New York Philharmonic – The Complete RCA And Columbia Album Collection
Label:
Sony Classical – 19439888252
Format:
69 × CD, Compilation, Remastered, Stereo, Mono
Box Set
Box Set
Country:
Worldwide
Released:
29 Apr 2022
Genre:
Classical
Style:
Baroque, Classical, Romantic, Neo-Classical, Modern, Opera
Tracklist
| Position | Title/Credits | Duration |
|---|---|---|
Rhapsodie Espagnole BV 58
Arranged By – Egon Petri |
||
| 1-1 | Lento | 1:07 |
| 1-2 | I Jota Aragonaise. Allegro | 4:17 |
| 1-3 | II Un Poco Meno Allegro. Allegretto Piacevole – Molto Vivace – Sempre Presto – | 2:18 |
| 1-4 | III Non Troppo Allegro – Più Vivo, Ma Misurato | 6:22 |
Symphony No. 2 In B Minor = H-Moll = En Si Mineur
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 1-5 | I Allegro – Animato Assai | 6:29 |
| 1-6 | II Scherzo. Prestissimo – Allegretto | 4:46 |
| 1-7 | III Andante | 7:56 |
| 1-8 | IV Finale. Allegro | 5:57 |
Thamos, König In Ägypten K 345 (336a) = Thamos, King Of Egypt = Thamos, Roi D'Egypte (Incidental Music To The Heroic Drama In 5 Acts By Tobias Ph. Freiherr von Gebler)
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 2-1 | No. 2. Maestoso – Allegro | 3:46 |
| 2-2 | No. 3. Andante | 3:58 |
2 Elegiac Melodies Op. 34 = Zwei Elegische Melodien = Deux Mélodies Élégiaques For Strings
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 2-3 | No. 1: The Wounded Heart = Herzwunden = Blessures Du Cœur (Allegretto Espressivo) | 2:39 |
| 2-4 | No. 2: Last Spring= Leztter Frühling = Denier Printemps (Andante) | 5:21 |
Toccata In C Major BWV 564 = C-Dur = En Ut Majeur
Arranged By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 2-5 | Präludium. Allegro Non Troppo | 5:41 |
| 2-6 | Adagio | 5:28 |
| 2-7 | Fuga. Allegretto Ma Poco Moderato, Molto Deciso | 4:02 |
| 2-8 | Minuetto
(From Le Temple De La Paix)
Arranged By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
3:36 |
Slavonic Dances Op. 46 = Slawische Tänze = Danses Slaves
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 2-9 | No. 1 In C Major. Presto = C-Dur = En Ut Majeur | 3:41 |
| 2-10 | No. 3 In A-flat Major. Poco Allegro = As-Dur = En La Bémol Majeur | 4:08 |
| 2-11 | Joyeuse Marche (Marche Française) (Tempo Di Marcia, Molto Risoluto E Giocoso)
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
3:18 |
| 2-12 | Marche Du Couronnement = Coronation March = Krönungsmarsch (From Le Prophète) (Tempo Di Marcia Maestoso)
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
2:53 |
| 3-1 | Fantasia (Prelude) And Fugue In G Minor "Great" BWV 542 = G-Moll = En Sol Mineur
Arranged By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
12:48 |
| 3-2 | Wir Glauben All An Einen Gott BWV 680 (Chorale Prelude From Clavier-Übung III)
Arranged By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
3:14 |
| 3-3 | Overture No. 1 On 3 Greek Themes Op. 3 (Adagio – Allegro)
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
13:01 |
| 3-4 | Pièce En Forme De Habanera (Presque Lent Et Avec Indolence)
Arranged By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
3:27 |
Chopiniana
Arranged By – Robin Hood Dell Orchestra Of Philadelphia* |
||
| 3-5 | Étude In C Minor "Revolutionary" Op. 10/12 = C-Moll = En Ut Mineur (Allegro Con Fuoco) | 2:41 |
| 3-6 | Nocturne In C Minor Op. 48/1 = C-Moll = En Ut Mineur (Lento) | 5:50 |
| 3-7 | Mazurka In B Minor Op. 33/4 = H-Moll = En Si Mineur (Mesto) | 5:41 |
| 3-8 | Waltz In E Minor WN 29 = E-Moll = En Mi Mineur (Vivace) | 2:59 |
| 3-9 | Polonaise In A-flat Major "Heroic" Op. 53 = As-Dur »Heroische« = En La Bémol Majeur « Héroïque » (Maestoso) | 5:44 |
Concerto No. 10 For 2 Pianos And Orchestra In E-flat Major K 365 (316a) = Es-Dur = En Mi Bémol Majeur
Composed By – Vitya Vronsky |
||
| 4-1 | I Allegro | 9:27 |
| 4-2 | II Andante | 7:25 |
| 4-3 | III Rondeau. Allegro | 6:46 |
Concerto No. 7 For 3 Pianos And Orchestra In F Major "Lodron" K 242 = F-Dur = En Fa Majeur
Conductor – Vitya Vronsky |
||
| 4-4 | I Allegro | 8:23 |
| 4-5 | II Adagio | 9:22 |
| 4-6 | III Rondeau. Tempo Di Menuetto | 5:18 |
| 5-1 | Le Bœuf Sur Le Toit Or
"The Nothing-Doing Bar" Op. 58 - The Ox On The Roof = Der Ochse Auf Dem Dach (Ballet By Jean Cocteau)
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
13:53 |
Le Tombeau De Couperin M 68a
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 5-2 | I Prélude. Vif | 2:59 |
| 5-3 | II Forlane. Allegretto | 3:11 |
| 5-4 | III Menuet. Allegro Moderato | 3:17 |
| 5-5 | IV Rigaudon. Assez Vif | 2:19 |
| 5-6 | Overture And Allegro From The Sonata La Sultane
Arranged By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
7:39 |
| 5-7 | La Procession Nocturne Op. 6 = The Nocturnal Procession = Die Nächtliche Prozession
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
14:02 |
Symphony In B-Flat Major Op. 20 = B-Dur = En Si Bémol Majeur
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 6-1 | I Lent – Allegro Vivo | 12:01 |
| 6-2 | II Très Lent | 8:15 |
| 6-3 | III Animé | 10:49 |
| 6-4 | Portsmouth Point (Concert Overture)
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
5:48 |
Manon Lescaut
Composed By – Robin Hood Dell Orchestra Of Philadelphia* |
||
| 7-1 | Intermezzo | 3:41 |
Cavalleria Rusticana
Composed By – Robin Hood Dell Orchestra Of Philadelphia* |
||
| 7-2 | Intermezzo Sinfonico | 3:53 |
I Gioielli Della Madonna
Composed By – Robin Hood Dell Orchestra Of Philadelphia* |
||
| 7-3 | Intermezzo (Act II) | 3:44 |
| 7-4 | Intermezzo (Act III) | 3:20 |
Sebastian - Ballet Suite
Composed By – Robin Hood Dell Orchestra Of Philadelphia* |
||
| 7-5 | I Introduction. Adagio – Allegro Molto | 2:01 |
| 7-6 | II Barcarolle. Andante Con Moto | 3:29 |
| 7-7 | III Baruffa = Street Fight. Allegro Energico | 1:23 |
| 7-8 | IV Cortège. L'istesso Tempo | 3:49 |
| 7-9 | V Sebastian's Dance. Tempo Di Walzer | 2:05 |
| 7-10 | VII Pavane. Andante Calmo | 3:46 |
Scènes Alsaciennes - Suite No. 7
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 7-11 | I Dimanche Matin. Allegretto Moderato. Andante Religioso | 6:04 |
| 7-12 | II Au Cabaret. Allegro – Allegro Moderato Assai – Tempo I | 4:59 |
| 7-13 | III Sous Les Tilleuls. Adagio Sostenuto | 4:27 |
| 7-14 | IV Dimanche Soir. Allegro Moderato – Air Alsacien – Retraite Française (Dans Les Coulisses). Allegro Moderato – Allegro Vivo Assai | 5:51 |
| 8-1 | The Isle Of The Dead Op. 29 = Die Toteninsel = L'ile Des Morts (Symphonic Poem Based On The Painting By Arnold Böcklin)
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
20:17 |
| 8-2 | Fantasia On A Theme By Thomas Tallis For Double String Orchestra
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
14:55 |
Symphony No. 1 In D Major "Titan"
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 9-1 | I Langsam. Schleppend. Wie Ein Naturlaut – Immer Sehr Gemächlich | 13:35 |
