadelphia, Academy of Music
Track 12: 1945-05-21, Philadelphia, Academy of Music
Track 13 to 15: 1947-12-28, Philadelphia, Academy of Music
℗ 1946/1947/1948/1949 Sony Music Entertainment
CD 23 TT: 39:41
Track 1 to 3: 1947-03-20, Philadelphia, Academy of Music; Publishers: Associated Music Publishers
Track 4 to 7: 1947-11-25, Cleveland, Severance Hall; Publishers: Associated Music Publishers
℗ 1949 Sony Music Entertainment
CD 24 TT: 36:25
Track 1 to 3: 1946-04-19, Philadelphia, Academy of Music
Track 4: 1947-11-22, Philadelphia, Academy of Music
℗ 1947/1949 Sony Music Entertainment
CD 25 TT: 63:00
Track 1 to 7: 1945-05-21, Philadelphia, Academy of Music
Track 8 to 11: 1946-10-13, Philadelphia, Academy of Music; Publisher: Boosey & Hawkes
Track 12: 1946-10-13, Philadelphia, Academy of Music
℗ 1945/1947 Sony Music Entertainment
CD 26 TT: 51:36
Track 1 to 6: 1949-04-10, Philadelphia, Academy of Music
℗ 1949 Sony Music Entertainment
CD 27 TT: 73:21
Track 1 to 3: 1949-05-10, Philadelphia, Academy of Music; Publisher: Copyright Control
Track 4 to 8: 1945-05-20, Philadelphia, Academy of Music; Publisher: Copyright Control
Track 9 to 11: 1947-11-01, Philadelphia, Academy of Music
Track 12 to 15: 1950-03-19, Philadelphia, Academy of Music; Publisher: Elkan-Vogel / Theodore Presser
Track 16: 1950-03-19, Philadelphia, Academy of Music
℗ 1949/1950 Sony Music Entertainment
CD 28 TT: 70:54
Track 1 to 4: 1949-05-10, Philadelphia, Academy of Music
Track 5 to 8: 1949-04-27, Cleveland, Severance Hall
Track 9 to 12: 1947-12-28, Philadelphia, Academy of Music
℗ 1948/1950 Sony Music Entertainment
CD 29 TT: 36:48
Track 1 to 4: 1950-03-19, Philadelphia, Academy of Music
Track 5 to 10: 1946-01-24, Philadelphia, Academy of Music; Publisher: Universal Edition
℗ 1950 Sony Music Entertainment
CD 30 TT: 56:35
Track 1 to 3: 1950-03-31 & 1950-04-02, Philadelphia, Academy of Music
Track 4 to 6: 1949-05-10, Philadelphia, Academy of Music
Track 7: 1950-03-19, Philadelphia, Academy of Music
℗ 1950 Sony Music Entertainment
CD 31 TT: 59:12
Track 1: 1947-12-03, Philadelphia, Academy of Music
Track 2: 1947-01-22, Philadelphia Academy of Music
Track 3: 1949-07-06, New York City, Columbia 30th Street Studio; Publisher: Éditions Salabert
Track 4 to 5: 1950-04-02, Philadelphia, Academy of Music; Publisher: Breitkopf & Härtel
Track 6 to 8: 1950-04-02, Philadelphia, Academy of Music
℗ 1947/1948/1950 Sony Music Entertainment
CD 32 TT: 40:43
Track 1 to 3: 1950-01-15, Philadelphia, Academy of Music; Publisher: Leeds Music
℗ 1950 Sony Music Entertainment
CD 33 TT: 43:11
CD 34 TT: 46-34
Track 33-1 to 34-10: 1950-12-24, 1950-12-29 & 1951-01-07, New York City, Columbia 30th Street Studio
℗ 1951 Sony Music Entertainment
CD 35 TT: 58:55
Track 1 to 4: 1950-11-05, Philadelphia, Academy of Music
℗ 1951 Sony Music Entertainment
CD 36 TT: 66:59
Track 1 to 3: 1950-11-19, Philadelphia, Academy of Music
