Tracklist
| A1 | Hells Bells | 5:09 | |
| A2 | Shoot To Thrill | 5:14 | |
| A3 | What Do You Do For Money Honey | 3:33 | |
| A4 | Given The Dog A Bone | 3:30 | |
| A5 | Let Me Put My Love Into You | 4:12 | |
| B1 | Back In Black | 4:13 | |
| B2 | You Shook Me All Night Long | 3:28 | |
| B3 | Have A Drink On Me | 3:57 | |
| B4 | Shake A Leg | 4:03 | |
| B5 | Rock And Roll Ain't Noise Pollution | 4:12 |
Companies, etc.
- Manufactured By – WEA Music Of Canada, Ltd.
- Distributed By – WEA Music Of Canada, Ltd.
- Phonographic Copyright ℗ – Leidseplein Presse B.V.
- Copyright © – Atlantic Recording Corporation
- Published By – J. Albert Ltd.
- Published By – Marks Music
- Recorded At – Com Point Studios
- Printed By – Ever Reddy
- Pressed By – Columbia Records Pressing Plant, Don Mills, ON
- Lacquer Cut At – Columbia Records Pressing Plant, Don Mills, ON
- Mastered At – Columbia Records Pressing Plant, Don Mills, ON
Credits
- Art Direction – Bob Defrin
- Engineer – Tony Platt
- Engineer [Assistant] – Jack Newber*
- Engineer [Mixing] – Brad Samuelsohn
- Management – Peter Mensch
- Performer – Phil Rudd
- Photography By [Photos] – Robert Ellis (4)
- Producer – Robert John "Mutt" Lange*
- Written By – Young, Young And Johnson
- Written-By – Young*
Notes
Grey labels
Released with embossed cover and inner photo/credit sleeve.
℗ 1980 Leidseplein Presse B.V. / © 1980 Atlantic Recording Corporation. Printed in Canada.
Recorded at Com Point Studios April - May 1980.
Management for C.C.C. Inc. (London and New York).
All songs published by J. Albert Ltd./Marks Music, BMI; Albert Productions.
The Ever Reddy logo "ER", appears on the spine.
Runouts all etched except for stamped number after DM
Released with embossed cover and inner photo/credit sleeve.
℗ 1980 Leidseplein Presse B.V. / © 1980 Atlantic Recording Corporation. Printed in Canada.
Recorded at Com Point Studios April - May 1980.
Management for C.C.C. Inc. (London and New York).
All songs published by J. Albert Ltd./Marks Music, BMI; Albert Productions.
The Ever Reddy logo "ER", appears on the spine.
Runouts all etched except for stamped number after DM
Barcode and Other Identifiers
- Rights Society (Labels): BMI
- Pressing Plant ID (Labels): C
- Matrix / Runout (Side 1 label): ST-A-804517
- Matrix / Runout (Side 2 label): ST-A-804518
- Matrix / Runout (Variant 1, side 1 runouts): ST-A-804517-1A-2HZ: 2
- Matrix / Runout (Variant 1, side 2 runouts): ST-A-804518-1A-2HZ: 2
- Matrix / Runout (Variant 2, side A runout): ST-A-804517-1A-2HZ: DM 11
- Matrix / Runout (Variant 2, side B runout): ST-A-804518-1A-2HZ: ② DM 9
- Matrix / Runout (Variant 3, side A runout): ST-A-804517-1A.2HZ:
- Matrix / Runout (Variant 3, side B runout): ST-A-804518-1A-2HZ: ② DM 2
- Matrix / Runout (Variant 4, side A runout): ST-A-804517-1A·2HZ:
- Matrix / Runout (Variant 4, side B runout): ST-A-804518-1A-2HZ: ② DM
- Matrix / Runout (Variant 5, side A runout): ST-A-804517-1A-2HZ: ② DM 19
- Matrix / Runout (Variant 5, side B runout): ST-A-804518-1A-2HZ: ② DM 29
- Matrix / Runout (Variant 6, side A runout): ST-A-804517-1A-2HZ: ② DM 5
- Matrix / Runout (Variant 6, side B runout): ST-A-804518-1A-2HZ: DM 5
- Matrix / Runout (Variant 7, side A runout): ST-A-804517-1A-2HZ: ② DM 20
- Matrix / Runout (Variant 7, side B runout): ST-A-804518-1A-2HZ: DM 5
- Matrix / Runout (Variant 8, side A runout): ST-A-804517-1A-2HZ: DM 2
- Matrix / Runout (Variant 8, side B runout): ST-A-804518-1A-2HZ: DM 13
- Matrix / Runout (Variant 9, side A runout): ST-A-804517-1A-2HZ: ② DM 11
- Matrix / Runout (Variant 9, side B runout): ST-A-804518-1A-2HZ: DM 12
- Matrix / Runout (Variant 10, side A runout): ST-A-804517-1A-2HZ: ② DM 21
