New York Philharmonic – The Complete RCA And Columbia Album Collection
Tracklist
| Rhapsodie Espagnole BV 58 | |||
| 1-1 | Lento | 1:07 | |
| 1-2 | I Jota Aragonaise. Allegro | 4:17 | |
| 1-3 | II Un Poco Meno Allegro. Allegretto Piacevole – Molto Vivace – Sempre Presto – | 2:18 | |
| 1-4 | III Non Troppo Allegro – Più Vivo, Ma Misurato | 6:22 | |
| Symphony No. 2 In B Minor = H-Moll = En Si Mineur | |||
| 1-5 | I Allegro – Animato Assai | 6:29 | |
| 1-6 | II Scherzo. Prestissimo – Allegretto | 4:46 | |
| 1-7 | III Andante | 7:56 | |
| 1-8 | IV Finale. Allegro | 5:57 | |
| Thamos, König In Ägypten K 345 (336a) = Thamos, King Of Egypt = Thamos, Roi D'Egypte (Incidental Music To The Heroic Drama In 5 Acts By Tobias Ph. Freiherr von Gebler) | |||
| 2-1 | No. 2. Maestoso – Allegro | 3:46 | |
| 2-2 | No. 3. Andante | 3:58 | |
| 2 Elegiac Melodies Op. 34 = Zwei Elegische Melodien = Deux Mélodies Élégiaques For Strings | |||
| 2-3 | No. 1: The Wounded Heart = Herzwunden = Blessures Du Cœur (Allegretto Espressivo) | 2:39 | |
| 2-4 | No. 2: Last Spring= Leztter Frühling = Denier Printemps (Andante) | 5:21 | |
| Toccata In C Major BWV 564 = C-Dur = En Ut Majeur | |||
| 2-5 | Präludium. Allegro Non Troppo | 5:41 | |
| 2-6 | Adagio | 5:28 | |
| 2-7 | Fuga. Allegretto Ma Poco Moderato, Molto Deciso | 4:02 | |
| 2-8 | Minuetto (From Le Temple De La Paix) | 3:36 | |
| Slavonic Dances Op. 46 = Slawische Tänze = Danses Slaves | |||
| 2-9 | No. 1 In C Major. Presto = C-Dur = En Ut Majeur | 3:41 | |
| 2-10 | No. 3 In A-flat Major. Poco Allegro = As-Dur = En La Bémol Majeur | 4:08 | |
| 2-11 | Joyeuse Marche (Marche Française) (Tempo Di Marcia, Molto Risoluto E Giocoso) | 3:18 | |
| 2-12 | Marche Du Couronnement = Coronation March = Krönungsmarsch (From Le Prophète) (Tempo Di Marcia Maestoso) | 2:53 | |
| 3-1 | Fantasia (Prelude) And Fugue In G Minor "Great" BWV 542 = G-Moll = En Sol Mineur | 12:48 | |
| 3-2 | Wir Glauben All An Einen Gott BWV 680 (Chorale Prelude From Clavier-Übung III) | 3:14 | |
| 3-3 | Overture No. 1 On 3 Greek Themes Op. 3 (Adagio – Allegro) | 13:01 | |
| 3-4 | Pièce En Forme De Habanera (Presque Lent Et Avec Indolence) | 3:27 | |
| Chopiniana | |||
| 3-5 | Étude In C Minor "Revolutionary" Op. 10/12 = C-Moll = En Ut Mineur (Allegro Con Fuoco) | 2:41 | |
| 3-6 | Nocturne In C Minor Op. 48/1 = C-Moll = En Ut Mineur (Lento) | 5:50 | |
| 3-7 | Mazurka In B Minor Op. 33/4 = H-Moll = En Si Mineur (Mesto) | 5:41 | |
| 3-8 | Waltz In E Minor WN 29 = E-Moll = En Mi Mineur (Vivace) | 2:59 | |
| 3-9 | Polonaise In A-flat Major "Heroic" Op. 53 = As-Dur »Heroische« = En La Bémol Majeur « Héroïque » (Maestoso) | 5:44 | |
| Concerto No. 10 For 2 Pianos And Orchestra In E-flat Major K 365 (316a) = Es-Dur = En Mi Bémol Majeur | |||
| 4-1 | I Allegro | 9:27 | |
| 4-2 | II Andante | 7:25 | |
| 4-3 | III Rondeau. Allegro | 6:46 | |
| Concerto No. 7 For 3 Pianos And Orchestra In F Major "Lodron" K 242 = F-Dur = En Fa Majeur | |||
| 4-4 | I Allegro | 8:23 | |
| 4-5 | II Adagio | 9:22 | |
| 4-6 | III Rondeau. Tempo Di Menuetto | 5:18 | |
| 5-1 | Le Bœuf Sur Le Toit Or "The Nothing-Doing Bar" Op. 58 - The Ox On The Roof = Der Ochse Auf Dem Dach (Ballet By Jean Cocteau) | 13:53 | |
| Le Tombeau De Couperin M 68a | |||
| 5-2 | I Prélude. Vif | 2:59 | |
| 5-3 | II Forlane. Allegretto | 3:11 | |
| 5-4 | III Menuet. Allegro Moderato | 3:17 | |
| 5-5 | IV Rigaudon. Assez Vif | 2:19 | |
| 5-6 | Overture And Allegro From The Sonata La Sultane | 7:39 | |
| 5-7 | La Procession Nocturne Op. 6 = The Nocturnal Procession = Die Nächtliche Prozession | 14:02 | |
| Symphony In B-Flat Major Op. 20 = B-Dur = En Si Bémol Majeur | |||
| 6-1 | I Lent – Allegro Vivo | 12:01 | |
| 6-2 | II Très Lent | 8:15 | |
| 6-3 | III Animé | 10:49 | |
| 6-4 | Portsmouth Point (Concert Overture) | 5:48 | |
| Manon Lescaut | |||
| 7-1 | Intermezzo | 3:41 | |
| Cavalleria Rusticana | |||
| 7-2 | Intermezzo Sinfonico | 3:53 | |
| I Gioielli Della Madonna | |||
| 7-3 | Intermezzo (Act II) | 3:44 | |
| 7-4 | Intermezzo (Act III) | 3:20 | |
| Sebastian - Ballet Suite | |||
| 7-5 | I Introduction. Adagio – Allegro Molto | 2:01 | |
| 7-6 | II Barcarolle. Andante Con Moto | 3:29 | |
| 7-7 | III Baruffa = Street Fight. Allegro Energico | 1:23 | |
| 7-8 | IV Cortège. L'istesso Tempo | 3:49 | |
| 7-9 | V Sebastian's Dance. Tempo Di Walzer | 2:05 | |
| 7-10 | VII Pavane. Andante Calmo | 3:46 | |
| Scènes Alsaciennes - Suite No. 7 | |||
| 7-11 | I Dimanche Matin. Allegretto Moderato. Andante Religioso | 6:04 | |
| 7-12 | II Au Cabaret. Allegro – Allegro Moderato Assai – Tempo I | 4:59 | |
| 7-13 | III Sous Les Tilleuls. Adagio Sostenuto | 4:27 | |
| 7-14 | IV Dimanche Soir. Allegro Moderato – Air Alsacien – Retraite Française (Dans Les Coulisses). Allegro Moderato – Allegro Vivo Assai | 5:51 | |
| 8-1 | The Isle Of The Dead Op. 29 = Die Toteninsel = L'ile Des Morts (Symphonic Poem Based On The Painting By Arnold Böcklin) | 20:17 | |
| 8-2 | Fantasia On A Theme By Thomas Tallis For Double String Orchestra | 14:55 | |
| Symphony No. 1 In D Major "Titan" | |||
| 9-1 | I Langsam. Schleppend. Wie Ein Naturlaut – Immer Sehr Gemächlich | 13:35 | |
| 9-2 | Il Kräftig Bewegt, Doch Nicht Zu Schnell – Trio. Recht Gemächlich | 6:17 | |
| 9-3 | III Feierlich Und Gemessen, Ohne Zu Schleppen | 10:26 | |
| 9-4 | IV Stürmisch Bewegt – Energisch – Sehr Gesangsvoll – Wieder Wie Zu Anfang. Stürmisch Bewegt – Sehr Langsam – Höchste Kraft. Wieder Vorwärts Drängend – Triumphal (Nicht Eilen) | 17:31 | |
| Symphony No. 2 In C Minor "Little Russian" Op. 17 = C-Moll = En Ut Mineur | |||
| 10-1 | I Andante Sostenuto – Allegro Vivo | 9:12 | |
| 10-2 | I Andantino Marziale, Quasi Moderato | 8:21 | |
| 10-3 | III Scherzo. Allegro Molto Vivace – Trio | 4:24 | |
| 10-4 | IV Moderato Assai – Allegro Vivo – Presto | 9:46 | |
| Concerto For Piano And Orchestra In D-flat Major Op. 38 = Des-Dur = En Ré Bémol Majeur | |||
| 11-1 | I Allegro Ma Non Troppo E Maestoso | 14:55 | |
| 11-2 | II Andante Con Anima | 10:57 | |
| 11-3 | III Allegro Brillante | 8:57 | |
| Concerto For Piano And Orchestra No. 4 In D Minor Op. 70 = D-Moll = En Ré Mineur | |||
| 11-4 | I Moderato Assai | 12:38 | |
| 11-5 | II Andante | 11:27 | |
| 11-6 | III Allegro | 10:06 | |
| Concerto For Piano And Orchestra No. 1 In B-flat Minor Op. 23 = B-Moll = En Si Bémol Mineur | |||
| 12-1 | I Allegro Non Troppo E Molto Maestoso – Allegro Con Spirito | 19:14 | |
| 12-2 | Il Andantino Semplice – Prestissimo – Tempo I | 7:29 | |
| 12-3 | Ill Allegro Con Fuoco | 6:27 | |
| Concerto For 2 Pianos And Orchestra In D Minor FP 61 = D-Moll = En Ré Mineur | |||
| 13-1 | I Allegro Ma Non Troppo | 7:39 | |
| 13-2 | Il Larghetto | 6:39 | |
| 13-3 | III Finale. Allegro Molto | 5:28 | |
| Variations On A Theme By Joseph Haydn In B-flat Major "St. Anthony Variations" Op. 56b = B-Dur = En Si Bémol Majeur For 2 Pianos | |||
| 13-4 | Thema. Chorale St. Antoni. Andante | 1:56 | |
| 13-5 | Variation 1. Andante Con Moto | 1:10 | |
| 13-6 | Variation 2. Vivace | 0:59 | |
| 13-7 | Variation 3. Con Moto | 1:32 | |
| 13-8 | Variation 4. Andante | 1:46 | |
| 13-9 | Variation 5. Poco Presto | 0:56 | |
| 13-10 | Variation 6. Vivace | 1:09 | |
| 13-11 | Variation 7. Grazioso | 2:32 | |
| 13-12 | Variation 8. Poco Presto | 0:51 | |
| 13-13 | Finale. Andante | 3:31 | |
| Symphony No. 2 (To The Memory Of Franklin Delano Roosevelt) | |||
| 14-1 | I Molto Agitato – Tranquillo E Misterioso | 9:26 | |
| 14-2 | Il Allegretto Capriccioso | 1:50 | |
| 14-3 | III Adagio, Tranquillo Ed Espressivo | 7:31 | |
| 14-4 | IV Allegramente | 6:25 | |
| 14-5 | Philharmonic Waltzes | 9:22 | |
| 14-6 | Le Roi D'Ys - Overture (Andante – Allegro – Andantino Non Troppo – Allegro - Presto) | 11:18 | |
| Ozark Set | |||
| 14-7 | I Morning In The Hills | 4:07 | |
| 14-8 | II Camp Meeting | 2:54 | |
| 14-9 | Ill Lazy Afternoon | 4:09 | |
| 14-10 | IV Saturday Night | 3:44 | |
| Symphony No. 3 In E-flat Major "Rhenish" Op. 97 = Es-Dur »Rheinische« = En Mi Bémol Majeur « Rhénane » | |||
| 15-1 | I Lebhaft | 9:50 | |
| 15-2 | Il Scherzo. Sehr Mäßig | 4:46 | |
| 15-3 | III Nicht Schnell | 4:34 | |
| 15-4 | IV Feierlich | 5:28 | |
| 15-5 | V Lebhaft – Schneller | 5:03 | |
| 15-6 | Polka And Fugue (From Schwanda The Bagpiper) | 7:37 | |
| 15-7 | Minstrel Show | 7:44 | |
| Symphony No. 2 In E Minor Op. 27 = E-Moll = En Mi Mineur | |||
| 16-1 | I Largo – Allegro Moderato | 15:52 | |
| 16-2 | II Allegro Molto | 7:26 | |
| 16-3 | III Adagio | 11:05 | |
| 16-4 | IV Allegro Vivace | 10:28 | |
| Symphony In D Minor FWV 48 = D-Moll = En Ré Mineur | |||
| 17-1 | I Lento – Allegro Non Troppo – Allegro | 19:19 | |
| 17-2 | II Allegretto | 9:11 | |
| 17-3 | Ili Allegro Non Troppo | 9:25 | |
| Symphony No. 4 In F Minor Op. 36 = F-Moll = En Fa Mineur | |||
| 18-1 | I Andante Sostenuto – Moderato Con Anima – Moderato Assai, Quasi Andante – Allegro Con Anima | 16:49 | |
| 18-2 | Il Andantino Modo Di Canzone | 9:06 | |
| 18-3 | Ill Scherzo. Pizzicato Ostinato – Allegro | 5:03 | |
| 18-4 | IV Finale. Allegro Con Fuoco | 7:56 | |
| Symphony No. 6 In F Major "Pastoral" Op. 68 = F-Dur = En Fa Majeur | |||
| 19-1 | I Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande. Allegro Ma Non Troppo (Awakening Of Cheerful Feelings Upon Arrival In The Country = Éveil D'impressions Agréables En Arrivant À La Campagne) | 8:08 | |
| 19-2 | Il Szene Am Bach. Andante Molto Moto (Scene By The Brook = Au Bord Du Ruisseau) | 12:18 | |
| 19-3 | III Lustiges Zusammensein Der Landleute. Allegro - Attacca = Merry Gathering Of Country Folk = Joyeuse Assemblée De Paysans | 4:54 | |
| 19-4 | IV Gewitter, Sturm. Allegro - Attacca = Thunderstorm = Orage, Tempête | 3:59 | |
| 19-5 | Hirtengesang. Frohe Und Dankbare Gefühle Nach Dem Sturm. Allegretto = Shepherd's Song. Happy And Thankful Feelings After The Storm Chant Pastoral = Sentiments De Joie Et De Reconnaissance Après L'orage | 10:01 | |
| Symphony No. 3 In A Minor "Scottish" Op. 56 = A-Moll »Schottische« = En La Mineur « Écossaise » | |||
| 20-1 | I Andante Con Moto – Allegro Un Poco Agitato – Assai Animato – Andante Come I - Attacca | 11:15 | |
| 20-2 | Il Vivace Non Troppo - Attacca | 3:45 | |
| 20-3 | Ill Adagio - Attacca | 9:33 | |
| 20-4 | IV Allegro Vivacissimo – Allegro Maestoso Assai | 7:19 | |
| 20-5 | Capriccio Brillant For Piano And Orchestra In B Minor Op. 22 = H-Moll = En Si Mineur (Andante – Allegro Con Fuoco) | 10:49 | |
| 20-6 | Octet In E-flat Major Op. 20 = Es-Dur = En Mi Bémol Majeur - Ill Scherzo. Allegro Leggierissimo | 3:38 | |
| 21-1 | L'Apprenti Sorcier = The Sorcerer's Apprentice = Der Zauberlehrling | 9:46 | |
| 4 Musical Pictures From The Opera The Golden Cockerel = Vier Musikalische Bilder Aus Der Oper Der Goldene Hahn = Quatre Tableaux Musicaux De L'opéra Le Coq D'or | |||
| 21-2 | I Tsar Dodon In His Palace = Zar Dodon In Seinem Palast = Le Tsar Dodon Dans Son Palais | 8:00 | |
| 21-3 | III Tsar Dodon As The Guest Of The Queen Of Shemakhan = Zar Dodon Bei Der Königin Von Schemacha Le Tsar Dodon Et La Reine Chemakha | 4:36 | |
| 21-4 | IV The Wedding And Lamentable End Of Dodon = Die Hochzeit Und Das Beklagenswerte Ende Von Dodon = La Noce Et La Fin Pitoyable De Dodon | 3:55 | |
| Symphony No. 1 In D Major "Classical" Op. 25 = D-Dur = Symphonie Classique En Ré Majeur | |||
| 21-5 | I Allegro | 3:56 | |
| 21-6 | Il Larghetto | 4:09 | |
| 21-7 | Ill Gavotta. Non Troppo Allegro | 1:16 | |
| 21-8 | IV Finale. Molto Vivace | 3:04 | |
| 21-9 | Russian Sailors' Dance = Russischer Seemannstanz = Danse Des Marins Russes From The Red Poppy | 3:19 | |
| Symphony No. 2 In C Major Op. 61 = C-Dur = En Ut Majeur | |||
| 22-1 | I Sostenuto Assai – Allegro, Ma Non Troppo | 11:26 | |
| 22-2 | II Scherzo. Allegro Vivace – Trio I – Trio II | 6:36 | |
| 22-3 | III Adagio Espressivo | 10:21 | |
| 22-4 | IV Allegro Molto Vivace | 7:55 | |
| 4 Musical Pictures From The Opera The Golden Cockerel = Vier Musikalische Bilder Aus Der Oper Der Goldene Hahn = Quatre Tableaux Musicaux De L'opéra Le Coq D'or | |||