Track 4 to 6: 1951-02-11, Philadelphia, Academy of Music
℗ 1951 Sony Music Entertainment
CD 37 TT: 46:16
Track 1 to 4: 1950-11-19, Philadelphia, Academy of Music
℗ 1951 Sony Music Entertainment
CD 38 TT: 49:43
Track 1 to 4: 1951-03-11, Philadelphia, Academy of Music; Publisher: Associated Music Publishers
Track 5 to 7: 1951-03-11, Philadelphia, Academy of Music
℗ 1951 Sony Music Entertainment
CD 39 TT: 45:57
Track 1 to 4: 1951-02-11, Philadelphia, Academy of Music
℗ 1951 Sony Music Entertainment
CD 40 TT: 47:52
Track 1 to 5: 1950-10-30 & 1950-11-05
℗ 1952 Sony Music Entertainment
CD 41 TT: 43:08
Track 1 to 4: 1950-11-05, Philadelphia, Academy of Music, 1950-11-05
℗ 1951 Sony Music Entertainment
CD 42 TT: 45:44
Track 1 to 4: 1952-04-06, Philadelphia, Academy of Music
℗ 1951 Sony Music Entertainment
CD 43 TT: 51:49
Track 1 to 5: 1951-12-23, Philadelphia, Academy of Music
Track 6: 1951-12-21, Philadelphia, Academy of Music
Track 7 to 9: 1951-12-23, Philadelphia, Academy of Music
℗ 1952 Sony Music Entertainment
CD 44 TT: 64:35
Track 1 to 11: 1952-02-17, Philadelphia, Academy of Music
Track 12 to 18: 1952-03-31, New York City, Columbia 30th Street Studio; Publisher: G. & C. Music Corp.
Track 19 to 22: 1952-01-03, Philadelphia, Academy of Music; Publisher: Oxford University Press
Track 23 to 25: 1952-01-03, Philadelphia, Academy of Music; Publisher: Harms
℗ 1950 Sony Music Entertainment
CD 45 TT: 57:39
Track 1 to 6: 1952-04-05 & 1952-04-06 & 1952-05-13, Philadelphia, Academy of Music
Track 7: 1952-04-05 & 1952-04-06 & 1952-05-13, Philadelphia, Academy of Music; Publisher: Copyright Control
Track 8 to 12: 1952-04-05 & 1952-04-06 & 1952-05-13, Philadelphia, Academy of Music
℗ 1953 Sony Music Entertainment
CD 46 TT: 36:14
Track 1 to 3: 1952-11-23, Philadelphia, Academy of Music
℗ 1953 Sony Music Entertainment
CD 47 TT: 44:30
Track 1: 1951-12-16, Philadelphia, Academy of Music
Track 2: 1950-04-02, Philadelphia, Academy of Music
Track 3 to 4: 1951-12-16, Philadelphia, Academy of Music
Track 1 to 4: Publisher: Breitkopf & Härtel
℗ 1953 Sony Music Entertainment
CD 48 TT: 47:23
Track 1 to 4: 1952-02-17, Philadelphia, Academy of Music
Track 5 to 9: 1950-04-02, Philadelphia, Academy of Music
℗ 1953 Sony Music Entertainment
CD 49 TT: 72:05
Track 1 to 12: 1952-11-16 & 1952-12-21, Philadelphia, Academy of Music; Publisher: Éditions Salabert
℗ 1953 Sony Music Entertainment
CD 50 TT: 70:17
Track 1 to 8: 1952-02-17, Philadelphia, Academy of Music
Track 9 to 11: 1947-12-24, Philadelphia, Academy of Music
℗ 1950/1953 Sony Music Entertainment
CD 51 TT: 73:43
Track 1 to 4: 1953-04-26, Philadelphia, Academy of Music; Publishers:Muzgiz / Sikorski / Belwin Mills
Track 5: 1953-12-23, Philadelphia, Academy of Music
Track 6 to 7: 1951-12-16, Philadelphia, Academy of Music
℗ 1953/1955 Sony Music Entertainment
CD 52 TT: 41:28