- Matrix / Runout (Variant 10, side B runout): ST-A-804518-1A-2HZ: ② DM 29
- Matrix / Runout (Variant 11, side A runout): ST-A-804517-1A-2HZ: ② DM 21
- Matrix / Runout (Variant 11, side B runout): ST-A-804518-1A-2HZ: ② DM 21
- Matrix / Runout (Variant 12, side A runout): ST-A-804517-1A-2HZ: ② DM 21
- Matrix / Runout (Variant 12, side B runout): ST-A-804518-1A-2HZ: ② DM 2
- Matrix / Runout (Variant 13, side A runout): ST-A-804517-1A-2HZ: ② DM 24
- Matrix / Runout (Variant 13, side B runout): ST-A-804518-1A-2HZ: ② DM 22
- Matrix / Runout (Variant 14, side A runout): ST-A-804517-1A-2HZ:
- Matrix / Runout (Variant 14, side B runout): ST-A-804518-1A-2HZ: DM
Other Versions (5 of 619)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Back In Black (LP, Album) | Atlantic | K 50735 | UK | 1980 | ||
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Recently Edited
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Back In Black (LP, Album, Stereo) | Albert Productions | APLP.046, APLP-046 | Australia | 1980 | ||
| Back In Black (LP, Album, Stereo, Specialty Pressing, Embossed Cover, Grey Print) | Atlantic | SD 16018 | US | 1980 | |||
|
Recently Edited
|
Back In Black (LP, Album, Stereo) | Atlantic | ATL 50 735, SD 16018 | 1980 | |||
| Back In Black (LP, Album) | Atlantic | ATL 50735 | Portugal | 1980 |
Recommendations
Reviews
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Edited one month agoThis pressing sounded great to me but have nothing to compare to. Has all the thump from the low end I would expect for this album, I would call it on the warm side and maybe just missing a little bit of bite and clarity on the top end, but means it doesn’t get harsh at all when cranking it.
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This is an incredible pressing at an affordable cost. I would not hesitate buying this one. It is as others have described. This will be a final copy of this album for me.
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Edited 5 months agoAgree with everyone about how big and thick this pressing sounds. It’s heavy on the low end, which does sound ‘different’ from how these songs usually sound, but that extra bottom makes this pressing very crankable without sounding harsh. “Let Me Put My Love Into You” gets a tiny bit of distortion near the end, but that could be my copy. It’s a pretty noisy song near the end on all versions, but I did notice a tad bit of distortion. Didn’t notice any distortion on side two. All in all a great pressing that is significantly better than the 50th anniversary release - to these ears anyway. -
Totally kick-ass sounding LP, big thick kicking drums, perfect guitar-tone & 3-D holographic presentation. 'Let Me Put My Love Into You' boogies so hard it beggars description. Vinyl is dead-silent as well... -
Edited 2 years agoI compared this one to my other copy (1980 red and green label, by Impact Records Pressing). To my ears this copy sounds weightier, more room-filling. The other one is not too bad but I clearly prefer this copy.
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Edited 5 years agoNice how WEA didn't overlook the embossed sleeve artwork, and it sounds nice.....EXCEPT.....is it me, or does this Don Mills pressing & mastering sound a bit too 'polite' in punch factor, slam and depth for AC/DC?
I know, I could be speaking entirely out of my ass, since it's been a while since I last played it (and that was before a major speaker upgrade), but although I have my sights set firmly on getting a US RL copy, I'd like fellow owners to weigh in with their opinions on this one.
Release
See all versions
Recently Edited
Recently Edited
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