| 22-5 | IV The Wedding And Lamentable End Of Dodon = Die Hochzeit Und Das Beklagenswerte Ende Von Dodon = La Noce Et La Fin Pitoyable De Dodon | 3:48 | |
| Concerto For Piano And Orchestra No. 1 In E Minor Op. 11 = E-Moll = En Mi Mineur | |||
| 23-1 | I Allegro Maestoso | 15:34 | |
| 23-2 | II Romance. Larghetto - Attacca | 8:40 | |
| 23-3 | III Rondo. Vivace | 9:16 | |
| Variations On A Theme By Joseph Haydn In B-flat Major "St. Anthony Variations" Op. 56a = B-Dur = En Si Bémol Majeur | |||
| 24-1 | Thema. Chorale St. Antoni. Andante | 2:06 | |
| 24-2 | Variation I. Poco Più Animato | 1:29 | |
| 24-3 | Variation II. Più Vivace | 1:01 | |
| 24-4 | Variation III. Con Moto | 1:49 | |
| 24-4 | Variation IV. Andante Con Moto | 1:53 | |
| 24-5 | Variation V. Vivace | 0:49 | |
| 24-6 | Variation VI. Vivace | 0:53 | |
| 24-7 | Variation VII. Grazioso | 2:13 | |
| 24-8 | Variation VIII. Presto Non Troppo | 1:13 | |
| 24-9 | Finale. Andante | 3:23 | |
| 24-10 | Jubilation Overture = Jubel-Ouvertüre = Ouverture Du Jubilé | 6:54 | |
| 24-11 | Coriolan Overture Op. 62 (Allegro Con Brio) | 7:52 | |
| 24-12 | "Leonore Ill" Overture Op. 72a (Adagio – Allegro) | ||
| 25-1 | Hebraic Rhapsody For Cello And Orchestra (Lento Moderato – Andante Moderato – Allegro Moderato – Allegro – Andante Moderato) | 21:44 | |
| 25-2 | Concerto For Cello And Orchestra No. 1 In A Minor Op. 33 = A-Moll = En La Mineur (Allegro Non Troppo – Animato - Allegro Molto – Tempo I – Allegretto Con Moto – Tempo I – Un Peu Moins Vite – Molto Allegro) | 19:18 | |
| Pétrouchka = Petrushka = Petruschka (Burlesque In 4 Tableaux) - Original Version (1911) | |||
| 26-1 | Tableau I | Fête Populaire De La Semaine Grasse = The Shrovetide Fair = Jahrmarkt In Der Fastnachtswoche | 0:50 | |
| 26-2 | La Foule = The Crowds = Die Menge | 4:13 | |
| 26-3 | Le Tour De e-e = The Magic Trick = Hokuspokus | 1:41 | |
| 26-4 | Danse Russe = Russian Dance = Russischer Tanz | 2:46 | |
| 26-5 | Tableau II | Chez Pétrouchka = Petrushka's Room = Bei Petruschka | 4:26 | |
| 26-6 | Tableau III | Chez Le Maure = The Moor's Room = Beim Mohren | 3:07 | |
| 26-7 | Danse De La Ballerine = Dance Of The Ballerina = Tanz Der Ballerina | 0:41 | |
| 26-8 | Valse. La Ballerine Et Le Maure = Waltz. The Ballerina And The Moor = Walzer. Die Ballerina Und Der Mohr | 3:25 | |
| 26-9 | Tableau IV | Fête Populaire De La Semaine Grasse (Vers Le Soir) = The Shrovetide Fair (Towards Evening) = Jahrmarkt In Der Fastnachtswoche (Gegen Abend) | 1:09 | |
| 26-10 | Danse Des Nounous = Dance Of The Nursemaids = Tanz Der Ammen | 2:10 | |
| 26-11 | Le Paysan Et L'Ours = The Peasant And The Bear = Der Bauer Und Der Bär | 1:29 | |
| 26-12 | Un Marchand Fêtard Avec Deux Tziganes = The Jovial Merchant With Two Gypsy Girls = Der Genusssüchtige Kaufmann Mit Zwei Zigeunerinnen | 0:52 | |
| 26-13 | Danse Des Cochers Et Des Palefreniers = Dance Of The Coachmen And Grooms = Tanz Der Kutscher Und Stallknechte | 1:54 | |
| 26-14 | Les Déguisés – La Rixe : Le Maure Et Pétrouchka = The Masqueraders – The Fight: The Moor And Petrushka = Die Maskierten – Der Kampf: Der Mohr Und Petruschka | 2:05 | |
| 26-15 | Mort De Pétrouchka – La Police Et Le Charlatan – Apparition Du Double De Pétrouchka = Death Of Petrushka - The Police And The Charlatan - Apparition Of Petroushka's Double = Petruschkas Tod – Die Polizei Und Der Gaukler – Erscheinung Von Petruschkas Geist | 2:26 | |
| Wozzeck Op. 7 (Opera In 3 Acts After Georg Büchner's Woyzeck) | |||
| 27-1.1 | Act I - 5 Character Pieces | Scene 1: The Captain Der Hauptmann = Le Capitaine | 7:30 | |
| 27-1.2 | "Langsam, Wozzeck, Langsam!" (Captain, Wozzeck) | ||
| 27-2 | Scene 2: Andres "Du, Der Platz Ist Verflucht!" (Wozzeck, Andres) | 7:49 | |
| 27-3 | Scene 3: Marie "Tschin Bum! Hörst Du, Bub? Da Kommen Sie!" (Marie, Margret, Wozzeck) | 8:39 | |
| 27-4 | Scene 4: The Doctor "Was Erleb' Ich, Wozzeck?" (Doctor, Wozzeck) | 6:40 | |
| 27-5 | Scene 5: The Drum Major = Der Tambourmajor "Geh Einmal Vor Dich Hin" (Marie, Drum Major) | 3:47 | |
| 27-6 | Act II - Symphony In 5 Movements | Scene 1: Sonata Movement "Was Die Steine Glänzen!" (Marie, Wozzeck) | 4:58 | |
| 27-7 | Scene 2: Invention And Fugue On 3 Themes "Wohin So Eilig, Geehrtester Herr Sargnagel?" (Captain, Doctor, Wozzeck) | 7:57 | |
| 27-8 | Scene 3: Largo "Guten Tag, Franz" ... "Ich Seh' Nichts" (Marie, Wozzeck) | 3:34 | |
| 27-9 | Scene 4: Extended Scherzo And Trio Movement "Ich Hab Ein Hemdlein An" (1st And 2nd Apprentices, Wozzeck, Marie, Drum Major, Lads, Soldiers, Andres, Fool) | 9:14 | |
| 27-10 | Scene 5: Rondo Marziale Con Introduzione "Oh! Oh! Andres! Ich Kann Nicht Schlafen" (Wozzeck, Andres, Drum Major, Soldiers) | 5:21 | |
| 28-1 | Act III - 6 Inventions | Scene 1: Invention On A Theme (Theme, 7 Variations & Fugue) "Und Ist Kein Betrug In Seinem Munde Erfunden Worden" (Marie) | 4:45 | |
| 28-2 | Scene 2: Invention On 1 Note (B) "Dort Links Geht's In Die Stadt" (Marie, Wozzeck) | 4:15 | |
| 28-3 | Scene 3: Invention On A Rhythm "Tanzt Alle; Tanzt Nur Zu!" (Wozzeck, Margret, Lads, Harlots) | 3:46 | |
| 28-4.1 | Scene 4: Invention On A 6-Note Chord "Das Messer? Wo Ist Das Messer?" (Wozzeck, Captain, Doctor) | 4:08 | |
| 28-4.2 | Orchestral Interlude In D Minor – Invention On A Key | ||
| 28-5 | Epilogue. Scene 5: Invention On A Quaver Rhythm "Ringel, Ringel, Rosenkranz" (Children, Marie's Boy) | 5:21 | |
| La Mer L 109 = The Sea = Das Meer (3 Symphonic Sketches) | |||
| 29-1 | I De L'aube À Midi Sur La Mer = From Dawn To Midday On The Sea = Vom Morgen Bis Zum Mittag Auf Dem Meer (Très Lent) | 8:28 | |
| 29-2 | Il Jeux De Vagues = Play Of The Waves = Spiel Der Wellen (Allegro) | 6:07 | |
| 29-3 | III Dialogue Du Vent Et De La Mer = Dialogue Of The Wind And The Sea = Gespräch Zwischen Wind Und Meer (Animé Et Tumultueux) | 8:01 | |
| Ibéria L 122/2 (From Images Pour Orchestre) | |||
| 29-4 | I Par Les Rues Et Par Les Chemins = In The Streets And Byways = In Den Straßen Und Gassen | 6:56 | |
| 29-5 | II Les Parfums De La Nuit = The Fragrances Of The Night = Die Düfte Der Nacht | 7:52 | |
| 29-6 | Ill Le Matin D'un Jour De Fête = The Morning Of A Festival Day = Der Morgen Eines Festtags | 4:31 | |
| Erwartung Op. 17 = Expectation = Attente (Monodrama In 1 Act For Soprano And Orchestra) | |||
| 30-1 | Scene 1 | "Hier Hinein?... Man Sieht Den Weg Nicht" | 2:48 | |
| 30-2 | Scene 2 | "Ist Das Noch Der Weg?" | 2:43 | |
| 30-3 | Scene 3 | "Da Kommt Ein Licht!" | 1:45 | |
| 30-4 | Scene 4 | "Er Ist Auch Nicht Da" | 1:57 | |
| 30-5 | "Das Mondlicht... Nein Dort" | 7:59 | |
| 30-6 | "Nein, Das Ist Doch Nicht Möglich" | 1:35 | |
| 30-7 | "Du Siehst Wieder Dort Hin!" | 6:26 | |
| 30-8 | "Der Morgen Trennt Uns" | 3:13 | |
| 30-9 | Symphonic Elegy Op. 105 For String Orchestra (In Memoriam Anton Webern) | 15:32 | |
| 30-10 | Verklärte Nacht Op. 4 = Transfigured Night = La Nuit Transfigurée After The Poem By Richard Dehmel (Version For String Orchestra (1943)) | 25:15 | |
| Concerto For Violin And Orchestra No. 1 In G Minor Op. 26 = G-Moll = En Sol Mineur | |||
| 31-1 | I Vorspiel. Allegro Moderato - Attacca | 8:12 | |
| 31-2 | Il Adagio | 8:32 | |
| 31-3 | Ili Finale. Allegro Energico – Presto | 6:57 | |
| 31-4 | Romance For Violin And Orchestra No. 1 In G Major Op. 40 = G-Dur = En Sol Majeur (Andante) | 7:30 | |
| 31-5 | Romance For Violin And Orchestra No. 2 In F Major Op. 50 = F-Dur = En Fa Majeur (Andante Cantabile) | 8:45 | |
| Concerto For Violin And Orchestra No. 3 In B Minor Op. 61 = H-Moll = En Si Mineur | |||
| 31-6 | I Allegro Non Troppo | 8:17 | |
| 31-7 | Il Andantino Quasi Allegretto | 7:20 | |
| 31-8 | III Molto Moderato E Maestoso – Allegro Non Troppo – Più Allegro | 9:25 | |
| Cakewalk (Ballet Suite Adapted And Orchestrated By Hershey Kay) | |||
| 32-1 | I Grand Introductory Walkaround | 3:05 | |
| 32-2 | Il 3 Variations | Wallflower Waltz – | 2:10 | |
| 32-3 | Sleight Of Feet – | 2:00 | |
| 32-4 | Perpendicular Points – | 2:12 | |
| 32-5 | III Freebee | 3:57 | |
| 32-6 | IV Magic Act | Entrance Of The Magicians – | 1:08 | |
| 32-7 | Venus And The Three Graces – | 1:19 | |
| 32-8 | The Wild Pony – | 1:50 | |
| 32-9 | Pas De Deux – | 3:25 | |
| 32-10 | Ride-out – | 0:37 | |
| 32-11 | V Finale. Gala Cakewalk | 3:35 | |
| Fall River Legend (Ballet Suite) | |||
| 32-12 | I Prologue And Waltzes | 3:21 | |
| 32-13 | II Elegy | 3:31 | |
| 32-14 | III Church Social | 3:33 | |
| 32-15 | IV Serenade | 3:34 | |
| 32-16 | V Hymnal Variations | 4:23 | |
| 32-17 | VI Cotillion | 3:37 | |
| 32-18 | VII Epilogue | 2:41 | |
| 32-19 | Overture And Allegro From The Sonata "La Sultane" | 6:50 | |
| 32-20 | Symphonic Allegro | 7:31 | |
| Roméo Et Juliette Op. 17 (Symphonie Dramatique; Complete Orchestral Score) | |||
| 33-1 | Part I | Introduction. Combats – Tumulte – Intervention Du Prince. Allegro Fugato – Fièrement, Un Peu Retenu Et Avec Le Caractère Du Récitatif = Fighting – Tumult – Intervention Of The Prince = Kämpfe – Tumult – Intervention Des Prinzen | 4:11 | |
| 33-2 | Part II | II Roméo Seul – Tristesse – Bruits Lointains De Concert Et De Bal – Grande Fête Chez Capulet. Andante Malinconico E Sostenuto - Larghetto Espressivo - Allegro = Romeo Alone - Sadness - Distant Sounds Of Music And Dancing - Great Festivities At The Capulets' = Romeo Allein – Traurigkeit – Entfernte Klänge von Konzert Und Ball – Großes Fest Bei Den Capulets | 12:51 | |
| 33-3 | III Nuit Sereine – Le Jardin De Capulet, Silencieux Et Désert – Scène D'amour. Allegretto – Adagio = Serene Night – The Capulets' Garden, Silent And Deserted – Love Scene = Heitere Nacht – Der Garten Der Capulets, Still Und Verlassen – Liebesszene | 15:17 | |
| 33-4 | IV La Reine Mab, Ou La Fée Des Songes. Scherzo. Prestissimo = Queen Mab, The Dream Fairy = Königin Mab Oder Die Traumfee | 7:35 | |
| 33-5 | Part III VI Roméo Au Tombeau Des Capulets. Invocation – Réveil De Juliette – Joie Délirante – Dernières Angoisses Et Mort Des Deux Amants. Allegro Agitato E Disperato, Con Moto – Largo — L'istesso Tempo – Allegro Vivace Ed Apionato Assai – L'istesso Tempo = Romeo In The Family Vault Of The Capulets – Invocation | 6:38 | |
| Concerto For Violin And Orchestra No. 2 In G Minor Op. 63 = G-Moll = En Sol Mineur | |||
| 34-1 | I Allegro Moderato | 10:17 | |
| 34-2 | II Andante Assai – Allegretto – Andante Assai | 8:49 | |
| 34-3 | III Allegro, Ben Marcato | 6:13 | |
| Concerto For Violin, Strings And Basso Continuo No. 2 In E Major BWV 1042 = E–Dur = En Mi Majeur | |||
| 34-4 | I Allegro | 8:10 | |
| 34-5 | II Adagio | 7:14 | |
| 34-6 | III Allegro Assai | 2:55 | |
| Concerto For Piano And Orchestra No. 3 In C Major Op. 26 = C–Dur = En Ut Majeur | |||
| 34-7 | I Andante – Allegro | 8:48 | |
| 34-8 | II Tema. Andantino – Variation I. L'istesso Tempo – Var. II. Allegro – Var. III. Allegro Moderato – Var. IV. Andantino Meditativo – Var. V. Allegro Giusto – Tema. L'istesso Tempo | 8:18 | |
| 34-9 | III Allegro Ma Non Troppo | 8:38 | |
| Le Poème De L'Extase (Symphony No. 4) | |||
| 35-1 | Andante. Languido – Lento. Soavamente – | 1:35 | |
| 35-2 | Allegro Volando – | 0:26 | |
| 35-3 | Lento. Allegro Non Troppo – Moderato Avec Délice – | 3:26 | |
| 35-4 | Allegro – Allegro Dramatico – Tragico – | 3:59 | |
| 35-5 | Lento – | 1:07 | |
| 35-6 | Allegro Volando – | 0:33 | |
| 35-7 | Lento – Allegro – Charmé – Scherzando – | 5:06 | |
| 35-8 | Allegro Molto. Leggierissimo. Volando – Maestoso | 2:22 | |
| 35-9 | Prométhée. Le Poème Du Feu (Symphony No. 5) Op. 60 For Large Orchestra And Piano. Lento. Brumeux – Prestissimo | 20:00 | |
| Symphony No. 5 In D Minor Op. 47 = D-Moll = En Ré Mineur | |||
| 36-1 | I Moderato - Allegro Non Troppo - Poco Sostenuto - Largamente - Più Mosso - Moderato | 16:52 | |
| 36-2 | II Allegretto – Largamente – Poco Più Mosso | 5:13 | |
| 36-3 | III Largo | 14:33 | |
| 36-4 | IV Allegro Non Troppo – Allegro – Più Mosso | 8:48 | |
| Caucasian Sketches - Orchestral Suite No. 1 Op. 10 = Kaukasische Skizzen = Esquisses Caucasiennes | |||