Track 1 to 2: 1952-05-13, Philadelphia, Academy of Music
Track 3: 1952-05-13 & 1952-12-21, Philadelphia, Academy of Music
Track 4 to 5: 1952-05-13, Philadelphia, Academy of Music
Track 6: 1952-12-21, Philadelphia, Academy of Music
Track 7: 1952-05-13 & 1952-12-21, Philadelphia, Academy of Music
Track 8 to 10: 1952-05-13, Philadelphia, Academy of Music
Track 11: 1953
℗ 1953 Sony Music Entertainment
CD 53 TT: 49:16
Track 1 to 15: 1953-02-16, Philadelphia, Academy of Music
Track 16 to 21: 1953-03-01, Philadelphia, Academy of Music; Publishers: Chester Music / Schott Music
℗ 1953 Sony Music Entertainment
CD 54 TT: 39:49
Track 1 to 8: 1953-11-01, Philadelphia, Academy of Music
Track 9 to 13: 1952-12-20, Philadelphia, Academy of Music
℗ 1953 Sony Music Entertainment
CD 55 TT: 57:33
Track 1 to 3: 1952-02-17, Philadelphia, Academy of Music
Track 4 to 5: 1952-11-23, Philadelphia, Academy of Music
℗ 1953 Sony Music Entertainment
CD 56 TT: 41:22
Track 1 to 3: 1952-11-23, Philadelphia, Academy of Music; Publisher: Schott Music
Track 4 to 9: 1953-11-01, Philadelphia, Academy of Music; Publisher: Schott Music
℗ 1954 Sony Music Entertainment
CD 57 TT: 37:03
Track 1 to 4: 1953-02-16, Philadelphia, Academy of Music
℗ 1954 Sony Music Entertainment
CD 58 TT: 42:49
Track 1 to 8: 1953-11-01, Philadelphia, Academy of Music
Track 9: 1953-11-15, Philadelphia, Academy of Music
℗ 1954 Sony Music Entertainment
CD 59 TT: 46:39
Track 1: 1953-03-01 & 1953-11-01, Philadelphia, Academy of Music
Track 2 to 7: 1953-03-01, Philadelphia, Academy of Music
℗ 1954 Sony Music Entertainment
CD 60 TT: 47:33
Track 1 to 9: 1953-06-26, Philadelphia, Academy of Music
℗ 1954 Sony Music Entertainment
CD 61 TT: 44:34
Track 1 to 6: 1954-03-14, Philadelphia, Academy of Music
℗ 1954 Sony Music Entertainmen
CD 62 TT: 41:30
Track 1 to 4: 1953-12-23, Philadelphia, Academy of Music
℗ 1954 Sony Music Entertainment
CD 63 TT: 60:19
Track 1 to 23: 1954-05-09, Philadelphia, Academy of Music; Publisher: Editions Mario Bois
Track 24 to 31: 1954-05-09, Philadelphia, Academy of Music; Publisher: Hawkes & Son
℗ 1954/1956 Sony Music Entertainment
CD 64 TT: 34:24
Track 1 to 3: 1954-02-14, Philadelphia, Academy of Music; Publisher: G. Schirmer
Track 4 to 8: 1952-11-23, ; Publisher: G. Ricordi
℗ 1954 Sony Music Entertainment
CD 65 TT: 69:53
Track 1 to 3: 1954-02-14, Philadelphia, Academy of Music
Track 4 to 6: 1953-03-22, Philadelphia, Academy of Music
℗ 1953/1954 Sony Music Entertainment
CD 66 TT: 37:17
Track 1 to 3: 1953-12-24, Philadelphia, Academy of Music
℗ 1955 Sony Music Entertainment
CD 67 TT: 43:00
Track 1 to 3: 1954-11-07, Philadelphia, Academy of Music
Track 4: 1954-11-28, Philadelphia, Academy of Music
℗ 1955 Sony Music Entertainment
CD 68 TT: 56:21
Track 1 to 2: 1953-03-22, Philadelphia, Academy of Music
Track 3 to 5: 1954-02-28, Philadelphia, Academy of Music