| 9-2 | Il Kräftig Bewegt, Doch Nicht Zu Schnell – Trio. Recht Gemächlich | 6:17 |
| 9-3 | III Feierlich Und Gemessen, Ohne Zu Schleppen | 10:26 |
| 9-4 | IV Stürmisch Bewegt – Energisch – Sehr Gesangsvoll – Wieder Wie Zu Anfang. Stürmisch Bewegt – Sehr Langsam – Höchste Kraft. Wieder Vorwärts Drängend – Triumphal (Nicht Eilen) | 17:31 |
Symphony No. 2 In C Minor "Little Russian" Op. 17 = C-Moll = En Ut Mineur
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 10-1 | I Andante Sostenuto – Allegro Vivo | 9:12 |
| 10-2 | I Andantino Marziale, Quasi Moderato | 8:21 |
| 10-3 | III Scherzo. Allegro Molto Vivace – Trio | 4:24 |
| 10-4 | IV Moderato Assai – Allegro Vivo – Presto | 9:46 |
Concerto For Piano And Orchestra In D-flat Major Op. 38 = Des-Dur = En Ré Bémol Majeur
Composed By – Oscar Levant |
||
| 11-1 | I Allegro Ma Non Troppo E Maestoso | 14:55 |
| 11-2 | II Andante Con Anima | 10:57 |
| 11-3 | III Allegro Brillante | 8:57 |
Concerto For Piano And Orchestra
No. 4 In D Minor Op. 70
= D-Moll = En Ré Mineur
Composed By – Oscar Levant |
||
| 11-4 | I Moderato Assai | 12:38 |
| 11-5 | II Andante | 11:27 |
| 11-6 | III Allegro | 10:06 |
Concerto For Piano And Orchestra No. 1 In B-flat Minor Op. 23 = B-Moll = En Si Bémol Mineur
Composed By – Arthur Rubinstein |
||
| 12-1 | I Allegro Non Troppo E Molto Maestoso – Allegro Con Spirito | 19:14 |
| 12-2 | Il Andantino Semplice – Prestissimo – Tempo I | 7:29 |
| 12-3 | Ill Allegro Con Fuoco | 6:27 |
Concerto For 2 Pianos And Orchestra In D Minor FP 61 = D-Moll = En Ré Mineur
Composed By – Jack Lowe |
||
| 13-1 | I Allegro Ma Non Troppo | 7:39 |
| 13-2 | Il Larghetto | 6:39 |
| 13-3 | III Finale. Allegro Molto | 5:28 |
Variations On A Theme By Joseph Haydn In B-flat Major "St. Anthony Variations" Op. 56b = B-Dur = En Si Bémol Majeur For 2 Pianos
Composed By – Jack Lowe |
||
| 13-4 | Thema. Chorale St. Antoni. Andante | 1:56 |
| 13-5 | Variation 1. Andante Con Moto | 1:10 |
| 13-6 | Variation 2. Vivace | 0:59 |
| 13-7 | Variation 3. Con Moto | 1:32 |
| 13-8 | Variation 4. Andante | 1:46 |
| 13-9 | Variation 5. Poco Presto | 0:56 |
| 13-10 | Variation 6. Vivace | 1:09 |
| 13-11 | Variation 7. Grazioso | 2:32 |
| 13-12 | Variation 8. Poco Presto | 0:51 |
| 13-13 | Finale. Andante | 3:31 |
Symphony No. 2 (To The Memory Of Franklin Delano Roosevelt)
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
||
| 14-1 | I Molto Agitato – Tranquillo E Misterioso | 9:26 |
| 14-2 | Il Allegretto Capriccioso | 1:50 |
| 14-3 | III Adagio, Tranquillo Ed Espressivo | 7:31 |
| 14-4 | IV Allegramente | 6:25 |
| 14-5 | Philharmonic Waltzes
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
9:22 |
| 14-6 | Le Roi D'Ys - Overture (Andante – Allegro – Andantino Non Troppo – Allegro - Presto)
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
11:18 |
Ozark Set
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 14-7 | I Morning In The Hills | 4:07 |
| 14-8 | II Camp Meeting | 2:54 |
| 14-9 | Ill Lazy Afternoon | 4:09 |
| 14-10 | IV Saturday Night | 3:44 |
Symphony No. 3 In E-flat Major "Rhenish" Op. 97 = Es-Dur »Rheinische« = En Mi Bémol Majeur « Rhénane »
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 15-1 | I Lebhaft | 9:50 |
| 15-2 | Il Scherzo. Sehr Mäßig | 4:46 |
| 15-3 | III Nicht Schnell | 4:34 |
| 15-4 | IV Feierlich | 5:28 |
| 15-5 | V Lebhaft – Schneller | 5:03 |
| 15-6 | Polka And Fugue (From Schwanda The Bagpiper)
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
7:37 |
| 15-7 | Minstrel Show
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
7:44 |
Symphony No. 2 In E Minor Op. 27 = E-Moll = En Mi Mineur
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 16-1 | I Largo – Allegro Moderato | 15:52 |
| 16-2 | II Allegro Molto | 7:26 |
| 16-3 | III Adagio | 11:05 |
| 16-4 | IV Allegro Vivace | 10:28 |
Symphony In D Minor FWV 48 = D-Moll = En Ré Mineur
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 17-1 | I Lento – Allegro Non Troppo – Allegro | 19:19 |
| 17-2 | II Allegretto | 9:11 |
| 17-3 | Ili Allegro Non Troppo | 9:25 |
Symphony No. 4 In F Minor Op. 36 = F-Moll = En Fa Mineur
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 18-1 | I Andante Sostenuto – Moderato Con Anima – Moderato Assai, Quasi Andante – Allegro Con Anima | 16:49 |
| 18-2 | Il Andantino Modo Di Canzone | 9:06 |
| 18-3 | Ill Scherzo. Pizzicato Ostinato – Allegro | 5:03 |
| 18-4 | IV Finale. Allegro Con Fuoco | 7:56 |
Symphony No. 6 In F Major "Pastoral" Op. 68 = F-Dur = En Fa Majeur
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 19-1 | I Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande. Allegro Ma Non Troppo (Awakening Of Cheerful Feelings Upon Arrival In The Country = Éveil D'impressions Agréables En Arrivant À La Campagne) | 8:08 |
| 19-2 | Il Szene Am Bach. Andante Molto Moto (Scene By The Brook = Au Bord Du Ruisseau) | 12:18 |
| 19-3 | III Lustiges Zusammensein Der Landleute. Allegro - Attacca = Merry Gathering Of Country Folk = Joyeuse Assemblée De Paysans | 4:54 |
| 19-4 | IV Gewitter, Sturm. Allegro - Attacca = Thunderstorm = Orage, Tempête | 3:59 |
| 19-5 | Hirtengesang. Frohe Und Dankbare Gefühle Nach Dem Sturm. Allegretto = Shepherd's Song. Happy And Thankful Feelings After The Storm Chant Pastoral = Sentiments De Joie Et De Reconnaissance Après L'orage | 10:01 |
Symphony No. 3 In A Minor "Scottish" Op. 56 = A-Moll »Schottische« = En La Mineur « Écossaise »
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 20-1 | I Andante Con Moto – Allegro Un Poco Agitato – Assai Animato – Andante Come I - Attacca | 11:15 |
| 20-2 | Il Vivace Non Troppo - Attacca | 3:45 |
| 20-3 | Ill Adagio - Attacca | 9:33 |
| 20-4 | IV Allegro Vivacissimo – Allegro Maestoso Assai | 7:19 |
| 20-5 | Capriccio Brillant For Piano And Orchestra In B Minor Op. 22 = H-Moll = En Si Mineur (Andante – Allegro Con Fuoco)
Composed By – Joanna Graudan |
10:49 |
| 20-6 | Octet In E-flat Major Op. 20 = Es-Dur = En Mi Bémol Majeur - Ill Scherzo. Allegro Leggierissimo
Composed By, Arranged By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
3:38 |
| 21-1 | L'Apprenti Sorcier = The Sorcerer's Apprentice = Der Zauberlehrling
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
9:46 |
4 Musical Pictures From The Opera The Golden Cockerel = Vier Musikalische Bilder Aus Der Oper Der Goldene Hahn = Quatre Tableaux Musicaux De L'opéra Le Coq D'or
Arranged By [Compiled and Edited By] – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 21-2 | I Tsar Dodon In His Palace = Zar Dodon In Seinem Palast = Le Tsar Dodon Dans Son Palais | 8:00 |
| 21-3 | III Tsar Dodon As The Guest Of The Queen Of Shemakhan = Zar Dodon Bei Der Königin Von Schemacha Le Tsar Dodon Et La Reine Chemakha | 4:36 |
