Mike Brecker* – 80/81
Label: |
ECM Records – 2641 180 |
|---|---|
Format: |
|
Country: |
|
Released: |
|
Genre: |
Jazz |
Style: |
Contemporary Jazz |
Tracklist
| Two Folk Songs | |||
| A1 | 1st | 13:17 | |
| A2 | 2nd | 7:31 | |
| B1 | 80/81 | 7:28 | |
| B2 | The Bat | 5:58 | |
| B3 | Turnaround | 7:05 | |
| C1 | Open | 14:25 | |
| C2 | Pretty Scattered | 6:56 | |
| D1 | Every Day (I Thank You) | 13:16 | |
| D2 | Goin' Ahead | 3:56 |
Companies, etc.
- Phonographic Copyright ℗ – ECM Records GmbH
- Recorded At – Talent Studio
- Published By – Pat-Meth Music
- Published By – Liberation Music Co.
- Published By – Composers Music
- Lacquer Cut At – PRS Hannover
- Pressed By – PRS Hannover
Credits
- Bass – Charlie Haden
- Design – Barbara Wojirsch
- Drums – Jack DeJohnette
- Engineer – Jan Erik Kongshaug
- Guitar – Pat Metheny
- Photography By [Back] – Dag Alveng
- Photography By [Inside] – Rainer Drechsler
- Producer – Manfred Eicher
- Tenor Saxophone – Mike Brecker* (tracks: A1, A2, B2, C1, C2, D1)
Notes
Some copies have sticker with:
"Preis der Deutschen Schallplattenkritik - Jahrespreis"
The record won the prize in 1981.
On inner gatefold:
Recorded May 26-29, 1980 at Talent Studios, Oslo.
An ECM Production.
℗ 1980 ECM Records GmbH
On rear cover:
Printed in W.
On labels:
Made in W.
Catalogue numbers:
ECM 1180/81 - center labels
ECM 1180 / 81 - back cover, spine
2641 180 - back cover only
2301 180 - center label record 1 only
2301 181 - center label record 2 only
Runouts are stamped.
Some final mastering letters and numbers are rotated 90 degrees from the rest of the runouts.
"Preis der Deutschen Schallplattenkritik - Jahrespreis"
The record won the prize in 1981.
On inner gatefold:
Recorded May 26-29, 1980 at Talent Studios, Oslo.
An ECM Production.
℗ 1980 ECM Records GmbH
On rear cover:
Printed in W.
On labels:
Made in W.
Catalogue numbers:
ECM 1180/81 - center labels
ECM 1180 / 81 - back cover, spine
2641 180 - back cover only
2301 180 - center label record 1 only
2301 181 - center label record 2 only
Runouts are stamped.
Some final mastering letters and numbers are rotated 90 degrees from the rest of the runouts.
Barcode and Other Identifiers
- Label Code: LC 2516
- Rights Society: GEMA
- Rights Society (A1, B3, ): ASCAP
- Rights Society (A2, B1, B2, C1 to D2): BMI
- Other (Catalogue number record 1): 2301 180
- Other (Catalogue number record 2): 2301 181
- Matrix / Runout (Runout A, variant 1): 2301 180 S 1 = 3 320 1 P
- Matrix / Runout (Runout B, variant 1): 2301 180 S 2 = 2 320 2 7
- Matrix / Runout (Runout C, variant 1): 2301 181 S̶ 1̶ = 2̶ S 3 = 2̶ 2 320 P 1
- Matrix / Runout (Runout D, variant 1): 2301 181 S̶ 2̶ = 2̶ S 4 = 2 320 2 Q
- Matrix / Runout (Runout A, variant 2): 2301 180 S 1 = 3 320 2A A3
- Matrix / Runout (Runout B, variant 2): 2301 180 S 2 = 2 320 1D A VI
- Matrix / Runout (Runout C, variant 2): 2301 181 S⃫1⃫=⃫2⃫ ⃫3⃫5⃫2⃫ S3-2 320 2A AY
- Matrix / Runout (Runout D, variant 2): 2301 181 S⃫2⃫=⃫2⃫ S4=2 320 1C AZ
- Matrix / Runout (Runout A, variant 3): 2301 180 S 1 = 3 320 2 ΛC
- Matrix / Runout (Runout B, variant 3): 2301 180 S 2 = 2 320 ΛG 1A
- Matrix / Runout (Runout C, variant 3): 2301 181 S̶1̶=̶2̶ S3= 3̶ 2 320 Λ✳D 1
- Matrix / Runout (Runout D, variant 3): 2301 181 S̶2̶=̶2̶ S4=2 320 AH