Track 6 to 7: 1954-12-19, Philadelphia, Academy of Music
Track 8: 1954-1-28, Philadelphia, Academy of Music
℗ 1954/1955 Sony Music Entertainment
CD 69 TT: 36:37
Track 1 to 5: 1954-02-14, Philadelphia, Academy of Music
℗ 1955 Sony Music Entertainment
CD 70 TT: 48:04
Track 1 to 7: 1954-03-14, Philadelphia, Academy of Music; Publishers: Elkan-Vogel / Theodore Presser
Track 8 to 11: 1954-04-15, Philadelphia, Academy of Music; Publishers: Elkan-Vogel / Theodore Presser
℗ 1955 Sony Music Entertainment
CD 71 TT: 51:23
Track 1: 1953-11-15, Philadelphia, Academy of Music; Publisher: G. Schirmer
Track 2 to 5: 1954-04-15, Philadelphia, Academy of Music; Publisher: Associated Music Publishers
℗ 1955 Sony Music Entertainment
CD 72 TT: 53:11
Track 1 to 2: 1955-04-24 & 1955-05-14, Philadelphia, Academy of Music; Publisher: Booset & Hawkes
Track 3 to 13: 1954-11-28; Philadelphia, Academy of Music; Publisher: Booset & Hawkes
℗ 1955 Sony Music Entertainment
CD 73 TT: 59:02
Track 1 to 15: 1955-05-14, Philadelphia, Academy of Music
℗ 1955 Sony Music Entertainment
CD 74 TT: 60:24
Track 1 to 3: 1955-03-11, Philadelphia, Academy of Music
Track 4 to 6: 1954-02-14 & 1955-04-24, Philadelphia, Academy of Music
℗ 1955 Sony Music Entertainment
CD 75 TT: 60:22
Track 1 to 4: 1954-11-28, Philadelphia, Academy of Music; Publisher: Breitkopf & Härtel
Track 5 to 7: 1954-12-19, Philadelphia, Academy of Music; Publisher: Edition Wilhelm Hansen
℗ 1955 Sony Music Entertainment
CD 76 TT: 53:23
Track 1 to 4: 1954-02-28, Philadelphia, Academy of Music
Track 5: 1954-11-07, Philadelphia, Academy of Music
℗ 1955 Sony Music Entertainment
CD 77 TT: 40:49
Track 1 to 4: 1953-12-24, Philadelphia, Academy of Music
℗ 1956 Sony Music Entertainment
CD 78 TT: 53:38
Track 1 to 2: 1955-10-22, Philadelphia, Academy of Music
Track 3: 1954-11-07, Philadelphia, Academy of Music
Track 4 to 5: 1954-12-19, Philadelphia, Academy of Music
Track 6 to 7: 1954-11-07, Philadelphia, Academy of Music
Track 8: 1954-12-19, Philadelphia, Academy of Music
Track 9 to 11: 1954-04-15, Philadelphia, Academy of Music
℗ 1956 Sony Music Entertainment
CD 79 TT: 70:54
Track 1 to 3: 1955-12-24, Philadelphia, Academy of Music
Track 4 to 6: 1956-01-10, Philadelphia, Academy of Music
Track 7 to 9: 1955-12-24, Philadelphia, Academy of Music
Track 10 to 12: 1950-10-30, Philadelphia, Academy of Music
℗ 1950/1956 Sony Music Entertainment
CD 80 TT: 50:49
Track 1: 1955-10-22, Philadelphia, Academy of Music
Track 2 to 5: 1955-04-24, Philadelphia, Academy of Music
℗ 1956 Sony Music Entertainment
CD 81 TT: 78:21
Track 1 to 6: 1955-12-24, Philadelphia, Academy of Music
Track 7 to 9: 1950-01-15, Philadelphia, Academy of Music
℗ 1950/1956 Sony Music Entertainment
CD 82 TT: 38:58
Track 1 to 3: 1956-04-08, Philadelphia, Academy of Music
Track 4 to 5: 1950-04-02, Philadelphia, Academy of Music
℗ 1950/1956 Sony Music Entertainment