| 21-4 | IV The Wedding And Lamentable End Of Dodon = Die Hochzeit Und Das Beklagenswerte Ende Von Dodon = La Noce Et La Fin Pitoyable De Dodon | 3:55 |
Symphony No. 1 In D Major "Classical" Op. 25 = D-Dur = Symphonie Classique En Ré Majeur
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 21-5 | I Allegro | 3:56 |
| 21-6 | Il Larghetto | 4:09 |
| 21-7 | Ill Gavotta. Non Troppo Allegro | 1:16 |
| 21-8 | IV Finale. Molto Vivace | 3:04 |
| 21-9 | Russian Sailors' Dance = Russischer Seemannstanz = Danse Des Marins Russes From The Red Poppy
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
3:19 |
Symphony No. 2 In C Major Op. 61 = C-Dur = En Ut Majeur
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 22-1 | I Sostenuto Assai – Allegro, Ma Non Troppo | 11:26 |
| 22-2 | II Scherzo. Allegro Vivace – Trio I – Trio II | 6:36 |
| 22-3 | III Adagio Espressivo | 10:21 |
| 22-4 | IV Allegro Molto Vivace | 7:55 |
4 Musical Pictures From The Opera The Golden Cockerel = Vier Musikalische Bilder Aus Der Oper Der Goldene Hahn = Quatre Tableaux Musicaux De L'opéra Le Coq D'or
Arranged By [Compiled and Edited By] – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 22-5 | IV The Wedding And Lamentable End Of Dodon = Die Hochzeit Und Das Beklagenswerte Ende Von Dodon = La Noce Et La Fin Pitoyable De Dodon | 3:48 |
Concerto For Piano And Orchestra No. 1 In E Minor Op. 11 = E-Moll = En Mi Mineur
Composed By – Edward Kilényi* |
||
| 23-1 | I Allegro Maestoso | 15:34 |
| 23-2 | II Romance. Larghetto - Attacca | 8:40 |
| 23-3 | III Rondo. Vivace | 9:16 |
Variations On A Theme By Joseph Haydn In B-flat Major "St. Anthony Variations" Op. 56a = B-Dur = En Si Bémol Majeur
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
||
| 24-1 | Thema. Chorale St. Antoni. Andante | 2:06 |
| 24-2 | Variation I. Poco Più Animato | 1:29 |
| 24-3 | Variation II. Più Vivace | 1:01 |
| 24-4 | Variation III. Con Moto | 1:49 |
| 24-4 | Variation IV. Andante Con Moto | 1:53 |
| 24-5 | Variation V. Vivace | 0:49 |
| 24-6 | Variation VI. Vivace | 0:53 |
| 24-7 | Variation VII. Grazioso | 2:13 |
| 24-8 | Variation VIII. Presto Non Troppo | 1:13 |
| 24-9 | Finale. Andante | 3:23 |
| 24-10 | Jubilation Overture = Jubel-Ouvertüre = Ouverture Du Jubilé
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
6:54 |
| 24-11 | Coriolan Overture Op. 62 (Allegro Con Brio)
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
7:52 |
| 24-12 | "Leonore Ill" Overture Op. 72a (Adagio – Allegro)
Composed By – Minneapolis Symphony Orchestra (Minnesota Orchestra)* |
|
| 25-1 | Hebraic Rhapsody For Cello And Orchestra (Lento Moderato – Andante Moderato – Allegro Moderato – Allegro – Andante Moderato)
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
21:44 |
| 25-2 | Concerto For Cello And Orchestra No. 1 In A Minor Op. 33 = A-Moll = En La Mineur (Allegro Non Troppo – Animato - Allegro Molto – Tempo I – Allegretto Con Moto – Tempo I – Un Peu Moins Vite – Molto Allegro)
Cello – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
19:18 |
Pétrouchka = Petrushka = Petruschka (Burlesque In 4 Tableaux) - Original Version (1911)
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
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| 26-1 | Tableau I | Fête Populaire De La Semaine Grasse = The Shrovetide Fair = Jahrmarkt In Der Fastnachtswoche | 0:50 |
| 26-2 | La Foule = The Crowds = Die Menge | 4:13 |
| 26-3 | Le Tour De e-e = The Magic Trick = Hokuspokus | 1:41 |
| 26-4 | Danse Russe = Russian Dance = Russischer Tanz | 2:46 |
| 26-5 | Tableau II | Chez Pétrouchka = Petrushka's Room = Bei Petruschka | 4:26 |
| 26-6 | Tableau III | Chez Le Maure = The Moor's Room = Beim Mohren | 3:07 |
| 26-7 | Danse De La Ballerine = Dance Of The Ballerina = Tanz Der Ballerina | 0:41 |
| 26-8 | Valse. La Ballerine Et Le Maure = Waltz. The Ballerina And The Moor = Walzer. Die Ballerina Und Der Mohr | 3:25 |
| 26-9 | Tableau IV | Fête Populaire De La Semaine Grasse (Vers Le Soir) = The Shrovetide Fair (Towards Evening) = Jahrmarkt In Der Fastnachtswoche (Gegen Abend) | 1:09 |
| 26-10 | Danse Des Nounous = Dance Of The Nursemaids = Tanz Der Ammen | 2:10 |
| 26-11 | Le Paysan Et L'Ours = The Peasant And The Bear = Der Bauer Und Der Bär | 1:29 |
| 26-12 | Un Marchand Fêtard Avec Deux Tziganes = The Jovial Merchant With Two Gypsy Girls = Der Genusssüchtige Kaufmann Mit Zwei Zigeunerinnen | 0:52 |
| 26-13 | Danse Des Cochers Et Des Palefreniers = Dance Of The Coachmen And Grooms = Tanz Der Kutscher Und Stallknechte | 1:54 |
| 26-14 | Les Déguisés – La Rixe : Le Maure Et Pétrouchka = The Masqueraders – The Fight: The Moor And Petrushka = Die Maskierten – Der Kampf: Der Mohr Und Petruschka | 2:05 |
| 26-15 | Mort De Pétrouchka – La Police Et Le Charlatan – Apparition Du Double De Pétrouchka = Death Of Petrushka - The Police And The Charlatan - Apparition Of Petroushka's Double = Petruschkas Tod – Die Polizei Und Der Gaukler – Erscheinung Von Petruschkas Geist | 2:26 |
Wozzeck Op. 7 (Opera In 3 Acts After Georg Büchner's Woyzeck)
Alto Vocals [Margret] – Frederick Jagel |
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| 27-1.1 | Act I - 5 Character Pieces | Scene 1: The Captain Der Hauptmann = Le Capitaine | 7:30 |
| 27-1.2 | "Langsam, Wozzeck, Langsam!" (Captain, Wozzeck) | |
| 27-2 | Scene 2: Andres "Du, Der Platz Ist Verflucht!" (Wozzeck, Andres) | 7:49 |
| 27-3 | Scene 3: Marie "Tschin Bum! Hörst Du, Bub? Da Kommen Sie!" (Marie, Margret, Wozzeck) | 8:39 |
| 27-4 | Scene 4: The Doctor "Was Erleb' Ich, Wozzeck?" (Doctor, Wozzeck) | 6:40 |
| 27-5 | Scene 5: The Drum Major = Der Tambourmajor "Geh Einmal Vor Dich Hin" (Marie, Drum Major) | 3:47 |
| 27-6 | Act II - Symphony In 5 Movements | Scene 1: Sonata Movement "Was Die Steine Glänzen!" (Marie, Wozzeck) | 4:58 |
| 27-7 | Scene 2: Invention And Fugue On 3 Themes "Wohin So Eilig, Geehrtester Herr Sargnagel?" (Captain, Doctor, Wozzeck) | 7:57 |
| 27-8 | Scene 3: Largo "Guten Tag, Franz" ... "Ich Seh' Nichts" (Marie, Wozzeck) | 3:34 |
| 27-9 | Scene 4: Extended Scherzo And Trio Movement "Ich Hab Ein Hemdlein An" (1st And 2nd Apprentices, Wozzeck, Marie, Drum Major, Lads, Soldiers, Andres, Fool) | 9:14 |
| 27-10 | Scene 5: Rondo Marziale Con Introduzione "Oh! Oh! Andres! Ich Kann Nicht Schlafen" (Wozzeck, Andres, Drum Major, Soldiers) | 5:21 |
| 28-1 | Act III - 6 Inventions | Scene 1: Invention On A Theme (Theme, 7 Variations & Fugue) "Und Ist Kein Betrug In Seinem Munde Erfunden Worden" (Marie) | 4:45 |
| 28-2 | Scene 2: Invention On 1 Note (B) "Dort Links Geht's In Die Stadt" (Marie, Wozzeck) | 4:15 |
| 28-3 | Scene 3: Invention On A Rhythm "Tanzt Alle; Tanzt Nur Zu!" (Wozzeck, Margret, Lads, Harlots) | 3:46 |