| 37-1 | No. 1: In The Mountain = Im Eng = Dans Le Defilé. Allegro Moderato – Moderato Assai – Tempo I | 9:01 | |
| 37-2 | No. 2: In The Village = Dorfszene = Dans L'aoul. Larghetto – Allegretto Grazioso – Tempo I | 4:50 | |
| 37-3 | No. 3: In The Mosque = In Der Moschee = Dans La Mosquée. Adagietto | 3:46 | |
| 37-4 | No. 4: Procession Of The Sardar = Aufzug Des Sardar = Cortège Du Serdar. | 4:03 | |
| Polovtsian Dances From Prince Igor - Act II = Polowetzer Tänze = Danses Polovtsiennes | |||
| 37-5 | Dance Of The Polovtsian Maidens = Tanz Der Polowetzer Mädchen = Danse Des Filles Polovtsiennes | 2:21 | |
| 37-6 | Polovtsian Dance. Introduzione. Andantino – | 0:50 | |
| 37-7 | [Andantino –] | 1:45 | |
| 37-8 | Allegro Vivo – | 1:19 | |
| 37-9 | Allegro – | 2:26 | |
| 37-10 | Presto – Moderato Alla Breve – Presto – Allegro Con Spirito – Più Animato | 5:50 | |
| 37-11 | In The Steppes Of Central Asia = Eine Steppenskizze Aus Mittelasien = Dans Les Steppes De L'Asie Centrale | 7:51 | |
| Concerto For Violin And Orchestra Op. 36 | |||
| 38-1 | I Poco Allegro | 12:19 | |
| 38-2 | II Andante Grazioso | 7:41 | |
| 38-3 | III Finale. Allegro | 11:20 | |
| Concerto For Violin And Orchestra "To The Memory Of An Angel" = »Dem Andenken Eines Engels« = « À La Mémoire D'un Ange » | |||
| 38-4 | Andante (♩= 56) – Allegretto (♪= 112) (Scherzando) | ||
| 38-5 | Allegro (♩= 69) (Ma Sempre Rubato, Frei Wie Eine Kadenz) – Adagio (♩= 54) | 12:26 | |
| Symphony No. 3 In A Minor "Scottish" Op. 56 = A-Moll »Schottische« = En La Mineur « Ecossaise » | |||
| 39-1 | I Andante Con Moto – Allegro Un Poco Agitato – Assai Animato – Andante Come I - Attacca | 10:57 | |
| 39-2 | Il Vivace Non Troppo - Attacca | 3:54 | |
| 39-3 | III Adagio - Attacca | 8:51 | |
| 39-4 | IV Allegro Vivacissimo – Allegro Maestoso Assai | 7:49 | |
| Symphony No. 5 In D Major / D Minor "Reformation" Op. 107 = D-Dur/D-Moll = En Ré Majeur/ré Mineur | |||
| 39-5 | I Andante – Allegro Con Fuoco | 10:04 | |
| 39-6 | Il Allegro Vivace | 5:34 | |
| 39-7 | Ill Andante - Attacca | 3:33 | |
| 39-8 | IV Chorale: "Ein' Feste Burg Ist Unser Gott". Andante Con Moto – Allegro Vivace – Allegro Maestoso Assai | 7:57 | |
| 39-9 | The Hebrides ("Fingal's Cave") Op. 26 = Die Hebriden (»Die Fingalshöhle«) = Les Hébrides (« La Grotte De Fingal ») - Concert Overture | ||
| 39-10 | Ruy Blas Op. 95 - Overture To The Play By Victor Hugo (Lento - Allegro Molto) | 7:15 | |
| Symphony No. 10 In E Minor Op. 93 = E-Moll = En Mi Mineur | |||
| 40-1 | I Moderato | 20:58 | |
| 40-2 | Il Allegro | 3:50 | |
| 40-3 | Ill Allegretto | 10:31 | |
| 40-4 | IV Andante – Allegro | 13:06 | |
| Symphony No. 3 In G Major Op. 42 = G-Dur = En Sol Majeur | |||
| 41-1 | I Moderato – Allegro | 8:19 | |
| 41-2 | Il Andante Affettuoso | 5:49 | |
| 41-3 | III Moderato – Allegro Molto | 5:21 | |
| 41-4 | IV Beginning Rather Slowly – Allegro – Allegro Feroce – Moderato | 6:35 | |
| Symphony No. 3 | |||
| 41-5 | I Allegro Robusto | 5:14 | |
| 41-6 | Il Andante Moderato | 9:04 | |
| 41-7 | Ill Allegro Assai | 7:55 | |
| Les Nuits D'été Op. 7 = Summer Nights = Sommernächte | |||
| 42-1 | I Villanelle: "Quand Viendra La Saison Nouvelle" (Ländliches Lied) | 2:51 | |
| 42-2 | II Le Spectre De La Rose = The Wraith Of A Rose = Der Geist Der Rose: "Soulève Ta Paupière Close" | 6:24 | |
| 42-3 | III Sur Les Lagunes (Lamento) = On The Lagoons = Auf Den Lagunen: "Ma Belle Amie Est Morte" | 7:20 | |
| 42-4 | IV Absence = Trennung: "Reviens, Reviens, Ma Bien-aimée!" | 5:41 | |
| 42-5 | V Au Cimetière (Clair De Lune) = In The Graveyard (Moonlight) = Auf Dem Friedhof (Mondschein): "Connaissez-vous La Blanche Tombe" | 5:50 | |
| 42-6 | VI L'île Inconnue = The Unknown Land = Die Unbekannte Insel: "Dites, La Jeune Belle" | 3:53 | |
| 42-7 | La Captive. Rèverie = The Captive Maid. Revery = Die Gefangene. Träumerei Op. 12 | 7:55 | |
| 42-8 | Le Jeune Pâtre Breton = The Young Breton Shepherd = Der Junge Bretonische Hirte Op. 13/4 | 5:52 | |
| 42-9 | Zaide. Boléro Op. 19/1 | 3:38 | |
| Concerto For Violin And Orchestra In E Minor = E-Moll = En Mi Mineur | |||
| 43-1 | I Allegro Molto Apionato - Attacca | 11:40 | |
| 43-2 | Il Andante | 7:26 | |
| 43-3 | III Allegretto Non Troppo – Allegro | 6:10 | |
| Concerto For Violin And Orchestra In D Major Op. 35 = D-Dur = En Ré Majeur | |||
| 43-4 | I Allegro Moderato – Moderato Assai | 17:02 | |
| 43-5 | Il Canzonetta. Andante - Attacca | 6:34 | |
| 43-6 | III Finale. Allegro Vivacissimo | 9:22 | |
| Symphony No. 2 In B Minor = H-Moll = En Si Mineur | |||
| 44-1 | I Allegro – Animato Assai | 6:56 | |
| 44-2 | II Scherzo. Prestissimo – Allegretto | 5:11 | |
| 44-3 | III Andante | 8:15 | |
| 44-4 | IV Finale. Allegro | 6:23 | |
| Suite No. 1 In D Minor Op. 43 = D-Moll = En Ré Mineur | |||
| 44-5 | I Introduzione E Fuga. Andante Sostenuto – Moderato E Con Anima | 9:54 | |
| 44-6 | Il Divertimento. Allegro Moderato | 5:01 | |
| 44-7 | IV Marche Miniature. Moderato Con Moto | 2:02 | |
| 44-8 | V Scherzo. Allegro Con Moto | 7:10 | |
| 44-9 | VI Gavotte. Allegro | 5:01 | |
| Symphony No. 5 In E Minor Op. 64 = E-Moll = En Mi Mineur | |||
| 45-1 | I Andante – Allegro Con Anima | 12:29 | |
| 45-2 | II Andante Cantabile, Con Alcuna Licenza – Moderato Con Anima – Andante Mosso – Allegro Non Troppo – Tempo I | 12:57 | |
| 45-3 | III Valse. Allegro Moderato | 5:58 | |
| 45-4 | IV Finale. Andante Maestoso – Allegro Vivace – Molto Vivace – Moderato Assai E Molto Maestoso – Presto | 11:34 | |
| Concerto For Violin And Orchestra No. 1 In A Minor Op. 77 = A-Moll = En La Mineur | |||
| 46-1 | I Nocturne. Moderato | 12:01 | |
| 46-2 | Il Scherzo. Allegro Non Troppo | 6:14 | |
| 46-3 | Iil acaglia. Andante – Cadenza - Attacca | 13:20 | |
| 46-4 | IV Burlesque. Allegro Con Brio – Presto | 4:45 | |
| Concerto For Piano And Orchestra No. 5 In E-flat Major "Emperor" Op. 73 = Es-Dur = En Mi Bémol Majeur | |||
| 47-1 | I Allegro | 18:58 | |
| 47-2 | Il Adagio Un Poco Moto - Attacca | 6:40 | |
| 47-3 | III Rondo. Allegro | 10:04 | |
| Concerto For 3 Keyboards, Strings And Basso Continuo In D Minor BWV 1063 = D-Moll = En Ré Mineur | |||
| 47-4 | I [...] | 5:37 | |
| 47-5 | Il Alla Siciliana | 5:32 | |
| 47-6 | Ill Allegro 5:05 | 5:05 | |
| Lieutenant Kijé Suite Op. 60 | |||
| 48-1 | I Kijé's Birth = Kijés Geburt = Naissance De Kijé | 3:51 | |
| 48-2 | Il Romance | 4:36 | |
| 48-3 | Ill Kijé's Wedding = Kijés Hochzeit = Noces De Kijé | 2:48 | |
| 48-4 | IV Troïka | 2:39 | |
| 48-5 | V Kijé's Burial = Kijés Begräbnis = Enterrement De Kijé | 6:05 | |
| Háry János Suite | |||
| 48-6 | I Prelude. The Fairy Tale Begins = Vorspiel. Das Märchen Beginnt Prélude. L'Histoire Commence. Con Moto – Tranquillo, Molto Moderato | 3:22 | |
| 48-7 | Il Viennese Musical Clock = Wiener Spielwerk = L'Horloge Musicale De Vienne. Allegretto | 2:09 | |
| 48-8 | III Song = Lied = Chanson. Andante, Poco Rubato | 5:45 | |
| 48-9 | V The Battle And Defeat Of Napoleon = Schlacht Und Niederlage Napoleons = Bataille Et Défaite De Napoléon. Alla Marcia | 4:07 | |
| 48-10 | V Intermezzo. Andante Maestoso, Ma Con Fuoco | 4:33 | |
| 48-11 | VI Entrance Of The Emperor And His Court = Einzug Des Kaiserlichen Hofes = Entrée De La Cour Impériale. Alla Marcia | 2:50 | |
| 49-1 | Danse Macabre Op. 40 = Dance Of Death = Totentanz | 7:25 | |
| 49-2 | Le Rouet D'Omphal Op. 31 = The Spinning Wheel Of Omphale = Omphales Spinnrad | 7:10 | |
| 49-3 | Phaëton Op. 39 | 8:47 | |
| 49-4 | La Jeunesse D'Hercule Op. 50 = Hercules' Youth = Herkules' Jugend | 16:14 | |
| Symphony No. 4 In F Minor = F-Moll = En Fa Mineur | |||
| 50-1 | I Allegro – Lento | 7:49 | |
| 50-2 | II Andante Moderato | 9:49 | |
| 50-3 | III Scherzo. Allegro Molto - Attacca | 5:39 | |
| 50-4 | IV Finale Con Epilogo Fugato | 8:01 | |
| 50-5 | V Allegro Molto – Con Anima | 12:46 | |
| 50-6 | Fantasia On A Theme By Thomas Tallis For Double String Orchestra | ||
| Symphony For Brass And Percussion Op. 16 | |||
| 51-1 | I Andante (♩ = 66-69) – Allegro (𝅗𝅥 = 72-76) | 4:50 | |
| 51-2 | II Vivace (𝅗𝅥. = 84) | 4:09 | |
| 51-3 | III Lento Desolato (𝅘𝅥𝅮 = 69) | 3:10 | |
| 51-4 | IV Introduction. Quasi Cadenza (𝅗𝅥 = 88-92) - Allegro (♩ = 144, In 4) | 5:15 | |
| 51-5 | Poem For Brass | 10:04 | |
| 51-6 | Three Little Feelings | 10:45 | |
| 51-7 | Pharaoh | 4:32 | |
| Credendum (Article of Faith) | |||
| 52-1 | I Declaration. Moderato Con Fuoco - Attacca | 3:11 | |
| 52-2 | Il Chorale. Lento - Attacca | 7:24 | |
| 52-3 | III Finale. Presto | 6:57 | |
| Concerto For Piano And Orchestra No. 1 | |||
| 52-4 | I Allegro ♩= ca. 92 | 10:50 | |
| 52-5 | II ♩= 72-76 | 10:05 | |
| 52-6 | II ♩= 66-72 | 9:25 | |
| Noches En Los Jardines De España Nights = In The Gardens Of Spain = Nächte In Den Gärten Spaniens = Nuits Dans Les Jardins D'Espagne (Symphonic Impressions For Piano And Orchestra) | |||
| 53-1 | I En El Generalite | 9:43 | |
| 53-2 | Il Danza Lejana - Attacca | 4:38 | |
| 53-3 | Ill En Los Jardines De La Sierra De Córdoba | 8:35 | |
| El Sombrero De Tres Picos - Suite No. 2 = The Three-Cornered Hat = Der Dreispitz = Le Tricorne | |||
| 53-4 | I Danza De Los Vecinos (Seguidilla) = Dance Of The Neighbours = Tanz Der Nachbarn = Danse Des Voisins | 3:05 | |
| 53-5 | Il Danza Del Molinero (Farruca) = Dance Of The Miller = Tanz Des Müllers = Danse Du Meunier | 2:57 | |
| 53-6 | III Danza Final (Jota) = Final Dance = Schlusstanz = Danse Finale | 6:00 | |
| 53-7 | Intermedio - Danza Española No. 1 (from La Vida Breve) | 7:01 | |
| 54-1 | L'Apprenti Sorcier = The Sorcerer's Apprentice = Der Zauberlehrling (Scherzo After A Ballad By Goethe) | 9:41 | |
| 54-2 | Polka And Fugue From Schwanda, The Bagpiper | 7:36 | |
| 54-3 | Anz Der Sieben Schleier = Dance Of The Seven Veils = Danse Des Sept Voiles From Salome Op. 54 | 8:47 | |
| Les Préludes S 97 (Symphonic Poem No. 3 After Alphonse De Lamartine) | |||
| 54-4 | Andante – Andante Maestoso – | 2:59 | |
| 54-5 | L'istesso Tempo – L'istesso Tempo – | 1:09 | |
| 54-6 | Allegro Ma Non Troppo – Allegro Tempestuoso – | 3:02 | |
| 54-7 | Allegretto Pastorale – Allegro Marziale – | 3:05 | |
| 54-8 | Allegro Marziale Animato – | 3:34 | |
| 54-9 | Andante Maestoso | 2:48 | |
| Symphony No. 6 In B Minor "Pathétique" Op. 74 = H-Moll = En Si Mineur | |||
| 55-1 | I Adagio – Allegro Non Troppo – Andante – Moderato Mosso – Andante – Moderato Assai – Allegro Vivo – Andante Come Prima – Andante Mosso | 15:38 | |
| 55-2 | Il Allegro Con Grazia | 7:35 | |
| 55-3 | Ili Allegro Molto Vivace | 8:39 | |
| 55-4 | IV Finale. Adagio Lamentoso – Andante | 8:26 | |
| Concerto For Violin And Orchestra No. 1 In D Major Op. 19 = D-Dur = En Ré Majeur | |||
| 56-1 | I Andantino – Andante Assai | 8:57 | |
| 56-2 | II Scherzo. Vivacissimo | 3:33 | |
| 56-3 | III Moderato – Allegro Moderato – Moderato – Più Tranquillo | 7:34 | |
| Concerto For Violin And Orchestra No. 2 In G Minor Op. 63 = G-Moll = En Sol Mineur | |||
| 56-4 | I Allegro Moderato | 10:37 | |
| 56-5 | Il Andante Assai – Allegretto – Andante Assai | 10:23 | |
| 56-6 | III Allegro, Ben Marcato | 6:04 | |
| Vanessa Op. 32 (Original 1957 Version) | |||
| 57-1 | Act | "Potage Crème Aux Perles" (Erika) | 3:31 | |
| 57-2 | "No, I cannot understand" (Vanessa) | 4:59 | |
| 57-3 | "Must The Winter Come So Soon?" (Erika) | 2:16 | |
| 57-4 | "Listen! ... They Are Here" (Erika) | 1:38 | |
| 57-5 | "Do Not Utter A Word, Anatol" (Vanessa) | 4:45 | |
| 57-6 | "Yes, I Believe I Shall Love You" (Anatol) | 1:50 | |
| 57-7 | "Who Are You?" (Erika) | 5:40 | |
| 57-8 | Act II | "And Then?" – "He Made Me Drink" (Baroness) | 4:09 | |
| 57-9 | "No, You Are Not As Good A Skater..." (Vanessa) | 2:59 | |
| 57-10 | "Under The Willow Tree" (Doctor) | 2:21 | |
| 57-11 | "Erika, I Am So Happy" (Vanessa) | 1:19 | |
| 57-12 | "Our Arms Entwined" (Vanessa) | 4:03 | |
| 57-13 | "Did You Hear Her?" (Erika) | 4:01 | |
| 57-14 | "Outside This House The World Has Changed" (Anatol) | 5:11 | |
| 57-15 | Orchestral Interlude – Hymn | 4:35 | |
| 58-1 | Act III | "The Count And Countess D'Albany" (Baroness) | 3:17 | |