CD 83 TT: 44:58
Track 1: 1955-10-22, Philadelphia, Academy of Music; Publisher: Associated Music Publishers
Track 2 to 4: 1934-02-02, New York City, Carnegie Hall (Live); Publisher: Copyright Control
℗ 1934/1956 Sony Music Entertainment
CD 84 TT: 60:20
Track 1 to 4: 1955-10-22, Philadelphia, Academy of Music
Track 5 to 8: 1956-01-10, Philadelphia, Academy of Music
℗ 1956 Sony Music Entertainment
CD 85 TT: 51:22
Track 1 to 4: 1954-12-19, Philadelphia, Academy of Music; Publisher: Elkan-Vogal
Track 5 to 8: 1955-03-11, Philadelphia, Academy of Music; Publisher: Copyright Control
℗ 1956 Sony Music Entertainment
CD 86 TT: 50:49
Track 1 to 7: 1955-12-18, Philadelphia, Academy of Music
℗ 1956 Sony Music Entertainment
CD 87 TT: 54:09
Track 1 to 8: 1956-01-10, Philadelphia, Broadwood Hotel
℗ 1956 Sony Music Entertainment
CD 88 TT: 66:28
Track 1 to 3: 1956-02-19, Philadelphia, Academy of Music
Track 4 to 7: 1957-04-14, Philadelphia, Academy of Music
℗ 1956/1957 Sony Music Entertainment
CD 89 TT: 39:16
Track 1 to 4: 1956-04-08, Philadelphia, Academy of Music
℗ 1956 Sony Music Entertainment
CD 90 TT: 45:32
Track 1 to 4: 1956-03-11, Philadelphia, Academy of Music
℗ 1956 Sony Music Entertainment
CD 91 TT: 47:13
Track 1 to 2: 1955-03-27, Philadelphia, Academy of Music
Track 3: 1955-03-27, Philadelphia, Academy of Music; Publisher: Universal Edition
Track 4 to 7: 1955-03-27, Philadelphia, Academy of Music
℗ 1956 Sony Music Entertainment
CD 92 TT: 70:48
Track 1 to 12: 1956-01-10 & 1956-02-19 & 1956-04-08, Philadelphia, Academy of Music
℗ 1956 Sony Music Entertainment
CD 93 TT: 35:12
Track 1 to 5: 1956-04-08, Philadelphia, Academy of Music; Publisher: G. Schirmer
Track 6 to 15: 1956-04-06, Philadelphia, Academy of Music; Publisher: G. Schirmer
℗ 1956 Sony Music Entertainment
CD 94 TT: 51:02
Track 1 to 8: 1954-11-28, Philadelphia, Academy of Music; Publisher: Boosey & Hawkes
Track 9 to 15: 1955-12-18, Philadelphia, Academy of Music; Publisher: Boosey & Hawkes
℗ 1957 Sony Music Entertainment
CD 95 TT: 68:03
Track 1: 1952-05-13, Philadelphia, Academy of Music
Track 2 to 5: 1955-01-09, Philadelphia, Academy of Music
Track 6: 1958-01-05, Philadelphia, Broadwood Hotel
Track 7: 1957-12-23, Philadelphia, Broadwood Hotel
Track 8: 1956-01-10, Philadelphia, Academy of Music
℗ 1953/1957/1958 Sony Music Entertainment
CD 96 TT: 46:17
Track 1 to 3: 1956-03-11 & 1956-12-19, Philadelphia, Academy of Music
Track 4: 1955-03-11, Philadelphia, Academy of Music
℗ 1957 Sony Music Entertainment
CD 97 TT: 48:56
Track 1: 1955-10-22, Philadelphia, Academy of Music
Track 2: 1952-04-06, Philadelphia, Academy of Music
Track 3 to 7: 1952-11-23, Philadelphia, Academy of Music
Track 8: 1952-04-06, Philadelphia, Academy of Music
℗ 1954/1957 Sony Music Entertainment
CD 98 TT: 48:00
Track 1 to 3: 1956-03-11, Philadelphia, Academy of Music; Publisher: Merion Music