| 28-4.1 | Scene 4: Invention On A 6-Note Chord "Das Messer? Wo Ist Das Messer?" (Wozzeck, Captain, Doctor) | 4:08 |
| 28-4.2 | Orchestral Interlude In D Minor – Invention On A Key | |
| 28-5 | Epilogue. Scene 5: Invention On A Quaver Rhythm "Ringel, Ringel, Rosenkranz" (Children, Marie's Boy) | 5:21 |
La Mer L 109 = The Sea = Das Meer (3 Symphonic Sketches)
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
||
| 29-1 | I De L'aube À Midi Sur La Mer = From Dawn To Midday On The Sea = Vom Morgen Bis Zum Mittag Auf Dem Meer (Très Lent) | 8:28 |
| 29-2 | Il Jeux De Vagues = Play Of The Waves = Spiel Der Wellen (Allegro) | 6:07 |
| 29-3 | III Dialogue Du Vent Et De La Mer = Dialogue Of The Wind And The Sea = Gespräch Zwischen Wind Und Meer (Animé Et Tumultueux) | 8:01 |
Ibéria L 122/2 (From Images Pour Orchestre)
Composed By – The Philadelphia Orchestra |
||
| 29-4 | I Par Les Rues Et Par Les Chemins = In The Streets And Byways = In Den Straßen Und Gassen | 6:56 |
| 29-5 | II Les Parfums De La Nuit = The Fragrances Of The Night = Die Düfte Der Nacht | 7:52 |
| 29-6 | Ill Le Matin D'un Jour De Fête = The Morning Of A Festival Day = Der Morgen Eines Festtags | 4:31 |
Erwartung Op. 17 = Expectation = Attente (Monodrama In 1 Act For Soprano And Orchestra)
Composed By – Marie Pappenheim |
||
| 30-1 | Scene 1 | "Hier Hinein?... Man Sieht Den Weg Nicht" | 2:48 |
| 30-2 | Scene 2 | "Ist Das Noch Der Weg?" | 2:43 |
| 30-3 | Scene 3 | "Da Kommt Ein Licht!" | 1:45 |
| 30-4 | Scene 4 | "Er Ist Auch Nicht Da" | 1:57 |
| 30-5 | "Das Mondlicht... Nein Dort" | 7:59 |
| 30-6 | "Nein, Das Ist Doch Nicht Möglich" | 1:35 |
| 30-7 | "Du Siehst Wieder Dort Hin!" | 6:26 |
| 30-8 | "Der Morgen Trennt Uns" | 3:13 |
| 30-9 | Symphonic Elegy Op. 105 For String Orchestra (In Memoriam Anton Webern)
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
15:32 |
| 30-10 | Verklärte Nacht Op. 4 = Transfigured Night = La Nuit Transfigurée After The Poem By Richard Dehmel (Version For String Orchestra (1943))
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
25:15 |
Concerto For Violin And Orchestra No. 1 In G Minor Op. 26 = G-Moll = En Sol Mineur
Composed By – Zino scatti |
||
| 31-1 | I Vorspiel. Allegro Moderato - Attacca | 8:12 |
| 31-2 | Il Adagio | 8:32 |
| 31-3 | Ili Finale. Allegro Energico – Presto | 6:57 |
| 31-4 | Romance For Violin And Orchestra No. 1 In G Major Op. 40 = G-Dur = En Sol Majeur (Andante)
Composed By – Zino scatti |
7:30 |
| 31-5 | Romance For Violin And Orchestra No. 2 In F Major Op. 50 = F-Dur = En Fa Majeur (Andante Cantabile)
Composed By – Zino scatti |
8:45 |
Concerto For Violin And Orchestra No. 3 In B Minor Op. 61 = H-Moll = En Si Mineur
Composed By – Zino scatti |
||
| 31-6 | I Allegro Non Troppo | 8:17 |
| 31-7 | Il Andantino Quasi Allegretto | 7:20 |
| 31-8 | III Molto Moderato E Maestoso – Allegro Non Troppo – Più Allegro | 9:25 |
Cakewalk (Ballet Suite Adapted And Orchestrated By Hershey Kay)
Adapted By, Orchestrated By – The Philadelphia Orchestra |
||
| 32-1 | I Grand Introductory Walkaround | 3:05 |
| 32-2 | Il 3 Variations | Wallflower Waltz – | 2:10 |
| 32-3 | Sleight Of Feet – | 2:00 |
| 32-4 | Perpendicular Points – | 2:12 |
| 32-5 | III Freebee | 3:57 |
| 32-6 | IV Magic Act | Entrance Of The Magicians – | 1:08 |
| 32-7 | Venus And The Three Graces – | 1:19 |
| 32-8 | The Wild Pony – | 1:50 |
| 32-9 | Pas De Deux – | 3:25 |
| 32-10 | Ride-out – | 0:37 |
| 32-11 | V Finale. Gala Cakewalk | 3:35 |
Fall River Legend (Ballet Suite)
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
||
| 32-12 | I Prologue And Waltzes | 3:21 |
| 32-13 | II Elegy | 3:31 |
| 32-14 | III Church Social | 3:33 |
| 32-15 | IV Serenade | 3:34 |
| 32-16 | V Hymnal Variations | 4:23 |
| 32-17 | VI Cotillion | 3:37 |
| 32-18 | VII Epilogue | 2:41 |
| 32-19 | Overture And Allegro From The Sonata "La Sultane"
Arranged By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
6:50 |
| 32-20 | Symphonic Allegro
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
7:31 |
Roméo Et Juliette Op. 17 (Symphonie Dramatique; Complete Orchestral Score)
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
||
| 33-1 | Part I | Introduction. Combats – Tumulte – Intervention Du Prince. Allegro Fugato – Fièrement, Un Peu Retenu Et Avec Le Caractère Du Récitatif = Fighting – Tumult – Intervention Of The Prince = Kämpfe – Tumult – Intervention Des Prinzen | 4:11 |
| 33-2 | Part II | II Roméo Seul – Tristesse – Bruits Lointains De Concert Et De Bal – Grande Fête Chez Capulet. Andante Malinconico E Sostenuto - Larghetto Espressivo - Allegro = Romeo Alone - Sadness - Distant Sounds Of Music And Dancing - Great Festivities At The Capulets' = Romeo Allein – Traurigkeit – Entfernte Klänge von Konzert Und Ball – Großes Fest Bei Den Capulets | 12:51 |
| 33-3 | III Nuit Sereine – Le Jardin De Capulet, Silencieux Et Désert – Scène D'amour. Allegretto – Adagio = Serene Night – The Capulets' Garden, Silent And Deserted – Love Scene = Heitere Nacht – Der Garten Der Capulets, Still Und Verlassen – Liebesszene | 15:17 |
| 33-4 | IV La Reine Mab, Ou La Fée Des Songes. Scherzo. Prestissimo = Queen Mab, The Dream Fairy = Königin Mab Oder Die Traumfee | 7:35 |
| 33-5 | Part III VI Roméo Au Tombeau Des Capulets. Invocation – Réveil De Juliette – Joie Délirante – Dernières Angoisses Et Mort Des Deux Amants. Allegro Agitato E Disperato, Con Moto – Largo — L'istesso Tempo – Allegro Vivace Ed Apionato Assai – L'istesso Tempo = Romeo In The Family Vault Of The Capulets – Invocation | 6:38 |
Concerto For Violin And Orchestra No. 2 In G Minor Op. 63 = G-Moll = En Sol Mineur
Composed By – Zino scatti |
||
| 34-1 | I Allegro Moderato | 10:17 |
| 34-2 | II Andante Assai – Allegretto – Andante Assai | 8:49 |
| 34-3 | III Allegro, Ben Marcato | 6:13 |
Concerto For Violin, Strings And Basso Continuo No. 2 In E Major BWV 1042 = E–Dur = En Mi Majeur
Composed By – Zino scatti |
||
| 34-4 | I Allegro | 8:10 |
| 34-5 | II Adagio | 7:14 |
| 34-6 | III Allegro Assai | 2:55 |
Concerto For Piano And Orchestra No. 3 In C Major Op. 26 = C–Dur = En Ut Majeur
Composed By – Dimitri Mitropoulos |
||
| 34-7 | I Andante – Allegro | 8:48 |
| 34-8 | II Tema. Andantino – Variation I. L'istesso Tempo – Var. II. Allegro – Var. III. Allegro Moderato – Var. IV. Andantino Meditativo – Var. V. Allegro Giusto – Tema. L'istesso Tempo | 8:18 |
| 34-9 | III Allegro Ma Non Troppo | 8:38 |
Le Poème De L'Extase (Symphony No. 4)
Composed By – William Vacchiano |
||
| 35-1 | Andante. Languido – Lento. Soavamente – | 1:35 |
| 35-2 | Allegro Volando – | 0:26 |
| 35-3 | Lento. Allegro Non Troppo – Moderato Avec Délice – | 3:26 |
| 35-4 | Allegro – Allegro Dramatico – Tragico – | 3:59 |
| 35-5 | Lento – | 1:07 |