| 58-2 | "I Should Never Have Been A Doctor" (Doctor) | 3:14 | |
| 58-3 | "Here You Are!" (Vanessa) | 1:24 | |
| 58-4 | "At Last I've Found You"' (Anatol) | 6:22 | |
| 58-5 | "Nothing To Worry About" (Doctor) | 6:26 | |
| 58-6 | Act IV | Scene 1 | "Why Did No One Warn Me?" (Vanessa) | 4:28 | |
| 58-7 | "Why Must The Greatest Sorrows" (Vanessa) | 2:02 | |
| 58-8 | "There, Look!" (Doctor) | 5:25 | |
| 58-9 | "Anatol, Tell Me The Truth!" (Vanessa) | 1:06 | |
| 58-10 | "Take Me Away" | 1:25 | |
| 58-11 | Grandmother!" – "Yes, Erika" (Erika, Baroness) | 2:18 | |
| 58-12 | Intermezzo. With Quiet Motion | 3:33 | |
| 58-13 | Scene 2 | "By The Time We Arrive" (Anatol) | 1:02 | |
| 58-14 | "For Every Love There Is A Last Farewell" (Doctor) | 2:20 | |
| 58-15 | "And You, My Friend" (Vanessa) | 6:08 | |
| 58-16 | Quintet: "To Leave, To Break" (Vanessa, Anatol, Erika, Baroness, Doctor) | 3:43 | |
| 58-17 | "Goodbye, Erika" – "Goodbye, Be Happy, Aunt Vanessa" (Vanessa, Erika) | 6:14 | |
| Romeo And Juliet Op. 64 - Excerpts From Ballet Suites No. 1 Op. 64a And No. 2 Op. 64b | |||
| 59-1 | The Montagues And Capulets = Montagues Und Capulets = Montaigus Et Capulets (Suite No. 2/1) Andante – Allegro Pesante – Moderato Tranquillo – Allegro Pesante | 44:25 | |
| 59-2 | Juliet, The Young Girl = Das Mädchen Julia = La Jeune Juliette (Suite No. 2/2) Vivace – Più Tranquillo (Quasi Andantino) – Più Animato – Più Animato (Vivace II) | 4:16 | |
| 59-3 | Folk Dance = Volkstanz - Danse Populaire (Suite No. 1/1) Allegro Giocoso | 4:20 | |
| 59-4 | Masks = Masken - Masques (Suite No. 1/5) Andante Marciale | 2:16 | |
| 59-5 | Romeo Und Julia = Roméo Et Juliette (Suite No. 1/6) Larghetto – Andante | 6:38 | |
| 59-6 | Death Of Tybalt = Tybalts Tod = Mort De Tybalt (Suite No. 1/7) Precipitato – Presto – Adagio Drammatico | 4:42 | |
| 59-7 | Romeo And Juliet Before Parting = Romeo Bei Julia Vor Der Trennung = Roméo Auprès De Juliette Avant Leur Séparation (Suite No. 2/5) Lento – Andante - Adagio – Poco Più Animato – Adagio – Andante | 8:22 | |
| 59-8 | Friar Laurence = Pater Lorenzo = Frère Laurent (Suite No. 2/3) Andante Espressivo | 2:43 | |
| 59-9 | Romeo At Juliet's Tomb = Romeo Am Grabe Julias = Roméo Au Tombeau De Juliette (Suite No. 2/7) Adagio Funebre – Adagio | 5:49 | |
| Boris Godunov (Abridged, Sung In English) | |||
| 60-1 | Act I | Scene 2 | Introduction | 1:40 | |
| 60-2 | "Long May He Live, Tsar Boris Fyodorovich!" (Shuisky, Chorus) | 2:24 | |
| 60-3 | My Heart Is Sad" (Boris) | 2:54 | |
| 60-4 | "Glory!" (Chorus) | 1:21 | |
| 60-5 | Scene 3 | Introduction | 0:33 | |
| 60-6 | "Just one more page" (Pimen) | 1:13 | |
| 60-7 | "All Through The Night" (Grigory, Pimen) | 1:05 | |
| 60-8 | "But Now, I Want To Ask" (Grigory) | 3:40 | |
| 60-9 | "How Old Was He, Dimitri, The Tsarevich?" (Grigory, Pimen) | 2:12 | |
| 60-10 | "This Is The Matin Bell" (Pimen, Chorus, Grigory) | 2:52 | |
| 60-11 | Act II | "Where Are You, Love Of Mine" (Xenia, Fyodor) | 2:11 | |
| 60-12 | "My Child, Darling Tsarevna" (Nurse, Xenia, Fyodor) | 2:11 | |
| 60-13 | "Here's A Tale" (Fyodor, Nurse) | 1:25 | |
| 60-14 | "What's This?" (Boris, Nurse, Xenia, Fyodor) | 3:14 | |
| 60-15 | "The Time Will Come" (Boris) | 2:39 | |
| 60-16 | "Like Lightning, Death Sweeps Down" (Boris, Nurses) | 3:46 | |
| 60-17 | "Almighty Tsar And Lord" (Boyar, Boris, Fyodor, Shuisky) | 1:45 | |
| 60-18 | "Believe Me, Tsar" (Shuisky, Boris, Fyodor) | 2:33 | |
| 60-19 | "The Day In Uglich" (Boris, Shuisky) | 1:31 | |
| 60-20 | "You Don't Believe Me, Tsar" (Shuisky, Boris) | 2:48 | |
| 60-21 | "Ah! For Some Air" (Boris) | 3:10 | |
| 61-1 | Act III | Scene 1 | "In Humbleness, As Servant Of The Lord" (Rangoni, Marina) | 1:02 | |
| 61-2 | "Hear Me, Child" (Rangoni, Marina) | 2:23 | |
| 61-3 | "Enslave With Your Beauty" (Rangoni, Marina) | 3:32 | |
| 61-4 | To Me Who Comes From The Lord" (Rangoni) | 1:07 | |
| 61-5 | Scene 2 | Introduction. Alla Polacca | 2:40 | |
| 61-6 | "You Have Come, Beloved" (Grigory, Marina) | 3:32 | |
| 61-7 | "No, Marina!" (Grigory, Marina, Rangoni) | 4:56 | |
| 61-8 | Act IV | Scene 1 I Introduction | 1:35 | |
| 61-9 | "Listen, Brothers" (Mitiukha, Chorus) | 1:18 | |
| 61-10 | "Trrr, Trrr – His Hat Is Of Tin" (chorus, Simpleton) | 1:38 | |
| 61-11 | "Greetings, Greetings" (Chorus, Simpleton) | 2:18 | |
| 61-12 | "Why Does He Cry So?" (Boris, Simpleton, Shuisky) | 3:08 | |
| 61-13 | Scene 2 | Introduction | 1:29 | |
| 61-14 | "You Have Met To Judge A Traitor" (Shchelkalov) | 0:51 | |
| 61-15 | "Yes! Let's Take A Vote On It" (Boyars, Chorus) | 2:01 | |
| 61-16 | "But... Shuisky Is Not With Us?" (Boyars, Shuisky) | 2:26 | |
| 61-17 | "Oh, What A Frightful Scene I Witnessed"' (Shuisky, Boyars, Boris) | 1:57 | |
| 61-18 | "I Called For You, My Counsel" (Boris, Shuisky) | 2:14 | |
| 61-19 | "My Name Is Pimen" (Pimen, Boris) | 2:03 | |
| 61-20 | "In Vain I Tried To Heal Them" (Pimen) | 2:18 | |
| 61-21 | "Next Morning I ed" (Pimen, Boris) | 1:12 | |
| 61-22 | "I Want To See My Son" (Boris) | 2:23 | |
| 61-23 | "Do Not Trust The Boyars" (Boris) | 1:54 | |
| 61-24 | "Father! See My Children" (Boris) | 1:39 | |
| 61-25 | "Hear Those Sepulchral Sounds" (Boris, Chorus, Fyodor) | 2:24 | |
| 61-26 | "It Is Not Time Yet" (Boris, Boyars) | 1:54 | |
| Symphonie Fantastique Op. 14 = Episode De La Vie D'un Artiste = Episode In The Life Of An Artist = Episode Aus Dem Leben Eines Künstlers | |||
| 62-1 | I Rêveries – ions = Dreams – ions = Träume – Leidenschaften (Largo – Allegro Agitato Ed Apionato Assai) | 13:45 | |
| 62-2 | Il Un Bal = A Ball = Ein Ball (Valse Allegro Non Troppo) | 6:29 | |
| 62-3 | III Scène Aux Champs = Scene In The Country = Szene Aut Dem Lande (Adagio) | 14:55 | |
| 62-4 | IV Marche Au Supplice = March To The Scaffold = Gang Zum Richtplatz (Allegretto Non Troppo) | 5:10 | |
| 62-5 | V Songe D'une Nuit De Sabbat = Dream Of A Sabbath Night = Traum Einer Sabbatnacht (Larghetto – Allegro) | 10:14 | |
| 63-1 | Slavonic March Op. 31 = Slawischer Marsch = Marche Slave (Moderato In Modo Di Marcia Funebre – Più Mosso. Allegro – Andante Molto Maestoso – Allegro Risoluto) | 10:00 | |
| 63-2 | A Night On Bald Mountain = Eine Nacht Auf Dem Kahlen Berge = Une Nuit Sur Le Mont Chauve (Allegro Feroce) | 11:05 | |
| 63-3 | Capriccio Italien Op. 45 (Andante Un Poco Rubato – Allegro Moderato – Andante – Presto – Allegro Moderato – Presto – Prestissimo) | ||
| 4 Greek Dances Op. 11 = Vier Griechische Tänze = Quatre Danses Grecques | |||
| 63-4 | Peloponnisiakost | 2:03 | |
| 63-5 | Epirotikos | 1:57 | |
| 63-6 | Hostianos | 3:36 | |
| 63-7 | Kleftikos | 2:10 | |
| Un Ballo In Maschera = A Masked Ball = Ein Maskenball (Excerpts) | |||
| 64-1 | Preludio | 4:22 | |
| 64-2 | Act I | Scene 1 | "Alla Vita Che T'arride" (Renato) | 3:34 | |
| 64-3 | Scene 2 | "Re Dell'abisso, Affrettati" (Ulrica, Riccardo) | 6:59 | |
| 64-4 | АСТ II | "Ecco L'orrido Campo ... Ma Dall'arido Stelo Divulsa" (Amelia) | 9:09 | |
| 64-5 | "Teco Io Sto" (Riccardo, Amelia) | 5:08 | |
| 64-6 | "M'Ami, M'ami" (Riccardo, Amelia) – "Ahimè! S'appressa Alcun!" (Amelia, Riccardo, Renato) | 8:34 | |
| 64-7 | Act III | Scene 1 | "Morrò, Ma Prima In Grazia" (Amelia, Renato) | 4:29 | |
| 64-8 | "Alzati! Là Tuo Figlio ... Eri Tu" (Renato) | 6:23 | |
| 64-9 | Scene 2 | "Forse La Soglia Attinse ... Ma Se M'è Forza Perderti" (Riccardo) | 5:13 | |
| 64-10 | Scene 3 | "Saper Vorreste" (Oscar) | 2:00 | |
| Concerto For Violin And Orchestra In B Minor = H-Moll = En Si Mineur | |||
| 65-1 | I Andante Tranquillo | 10:41 | |
| 65-2 | Il Presto Capriccioso Alla Napolitana | 6:13 | |
| 65-3 | Ill Vivace | 11:56 | |
| Symphonie Espagnole In D Minor Op. 21 = D-Moll = En Ré Mineur For Violin And Orchestra | |||
| 65-4 | I Allegro Non Troppo | 7:37 | |
| 65-5 | Il Scherzando. Allegro Molto | 4:10 | |
| 65-6 | IV Andante | 6:40 | |
| 65-7 | V Rondo. Allegro | 8:06 | |
| Sonata For Oboe And Piano | |||
| 66-1 | I Munter | 3:51 | |
| 66-2 | Il Sehr Langsam – Lebhaft – Sehr Langsam, Wie Zuerst – Lebhatt | 8:28 | |
| 2 Rhapsodies For Oboe, Viola And Piano After 2 Poems By Maurice Rollinat | |||
| 66-3 | No. 1: L'Étang = The Pond = Der Weiher (Lento (Un Poco Andante) – Le Double Plus Vite – Molto Lamentoso – Adagio Molto – Andante) | 9:47 | |
| 66-4 | No. 2: La Cornemuse = The Bagpipe = Der Dudelsack (Un Poco Maestoso – Andante – Allegro – Le Double Plus Lent – Andante Grazioso – Moderato – Andante) | 13:30 | |
| Concerto For Piano And Orchestra No. 3 In C Minor Op. 37 = C-Moll = En Ut Mineur | |||
| 67-1 | I Allegro Con Brio | 14:33 | |
| 67-2 | Il Largo | 8:50 | |
| 67-3 | III Rondo. Allegro | 8:40 | |
| 9 Variations On A Minuet By Jean-Pierre Duport K 573 | (12:41) | ||
| 67-4.1 | [Thema] | ||
| 67-4.2 | Var. I | ||
| 67-4.3 | Var. II | ||
| 67-4.4 | Var. III | ||
| 67-4.5 | Var. IV | ||
| 67-4.6 | Var. V | ||
| 67-4.7 | Var. VI | ||
| 67-4.8 | Var. VII | ||
| 67-4.9 | Var. VIII. Adagio | ||
| 67-4.10 | Var. IX. Allegro – Tempo I | ||
| Un Ballo In Maschera = A Masked Ball = Ein Maskenball | |||
| 68-1 | Prelude | 3:54 | |
| 68-2 | Act I | Scene 1 "Posa In Pace, A' Bei Sogni Ristora" (Samuel, Tom, Chorus) | 1:29 | |
| 68-3 | "S'avanza Il Re ... La Rivedrà Nell'estasi" (Oscar, Riccardo, Samuel, Tom, Chorus) | 3:24 | |
| 68-4 | "Il Cenno Mio Di Là Con Essi Attendi" (Riccardo, Oscar, Renato) | 2:21 | |
| 68-5 | "Alla Vita Che T'arride" (Renato) | 2:41 | |
| 68-6 | "Il Primo Giudice" (Oscar, Riccardo, Judge) | 1:27 | |
| 68-7 | "Volta La Terrea" (Oscar) | 1:45 | |
| 68-8 | "Signori, Oggi D'Ulrica ... Ogni Cura Si Doni Al Diletto" (Riccardo, Renato, Oscar, Chorus) | 2:55 | |
| 68-9 | Scene 2 | "Zitti. ... L'incanto Non Dèssi Turbare ... Re Dell'abisso, Affrettati"' (Ulrica, Chorus) | 3:32 | |
| 68-10 | "Arrivo Il Primo! ... È Lui! È Lui! Ne' Palpiti" (Riccardo, Ulrica, Chorus) | 2:45 | |
| 68-11 | "Su, Fatemi Largo" (Silvano, Ulrica, Riccardo, Servant, Chorus) | 3:11 | |
| 68-12 | "Che V'agita Così?" (Ulrica, Amelia, Riccardo) | 1:23 | |
| 68-13 | "Della Città All'occaso" (Ulrica, Amelia, Riccardo, Chorus) | 3:50 | |
| 68-14 | "Su, Profetessa ... Di' Tu Se Fedele" (Samuel, Tom, Oscar, Riccardo, Chorus) | 3:33 | |
| 68-15 | "Chi Voi Siate" (Ulrica, Riccardo, Samuel, Oscar, Tom, Chorus) | 2:17 | |
| 68-16 | "È Scherzo Od È Follia" (Riccardo, Ulrica, Samuel, Tom, Oscar, Chorus) | 3:33 | |
| 68-17 | "Finisci Il Vaticinio" (Riccardo, Ulrica, Samuel, Tom, Renato, Silvano, Oscar, Chorus) | 4:22 | |
| 69-1 | Act Il | Prelude | 2:12 | |
| 69-2 | "Ecco L'orrido Campo" (Amelia) | 1:22 | |
| 69-3 | "Ma Dall'arido Stelo Divulsa" (Amelia) | 5:33 | |
| 69-4 | "Teco Io Sto ... Non Sai Tu Che Se L'anima Mia" (Riccardo, Amelia) | 5:29 | |
| 69-5 | "Oh, Qual Soave Brivido" (Riccardo, Amelia) | 3:42 | |
| 69-6 | "Ahimè! S'appressa Alcun! ... Odi Tu Come Fremono" (Amelia, Riccardo, Renato) | 4:34 | |
| 69-7 | "Seguitemi" (Renato, Amelia, Samuel, Tom, Chorus) | 2:26 | |
| 69-8 | "Ve' Se Di Notte Qui Colla Sposa" (Samuel, Tom, Renato, Amelia, Chorus) | 5:12 | |
| 69-9 | Act III | Scene 1 | "A Tal Colpa È Nulla Il Pianto" (Renato, Amelia) | 2:15 | |
| 69-10 | "Morrò, Ma Prima In Grazia" (Amelia) | 4:29 | |
| 69-11 | "Alzati! Là Tuo Figlio" (Renato) | 1:39 | |
| 69-12 | "Eri Tu Che Macchiavi" (Renato) | 4:43 | |
| 69-13 | "Siam Soli. Udite" (Renato, Tom, Samuel) | 3:44 | |
| 69-14 | "E Chi Vien? Tu?" (Renato, Amelia, Samuel, Tom) | 3:50 | |
| 69-15 | "Il Messaggio Entri ... Ah! Di Che Fulgor" (Renato, Oscar, Amelia, Samuel, Tom) | 3:37 | |
| 69-16 | Scene 2 | "Forse La Soglia Attinse ... Ma Se M'è Forza Perderti" (Riccardo) | 5:03 | |
| 69-17 | "Ah! Dessa È Là" (Riccardo, Oscar) | 1:20 | |
| 69-18 | Scene 3 | "Fervono Amori E Danze" (Samuel, Renato, Tom, Oscar, Chorus) | 2:14 | |
| 69-19 | "Saper Vorreste" (Oscar) | 1:57 | |
| 69-20 | "Fervono Amori E Danze" (Renato, Oscar, Chorus) | 1:32 | |
| 69-21 | "Ah! Perchè Qui! Fuggite" (Amelia, Riccardo, Renato, Oscar, Chorus) | 5:03 | |
| 69-22 | "Ella È Pura: In Braccio A Morte" (Riccardo, Amelia, Oscar, Renato, Samuel, Tom, Chorus) | 4:26 |
Companies, etc.