Track 4 to 6: 1956-02-24, New York City, Columbia 30th Street Studio; Publisher: Associated Music Publishers
℗ 1957 Sony Music Entertainment
CD 99 TT: 46:34
Track 1 to 4: 1952-12-20, Philadelphia, Academy of Music
Track 5: 1957-04-14, Philadelphia, Academy of Music; Publisher: Boosey & Hawkes
Track 6: 1957-04-14, Philadelphia, Academy of Music; Publisher: G. Schirmer
Track 7: 1957-04-14, Philadelphia, Academy of Music; Publisher: Oxford University Press
℗ 1957 Sony Music Entertainment
CD 100 TT: 54:42
Track 1 to 4: 1956-11-25, Philadelphia, Broadwood Hotel; Publisher: MCA Music
℗ 1957 Sony Music Entertainment
CD 101 TT: 44:08
Track 1 to 13: 1956-10-07, Boston, Symphony Hall
℗ 1957 Sony Music Entertainment
CD 102 TT: 59:11
Track 1 to 2: 1954-05-09, Philadelphia, Academy of Music
Track 3: 1953-06-23, Philadelphia, Academy of Music
Track 4: 1953-06-24, Philadelphia, Academy of Music
Track 5: 1954-05-09, Philadelphia, Academy of Music
Track 6 to 7: 1952-01-03, Philadelphia, Academy of Music
℗ 1953/1957 Sony Music Entertainment
CD 103 TT: 39:34
Track 1 to 3: 1957-03-14, Philadelphia, Broadwood Hotel
Track 4 to 5: 1957-04-13, Philadelphia, Broadwood Hotel
℗ 1957 Sony Music Entertainment
Important note: The box set was first shipped with a defective version of CD 103. Track 5 (Ravel Tzigane) incorrectly starts with 4-5 secs of silence, and ends abruptly with music being cut off by the same amount of time. A good release of this track can be found in the box set "Isaac Stern Complete Columbia Analogue Recordings", CD 21. A correct version of the disc can be obtained from Sony. Also, the accompanying book incorrectly reports the disc duration to be 48:20. The correct timing is rather 39:34. This timing is shown here.
Later reissues from include the corrected disc.
Matrix of defective disc: 57591513/19439757482-103 21 - Track 5 start and duration using Exact Audio Copy: Start 30:41.66, duration 0:08:54.23
Matrix of corrected disc: 57947678/19439757482-103 21 - Track 5 start and duration using Exact Audio Copy: Start 30:45.06, duration: 0:08:56.20
CD 104 TT: 33:31
Track 1 to 4: 1956-10-17, Boston Symphony Hall
℗ 1957 Sony Music Entertainment
CD 105 TT: 47:46
Track 1 to 2: 1956-11-25, Philadelphia, Broadwood Hotel
Track 3: 1957-02-03, Philadelphia, Broadwood Hotel
Track 4 to 6: 1957-04-13, Philadelphia, Broadwood Hotel
℗ 1957 Sony Music Entertainment
CD 106 TT: 48:20
Track 1: 1957-10-06, Philadelphia, Broadwood Hotel; Publisher: G. Schirmer
Track 2 to 4: 1953-06-26, Philadelphia, Academy of Music
Track 5 to 6: 1953-11-15, Philadelphia, Academy of Music
Track 7 to 11: 1957-04-13, Philadelphia, Broadwood Hotel
Track 12: 1956-04-08, Philadelphia, Academy of Music; Publisher: G. Schirmer
℗ 1958 Sony Music Entertainment
CD 107 TT: 72:01
Track 1 to 2: 1955-03-11, Philadelphia, Academy of Music; Publisher: Associated Music Publishers