| 35-6 | Allegro Volando – | 0:33 |
| 35-7 | Lento – Allegro – Charmé – Scherzando – | 5:06 |
| 35-8 | Allegro Molto. Leggierissimo. Volando – Maestoso | 2:22 |
| 35-9 | Prométhée. Le Poème Du Feu (Symphony No. 5) Op. 60 For Large Orchestra And Piano. Lento. Brumeux – Prestissimo
Composed By – Leonid Hambro |
20:00 |
Symphony No. 5 In D Minor Op. 47 = D-Moll = En Ré Mineur
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
||
| 36-1 | I Moderato - Allegro Non Troppo - Poco Sostenuto - Largamente - Più Mosso - Moderato | 16:52 |
| 36-2 | II Allegretto – Largamente – Poco Più Mosso | 5:13 |
| 36-3 | III Largo | 14:33 |
| 36-4 | IV Allegro Non Troppo – Allegro – Più Mosso | 8:48 |
Caucasian Sketches - Orchestral Suite No. 1 Op. 10 = Kaukasische Skizzen = Esquisses Caucasiennes
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
||
| 37-1 | No. 1: In The Mountain = Im Eng = Dans Le Defilé. Allegro Moderato – Moderato Assai – Tempo I | 9:01 |
| 37-2 | No. 2: In The Village = Dorfszene = Dans L'aoul. Larghetto – Allegretto Grazioso – Tempo I | 4:50 |
| 37-3 | No. 3: In The Mosque = In Der Moschee = Dans La Mosquée. Adagietto | 3:46 |
| 37-4 | No. 4: Procession Of The Sardar = Aufzug Des Sardar = Cortège Du Serdar. | 4:03 |
Polovtsian Dances From Prince Igor - Act II = Polowetzer Tänze = Danses Polovtsiennes
Arranged By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
||
| 37-5 | Dance Of The Polovtsian Maidens = Tanz Der Polowetzer Mädchen = Danse Des Filles Polovtsiennes | 2:21 |
| 37-6 | Polovtsian Dance. Introduzione. Andantino – | 0:50 |
| 37-7 | [Andantino –] | 1:45 |
| 37-8 | Allegro Vivo – | 1:19 |
| 37-9 | Allegro – | 2:26 |
| 37-10 | Presto – Moderato Alla Breve – Presto – Allegro Con Spirito – Più Animato | 5:50 |
| 37-11 | In The Steppes Of Central Asia = Eine Steppenskizze Aus Mittelasien = Dans Les Steppes De L'Asie Centrale
Arranged By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
7:51 |
Concerto For Violin And Orchestra Op. 36
Composed By – Louis Krasner |
||
| 38-1 | I Poco Allegro | 12:19 |
| 38-2 | II Andante Grazioso | 7:41 |
| 38-3 | III Finale. Allegro | 11:20 |
Concerto For Violin And Orchestra "To The Memory Of An Angel" = »Dem Andenken Eines Engels« = « À La Mémoire D'un Ange »
Composed By – Louis Krasner |
||
| 38-4 | Andante (♩= 56) – Allegretto (♪= 112) (Scherzando) | |
| 38-5 | Allegro (♩= 69) (Ma Sempre Rubato, Frei Wie Eine Kadenz) – Adagio (♩= 54) | 12:26 |
Symphony No. 3 In A Minor "Scottish" Op. 56 = A-Moll »Schottische« = En La Mineur « Ecossaise »
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
||
| 39-1 | I Andante Con Moto – Allegro Un Poco Agitato – Assai Animato – Andante Come I - Attacca | 10:57 |
| 39-2 | Il Vivace Non Troppo - Attacca | 3:54 |
| 39-3 | III Adagio - Attacca | 8:51 |
| 39-4 | IV Allegro Vivacissimo – Allegro Maestoso Assai | 7:49 |
Symphony No. 5 In D Major / D Minor "Reformation" Op. 107 = D-Dur/D-Moll = En Ré Majeur/ré Mineur
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
||
| 39-5 | I Andante – Allegro Con Fuoco | 10:04 |
| 39-6 | Il Allegro Vivace | 5:34 |
| 39-7 | Ill Andante - Attacca | 3:33 |
| 39-8 | IV Chorale: "Ein' Feste Burg Ist Unser Gott". Andante Con Moto – Allegro Vivace – Allegro Maestoso Assai | 7:57 |
| 39-9 | The Hebrides ("Fingal's Cave") Op. 26 = Die Hebriden (»Die Fingalshöhle«) = Les Hébrides (« La Grotte De Fingal ») - Concert Overture
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
|
| 39-10 | Ruy Blas Op. 95 - Overture To The Play By Victor Hugo (Lento - Allegro Molto)
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
7:15 |
Symphony No. 10 In E Minor Op. 93 = E-Moll = En Mi Mineur
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
||
| 40-1 | I Moderato | 20:58 |
| 40-2 | Il Allegro | 3:50 |
| 40-3 | Ill Allegretto | 10:31 |
| 40-4 | IV Andante – Allegro | 13:06 |
Symphony No. 3 In G Major Op. 42 = G-Dur = En Sol Majeur
Composed By – Eastman-Rochester Symphony Orchestra* |
||
| 41-1 | I Moderato – Allegro | 8:19 |
| 41-2 | Il Andante Affettuoso | 5:49 |
| 41-3 | III Moderato – Allegro Molto | 5:21 |
| 41-4 | IV Beginning Rather Slowly – Allegro – Allegro Feroce – Moderato | 6:35 |
Symphony No. 3
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
||
| 41-5 | I Allegro Robusto | 5:14 |
| 41-6 | Il Andante Moderato | 9:04 |
| 41-7 | Ill Allegro Assai | 7:55 |
Les Nuits D'été Op. 7 = Summer Nights = Sommernächte
Composed By – Théophile Gautier |
||
| 42-1 | I Villanelle: "Quand Viendra La Saison Nouvelle" (Ländliches Lied) | 2:51 |
| 42-2 | II Le Spectre De La Rose = The Wraith Of A Rose = Der Geist Der Rose: "Soulève Ta Paupière Close" | 6:24 |
| 42-3 | III Sur Les Lagunes (Lamento) = On The Lagoons = Auf Den Lagunen: "Ma Belle Amie Est Morte" | 7:20 |
| 42-4 | IV Absence = Trennung: "Reviens, Reviens, Ma Bien-aimée!" | 5:41 |
| 42-5 | V Au Cimetière (Clair De Lune) = In The Graveyard (Moonlight) = Auf Dem Friedhof (Mondschein): "Connaissez-vous La Blanche Tombe" | 5:50 |
| 42-6 | VI L'île Inconnue = The Unknown Land = Die Unbekannte Insel: "Dites, La Jeune Belle" | 3:53 |
| 42-7 | La Captive. Rèverie = The Captive Maid. Revery = Die Gefangene. Träumerei Op. 12
Composed By – Victor Hugo |
7:55 |
| 42-8 | Le Jeune Pâtre Breton = The Young Breton Shepherd = Der Junge Bretonische Hirte Op. 13/4
Composed By – Auguste Brizeux |
5:52 |
| 42-9 | Zaide. Boléro Op. 19/1
Composed By – Roger De Beauvoir |
3:38 |
Concerto For Violin And Orchestra In E Minor = E-Moll = En Mi Mineur
Composed By – Zino scatti |
||
| 43-1 | I Allegro Molto Apionato - Attacca | 11:40 |
| 43-2 | Il Andante | 7:26 |
| 43-3 | III Allegretto Non Troppo – Allegro | 6:10 |
Concerto For Violin And Orchestra In D Major Op. 35 = D-Dur = En Ré Majeur
Composed By – Zino scatti |
||
| 43-4 | I Allegro Moderato – Moderato Assai | 17:02 |
| 43-5 | Il Canzonetta. Andante - Attacca | 6:34 |
| 43-6 | III Finale. Allegro Vivacissimo | 9:22 |
Symphony No. 2 In B Minor = H-Moll = En Si Mineur
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
||
| 44-1 | I Allegro – Animato Assai | 6:56 |
| 44-2 | II Scherzo. Prestissimo – Allegretto | 5:11 |
| 44-3 | III Andante | 8:15 |
| 44-4 | IV Finale. Allegro | 6:23 |
Suite No. 1 In D Minor Op. 43 = D-Moll = En Ré Mineur
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
||
| 44-5 | I Introduzione E Fuga. Andante Sostenuto – Moderato E Con Anima | 9:54 |
| 44-6 | Il Divertimento. Allegro Moderato | 5:01 |
| 44-7 | IV Marche Miniature. Moderato Con Moto | 2:02 |
| 44-8 | V Scherzo. Allegro Con Moto | 7:10 |
| 44-9 | VI Gavotte. Allegro | 5:01 |
Symphony No. 5 In E Minor Op. 64 = E-Moll = En Mi Mineur
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
||
| 45-1 | I Andante – Allegro Con Anima | 12:29 |