- Distributed By – Sony Music Entertainment
- Phonographic Copyright ℗ – Sony Music Entertainment
- Copyright © – Sony Music Entertainment
- Copyright © – Sony Music Archives
- Made By – Sonopress
- Published By – Associated Music Publishers
- Published By – Elkan-Vogel
- Published By – Oxford University Press
- Published By – Ricordi
- Published By – Leeds Music
- Published By – G. Schirmer Inc.
- Published By – Boosey & Hawkes
- Published By – Universal Edition
- Published By – Hargail Music Press
- Published By – Malcolm Music Ltd.
- Published By – MJQ Music
- Published By – Beach Music Publishing Co.
- Published By – E.B. Marks Music Inc.
- Recorded At – Northrop Memorial Auditorium
- Recorded At – Academy Of Music, Philadelphia
- Recorded At – Columbia 30th Street Studio
- Recorded At – NBC Studios, New York
- Recorded At – RCA Studios, New York
- Recorded At – Carnegie Hall
- Recorded At – Severance Hall
- Recorded At – Eastman Theatre, Rochester, New York
- Published By – G & C Music Corporation
- Recorded At – Salle de la Mutualité, Paris
- Published By – Associated Music Publishers
- Mastered At – b-sharp (3)
- Recorded At – The Metropolitan Opera House
- Recorded At – Broadwood Hotel, Philadelphia
- Recorded At – Harpur College, Binghamton, NY
- Mixed At – Swan Studios, NYC
- Mastered At – Swan Studios, NYC
Credits
- Booklet Editor – Marvin J. Deitz
- Compilation Producer – Robert Russ
- Conductor – Dimitri Mitropoulos
- Design – [ec:ko] Communications
- Engineer – Lewis Layton (tracks: 57-1 to 57-15, 58-1 to 58-17)
- Engineer [Restoration Engineer] – John Fredenburg (tracks: CD 68, 69)
- Liner Notes – Gabryel Smith
- Liner Notes [Translation] – Stefan Lerche
- Mastered By – b-sharp music & media solutions* (tracks: CD 9, 12, 26 to 34, 36, 38 to 41, 42, 43, 45 to 48, 49 to 52, , 53-4 to 53–7, 54, 56 to 58, 60, 61, 65, 66)
- Photography By [Cover & pp. 61, 92, 98, 113, 120, 150/151] – Erich Hartmann
- Photography By [p. 104] – Fred Fehl
- Photography By [p. 114] – Don Hunstein
- Photography By [p. 117] – Bob Willoughby
- Photography By [p. 11] – I. W. Schmidt
- Photography By [p. 14] – Elfriede Hamar
- Photography By [p. 17] – Victor Kraft
- Photography By [p. 188] – Foto Locchi*
- Photography By [p. 24] – 20th Century Fox
- Photography By [p. 32] – Metropolitan Photo Service Inc
- Photography By [p. 74] – Paul Duckworth
- Photography By [p. 85] – Sedge LeBlang
- Photography By [p. 86] – Charles Rossi (2)
- Photography By [p. 91] – Don Berg (3)
- Photography By [pp. 117, 118] – RCA (4)
- Photography By [pp. 18, 110] – Henry Rapisarda
- Photography By [pp. 5, 34/35] – Susan Hoeller
- Photography By [pp. 67, 68] – CBS Photo Archives
- Producer – Richard Mohr (tracks: 57-1 to 57-15, 58-1 to 58-17)
- Production Manager – Miriam Rodriguez
- Remastered By – Charles Harbutt (tracks: CD 68, 69)
- Research [Tape Research] – Matt Fiveash
- Transferred By [Analogue Disc and Tape Transfer], Mixed By, Mastered By – Nancy Conforti (tracks: CD 1 to 8, 10, 11, 13 to 25, 30-11, 35, 37, 44, 49-2 to 49–4, 50-5, 55, 59, 62, 63, 64, 67)
- Transferred By [Analogue Tape Transfer] – Swan Studios NYC (tracks: CD 1 to 8, 10, 11, 13 to 25, 30-11, 35, 37, 44, 49-2 to 49–4, 50-5, 55, 59, 62, 63, 64, 67)
Notes
℗ & © 2022 Sony Music Entertainment
All discs are Mono except as noted.
Editor's Note 1: Years in parentheses [for example Tuba Quartet in C-sharp minor (1939/40)] in Track listing indicate recording year or years, when the work is in presented this box set more than once. Complete recording information is here.
Editor's Note 2: | character used to separate parts or acts that would ordinarily call for a Header, but is not used here, to keep complete works under a single Index Track.
Editor's Note 3: Some tracks are divided into separate subtracks as presented on disc sleeves or booklet, to manage multipart tracks. Track numeration is as printed or by using #.# convention.
CD 1 39:21
Recorded: Minneapolis, Northrop Auditorium, December 27, 1939 [Liszt-Busoni]; December 7, 1941 [Borodin]
℗ 1940/1943 Sony Music Entertainment
Original 78s
11202/03-D in set X-163 / 11423/24-D in set MX-163 released April 12, 1940 [1-4]
11902-05-D in set M-528 / 11906-09-D in set MM-528 released April 12, 1943 [5-8]
Original LP
RL 3040 released January 12, 1953 [1-4]
CD 2 49:01
Recorded: Minneapolis, Northrop Auditorium, December 3, 1940 [Mozart, Grieg, Bach];December 4, 1940 [Bach, Lully, Dvořák]; December 7, 1941 [Chabrier, Meyerbeer]
℗ 1941/1942/1949 Sony Music Entertainment
Original 78s
11578-D released July 9, 1941 [1/2]
11698-D released January 14, 1942 [3/4]
11528/29-D in set X-195 / 11570/71-D in set MX-195 released April 9, 1941 [5-7]
11566-D in set X-197 / 11572-D in set MX-197 released June 11, 1941 [8]
12900-D released September 1, 1948 [8]
11645-D released October 15, 1941 [9/10]
19013-D; 3-19013-D (7") / 3-201 (7") released June 20, 1949 [11/12]
Original LP
HL 7129 released April 20, 1959 [9/10/12]
CD 3 54:56
Recorded: Minneapolis, Northrop Auditorium, April 6, 1942 [Bach, Glazunov]; March 2, 1945 [Ravel]; Philadelphia, Academy of Music, September 21, 1945 [Chopin]
℗ 1942/1944/1945/1950 Sony Music Entertainment
Original 78s
11993-D [1]; 11994-D [1/2] in set X-244 / 11995-D [1/2]; 11996-D [1] in set MX-244 released September 15, 1944
11871/72-D in set X-228 / 11873/74-D in set MX-228 released September 7, 1942 [3]
13104-D in set MX-343 released July 3, 1950 [4]
12263-65-D in set M-598 / 12266-68-D in set MM-598 released December 17, 1945 [5-9]
CD 4 46:52
Recorded: Philadelphia, Academy of Music, September 21, 1945 [Concerto No. 10]; unknown, November 18, 1947 [Concerto No. 7]
Editor’s Note: Josef Lhévinne, listed as the third pianist on Concerto No. 7, died December 2, 1944, nearly three years before the listed recording date.
℗ 1946 Sony Music Entertainment
Original 78s
12389-91-D in set M-628 / 12392-94-D in set MM-628 released October 7, 1946 [1-3]
72610-12-D in set MM-771 no manual format
Release date unknown [4-6]
Original LP
ML 4098/54098 released December 6, 1948
CD 5 47:37
Recorded: Minneapolis, Northrop Auditorium, March 2, 1945 [Milhaud]; December 6, 1941 [Ravel]; December 7, 1941 [Rabaud]
Publishers: Associated Music Publishers [The Nothing Doing Bar]; Elkan-Vogel [La Sultane]
℗ 1942/1946/1949/1951 Sony Music Entertainment
Original 78s
12932/33-D in set MX-308 released January 3, 1949 [1]
19006/07-D in set X-222 (10") / 19008/09-D in set MX-222 (10") released June 8, 1942 [2-5]
12161-D released January 15, 1946 [6]
Original LPs
ML 2032 (10") released January 3, 1949 [1-5]
ML 2170 (10") released March 12, 1951 [7]
CD 6 37:01
Recorded: Minneapolis, Northrop Auditorium, March 9, 1946 [Chausson]; March 10, 1946 [Walton]
Publisher: Oxford University Press [Walton]
℗ 1948/1949 Sony Music Entertainment
Original 78s
12955-58-D in set MM-825 released May 2, 1949
no manual format [1-3]
12755-D released March 29, 1948 [4]
Original LP
ML 4141 released May 2, 1949 [1-3]
P 14149 [e] released 1977 [1-3]
CD 7 52:55
Recorded: unknown, July 26, 1946 [All but Massenet]; Minneapolis, Northrop Auditorium, March 11, 1946 [Massenet]
Publisher: Ricordi [Massenet]
℗ 1947/1948/1949 Sony Music Entertainment
Original 78s
12955-58-D in set MM-825 released May 2, 1949
no manual format [1-3]
12755-D released March 29, 1948 [4]
Original LP
ML 4141 released May 2, 1949 [1-3]
P 14149 [e] released 1977 [1-3]
Original LPs
ML 2053 (10") released July 4, 1949 [1-10]
ML 2074 (10") released November 7, 1949 [11-14]
CD 8 35:18
Recorded: Minneapolis, Northrop Auditorium, March 2, 1945
℗ 1946/1948 Sony Music Entertainment
Original 78s
12271-73-D in set M-599 / 12274-76-D in set MM-599 released March 15, 1946 [1]
12873/74-D in set MX-300 released August 9, 1948 [2]
Original LPs
ML 4196/54196 released August 1, 1949
P 14151 [e] released 1977
CD 9 47:41
Recorded: Minneapolis, Northrop Auditorium, November 4/5, 1940
℗ 1941 Sony Music Entertainment
Original 78s
11609-14-D in set M-469 / 11615-20-D in set MM-469 released September 10, 1941
Original LPs
ML 4251/54251 released December 5, 1949
RL 3120 released May 16, 1955
P 14157 [e] released 1977
CD 10 31:48
Recorded: Minneapolis, Northrop Auditorium, March 10/11, 1946
℗ 1947 Sony Music Entertainment
Original 78s
12527-31-D in set M-673 / 12532-36-D in set MM-673 released April 21, 1947
Original LPs
ML 4252/54252 released December 5, 1949
RL 6623 cancelled
P 14158 [e] released 1977
CD 11 69:05
Recorded: New York City, Columbia 30th Street Studio, January 3, 1950 [Khachaturian]; March 31, 1952 [Rubinstein]
Publisher: Leeds Music [Khachaturian]
℗ 1950/1952 Sony Music Entertainment
Original 78s
13075-79-D in set MM-905 released February 13, 1950 [1-3]
Original LPs
ML 4288 released February 13, 1950 [1-3]
P 14162 [e] released 1977 [1-3]
ML 4599 released August 25, 1952 [4-6]
32 16 0169 released December 26, 1967 [4-6]
CD 12 33:11
Recorded: Minneapolis, Northrop Auditorium, November 16, 1946
℗ 1947 Sony Music Entertainment
Original 78s
11-9776-79 in set M-1159 / 11-9780-83 in set DM-1159 released October 1, 1947
Original 45s
49-0161-64 in set WDM-1159 released September 15, 1949
Original LP
LM-1028 released March 24, 1950
CD 13 36:18
Recorded: New York City, NBC Studio 3A, December 15, 1947 [Poulenc]; New York City, RCA Studio No. 2, December 21, 1947 [Brahms]
Publisher: Elkan-Vogel [1-3]
℗ 1948/1950 Sony Music Entertainment
Original 78s
12-0363-65 in set M-1235 / 12-0366-68 in set DM-1235 released July 26, 1948 [1-3]
12-1074/75 in set DM-1347 released February 1, 1950 [4-13]
Original 45s
49-0988-90 in set WDM-1235 released May 26, 1950 [1-3]
49-0808/09 in set WDM-1347 released February 1, 1950 [4-13]
Original LP
LM-1048 released May 26, 1950
CD 14 61:06
Recorded: New York City, Columbia 30th Street Studio, January 16, 1950 [Sessions]; January 23, 1950 [Gould]; Minneapolis, Northrop Auditorium, March 2, 1945 [Lalo, Siegmeister]
Publishers: G. Schirmer [1-4]; G. & C. Music [5]; E. B. Marks Music [7-10]
℗ 1946/1950/1951 Sony Music Entertainment
Original 78s
13095-98-D in set MM-920 released June 19, 1950 [1-4]
13139-D released February 12, 1951 [5]
13104/05-D in set MX-343 released July 3, 1950 [6]
12295/96-D in set X-262 / 12297/98-D in set MX-262 released April 15, 1946 [7-10]
CD 15 25:17
Recorded: Minneapolis, Northrop Auditorium, January 20, 1947
℗ 1947/1948 Sony Music Entertainment
Original LPs
ML 2120 (10"), released June 19, 1950 [1-4]
ML 4784 released February 1, 1954 [1-4]
BM 39 Released 1980 [5]
ML 2167 (10") released February 12, 1951 [5]
ML 2123 (10") released July 3, 1950 [6-10]
HL 7129 released April 20, 1959 [6]
Publishers: Associated Music Publishers [6]; G. & C. Music [7]
CD 16 44:56
Recorded: Minneapolis, Northrop Auditorium, January 19/20, 1947
℗ 1947 Sony Music Entertainment
Original 78s
11-9824-29 in set M-1148 / 11-9830-35 in set DM-1148 released November 3, 1947
Original 45s
49-0657-62 in set WDM-1148 released August 51, 1950
Original LP
LM-1068 Released August 11, 1950
CD 17 38:00
Recorded: Minneapolis, Northrop Auditorium, January 12/22, 1940, November 26, 1940
℗ 1941 Sony Music Entertainment
Original 78s
11462-66-D in set M-436 / 11467-71-D in set AM-436 released January 10, 1941
Original LPs
RL 30006 released October 20, 1952
HL 7102 released April 28, 1958
CD 18 38:58
Recorded: Minneapolis, Northrop Auditorium, January 12/22, 1940, November 26, 1940
℗ 1941 Sony Music Entertainment
Original 78s
11595-99-D in set M-468 / 11600-04-D in set MM-468 / released August 13, 1941
Original LP
RL 3007 released October 20, 1952
CD 19 39:25
Recorded: Minneapolis, Northrop Auditorium, January 22, 1940
℗ 1940 Sony Music Entertainment
Original 78s
11180-84-D in set M-401 / 11185-89-D in set AM-401 / 11240-44-D in set MM-401 released March 11, 1940
Original LPs
RL 3009 released October 20, 1952
HL 7120 released July 14, 1958
CD 20
Recorded: Minneapolis, Northrop Auditorium, December 6, 1941 [Symphony]; December 4, 1940 [Capriccio]; January 10, 1940[Octet]