- Matrix / Runout (Runout A, variant 4): 2301 180 S 1 = 3 320 2 V
- Matrix / Runout (Runout B, variant 4): 2301 180 S 2 = 2 320 W 1A
- Matrix / Runout (Runout C, variant 4): 2301 181 S⃫1⃫=⃫2⃫ S3=2 320 2 W
- Matrix / Runout (Runout D, variant 4): 2301 181 S⃫2⃫=⃫2⃫ S4=2 320 T 2
- Matrix / Runout (Runout A, variant 5): 2301 180 S 1 = 3 320 2A AR
- Matrix / Runout (Runout B, variant 5): 2301 180 S 2 = 2 320 1D AU
- Matrix / Runout (Runout C, variant 5): 2301 181 ̶S̶ ̶1̶ ̶=̶ ̶2̶ ̶6̶6̶2̶ ̶ S3=2 320 ̶C̶ ̶ AX 2A
- Matrix / Runout (Runout D, variant 5): 2301 181 S̶ ̶2̶ ̶=̶ ̶2̶ ̶ S4=2 320 BA ̶I̶ ̶ C1
- Matrix / Runout (Runout A, variant 6): 2301 180 S 1 = 3 320 2 V
- Matrix / Runout (Runout B, variant 6): 2301 180 S 2 = 2 320 1A X
- Matrix / Runout (Runout C, variant 6): 2301 181 ̶S̶ ̶1̶ = ̶2̶ S3=2 320 2 W
- Matrix / Runout (Runout D, variant 6): 2301 181 ̶S̶ ̶2̶ = ̶2̶ S4=2 320 2 AC
- Matrix / Runout (Runout A, variant 7): 2301 180 S 1 = 3 320 F 2
- Matrix / Runout (Runout B, variant 7): 2301 180 S 2 = 2 320 I 2
- Matrix / Runout (Runout C, variant 7): 2301 181 S 1 = 2 320 1 H
- Matrix / Runout (Runout D, variant 7): 2301 181 S 2 = 2 320 E 1
Other Versions (5 of 37)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
80/81 (2×LP, Album, Gatefold, Wakefield Pressing) | ECM Records | ECM-2-1180 | US | 1980 | ||
|
New Submission
|
80/81 (2×LP, Album, Promo/Radio Station Copy) | ECM Records | ECM-2-1180 | US | 1980 | ||
|
New Submission
|
80/81 (2×LP, Album) | ECM Records | PA-6123/24 | Japan | 1980 | ||
|
Recently Edited
|
80/81 (Cassette, Album) | ECM Records | ECM 1180/81 | 1980 | |||
|
New Submission
|
80/81 (Cassette, Album, Stereo) | ECM Records | ECM 1180, 3541 180 | 1980 |
Recommendations
Reviews
-
Long term deterioration!
Great music .. I bought this new when it first came out and was very happy with the all round quality. It’s had very few full plays but over the years the playback on all four sides, especially 4, have become so crackly it’s almost unlistenable! Anyone else? -
I have a test pressing of 80/81 that came from Bobby Naughton's personal collection, housed in a Naughton record sleeve with his handwriting on it. An interesting artifact for ECM fans. Not sure how to add it, or if it should be added. But putting this here.
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Great music, record and pressing.
Pat Metheny at his best, incredible guitar works on Ornette Coleman’s Turn around and Open.
My first Metheny album more than 30 years ago and still sounds so fresh! -
One more attempt to understand and check if i like the Pat Metheny group/records. Definitely not for me. Overall its good to listen, but nothing special. Skip it. -
A few years after reissuing this album ECM started adding stickers to their vinyl reissues stating that the release is 'from the original analog tapes'. I'm almost certain that goes for all the reissues in recent years, including this one.
Also worth noting is that this hasn't been remastered at all. This is the album as it would have sounded if you bought it on vinyl in 1980.
Release
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Recently Edited
Recently Edited
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