| 45-2 | II Andante Cantabile, Con Alcuna Licenza – Moderato Con Anima – Andante Mosso – Allegro Non Troppo – Tempo I | 12:57 |
| 45-3 | III Valse. Allegro Moderato | 5:58 |
| 45-4 | IV Finale. Andante Maestoso – Allegro Vivace – Molto Vivace – Moderato Assai E Molto Maestoso – Presto | 11:34 |
Concerto For Violin And Orchestra No. 1 In A Minor Op. 77 = A-Moll = En La Mineur
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
||
| 46-1 | I Nocturne. Moderato | 12:01 |
| 46-2 | Il Scherzo. Allegro Non Troppo | 6:14 |
| 46-3 | Iil acaglia. Andante – Cadenza - Attacca | 13:20 |
| 46-4 | IV Burlesque. Allegro Con Brio – Presto | 4:45 |
Concerto For Piano And Orchestra No. 5 In E-flat Major "Emperor" Op. 73 = Es-Dur = En Mi Bémol Majeur
Composed By – Robert Casadesus |
||
| 47-1 | I Allegro | 18:58 |
| 47-2 | Il Adagio Un Poco Moto - Attacca | 6:40 |
| 47-3 | III Rondo. Allegro | 10:04 |
Concerto For 3 Keyboards, Strings And Basso Continuo In D Minor BWV 1063 = D-Moll = En Ré Mineur
Composed By – Robert Casadesus |
||
| 47-4 | I [...] | 5:37 |
| 47-5 | Il Alla Siciliana | 5:32 |
| 47-6 | Ill Allegro 5:05 | 5:05 |
Lieutenant Kijé Suite Op. 60
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
||
| 48-1 | I Kijé's Birth = Kijés Geburt = Naissance De Kijé | 3:51 |
| 48-2 | Il Romance | 4:36 |
| 48-3 | Ill Kijé's Wedding = Kijés Hochzeit = Noces De Kijé | 2:48 |
| 48-4 | IV Troïka | 2:39 |
| 48-5 | V Kijé's Burial = Kijés Begräbnis = Enterrement De Kijé | 6:05 |
Háry János Suite
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
||
| 48-6 | I Prelude. The Fairy Tale Begins = Vorspiel. Das Märchen Beginnt Prélude. L'Histoire Commence. Con Moto – Tranquillo, Molto Moderato | 3:22 |
| 48-7 | Il Viennese Musical Clock = Wiener Spielwerk = L'Horloge Musicale De Vienne. Allegretto | 2:09 |
| 48-8 | III Song = Lied = Chanson. Andante, Poco Rubato | 5:45 |
| 48-9 | V The Battle And Defeat Of Napoleon = Schlacht Und Niederlage Napoleons = Bataille Et Défaite De Napoléon. Alla Marcia | 4:07 |
| 48-10 | V Intermezzo. Andante Maestoso, Ma Con Fuoco | 4:33 |
| 48-11 | VI Entrance Of The Emperor And His Court = Einzug Des Kaiserlichen Hofes = Entrée De La Cour Impériale. Alla Marcia | 2:50 |
| 49-1 | Danse Macabre Op. 40 = Dance Of Death = Totentanz
Composed By – John Corigliano (2) |
7:25 |
| 49-2 | Le Rouet D'Omphal Op. 31 = The Spinning Wheel Of Omphale = Omphales Spinnrad
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
7:10 |
| 49-3 | Phaëton Op. 39
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
8:47 |
| 49-4 | La Jeunesse D'Hercule Op. 50 = Hercules' Youth = Herkules' Jugend
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
16:14 |
Symphony No. 4 In F Minor = F-Moll = En Fa Mineur
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
||
| 50-1 | I Allegro – Lento | 7:49 |
| 50-2 | II Andante Moderato | 9:49 |
| 50-3 | III Scherzo. Allegro Molto - Attacca | 5:39 |
| 50-4 | IV Finale Con Epilogo Fugato | 8:01 |
| 50-5 | V Allegro Molto – Con Anima | 12:46 |
| 50-6 | Fantasia On A Theme By Thomas Tallis For Double String Orchestra
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
|
Symphony For Brass And Percussion Op. 16
Composed By – The Brass Ensemble Of The Jazz And Classical Music Society* |
||
| 51-1 | I Andante (♩ = 66-69) – Allegro (𝅗𝅥 = 72-76) | 4:50 |
| 51-2 | II Vivace (𝅗𝅥. = 84) | 4:09 |
| 51-3 | III Lento Desolato (𝅘𝅥𝅮 = 69) | 3:10 |
| 51-4 | IV Introduction. Quasi Cadenza (𝅗𝅥 = 88-92) - Allegro (♩ = 144, In 4) | 5:15 |
| 51-5 | Poem For Brass
Composed By – Joe Wilder |
10:04 |
| 51-6 | Three Little Feelings
Composed By – Joe Wilder |
10:45 |
| 51-7 | Pharaoh
Composed By – Joe Wilder |
4:32 |
Credendum (Article of Faith)
Composed By – The Philadelphia Orchestra |
||
| 52-1 | I Declaration. Moderato Con Fuoco - Attacca | 3:11 |
| 52-2 | Il Chorale. Lento - Attacca | 7:24 |
| 52-3 | III Finale. Presto | 6:57 |
Concerto For Piano And Orchestra No. 1
Composed By – Leon Kirchner |
||
| 52-4 | I Allegro ♩= ca. 92 | 10:50 |
| 52-5 | II ♩= 72-76 | 10:05 |
| 52-6 | II ♩= 66-72 | 9:25 |
Noches En Los Jardines De España Nights = In The Gardens Of Spain = Nächte In Den Gärten Spaniens = Nuits Dans Les Jardins D'Espagne (Symphonic Impressions For Piano And Orchestra)
Composed By – Robert Casadesus |
||
| 53-1 | I En El Generalite | 9:43 |
| 53-2 | Il Danza Lejana - Attacca | 4:38 |
| 53-3 | Ill En Los Jardines De La Sierra De Córdoba | 8:35 |
El Sombrero De Tres Picos - Suite No. 2 = The Three-Cornered Hat = Der Dreispitz = Le Tricorne
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
||
| 53-4 | I Danza De Los Vecinos (Seguidilla) = Dance Of The Neighbours = Tanz Der Nachbarn = Danse Des Voisins | 3:05 |
| 53-5 | Il Danza Del Molinero (Farruca) = Dance Of The Miller = Tanz Des Müllers = Danse Du Meunier | 2:57 |
| 53-6 | III Danza Final (Jota) = Final Dance = Schlusstanz = Danse Finale | 6:00 |
| 53-7 | Intermedio - Danza Española No. 1 (from La Vida Breve)
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
7:01 |
| 54-1 | L'Apprenti Sorcier = The Sorcerer's Apprentice = Der Zauberlehrling (Scherzo After A Ballad By Goethe)
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
9:41 |
| 54-2 | Polka And Fugue From Schwanda, The Bagpiper
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
7:36 |
| 54-3 | Anz Der Sieben Schleier = Dance Of The Seven Veils = Danse Des Sept Voiles From Salome Op. 54
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
8:47 |
Les Préludes S 97 (Symphonic Poem No. 3 After Alphonse De Lamartine)
Composed By – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)* |
||
| 54-4 | Andante – Andante Maestoso – | 2:59 |
| 54-5 | L'istesso Tempo – L'istesso Tempo – | 1:09 |
| 54-6 | Allegro Ma Non Troppo – Allegro Tempestuoso – | 3:02 |
| 54-7 | Allegretto Pastorale – Allegro Marziale – | 3:05 |
| 54-8 | Allegro Marziale Animato – | 3:34 |
| 54-9 | Andante Maestoso | 2:48 |
Symphony No. 6 In B Minor "Pathétique" Op. 74 = H-Moll = En Si Mineur
Composed By – New York Philharmonic |
||
| 55-1 | I Adagio – Allegro Non Troppo – Andante – Moderato Mosso – Andante – Moderato Assai – Allegro Vivo – Andante Come Prima – Andante Mosso | 15:38 |
| 55-2 | Il Allegro Con Grazia | 7:35 |
| 55-3 | Ili Allegro Molto Vivace | 8:39 |
| 55-4 | IV Finale. Adagio Lamentoso – Andante | 8:26 |
Concerto For Violin And Orchestra No. 1 In D Major Op. 19 = D-Dur = En Ré Majeur
Composed By – Isaac Stern |
||
| 56-1 | I Andantino – Andante Assai | 8:57 |
| 56-2 | II Scherzo. Vivacissimo | 3:33 |
| 56-3 | III Moderato – Allegro Moderato – Moderato – Più Tranquillo | 7:34 |
Concerto For Violin And Orchestra No. 2 In G Minor Op. 63 = G-Moll = En Sol Mineur
Composed By – Isaac Stern |
||