℗ 1940/1941/1943 Sony Music Entertainment
Original 78s
11968-71-D in set M-540 / 11972-75-D in set MM-540 released May 10, 1943 [1-4]
11565/66-D in set X-197 / 11572/73-D in set MX-197 released June 11, 1941 [5]
11239-D in set X-166 / 11425-D in set MX-166 released June 10, 1940 [6]
12900-D released September 1, 1948 [6]
Original LPs
RL 3017 released November 17, 1952 [1-4]
ML 4127 released March 7, 1949 [5]
CD 21
Recorded: Minneapolis, Northrop Auditorium, December 4, 1940 [Dukas]; March 2, 1945 [Rimsky-Korsakov]; January 10, 1940 [Prokofiev]; December 7, 1941 [Glière]
℗ 1940/1942/1943/1945 Sony Music Entertainment
Original 78s
11671/72-D in set X-212 / 11673/74-D in set MX-212 released January 14, 1942 [1]
12150/51-D in set X-254 / 12152/53-D in set MX-254 released September 15, 1945 [2-4]
11238/39-D in set X-166 / 11425/26-D in set MX-166 released June 10, 1940 [5-8]
11905-D in set M 528 / 11906-D in set MM-528 released April 12, 1943 [9]
12899-D released September 1, 1948 [9]
Original LPs
RL 3021 released December 15, 1952
HL 7129 released April 20, 1959 [1/9]
CD 22
Recorded: Minneapolis, Northrop Auditorium, December 3, 1940 [Schumann]; December 4, 1940 [Rimsky-Korsakov]
℗ 1942 Sony Music Entertainment
Original 78s
11761-65-D in set M-503 / 11766-70-D in set MM-503 released May 11, 1942 [1-4]
11672-D in set X-212 / 11673-D in set MX-212 released January 14. 1942 [5]
12899-D Released September 1, 1948 [5]
Original LP
RL 3025 released December 15, 1952 [1-4]
CD 23
Recorded: Minneapolis, Northrop Auditorium, December 6, 1941
℗ 1942 Sony Music Entertainment
Original 78s
11840-43-D in set M-515 / 11844-47-D in set MM-515 released August 10, 1942
Original LP
RL 3028 released December 15, 1952
CD 24
Recorded: Minneapolis, Northrop Auditorium, April 4, 1942 [Brahms]; March 11, 1946 [Weber], January 10, 1940 [Beethoven]
℗ 1940/1941/1942/1948 Sony Music Entertainment
11813/14-D in set X-225 / 11815/16-D in set MX-225 released July 13, 1942 [1-10]
12891-D released October 4, 1948 [11]
11175-D released February 12, 1940 [12]
11288/89-D in set X-173 / 11427/28-D in set MX-173 released August 12, 1940 [13]
Original LP
RL 3038 released January 12, 1953
CD 25
Recorded: New York City, Columbia 30th Street Studio, April 21, 1951
Publisher: G. Schirmer [Bloch]
℗ 1951 Sony Music Entertainment
Original LPs
ML 4425 released September 21, 1951
P 14167 [e] released 1977
CD 26
Recorded: New York City, Columbia 30th Street Studio, March 5, 1951
Publisher: Boosey & Hawkes
℗ 1951 Sony Music Entertainment
Original LPs
ML 4438 released October 19, 1951
P 14169(e) released 1977
CD 27 65:38 & CD 28 66:32
Recorded: New York City, Carnegie Hall, April 12/13/15, 1951 (live)
℗ 1951 Sony Music Entertainment
Original LPs
SL-118 (ML 4465/66) released November 12, 1951
Y2 33126 (Y 33127/28) released November 22, 1974
M2P 42470 (MP 42471/72) released 1987
BM 13 released January 24, 1968
CD 29 42:02
Recorded: New York City, Columbia 30th Street Studio, November 27, 1950 [La Mer]; Philadelphia, Academy of Music, March 11, 1951 [Ibéria]
℗ 1951 Sony Music Entertainment
Original LPs
ML 4434 released November 23, 1951
P 14168 [e] released 1977
CL 921 released October 1, 1956 [4-6]
CD 30 69:26
Recorded: New York City, Columbia 30th Street Studio, November 19, 1951 [Erwartung]; April 21, 1951 [Krenek]; New York City, Brooklyn, March 3, 1958 [Verklärte Nacht]
Publisher: Universal Edition [Erwartung]; G, Schirmer [Verklärte Nacht]
℗ 1952/1958 Sony Music Entertainment
Original LPs
ML 4524, released May 23, 1952 [1-9]
MS 6007 (stereo), released July 14, 1958 [10]
ML 5285 (mono). released July 28, 1958 [10]
32 16 0298, released December 16, 1968 [10]
CD 31 65:29
Recorded: New York City, Columbia 30th Street Studio, February 4, 1952 [Bruch]; April 23, 1952 [Beethoven]; January 23, 1950 [Saint-Saëns]
℗ 1950/1952 Sony Music Entertainment
Original 78s
13106-08-D in set MM-937 released August 28, 1950 [6-8]
Original LPs
ML 4575 released August 22, 1952 [1-5]
ML 4315/54315 released August 28, 1950 [6-8]
MS 6268 [e] released August 13, 1962 (6-8]
CD 32 64:33
Recorded: Philadelphia Academy of Music, February 17, 1952 [1-11]; New York City, Columbia 30th Street Studio, February 4, 1952 [12-18]; 4 February 1952 [19/20]]
℗ 1952 Sony Music Entertainment
Original 78s
13106-08-D in set MM-937 released August 28, 1950 [6-8]
Original LPs
ML 4616 released November 17, 1952 [1-18]
AAL 16 (10") released July 25, 1952 [19/20]
CD 33 46:34
Recorded: New York City, Columbia 30th Street Studio, October 27, 1952
Original LPs
ML 4632 released February 16, 1953
P 14177 [e] released 1977
℗ 1953 Sony Music Entertainment
CD 34 69:33
Recorded: New York City, Columbia 30th Street Studio, October 27, 1952 [1-3]; Cleveland, Severance Hall, January 16, 953 [3-6]; Philadelphia Academy of Music, 26 Jul 1946 [7-9]
Original 78s
12509-11-D in set M-667 / 12512-14-D in set MM-667 released March 17, 1947 [7-8]
Original LPs
ML 4648 released March 16, 1953 [1-6]
ML 4389/54389 released May 14, 1951 [7-9]
Publishers: Leeds Music [1-3]; Breitkopf & Härtel [7-9]
℗ 1947/1953 Sony Music Entertainment
CD 35 38:43
Recorded: New York City, Columbia 30th Street Studio, April 20, 1953
Original LPs
ML 4731 Released September 14, 1953
P 14184 [e] Released 1977
℗ 1953 Sony Music Entertainment
CD 36 45:28
Recorded: New York City, Columbia 30th Street Studio, December 1, 1952
Publisher: Leeds Music
Original LPs
ML 4739 released October 19, 1953
P 14185 [e] released 1977
℗ 1953 Sony Music Entertainment
CD 37 44:12
Recorded: New York City, Columbia 30th Street Studio, April 20, 1953 [Ippolitov-Ivanov, Steppes]; December 1, 1952 [Polovtsian Dances]
Original LPs
ML 4815 released January 18, 1954
CL 75 released July 5, 1955
Highway Hi-Fi 16⅔3 rpm MR 1 (7"') T released September 1955
℗ 1954 Sony Music Entertainment
CD 38 54:28
Recorded: New York City, Columbia 30th Street Studio, December 1, 1952 [Schoenberg]; Cleveland, Severance Hall, December 15, 1940 [Berg]
Original 78s
12589-91-D in set M-465 / 12592-94-D in set MM-465 released August 13, 1941 [4/5]
Original LP
ML 4857 released March 15, 1954
℗ 1941/1954 Sony Music Entertainment
CD 39 75:20
Recorded: New York City, Columbia 30th Street Studio, November 2, 1953
Original 45s
A-1923 released September 20, 1954 [9]
Original LPs
ML 4864 released April 19, 1954
P 14189 [e] released 1977 [1-8]
ML 5227 released November 11, 1957 17]
AL 52 (10”) released September 20, 1954 [9/10]
℗ 1954 Sony Music Entertainment
CD 40 48:28
Recorded: New York City, Columbia 30th Street Studio, 18 October 1954
Publisher: Leeds Music
ML 4959 released November 8, 1954
32 16 0123 released August 21, 1967
℗ 1954 Sony Music Entertainment
CD 41 48:25
Recorded: Rochester Eastman Theater, 30 April 1952 [Riegger]; Columbia 30th Street Studio, February 1, 1954 [Mennin]
Publishers: Associated Music Publishers [Riegger]; Hargall Music Press [Mennin]
Original LP
ML 4902 released December 6, 1954, initially scheduled for November 15, 1954
℗ 1954 Sony Music Entertainment
CD 42 49:34
Recorded: New York City, Columbia 30th Street Studio, January 21, 1954 [Nuits]; 19 May 1954 [Caputive, Jeune Pâtre breton, Zaïde Boléro]
Original LPs
ML 4940 released January 3, 1955
ML 5843 released April 15, 1963 [1-6]
Y 32360 released August 24, 1973
℗ 1955 Sony Music Entertainment
CD 43 58:23
Recorded: New York City, Columbia 30th Street Studio, November 17, 1954 [Mendelssohn]; March 27, 1954 [Tchaikovsky]
Original LPs
ML 4940 released January 3, 1955
ML 5843 released April 15, 1963 [1-6]
Y 32360
Released August 24, 1973
℗ 1955 Sony Music Entertainment
CD 44 56:05
Recorded: New York City, Columbia 30th Street Studio, November 2, 1953 [Borodin]; October 18 and November 17, 1954 [Tchaikovsky]
Original 45s
7-2086/87 in set A-1109 released March 7, 1955 [1-3]
Original LP
ML 4965 released March 7, 1955
℗ 1955 Sony Music Entertainment
CD 45 43:00
Recorded: New York City, Columbia 30th Street Studio, March 27, 1954
Publisher: Leeds Music
Original LPs
CL 764 cancelled, replaced by
ML 5075 released January 3, 1956
P 14199 [e] released 1977
℗ 1956 Sony Music Entertainment
CD 46
Recorded: New York City, Carnegie Hall, January 2, 1956
Publisher: Leeds Music
ML 5077 released January 9, 1956
MG 33328 released March 1975
MP 39771 released September 1985
℗ 1956 Sony Music Entertainment
CD 47 52:02
Recorded: Paris, Salle de la Mutualité, September 19, 1955 [Beethoven]; New York City, Columbia 30th Street Studio, November 27, 1950 [Bach]
Original LPs
ML 5100 released July 16, 1956 [1-3]
ML 2196 (10") released September 21, 1951 [4-6]
P 14201 [e] released 1977
℗ 1951/1956 Sony Music Entertainment
CD 48 42:52
Recorded: New York City, Columbia 30th Street Studio, January 9, 1956 [Lieutenant Kijé Suite]; February 27, 1956 [Háry János Suite]
Original LPs
ML 5101 released July 16, 1956
P 14202 [e] released 1977
℗ 1956 Sony Music Entertainment
CD 49 39:53
Recorded: New York City, Columbia 30th Street Studio, November 27, 1950 [Danse Macabre]; January 23, 1950 [Le Rouet d'Omphale]; January 9, 1956 [Phaëton, La jeunesse d'Hercule]
Original 78s
13150-D [1] & 13151-D [2] released March 12, 1951
Original 45s
4-13150-D [1] & 4-13151-D [2] released March 12, 1951
4-4788 released 1953 [1]
Original LPs
ML 2170 (10") released March 12, 1951 [1/2]
AL 8 (10") released October 1, 1951 [1/2]
ML 5154 released December 31, 1956
P 14205 [e] released 1977
℗ 1951/1956 Sony Music Entertainment
CD 50 44:13
Recorded: New York City, Columbia 30th Street Studio, January 9, 1956 [Symphony]; New York City, Brooklyn, Hotel St. George, March 3, 1958 [Fantasia]
Original LPs
Symphony - ML 5158 (mono) / CML 5158 (stereo) released March 4, 1957
Tallis Fantasia - MS 6007 (stereo) released July 14, 1958 & ML 5285 (mono) released July 28, 1958
℗ 1957/1958 Sony Music Entertainment
CD 51 42:53
Recorded: New York City, 14 Jun 1956
Parts taken from Columbia 941
Publishers: Malcolm Music [Schuller]; MJQ Music [Johnson, Lewis]; Beach Music Publishing/MJQ Music [Giuffre]
Original LP
CL 941 released April 1, 1957
℗ 1957 Sony Music Entertainment
CD 52 48:00
Recorded: Philadelphia, Academy of Music, March 11, 1951 [Schuman]; New York City, Columbia 30th Street Studio, 24 February 1956 [Kirchner]
World Première Recording [4-6]
Note: No tape for remastering available, mastered from LP
Original LPs
ML 5185 (mono) & CML 5185 (stereo) released April 29, 1957
℗ 1957 Sony Music Entertainment
CD 53 42:12
Recorded: New York City, Columbia 30th Street Studio, November 2, 1956 & March 21, 1957 (Harp Dubbing) [Noches]; November 2, 1953 [El Sombrero, Intermedio]
Original 45
A-1840 released April 19, 1954 [4-6]
Original LPs
AL 44 (10") released April 19, 1954 [4-7]
ML 5172 released June 3, 1957
℗ 1957 Sony Music Entertainment
CD 54 43:00
Recorded: New York City, Columbia 30th Street Studio, November 2, 1956 [Dukas]; November 3, 1956 [Weinberger, Strauss]; February 27, 1956 [Liszt]
Publisher: Associated Music Publishers [Weinberger]
Original LP
ML 5198 released September 30, 1957
℗ 1957 Sony Music Entertainment
CD 55 40:20 (Stereo)
Recorded: New York City, Brooklyn, Hotel St. George, November 11, 1957
Original Tape
LMB 19 released March 1958
Original LPs
MS 6006 released July 14, 1958
ML 5235 released January 27, 1958
SF 1 released July 1958 [1]
℗ 1958 Sony Music Entertainment
CD 56 47:16 (Stereo)
Recorded: New York City, Columbia 30th Street Studio, February 27, 1956 [No. 1]; January 21, 1957 [No. 2]
Publishers: Boosey & Hawkes [No. 1]; Leeds Music [No. 2]
Original LPs
ML 5243 released March 3, 1958
MP 39771 released September 1985 [1-3]
℗ 1958 Sony Music Entertainment
CD 57 53:21 | CD 58 60:29 (Stereo)
Recorded: New York City, Manhattan Center, February 23, 1958 [Act II, Act IV except Intermezzo]; April 7, 1958 [Act I, Act III, Act IV Intermezzo]; April 10, 1958 [Act III, Act IV Intermezzo]
Publisher: G. Schirmer
Original LPs
LM/LSC-6138 released July 25, 1958
Note: LP set LM/LSC-6138 originally contained a compilation of operatic selections as a filler for Side 6.