Track 3 to 4: 1955-12-24, Philadelphia, Academy of Music; Publisher: Associated Music Publishers
Track 5: 1953-02-16, Philadelphia, Academy of Music; Publisher: Copyright Control
Track 6 to 7: 1953-02-16, Philadelphia, Academy of Music
℗ 1953/1958 Sony Music Entertainment
CD 108 TT: 54:45
Track 1 to 2: 1957-11-10, Philadelphia, Broadwood Hotel; Publisher: Enoch & Cie
Track 3: 1957-12-19, Philadelphia, Broadwood Hotel
Track 4: 1955-01-09, Philadelphia, Academy of Music
℗ 1958 Sony Music Entertainment
CD 109 TT: 43:59
Track 1 to 7: 1957-11-10, Philadelphia, Broadwood Hotel
Track 8: 1950-11-05, Philadelphia, Academy of Music
Track 9: 1957-11-10, Philadelphia, Broadwood Hotel
℗ 1951/1958 Sony Music Entertainment
CD 110 TT: 44:14
Track 1: 1956-01-10, Philadelphia, Academy of Music
Track 2: 1957-12-23, Philadelphia, Broadwood Hotel
Track 3: 1957-12-19 & 1958-03-23, Philadelphia, Broadwood Hotel
Track 4 to 6: 1953-11-15, Philadelphia, Academy of Music
℗ 1958 Sony Music Entertainment
CD 111 TT: 44:04
Track 1 to 3: 1957-03-14, Philadelphia, Broadwood Hotel; Publisher: Carl Fischer
Track 4: 1957-04-14, Philadelphia, Broadwood Hotel; Publisher: Mills Music
℗ 1958 Sony Music Entertainment
CD 112 TT: 49:08
Track 1 to 4: 1955-12-18, Philadelphia, Academy of Music; Publisher: Boosey & Hawkes
Track 5 to 6: 1955-12-24, Philadelphia, Academy of Music; Publisher: Universal Edition
Track 7 to 10: 1955-12-04, Philadelphia, Academy of Music
℗ 1958 Sony Music Entertainment
CD 113 TT: 41:27
Track 1 to 13: 1955-12-04, Philadelphia, Academy of Music
℗ 1958 Sony Music Entertainment
CD 114 TT: 42:30
Track 1 to 4: 1954-04-15, Philadelphia, Academy of Music
Track 5 to 8: 1953-11-15 & 1953-12-23, Philadelphia, Academy of Music
℗ 1958 Sony Music Entertainment
CD 115 TT: 37:35
Track 1 to 3: 1958-01-26, Philadelphia, Broadwood Hotel
℗ 1958 Sony Music Entertainment
CD 116 TT: 41:33
Track 1: 1958-01-05, Philadelphia, Broadwood Hotel
Track 2: 1957-04-14, Philadelphia, Broadwood Hotel
℗ 1959 Sony Music Entertainment
CD 117 TT: 43:47
Track 1 to 5: 1952-05-13, Philadelphia, Academy of Music
℗ 1952/1953 Sony Music Entertainment
CD 118 TT: 61:10
Track 1 to 5: 1946-01-10 & 1946-01-12, Philadelphia, Academy of Music
Track 6 to 7: 1947-03-02, Philadelphia, Academy of Music
℗ 1946/1947 Sony Music Entertainment
CD 119 TT: 73:26
Track 1: 1951-12-27, Philadelphia, Academy of Music
Track 2: 1951-12-27, Philadelphia, Academy of Music; Publisher: Williamson Music
Track 3: 1951-12-27, Philadelphia, Academy of Music; Publisher: Chappell
Track 4 to 13: 1952-02-03, Philadelphia, Academy of Music
℗ 1952/1953 Sony Music Entertainment
CD 120 TT: 34:10
Recording dates and venues unknown
℗ 1950 Sony Music Entertainment
Barcode and Other Identifiers
- Barcode (Text): 1 94397 57482 1
- Barcode (Scanned): 194397574821
- Label Code: LC 00868
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