| 56-4 | I Allegro Moderato | 10:37 |
| 56-5 | Il Andante Assai – Allegretto – Andante Assai | 10:23 |
| 56-6 | III Allegro, Ben Marcato | 6:04 |
Vanessa Op. 32 (Original 1957 Version)
Baritone Vocals [Nicholas] – Nicolai Gedda |
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| 57-1 | Act | "Potage Crème Aux Perles" (Erika) | 3:31 |
| 57-2 | "No, I cannot understand" (Vanessa) | 4:59 |
| 57-3 | "Must The Winter Come So Soon?" (Erika) | 2:16 |
| 57-4 | "Listen! ... They Are Here" (Erika) | 1:38 |
| 57-5 | "Do Not Utter A Word, Anatol" (Vanessa) | 4:45 |
| 57-6 | "Yes, I Believe I Shall Love You" (Anatol) | 1:50 |
| 57-7 | "Who Are You?" (Erika) | 5:40 |
| 57-8 | Act II | "And Then?" – "He Made Me Drink" (Baroness) | 4:09 |
| 57-9 | "No, You Are Not As Good A Skater..." (Vanessa) | 2:59 |
| 57-10 | "Under The Willow Tree" (Doctor) | 2:21 |
| 57-11 | "Erika, I Am So Happy" (Vanessa) | 1:19 |
| 57-12 | "Our Arms Entwined" (Vanessa) | 4:03 |
| 57-13 | "Did You Hear Her?" (Erika) | 4:01 |
| 57-14 | "Outside This House The World Has Changed" (Anatol) | 5:11 |
| 57-15 | Orchestral Interlude – Hymn | 4:35 |
| 58-1 | Act III | "The Count And Countess D'Albany" (Baroness) | 3:17 |
| 58-2 | "I Should Never Have Been A Doctor" (Doctor) | 3:14 |
| 58-3 | "Here You Are!" (Vanessa) | 1:24 |
| 58-4 | "At Last I've Found You"' (Anatol) | 6:22 |
| 58-5 | "Nothing To Worry About" (Doctor) | 6:26 |
| 58-6 | Act IV | Scene 1 | "Why Did No One Warn Me?" (Vanessa) | 4:28 |
| 58-7 | "Why Must The Greatest Sorrows" (Vanessa) | 2:02 |
| 58-8 | "There, Look!" (Doctor) | 5:25 |
| 58-9 | "Anatol, Tell Me The Truth!" (Vanessa) | 1:06 |
| 58-10 | "Take Me Away" | 1:25 |
| 58-11 | Grandmother!" – "Yes, Erika" (Erika, Baroness) | 2:18 |
| 58-12 | Intermezzo. With Quiet Motion | 3:33 |
| 58-13 | Scene 2 | "By The Time We Arrive" (Anatol) | 1:02 |
| 58-14 | "For Every Love There Is A Last Farewell" (Doctor) | 2:20 |
| 58-15 | "And You, My Friend" (Vanessa) | 6:08 |
| 58-16 | Quintet: "To Leave, To Break" (Vanessa, Anatol, Erika, Baroness, Doctor) | 3:43 |
| 58-17 | "Goodbye, Erika" – "Goodbye, Be Happy, Aunt Vanessa" (Vanessa, Erika) | 6:14 |
Romeo And Juliet Op. 64 - Excerpts From Ballet Suites No. 1 Op. 64a And No. 2 Op. 64b
Composed By – New York Philharmonic |
||
| 59-1 | The Montagues And Capulets = Montagues Und Capulets = Montaigus Et Capulets (Suite No. 2/1) Andante – Allegro Pesante – Moderato Tranquillo – Allegro Pesante | 44:25 |
| 59-2 | Juliet, The Young Girl = Das Mädchen Julia = La Jeune Juliette (Suite No. 2/2) Vivace – Più Tranquillo (Quasi Andantino) – Più Animato – Più Animato (Vivace II) | 4:16 |
| 59-3 | Folk Dance = Volkstanz - Danse Populaire (Suite No. 1/1) Allegro Giocoso | 4:20 |
| 59-4 | Masks = Masken - Masques (Suite No. 1/5) Andante Marciale | 2:16 |
| 59-5 | Romeo Und Julia = Roméo Et Juliette (Suite No. 1/6) Larghetto – Andante | 6:38 |
| 59-6 | Death Of Tybalt = Tybalts Tod = Mort De Tybalt (Suite No. 1/7) Precipitato – Presto – Adagio Drammatico | 4:42 |
| 59-7 | Romeo And Juliet Before Parting = Romeo Bei Julia Vor Der Trennung = Roméo Auprès De Juliette Avant Leur Séparation (Suite No. 2/5) Lento – Andante - Adagio – Poco Più Animato – Adagio – Andante | 8:22 |
| 59-8 | Friar Laurence = Pater Lorenzo = Frère Laurent (Suite No. 2/3) Andante Espressivo | 2:43 |
| 59-9 | Romeo At Juliet's Tomb = Romeo Am Grabe Julias = Roméo Au Tombeau De Juliette (Suite No. 2/7) Adagio Funebre – Adagio | 5:49 |
Boris Godunov (Abridged, Sung In English)
Baritone Vocals [Andrey Shchelkalov / Mitiukha] – John Gutman |
||
| 60-1 | Act I | Scene 2 | Introduction | 1:40 |
| 60-2 | "Long May He Live, Tsar Boris Fyodorovich!" (Shuisky, Chorus) | 2:24 |
| 60-3 | My Heart Is Sad" (Boris) | 2:54 |
| 60-4 | "Glory!" (Chorus) | 1:21 |
| 60-5 | Scene 3 | Introduction | 0:33 |
| 60-6 | "Just one more page" (Pimen) | 1:13 |
| 60-7 | "All Through The Night" (Grigory, Pimen) | 1:05 |
| 60-8 | "But Now, I Want To Ask" (Grigory) | 3:40 |
| 60-9 | "How Old Was He, Dimitri, The Tsarevich?" (Grigory, Pimen) | 2:12 |
| 60-10 | "This Is The Matin Bell" (Pimen, Chorus, Grigory) | 2:52 |
| 60-11 | Act II | "Where Are You, Love Of Mine" (Xenia, Fyodor) | 2:11 |
| 60-12 | "My Child, Darling Tsarevna" (Nurse, Xenia, Fyodor) | 2:11 |
| 60-13 | "Here's A Tale" (Fyodor, Nurse) | 1:25 |
| 60-14 | "What's This?" (Boris, Nurse, Xenia, Fyodor) | 3:14 |
| 60-15 | "The Time Will Come" (Boris) | 2:39 |
| 60-16 | "Like Lightning, Death Sweeps Down" (Boris, Nurses) | 3:46 |
| 60-17 | "Almighty Tsar And Lord" (Boyar, Boris, Fyodor, Shuisky) | 1:45 |
| 60-18 | "Believe Me, Tsar" (Shuisky, Boris, Fyodor) | 2:33 |
| 60-19 | "The Day In Uglich" (Boris, Shuisky) | 1:31 |
| 60-20 | "You Don't Believe Me, Tsar" (Shuisky, Boris) | 2:48 |
| 60-21 | "Ah! For Some Air" (Boris) | 3:10 |
| 61-1 | Act III | Scene 1 | "In Humbleness, As Servant Of The Lord" (Rangoni, Marina) | 1:02 |
| 61-2 | "Hear Me, Child" (Rangoni, Marina) | 2:23 |
| 61-3 | "Enslave With Your Beauty" (Rangoni, Marina) | 3:32 |
| 61-4 | To Me Who Comes From The Lord" (Rangoni) | 1:07 |
| 61-5 | Scene 2 | Introduction. Alla Polacca | 2:40 |
| 61-6 | "You Have Come, Beloved" (Grigory, Marina) | 3:32 |
| 61-7 | "No, Marina!" (Grigory, Marina, Rangoni) | 4:56 |
| 61-8 | Act IV | Scene 1 I Introduction | 1:35 |
| 61-9 | "Listen, Brothers" (Mitiukha, Chorus) | 1:18 |
| 61-10 | "Trrr, Trrr – His Hat Is Of Tin" (chorus, Simpleton) | 1:38 |
| 61-11 | "Greetings, Greetings" (Chorus, Simpleton) | 2:18 |
| 61-12 | "Why Does He Cry So?" (Boris, Simpleton, Shuisky) | 3:08 |
| 61-13 | Scene 2 | Introduction | 1:29 |
| 61-14 | "You Have Met To Judge A Traitor" (Shchelkalov) | 0:51 |
| 61-15 | "Yes! Let's Take A Vote On It" (Boyars, Chorus) | 2:01 |
| 61-16 | "But... Shuisky Is Not With Us?" (Boyars, Shuisky) | 2:26 |
| 61-17 | "Oh, What A Frightful Scene I Witnessed"' (Shuisky, Boyars, Boris) | 1:57 |
| 61-18 | "I Called For You, My Counsel" (Boris, Shuisky) | 2:14 |
| 61-19 | "My Name Is Pimen" (Pimen, Boris) | 2:03 |
| 61-20 | "In Vain I Tried To Heal Them" (Pimen) | 2:18 |
| 61-21 | "Next Morning I ed" (Pimen, Boris) | 1:12 |
| 61-22 | "I Want To See My Son" (Boris) | 2:23 |
| 61-23 | "Do Not Trust The Boyars" (Boris) | 1:54 |
| 61-24 | "Father! See My Children" (Boris) | 1:39 |
| 61-25 | "Hear Those Sepulchral Sounds" (Boris, Chorus, Fyodor) | 2:24 |
| 61-26 | "It Is Not Time Yet" (Boris, Boyars) | 1:54 |
Symphonie Fantastique Op. 14 = Episode De La Vie D'un Artiste = Episode In The Life Of An Artist = Episode Aus Dem Leben Eines Künstlers
Composed By – New York Philharmonic |
||
| 62-1 | I Rêveries – ions = Dreams – ions = Träume – Leidenschaften (Largo – Allegro Agitato Ed Apionato Assai) | 13:45 |
| 62-2 | Il Un Bal = A Ball = Ein Ball (Valse Allegro Non Troppo) | 6:29 |