℗ 1958 Sony Music Entertainment
CD 59 44:25 (Stereo)
Recorded: New York City, Brooklyn, Hotel St. George, November 11, 1957
Original LPs
ML 5267 (mono) released June 2, 1958
MS 6023 (stereo) released September 2, 1958
32 16 0037 (mono) / 32 16 0038 (stereo) released February 20, 1967
MP 38772 released August 1983
Publisher: Leeds Music
℗ 1958 Sony Music Entertainment
CD 60 47:11 | CD 61 56:00 (Stereo)
Recorded: New York City, Metropolitan Opera House, March 5-7, 1956
Original LPs
LM-6063 released September 19, 1958
℗ 1958 Sony Music Entertainment
CD 62 (Stereo)
Recorded: New York City, Columbia 30th Street Studio, February 24, 1957
Original Reel Tape
OMB 6 Released July 1957
Original LPs
ML 5188 (mono) released August 12, 1957 / MS 6030 (stereo) released November 17, 1958
32 16 released February 28, 1968
℗ 1957 Sony Music Entertainment
CD 63 (Stereo: Tchaikovsky, Mussorgsky)
Recorded: New York City, Brooklyn, Hotel St. George, November 11, 1957 [1/2]; Columbia 30th Street Studio, 22 April 1957 [Capriccio]
Original LPs
ML 5335 (mono) [1-7] / MS 6044 (stereo) [1-3] released February 2, 1959
32 16 0228 released April 22, 1968 [1-3]℗ 1959 Sony Music Entertainment
CD 64
Recorded: New York City, Manhattan Center, January 9/21, 1955
Original LP
LM-1911 released February 18, 1955
℗ 1955 Sony Music Entertainment
Note from book: LP LM-1911 was issued in two versions with identical musical content: first in February 1955 with a photo of the Metropolitan Opera House boxes on the cover, and liner notes by Francis Robinson highlighting Marian Anderson's début at the Met; then in 1959 with artwork by Eugene Karlin, and a booklet with the synopsis and an essay by Henry W. Simon replacing Robinson's notes.
CD 65 (Stereo)
Recorded: Philadelphia, Broadwood Hotel, March 1/14, 1955 [Walton]; New York City, Columbia 30th Street Studio, April 22, 1957
Original LPs
ML 5184 (mono) release cancelled [4-7]
ML 5601 (mono) / MS 6201 (stereo) released March 21, 1960
Y 33229 released January 3, 1975
MP 38770 [1-3]; MP 38761 [4-7] released August 1983
ML 5693 (mono) / MS 6293 (stereo) released December 26, 1961 (Club only) [4-7]
PM 1 (mono); / PMS 1 (stereo) released May 27, 1963 [5]
℗ 1960 Sony Music Entertainment
CD 66
Recorded: New York City, Columbia 30th Street Studio, April 21, 1952
Publisher: Associated Music Publishers [Hindemith]
Original LP
ML 5603 released January 2, 1961
℗ 1961 Sony Music Entertainment
CD 67 (Stereo)
Recorded: New York, Carnegie Hall, February 23, 1957 (live) [Beethoven]; State University of New York, Binghamton, Harpur College, January 1968 [Mozart]
Original LP
C 10954 released 1972
℗ 1972 Sony Music Entertainment
CD 68 / CD 69
Recorded: New York City, Lincoln Center, The Metropolitan Opera, December 10, 1955 (live)
Original CDs
88697910022 released August 16, 2011
℗ 2011 Sony Music Entertainment
End Notes:
The present edition comprises Dimitri Mitropoulos's complete recordings commercially released on RCA Victor and Columbia Masterworks.
It also contains the Met production of Un ballo in maschera with Marian Anderson, recorded on December 10, 1955, but does not include the Salzburg Festival performances of Mozart's Don Giovanni (1956) or Franz Schmidt's Das Buch mit sieben Siegeln (1959), which Sony Classical previously distributed under license.
Mitropoulos's recordings were often released by Columbia Masterworks coupled with recordings by fellow conductors such as Eugene Ormandy or Leonard Bernstein. For this complete documentation of Mitropoulos's recordings, we decided on a case-by-case basis whether to retain the original LP couplings or to add the Mitropoulos material to a different LP.
As for the naming of what is now the Minnesota Orchestra, we decided to be a bit inconsistent by billing it as the Minneapolis Symphony Orchestra on the cover, back cover and LP spines of this edition, as we believe that Mitropoulos's recordings with this orchestra are more closely associated with its original name, while we decided to credit recordings by the Philharmonic-Symphony Orchestra of New York under its modern name, the New York Philharmonic.
All discs are Mono except as noted.
Editor's Note 1: Years in parentheses [for example Tuba Quartet in C-sharp minor (1939/40)] in Track listing indicate recording year or years, when the work is in presented this box set more than once. Complete recording information is here.
Editor's Note 2: | character used to separate parts or acts that would ordinarily call for a Header, but is not used here, to keep complete works under a single Index Track.
Editor's Note 3: Some tracks are divided into separate subtracks as presented on disc sleeves or booklet, to manage multipart tracks. Track numeration is as printed or by using #.# convention.
CD 1 39:21
Recorded: Minneapolis, Northrop Auditorium, December 27, 1939 [Liszt-Busoni]; December 7, 1941 [Borodin]
℗ 1940/1943 Sony Music Entertainment
Original 78s
11202/03-D in set X-163 / 11423/24-D in set MX-163 released April 12, 1940 [1-4]
11902-05-D in set M-528 / 11906-09-D in set MM-528 released April 12, 1943 [5-8]
Original LP
RL 3040 released January 12, 1953 [1-4]
CD 2 49:01
Recorded: Minneapolis, Northrop Auditorium, December 3, 1940 [Mozart, Grieg, Bach];December 4, 1940 [Bach, Lully, Dvořák]; December 7, 1941 [Chabrier, Meyerbeer]
℗ 1941/1942/1949 Sony Music Entertainment
Original 78s
11578-D released July 9, 1941 [1/2]
11698-D released January 14, 1942 [3/4]
11528/29-D in set X-195 / 11570/71-D in set MX-195 released April 9, 1941 [5-7]
11566-D in set X-197 / 11572-D in set MX-197 released June 11, 1941 [8]
12900-D released September 1, 1948 [8]
11645-D released October 15, 1941 [9/10]
19013-D; 3-19013-D (7") / 3-201 (7") released June 20, 1949 [11/12]
Original LP
HL 7129 released April 20, 1959 [9/10/12]
CD 3 54:56
Recorded: Minneapolis, Northrop Auditorium, April 6, 1942 [Bach, Glazunov]; March 2, 1945 [Ravel]; Philadelphia, Academy of Music, September 21, 1945 [Chopin]
℗ 1942/1944/1945/1950 Sony Music Entertainment
Original 78s
11993-D [1]; 11994-D [1/2] in set X-244 / 11995-D [1/2]; 11996-D [1] in set MX-244 released September 15, 1944
11871/72-D in set X-228 / 11873/74-D in set MX-228 released September 7, 1942 [3]
13104-D in set MX-343 released July 3, 1950 [4]
12263-65-D in set M-598 / 12266-68-D in set MM-598 released December 17, 1945 [5-9]
CD 4 46:52
Recorded: Philadelphia, Academy of Music, September 21, 1945 [Concerto No. 10]; unknown, November 18, 1947 [Concerto No. 7]
Editor’s Note: Josef Lhévinne, listed as the third pianist on Concerto No. 7, died December 2, 1944, nearly three years before the listed recording date.
℗ 1946 Sony Music Entertainment
Original 78s
12389-91-D in set M-628 / 12392-94-D in set MM-628 released October 7, 1946 [1-3]
72610-12-D in set MM-771 no manual format
Release date unknown [4-6]
Original LP
ML 4098/54098 released December 6, 1948
CD 5 47:37
Recorded: Minneapolis, Northrop Auditorium, March 2, 1945 [Milhaud]; December 6, 1941 [Ravel]; December 7, 1941 [Rabaud]
Publishers: Associated Music Publishers [The Nothing Doing Bar]; Elkan-Vogel [La Sultane]
℗ 1942/1946/1949/1951 Sony Music Entertainment
Original 78s
12932/33-D in set MX-308 released January 3, 1949 [1]
19006/07-D in set X-222 (10") / 19008/09-D in set MX-222 (10") released June 8, 1942 [2-5]
12161-D released January 15, 1946 [6]
Original LPs
ML 2032 (10") released January 3, 1949 [1-5]
ML 2170 (10") released March 12, 1951 [7]
CD 6 37:01
Recorded: Minneapolis, Northrop Auditorium, March 9, 1946 [Chausson]; March 10, 1946 [Walton]
Publisher: Oxford University Press [Walton]
℗ 1948/1949 Sony Music Entertainment
Original 78s
12955-58-D in set MM-825 released May 2, 1949
no manual format [1-3]
12755-D released March 29, 1948 [4]
Original LP
ML 4141 released May 2, 1949 [1-3]
P 14149 [e] released 1977 [1-3]
CD 7 52:55
Recorded: unknown, July 26, 1946 [All but Massenet]; Minneapolis, Northrop Auditorium, March 11, 1946 [Massenet]
Publisher: Ricordi [Massenet]
℗ 1947/1948/1949 Sony Music Entertainment
Original 78s
12955-58-D in set MM-825 released May 2, 1949
no manual format [1-3]
12755-D released March 29, 1948 [4]
Original LP
ML 4141 released May 2, 1949 [1-3]
P 14149 [e] released 1977 [1-3]
Original LPs
ML 2053 (10") released July 4, 1949 [1-10]
ML 2074 (10") released November 7, 1949 [11-14]
CD 8 35:18
Recorded: Minneapolis, Northrop Auditorium, March 2, 1945
℗ 1946/1948 Sony Music Entertainment
Original 78s
12271-73-D in set M-599 / 12274-76-D in set MM-599 released March 15, 1946 [1]
12873/74-D in set MX-300 released August 9, 1948 [2]
Original LPs
ML 4196/54196 released August 1, 1949
P 14151 [e] released 1977
CD 9 47:41
Recorded: Minneapolis, Northrop Auditorium, November 4/5, 1940
℗ 1941 Sony Music Entertainment
Original 78s
11609-14-D in set M-469 / 11615-20-D in set MM-469 released September 10, 1941
Original LPs
ML 4251/54251 released December 5, 1949
RL 3120 released May 16, 1955
P 14157 [e] released 1977
CD 10 31:48
Recorded: Minneapolis, Northrop Auditorium, March 10/11, 1946
℗ 1947 Sony Music Entertainment
Original 78s
12527-31-D in set M-673 / 12532-36-D in set MM-673 released April 21, 1947
Original LPs
ML 4252/54252 released December 5, 1949
RL 6623 cancelled
P 14158 [e] released 1977
CD 11 69:05
Recorded: New York City, Columbia 30th Street Studio, January 3, 1950 [Khachaturian]; March 31, 1952 [Rubinstein]
Publisher: Leeds Music [Khachaturian]
℗ 1950/1952 Sony Music Entertainment
Original 78s
13075-79-D in set MM-905 released February 13, 1950 [1-3]
Original LPs
ML 4288 released February 13, 1950 [1-3]
P 14162 [e] released 1977 [1-3]
ML 4599 released August 25, 1952 [4-6]
32 16 0169 released December 26, 1967 [4-6]
CD 12 33:11
Recorded: Minneapolis, Northrop Auditorium, November 16, 1946
℗ 1947 Sony Music Entertainment
Original 78s
11-9776-79 in set M-1159 / 11-9780-83 in set DM-1159 released October 1, 1947
Original 45s
49-0161-64 in set WDM-1159 released September 15, 1949
Original LP
LM-1028 released March 24, 1950
CD 13 36:18
Recorded: New York City, NBC Studio 3A, December 15, 1947 [Poulenc]; New York City, RCA Studio No. 2, December 21, 1947 [Brahms]
Publisher: Elkan-Vogel [1-3]
℗ 1948/1950 Sony Music Entertainment
Original 78s
12-0363-65 in set M-1235 / 12-0366-68 in set DM-1235 released July 26, 1948 [1-3]
12-1074/75 in set DM-1347 released February 1, 1950 [4-13]
Original 45s
49-0988-90 in set WDM-1235 released May 26, 1950 [1-3]
49-0808/09 in set WDM-1347 released February 1, 1950 [4-13]
Original LP
LM-1048 released May 26, 1950
CD 14 61:06
Recorded: New York City, Columbia 30th Street Studio, January 16, 1950 [Sessions]; January 23, 1950 [Gould]; Minneapolis, Northrop Auditorium, March 2, 1945 [Lalo, Siegmeister]
Publishers: G. Schirmer [1-4]; G. & C. Music [5]; E. B. Marks Music [7-10]
℗ 1946/1950/1951 Sony Music Entertainment
Original 78s
13095-98-D in set MM-920 released June 19, 1950 [1-4]
13139-D released February 12, 1951 [5]
13104/05-D in set MX-343 released July 3, 1950 [6]
12295/96-D in set X-262 / 12297/98-D in set MX-262 released April 15, 1946 [7-10]
CD 15 25:17
Recorded: Minneapolis, Northrop Auditorium, January 20, 1947
℗ 1947/1948 Sony Music Entertainment
Original LPs
ML 2120 (10"), released June 19, 1950 [1-4]
ML 4784 released February 1, 1954 [1-4]
BM 39 Released 1980 [5]
ML 2167 (10") released February 12, 1951 [5]
ML 2123 (10") released July 3, 1950 [6-10]
HL 7129 released April 20, 1959 [6]
Publishers: Associated Music Publishers [6]; G. & C. Music [7]
CD 16 44:56
Recorded: Minneapolis, Northrop Auditorium, January 19/20, 1947
℗ 1947 Sony Music Entertainment
Original 78s
11-9824-29 in set M-1148 / 11-9830-35 in set DM-1148 released November 3, 1947
Original 45s
49-0657-62 in set WDM-1148 released August 51, 1950
Original LP
LM-1068 Released August 11, 1950
CD 17 38:00
Recorded: Minneapolis, Northrop Auditorium, January 12/22, 1940, November 26, 1940
℗ 1941 Sony Music Entertainment
Original 78s
11462-66-D in set M-436 / 11467-71-D in set AM-436 released January 10, 1941
Original LPs
RL 30006 released October 20, 1952
HL 7102 released April 28, 1958
CD 18 38:58
Recorded: Minneapolis, Northrop Auditorium, January 12/22, 1940, November 26, 1940
℗ 1941 Sony Music Entertainment
Original 78s
11595-99-D in set M-468 / 11600-04-D in set MM-468 / released August 13, 1941
Original LP
RL 3007 released October 20, 1952
CD 19 39:25
Recorded: Minneapolis, Northrop Auditorium, January 22, 1940
℗ 1940 Sony Music Entertainment
Original 78s
11180-84-D in set M-401 / 11185-89-D in set AM-401 / 11240-44-D in set MM-401 released March 11, 1940
Original LPs
RL 3009 released October 20, 1952
HL 7120 released July 14, 1958
CD 20
Recorded: Minneapolis, Northrop Auditorium, December 6, 1941 [Symphony]; December 4, 1940 [Capriccio]; January 10, 1940[Octet]
℗ 1940/1941/1943 Sony Music Entertainment
Original 78s
11968-71-D in set M-540 / 11972-75-D in set MM-540 released May 10, 1943 [1-4]
11565/66-D in set X-197 / 11572/73-D in set MX-197 released June 11, 1941 [5]
11239-D in set X-166 / 11425-D in set MX-166 released June 10, 1940 [6]
12900-D released September 1, 1948 [6]
Original LPs
RL 3017 released November 17, 1952 [1-4]
ML 4127 released March 7, 1949 [5]
CD 21
Recorded: Minneapolis, Northrop Auditorium, December 4, 1940 [Dukas]; March 2, 1945 [Rimsky-Korsakov]; January 10, 1940 [Prokofiev]; December 7, 1941 [Glière]
℗ 1940/1942/1943/1945 Sony Music Entertainment
Original 78s
11671/72-D in set X-212 / 11673/74-D in set MX-212 released January 14, 1942 [1]
12150/51-D in set X-254 / 12152/53-D in set MX-254 released September 15, 1945 [2-4]
11238/39-D in set X-166 / 11425/26-D in set MX-166 released June 10, 1940 [5-8]
11905-D in set M 528 / 11906-D in set MM-528 released April 12, 1943 [9]
12899-D released September 1, 1948 [9]
Original LPs
RL 3021 released December 15, 1952
HL 7129 released April 20, 1959 [1/9]
CD 22
Recorded: Minneapolis, Northrop Auditorium, December 3, 1940 [Schumann]; December 4, 1940 [Rimsky-Korsakov]
℗ 1942 Sony Music Entertainment
Original 78s
11761-65-D in set M-503 / 11766-70-D in set MM-503 released May 11, 1942 [1-4]
11672-D in set X-212 / 11673-D in set MX-212 released January 14. 1942 [5]
12899-D Released September 1, 1948 [5]
Original LP
RL 3025 released December 15, 1952 [1-4]
CD 23
Recorded: Minneapolis, Northrop Auditorium, December 6, 1941
℗ 1942 Sony Music Entertainment
Original 78s
11840-43-D in set M-515 / 11844-47-D in set MM-515 released August 10, 1942
Original LP
RL 3028 released December 15, 1952
CD 24
