Lyle Mays – As Falls Wichita, So Falls Wichita Falls
Label: |
ECM Records – 2301 190 |
---|---|
Format: |
Vinyl
, LP, Album
|
Country: |
|
Released: |
|
Genre: |
Folk, World, & Country |
Style: |
Contemporary Jazz |
Tracklist
A | As Falls Wichita, So Falls Wichita Falls | 20:44 | |
B1 | Ozark | 4:03 | |
B2 | September Fifteenth (Dedicated To Bill Evans) | 7:44 | |
B3 | "It's For You" | 8:20 | |
B4 | Estupenda Graça | 2:40 |
Companies, etc.
- Phonographic Copyright ℗ – ECM Records GmbH
- Recorded At – Talent Studio
- Pressed By – PRS Hannover
- Lacquer Cut At – PRS Hannover
- Published By – Pat-Meth Music
- Published By – Lyle Mays Music
Credits
- Berimbau, Percussion, Drums, Vocals – Nana Vasconcelos*
- Composed By – Pat Metheny
- Design – Barbara Wojirsch
- Electric Guitar, Acoustic Guitar [Six And Twelve String], Bass – Pat Metheny
- Engineer – Jan Erik Kongshaug
- Photography By [Cover] – Klaus Frahm
- Photography By [Liner] – Rob van Petten*
- Piano, Synthesizer, Organ, Autoharp – Lyle Mays
- Producer – Manfred Eicher
Notes
Recorded September 1980 at Talent Studio, Oslo
Publishers:
Pat-Meth Music/Lyle Mays Music (BMI)
An ECM Production
Ⓟ 1981 ECM Records GmbH
Made in W.
Printed in W.
Publishers:
Pat-Meth Music/Lyle Mays Music (BMI)
An ECM Production
Ⓟ 1981 ECM Records GmbH
Made in W.
Printed in W.
Barcode and Other Identifiers
- Label Code: LC 2516
- Rights Society (Labels, boxed): GEMA
- Rights Society: BMI
- Matrix / Runout (Side A runout, stamped - variant 1): 2301 190 S 1 320 1A Y
- Matrix / Runout (Side B runout, stamped - variant 1): 2301 190 S 2 320 1A Q
- Matrix / Runout (Side A runout, stamped - variant 2): 2301 190 S1 320 AG 1A
- Matrix / Runout (Side B runout, stamped - variant 2): 2301 190 S2 320 AA 1C
- Matrix / Runout (Side A runout, stamped - variant 3): 2301 190 S 1 320 1A I
- Matrix / Runout (Side B runout, stamped - variant 3): 2301 190 S 2 320 1 E
- Matrix / Runout (Side A runout, stamped - variant 4): 2301 190 S 1 320 AD 1A
- Matrix / Runout (Side B runout, stamped - variant 4): 2301 190 S 2 320 Y 1C
- Matrix / Runout (Side A runout, stamped - variant 5): 2301 190 S 1 320 AL 1A
- Matrix / Runout (Side B runout, stamped - variant 5): 2301 190 S 2 320 AC 1C
- Matrix / Runout (Side A runout, stamped - variant 6): 2301 190 S 1 320 1A Z
- Matrix / Runout (Side B runout, stamped - variant 6): 2301 190 S 2 320 1A I
- Matrix / Runout (Side A runout, stamped - variant 7): 2301 190 S 1 320 1A AN
- Matrix / Runout (Side B runout, stamped - variant 7): 2301 190 S 2 320 1C AK
Other Versions (5 of 51)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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As Falls Wichita, So Falls Wichita Falls (LP, Album, Stereo, Wakefield Pressing) | ECM Records | ECM-1-1190 | US | 1981 | |||
Recently Edited
|
As Falls Wichita, So Falls Wichita Falls (LP, Album) | ECM Records | 58.044 | Brazil | 1981 | ||
New Submission
|
As Falls Wichita, So Falls Wichita Falls (LP, Album) | ECM Records | ECM 1-1190 | Canada | 1981 | ||
New Submission
|
As Falls Wichita, So Falls Wichita Falls (LP, Album) | ECM Records | ECM-1-1190 | US | 1981 | ||
Recently Edited
|
As Falls Wichita, So Falls Wichita Falls (LP, Album) | ECM Records | PAP-25505, ECM 1190 | Japan | 1981 |
Recommendations
Reviews
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Che Dio ti abbia in Gloria, Mister Lyle Mays! E lunga vita ancora a Pat Metheny! Che Musica meravigliosa mi avete regalato! Il solo fatto di avervi incontrato, ha reso la mia vita, degna di essere vissuta! Spero che anche ai giovani d'oggi, possa capitare qualcosa di simile!
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Cant get into the B side sadly, but the title track is one of the great jazz suits from this label. Wild and primordial but with that wonderful 80's sheen seen on his previous offramp.
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An amazing collaboration album between Pat Metheny and Lyle Mays and is more atmospheric and introspective than the Pat Metheny Group albums, and foreshadows Pat's overdubbing experiments and Lyle's solo albums. I felt this album is a good balance of the compositional and performance strengths of the two musicians. The German pressing LP is near mint and plays beautifully silent.
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This was one of my first introductions to pieces of music that last for more than twenty minutes without big overblown solos everywhere. Side one is just pure atmospheres, developing in beautiful spaces, it's almost ambient but there's always something simmering under the placid surface. Pat and Lyle do dark ambience so well when they put their hand to it. Love "September Fifteenth (Dedicated To Bill Evans)" - tried to learn how to play it but I couldn't do it justice... (75 words blah)
Release
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