| 62-3 | III Scène Aux Champs = Scene In The Country = Szene Aut Dem Lande (Adagio) | 14:55 |
| 62-4 | IV Marche Au Supplice = March To The Scaffold = Gang Zum Richtplatz (Allegretto Non Troppo) | 5:10 |
| 62-5 | V Songe D'une Nuit De Sabbat = Dream Of A Sabbath Night = Traum Einer Sabbatnacht (Larghetto – Allegro) | 10:14 |
| 63-1 | Slavonic March Op. 31 = Slawischer Marsch = Marche Slave (Moderato In Modo Di Marcia Funebre – Più Mosso. Allegro – Andante Molto Maestoso – Allegro Risoluto)
Composed By – New York Philharmonic |
10:00 |
| 63-2 | A Night On Bald Mountain = Eine Nacht Auf Dem Kahlen Berge = Une Nuit Sur Le Mont Chauve (Allegro Feroce)
Composed By – Nikolai Rimsky-Korsakov |
11:05 |
| 63-3 | Capriccio Italien Op. 45 (Andante Un Poco Rubato – Allegro Moderato – Andante – Presto – Allegro Moderato – Presto – Prestissimo)
Composed By – New York Philharmonic |
|
4 Greek Dances Op. 11 = Vier Griechische Tänze = Quatre Danses Grecques
Composed By – New York Philharmonic |
||
| 63-4 | Peloponnisiakost | 2:03 |
| 63-5 | Epirotikos | 1:57 |
| 63-6 | Hostianos | 3:36 |
| 63-7 | Kleftikos | 2:10 |
Un Ballo In Maschera = A Masked Ball = Ein Maskenball (Excerpts)
Baritone Vocals [Renato] – Eugène Scribe |
||
| 64-1 | Preludio | 4:22 |
| 64-2 | Act I | Scene 1 | "Alla Vita Che T'arride" (Renato) | 3:34 |
| 64-3 | Scene 2 | "Re Dell'abisso, Affrettati" (Ulrica, Riccardo) | 6:59 |
| 64-4 | АСТ II | "Ecco L'orrido Campo ... Ma Dall'arido Stelo Divulsa" (Amelia) | 9:09 |
| 64-5 | "Teco Io Sto" (Riccardo, Amelia) | 5:08 |
| 64-6 | "M'Ami, M'ami" (Riccardo, Amelia) – "Ahimè! S'appressa Alcun!" (Amelia, Riccardo, Renato) | 8:34 |
| 64-7 | Act III | Scene 1 | "Morrò, Ma Prima In Grazia" (Amelia, Renato) | 4:29 |
| 64-8 | "Alzati! Là Tuo Figlio ... Eri Tu" (Renato) | 6:23 |
| 64-9 | Scene 2 | "Forse La Soglia Attinse ... Ma Se M'è Forza Perderti" (Riccardo) | 5:13 |
| 64-10 | Scene 3 | "Saper Vorreste" (Oscar) | 2:00 |
Concerto For Violin And Orchestra In B Minor = H-Moll = En Si Mineur
Composed By – Zino scatti |
||
| 65-1 | I Andante Tranquillo | 10:41 |
| 65-2 | Il Presto Capriccioso Alla Napolitana | 6:13 |
| 65-3 | Ill Vivace | 11:56 |
Symphonie Espagnole In D Minor Op. 21 = D-Moll = En Ré Mineur For Violin And Orchestra
Composed By – Zino scatti |
||
| 65-4 | I Allegro Non Troppo | 7:37 |
| 65-5 | Il Scherzando. Allegro Molto | 4:10 |
| 65-6 | IV Andante | 6:40 |
| 65-7 | V Rondo. Allegro | 8:06 |
Sonata For Oboe And Piano
Composed By – Dimitri Mitropoulos |
||
| 66-1 | I Munter | 3:51 |
| 66-2 | Il Sehr Langsam – Lebhaft – Sehr Langsam, Wie Zuerst – Lebhatt | 8:28 |
2 Rhapsodies For Oboe, Viola And Piano After 2 Poems By Maurice Rollinat
Composed By – Milton Katims |
||
| 66-3 | No. 1: L'Étang = The Pond = Der Weiher (Lento (Un Poco Andante) – Le Double Plus Vite – Molto Lamentoso – Adagio Molto – Andante) | 9:47 |
| 66-4 | No. 2: La Cornemuse = The Bagpipe = Der Dudelsack (Un Poco Maestoso – Andante – Allegro – Le Double Plus Lent – Andante Grazioso – Moderato – Andante) | 13:30 |
Concerto For Piano And Orchestra No. 3 In C Minor Op. 37 = C-Moll = En Ut Mineur
Composed By – Jean Casadesus |
||
| 67-1 | I Allegro Con Brio | 14:33 |
| 67-2 | Il Largo | 8:50 |
| 67-3 | III Rondo. Allegro | 8:40 |
9 Variations On A Minuet By Jean-Pierre Duport K 573
Composed By – Wolfgang Amadeus Mozart |
(12:41) | |
| 67-4.1 | [Thema] | |
| 67-4.2 | Var. I | |
| 67-4.3 | Var. II | |
| 67-4.4 | Var. III | |
| 67-4.5 | Var. IV | |
| 67-4.6 | Var. V | |
| 67-4.7 | Var. VI | |
| 67-4.8 | Var. VII | |
| 67-4.9 | Var. VIII. Adagio | |
| 67-4.10 | Var. IX. Allegro – Tempo I | |
Un Ballo In Maschera = A Masked Ball = Ein Maskenball
Baritone Vocals [Renato] – Jan Peerce |
||
| 68-1 | Prelude | 3:54 |
| 68-2 | Act I | Scene 1 "Posa In Pace, A' Bei Sogni Ristora" (Samuel, Tom, Chorus) | 1:29 |
| 68-3 | "S'avanza Il Re ... La Rivedrà Nell'estasi" (Oscar, Riccardo, Samuel, Tom, Chorus) | 3:24 |
| 68-4 | "Il Cenno Mio Di Là Con Essi Attendi" (Riccardo, Oscar, Renato) | 2:21 |
| 68-5 | "Alla Vita Che T'arride" (Renato) | 2:41 |
| 68-6 | "Il Primo Giudice" (Oscar, Riccardo, Judge) | 1:27 |
| 68-7 | "Volta La Terrea" (Oscar) | 1:45 |
| 68-8 | "Signori, Oggi D'Ulrica ... Ogni Cura Si Doni Al Diletto" (Riccardo, Renato, Oscar, Chorus) | 2:55 |
| 68-9 | Scene 2 | "Zitti. ... L'incanto Non Dèssi Turbare ... Re Dell'abisso, Affrettati"' (Ulrica, Chorus) | 3:32 |
| 68-10 | "Arrivo Il Primo! ... È Lui! È Lui! Ne' Palpiti" (Riccardo, Ulrica, Chorus) | 2:45 |
| 68-11 | "Su, Fatemi Largo" (Silvano, Ulrica, Riccardo, Servant, Chorus) | 3:11 |
| 68-12 | "Che V'agita Così?" (Ulrica, Amelia, Riccardo) | 1:23 |
| 68-13 | "Della Città All'occaso" (Ulrica, Amelia, Riccardo, Chorus) | 3:50 |
| 68-14 | "Su, Profetessa ... Di' Tu Se Fedele" (Samuel, Tom, Oscar, Riccardo, Chorus) | 3:33 |
| 68-15 | "Chi Voi Siate" (Ulrica, Riccardo, Samuel, Oscar, Tom, Chorus) | 2:17 |
| 68-16 | "È Scherzo Od È Follia" (Riccardo, Ulrica, Samuel, Tom, Oscar, Chorus) | 3:33 |
| 68-17 | "Finisci Il Vaticinio" (Riccardo, Ulrica, Samuel, Tom, Renato, Silvano, Oscar, Chorus) | 4:22 |
| 69-1 | Act Il | Prelude | 2:12 |
| 69-2 | "Ecco L'orrido Campo" (Amelia) | 1:22 |
| 69-3 | "Ma Dall'arido Stelo Divulsa" (Amelia) | 5:33 |
| 69-4 | "Teco Io Sto ... Non Sai Tu Che Se L'anima Mia" (Riccardo, Amelia) | 5:29 |
| 69-5 | "Oh, Qual Soave Brivido" (Riccardo, Amelia) | 3:42 |
| 69-6 | "Ahimè! S'appressa Alcun! ... Odi Tu Come Fremono" (Amelia, Riccardo, Renato) | 4:34 |
| 69-7 | "Seguitemi" (Renato, Amelia, Samuel, Tom, Chorus) | 2:26 |
| 69-8 | "Ve' Se Di Notte Qui Colla Sposa" (Samuel, Tom, Renato, Amelia, Chorus) | 5:12 |
| 69-9 | Act III | Scene 1 | "A Tal Colpa È Nulla Il Pianto" (Renato, Amelia) | 2:15 |
| 69-10 | "Morrò, Ma Prima In Grazia" (Amelia) | 4:29 |
| 69-11 | "Alzati! Là Tuo Figlio" (Renato) | 1:39 |
| 69-12 | "Eri Tu Che Macchiavi" (Renato) | 4:43 |
| 69-13 | "Siam Soli. Udite" (Renato, Tom, Samuel) | 3:44 |
| 69-14 | "E Chi Vien? Tu?" (Renato, Amelia, Samuel, Tom) | 3:50 |
| 69-15 | "Il Messaggio Entri ... Ah! Di Che Fulgor" (Renato, Oscar, Amelia, Samuel, Tom) | 3:37 |
| 69-16 | Scene 2 | "Forse La Soglia Attinse ... Ma Se M'è Forza Perderti" (Riccardo) | 5:03 |
| 69-17 | "Ah! Dessa È Là" (Riccardo, Oscar) | 1:20 |
| 69-18 | Scene 3 | "Fervono Amori E Danze" (Samuel, Renato, Tom, Oscar, Chorus) | 2:14 |
| 69-19 | "Saper Vorreste" (Oscar) | 1:57 |
| 69-20 | "Fervono Amori E Danze" (Renato, Oscar, Chorus) | 1:32 |
| 69-21 | "Ah! Perchè Qui! Fuggite" (Amelia, Riccardo, Renato, Oscar, Chorus) | 5:03 |
| 69-22 | "Ella È Pura: In Braccio A Morte" (Riccardo, Amelia, Oscar, Renato, Samuel, Tom, Chorus) | 4:26 |
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