Recorded: Minneapolis, Northrop Auditorium, April 4, 1942 [Brahms]; March 11, 1946 [Weber], January 10, 1940 [Beethoven]
℗ 1940/1941/1942/1948 Sony Music Entertainment
11813/14-D in set X-225 / 11815/16-D in set MX-225 released July 13, 1942 [1-10]
12891-D released October 4, 1948 [11]
11175-D released February 12, 1940 [12]
11288/89-D in set X-173 / 11427/28-D in set MX-173 released August 12, 1940 [13]
Original LP
RL 3038 released January 12, 1953
CD 25
Recorded: New York City, Columbia 30th Street Studio, April 21, 1951
Publisher: G. Schirmer [Bloch]
℗ 1951 Sony Music Entertainment
Original LPs
ML 4425 released September 21, 1951
P 14167 [e] released 1977
CD 26
Recorded: New York City, Columbia 30th Street Studio, March 5, 1951
Publisher: Boosey & Hawkes
℗ 1951 Sony Music Entertainment
Original LPs
ML 4438 released October 19, 1951
P 14169(e) released 1977
CD 27 65:38 & CD 28 66:32
Recorded: New York City, Carnegie Hall, April 12/13/15, 1951 (live)
℗ 1951 Sony Music Entertainment
Original LPs
SL-118 (ML 4465/66) released November 12, 1951
Y2 33126 (Y 33127/28) released November 22, 1974
M2P 42470 (MP 42471/72) released 1987
BM 13 released January 24, 1968
CD 29 42:02
Recorded: New York City, Columbia 30th Street Studio, November 27, 1950 [La Mer]; Philadelphia, Academy of Music, March 11, 1951 [Ibéria]
℗ 1951 Sony Music Entertainment
Original LPs
ML 4434 released November 23, 1951
P 14168 [e] released 1977
CL 921 released October 1, 1956 [4-6]
CD 30 69:26
Recorded: New York City, Columbia 30th Street Studio, November 19, 1951 [Erwartung]; April 21, 1951 [Krenek]; New York City, Brooklyn, March 3, 1958 [Verklärte Nacht]
Publisher: Universal Edition [Erwartung]; G, Schirmer [Verklärte Nacht]
℗ 1952/1958 Sony Music Entertainment
Original LPs
ML 4524, released May 23, 1952 [1-9]
MS 6007 (stereo), released July 14, 1958 [10]
ML 5285 (mono). released July 28, 1958 [10]
32 16 0298, released December 16, 1968 [10]
CD 31 65:29
Recorded: New York City, Columbia 30th Street Studio, February 4, 1952 [Bruch]; April 23, 1952 [Beethoven]; January 23, 1950 [Saint-Saëns]
℗ 1950/1952 Sony Music Entertainment
Original 78s
13106-08-D in set MM-937 released August 28, 1950 [6-8]
Original LPs
ML 4575 released August 22, 1952 [1-5]
ML 4315/54315 released August 28, 1950 [6-8]
MS 6268 [e] released August 13, 1962 (6-8]
CD 32 64:33
Recorded: Philadelphia Academy of Music, February 17, 1952 [1-11]; New York City, Columbia 30th Street Studio, February 4, 1952 [12-18]; 4 February 1952 [19/20]]
℗ 1952 Sony Music Entertainment
Original 78s
13106-08-D in set MM-937 released August 28, 1950 [6-8]
Original LPs
ML 4616 released November 17, 1952 [1-18]
AAL 16 (10") released July 25, 1952 [19/20]
CD 33 46:34
Recorded: New York City, Columbia 30th Street Studio, October 27, 1952
Original LPs
ML 4632 released February 16, 1953
P 14177 [e] released 1977
℗ 1953 Sony Music Entertainment
CD 34 69:33
Recorded: New York City, Columbia 30th Street Studio, October 27, 1952 [1-3]; Cleveland, Severance Hall, January 16, 953 [3-6]; Philadelphia Academy of Music, 26 Jul 1946 [7-9]
Original 78s
12509-11-D in set M-667 / 12512-14-D in set MM-667 released March 17, 1947 [7-8]
Original LPs
ML 4648 released March 16, 1953 [1-6]
ML 4389/54389 released May 14, 1951 [7-9]
Publishers: Leeds Music [1-3]; Breitkopf & Härtel [7-9]
℗ 1947/1953 Sony Music Entertainment
CD 35 38:43
Recorded: New York City, Columbia 30th Street Studio, April 20, 1953
Original LPs
ML 4731 Released September 14, 1953
P 14184 [e] Released 1977
℗ 1953 Sony Music Entertainment
CD 36 45:28
Recorded: New York City, Columbia 30th Street Studio, December 1, 1952
Publisher: Leeds Music
Original LPs
ML 4739 released October 19, 1953
P 14185 [e] released 1977
℗ 1953 Sony Music Entertainment
CD 37 44:12
Recorded: New York City, Columbia 30th Street Studio, April 20, 1953 [Ippolitov-Ivanov, Steppes]; December 1, 1952 [Polovtsian Dances]
Original LPs
ML 4815 released January 18, 1954
CL 75 released July 5, 1955
Highway Hi-Fi 16⅔3 rpm MR 1 (7"') T released September 1955
℗ 1954 Sony Music Entertainment
CD 38 54:28
Recorded: New York City, Columbia 30th Street Studio, December 1, 1952 [Schoenberg]; Cleveland, Severance Hall, December 15, 1940 [Berg]
Original 78s
12589-91-D in set M-465 / 12592-94-D in set MM-465 released August 13, 1941 [4/5]
Original LP
ML 4857 released March 15, 1954
℗ 1941/1954 Sony Music Entertainment
CD 39 75:20
Recorded: New York City, Columbia 30th Street Studio, November 2, 1953
Original 45s
A-1923 released September 20, 1954 [9]
Original LPs
ML 4864 released April 19, 1954
P 14189 [e] released 1977 [1-8]
ML 5227 released November 11, 1957 17]
AL 52 (10”) released September 20, 1954 [9/10]
℗ 1954 Sony Music Entertainment
CD 40 48:28
Recorded: New York City, Columbia 30th Street Studio, 18 October 1954
Publisher: Leeds Music
ML 4959 released November 8, 1954
32 16 0123 released August 21, 1967
℗ 1954 Sony Music Entertainment
CD 41 48:25
Recorded: Rochester Eastman Theater, 30 April 1952 [Riegger]; Columbia 30th Street Studio, February 1, 1954 [Mennin]
Publishers: Associated Music Publishers [Riegger]; Hargall Music Press [Mennin]
Original LP
ML 4902 released December 6, 1954, initially scheduled for November 15, 1954
℗ 1954 Sony Music Entertainment
CD 42 49:34
Recorded: New York City, Columbia 30th Street Studio, January 21, 1954 [Nuits]; 19 May 1954 [Caputive, Jeune Pâtre breton, Zaïde Boléro]
Original LPs
ML 4940 released January 3, 1955
ML 5843 released April 15, 1963 [1-6]
Y 32360 released August 24, 1973
℗ 1955 Sony Music Entertainment
CD 43 58:23
Recorded: New York City, Columbia 30th Street Studio, November 17, 1954 [Mendelssohn]; March 27, 1954 [Tchaikovsky]
Original LPs
ML 4940 released January 3, 1955
ML 5843 released April 15, 1963 [1-6]
Y 32360
Released August 24, 1973
℗ 1955 Sony Music Entertainment
CD 44 56:05
Recorded: New York City, Columbia 30th Street Studio, November 2, 1953 [Borodin]; October 18 and November 17, 1954 [Tchaikovsky]
Original 45s
7-2086/87 in set A-1109 released March 7, 1955 [1-3]
Original LP
ML 4965 released March 7, 1955
℗ 1955 Sony Music Entertainment
CD 45 43:00
Recorded: New York City, Columbia 30th Street Studio, March 27, 1954
Publisher: Leeds Music
Original LPs
CL 764 cancelled, replaced by
ML 5075 released January 3, 1956
P 14199 [e] released 1977
℗ 1956 Sony Music Entertainment
CD 46
Recorded: New York City, Carnegie Hall, January 2, 1956
Publisher: Leeds Music
ML 5077 released January 9, 1956
MG 33328 released March 1975
MP 39771 released September 1985
℗ 1956 Sony Music Entertainment
CD 47 52:02
Recorded: Paris, Salle de la Mutualité, September 19, 1955 [Beethoven]; New York City, Columbia 30th Street Studio, November 27, 1950 [Bach]
Original LPs
ML 5100 released July 16, 1956 [1-3]
ML 2196 (10") released September 21, 1951 [4-6]
P 14201 [e] released 1977
℗ 1951/1956 Sony Music Entertainment
CD 48 42:52
Recorded: New York City, Columbia 30th Street Studio, January 9, 1956 [Lieutenant Kijé Suite]; February 27, 1956 [Háry János Suite]
Original LPs
ML 5101 released July 16, 1956
P 14202 [e] released 1977
℗ 1956 Sony Music Entertainment
CD 49 39:53
Recorded: New York City, Columbia 30th Street Studio, November 27, 1950 [Danse Macabre]; January 23, 1950 [Le Rouet d'Omphale]; January 9, 1956 [Phaëton, La jeunesse d'Hercule]
Original 78s
13150-D [1] & 13151-D [2] released March 12, 1951
Original 45s
4-13150-D [1] & 4-13151-D [2] released March 12, 1951
4-4788 released 1953 [1]
Original LPs
ML 2170 (10") released March 12, 1951 [1/2]
AL 8 (10") released October 1, 1951 [1/2]
ML 5154 released December 31, 1956
P 14205 [e] released 1977
℗ 1951/1956 Sony Music Entertainment
CD 50 44:13
Recorded: New York City, Columbia 30th Street Studio, January 9, 1956 [Symphony]; New York City, Brooklyn, Hotel St. George, March 3, 1958 [Fantasia]
Original LPs
Symphony - ML 5158 (mono) / CML 5158 (stereo) released March 4, 1957
Tallis Fantasia - MS 6007 (stereo) released July 14, 1958 & ML 5285 (mono) released July 28, 1958
℗ 1957/1958 Sony Music Entertainment
CD 51 42:53
Recorded: New York City, 14 Jun 1956
Parts taken from Columbia 941
Publishers: Malcolm Music [Schuller]; MJQ Music [Johnson, Lewis]; Beach Music Publishing/MJQ Music [Giuffre]
Original LP
CL 941 released April 1, 1957
℗ 1957 Sony Music Entertainment
CD 52 48:00
Recorded: Philadelphia, Academy of Music, March 11, 1951 [Schuman]; New York City, Columbia 30th Street Studio, 24 February 1956 [Kirchner]
World Première Recording [4-6]
Note: No tape for remastering available, mastered from LP
Original LPs
ML 5185 (mono) & CML 5185 (stereo) released April 29, 1957
℗ 1957 Sony Music Entertainment
CD 53 42:12
Recorded: New York City, Columbia 30th Street Studio, November 2, 1956 & March 21, 1957 (Harp Dubbing) [Noches]; November 2, 1953 [El Sombrero, Intermedio]
Original 45
A-1840 released April 19, 1954 [4-6]
Original LPs
AL 44 (10") released April 19, 1954 [4-7]
ML 5172 released June 3, 1957
℗ 1957 Sony Music Entertainment
CD 54 43:00
Recorded: New York City, Columbia 30th Street Studio, November 2, 1956 [Dukas]; November 3, 1956 [Weinberger, Strauss]; February 27, 1956 [Liszt]
Publisher: Associated Music Publishers [Weinberger]
Original LP
ML 5198 released September 30, 1957
℗ 1957 Sony Music Entertainment
CD 55 40:20 (Stereo)
Recorded: New York City, Brooklyn, Hotel St. George, November 11, 1957
Original Tape
LMB 19 released March 1958
Original LPs
MS 6006 released July 14, 1958
ML 5235 released January 27, 1958
SF 1 released July 1958 [1]
℗ 1958 Sony Music Entertainment
CD 56 47:16 (Stereo)
Recorded: New York City, Columbia 30th Street Studio, February 27, 1956 [No. 1]; January 21, 1957 [No. 2]
Publishers: Boosey & Hawkes [No. 1]; Leeds Music [No. 2]
Original LPs
ML 5243 released March 3, 1958
MP 39771 released September 1985 [1-3]
℗ 1958 Sony Music Entertainment
CD 57 53:21 | CD 58 60:29 (Stereo)
Recorded: New York City, Manhattan Center, February 23, 1958 [Act II, Act IV except Intermezzo]; April 7, 1958 [Act I, Act III, Act IV Intermezzo]; April 10, 1958 [Act III, Act IV Intermezzo]
Publisher: G. Schirmer
Original LPs
LM/LSC-6138 released July 25, 1958
Note: LP set LM/LSC-6138 originally contained a compilation of operatic selections as a filler for Side 6.
℗ 1958 Sony Music Entertainment
CD 59 44:25 (Stereo)
Recorded: New York City, Brooklyn, Hotel St. George, November 11, 1957
Original LPs
ML 5267 (mono) released June 2, 1958
MS 6023 (stereo) released September 2, 1958
32 16 0037 (mono) / 32 16 0038 (stereo) released February 20, 1967
MP 38772 released August 1983
Publisher: Leeds Music
℗ 1958 Sony Music Entertainment
CD 60 47:11 | CD 61 56:00 (Stereo)
Recorded: New York City, Metropolitan Opera House, March 5-7, 1956
Original LPs
LM-6063 released September 19, 1958
℗ 1958 Sony Music Entertainment
CD 62 (Stereo)
Recorded: New York City, Columbia 30th Street Studio, February 24, 1957
Original Reel Tape
OMB 6 Released July 1957
Original LPs
ML 5188 (mono) released August 12, 1957 / MS 6030 (stereo) released November 17, 1958
32 16 released February 28, 1968
℗ 1957 Sony Music Entertainment
CD 63 (Stereo: Tchaikovsky, Mussorgsky)
Recorded: New York City, Brooklyn, Hotel St. George, November 11, 1957 [1/2]; Columbia 30th Street Studio, 22 April 1957 [Capriccio]
Original LPs
ML 5335 (mono) [1-7] / MS 6044 (stereo) [1-3] released February 2, 1959
32 16 0228 released April 22, 1968 [1-3]℗ 1959 Sony Music Entertainment
CD 64
Recorded: New York City, Manhattan Center, January 9/21, 1955
Original LP
LM-1911 released February 18, 1955
℗ 1955 Sony Music Entertainment
Note from book: LP LM-1911 was issued in two versions with identical musical content: first in February 1955 with a photo of the Metropolitan Opera House boxes on the cover, and liner notes by Francis Robinson highlighting Marian Anderson's début at the Met; then in 1959 with artwork by Eugene Karlin, and a booklet with the synopsis and an essay by Henry W. Simon replacing Robinson's notes.
CD 65 (Stereo)
Recorded: Philadelphia, Broadwood Hotel, March 1/14, 1955 [Walton]; New York City, Columbia 30th Street Studio, April 22, 1957
Original LPs
ML 5184 (mono) release cancelled [4-7]
ML 5601 (mono) / MS 6201 (stereo) released March 21, 1960
Y 33229 released January 3, 1975
MP 38770 [1-3]; MP 38761 [4-7] released August 1983
ML 5693 (mono) / MS 6293 (stereo) released December 26, 1961 (Club only) [4-7]
PM 1 (mono); / PMS 1 (stereo) released May 27, 1963 [5]
℗ 1960 Sony Music Entertainment
CD 66
Recorded: New York City, Columbia 30th Street Studio, April 21, 1952
Publisher: Associated Music Publishers [Hindemith]
Original LP
ML 5603 released January 2, 1961
℗ 1961 Sony Music Entertainment
CD 67 (Stereo)
Recorded: New York, Carnegie Hall, February 23, 1957 (live) [Beethoven]; State University of New York, Binghamton, Harpur College, January 1968 [Mozart]
Original LP
C 10954 released 1972
℗ 1972 Sony Music Entertainment
CD 68 / CD 69
Recorded: New York City, Lincoln Center, The Metropolitan Opera, December 10, 1955 (live)
Original CDs
88697910022 released August 16, 2011
℗ 2011 Sony Music Entertainment
End Notes:
The present edition comprises Dimitri Mitropoulos's complete recordings commercially released on RCA Victor and Columbia Masterworks.
It also contains the Met production of Un ballo in maschera with Marian Anderson, recorded on December 10, 1955, but does not include the Salzburg Festival performances of Mozart's Don Giovanni (1956) or Franz Schmidt's Das Buch mit sieben Siegeln (1959), which Sony Classical previously distributed under license.
Mitropoulos's recordings were often released by Columbia Masterworks coupled with recordings by fellow conductors such as Eugene Ormandy or Leonard Bernstein. For this complete documentation of Mitropoulos's recordings, we decided on a case-by-case basis whether to retain the original LP couplings or to add the Mitropoulos material to a different LP.
As for the naming of what is now the Minnesota Orchestra, we decided to be a bit inconsistent by billing it as the Minneapolis Symphony Orchestra on the cover, back cover and LP spines of this edition, as we believe that Mitropoulos's recordings with this orchestra are more closely associated with its original name, while we decided to credit recordings by the Philharmonic-Symphony Orchestra of New York under its modern name, the New York Philharmonic.
Barcode and Other Identifiers
- Barcode (Text): 1 94398 88252 9
- Barcode (Scanned): 194398882529
- Label Code: LC 06868
- Rights Society: BIEM/GEMA
- SPARS Code: ADD
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