Tracklist
| A1 | The Great Marsh | |
| A2 | Rhayader | |
| A3 | Rhayader Goes To Town | |
| A4 | Sanctuary | |
| A5 | Fritha | |
| A6 | The Snow Goose | |
| A7 | Friendship | |
| A8 | Migration | |
| A9 | Rhayader Alone | |
| B1 | Flight Of The Snow Goose | |
| B2 | Preparation | |
| B3 | Dunkirk | |
| B4 | Epitaph | |
| B5 | Fritha Alone | |
| B6 | La Princesse Perdue | |
| B7 | The Great Marsh |
Companies, etc.
- Record Company – Decca Records
- Phonographic Copyright ℗ – Decca Music Group Limited
- Copyright © – Universal Music Operations Ltd.
- Recorded At – Island Studios
- Overdubbed At – Decca Studios
- Mixed At – Island Studios
- Pressed By – GZ Media – 253456E
Credits
- Arranged By [Orchestral Arrangements By] – David Bedford
- Bass, Other [Duffle Coat] – Doug Ferguson
- Coordinator [Co-ordinator] – Geoff Jukes
- Drums, Vibraphone [Vibes], Percussion [Varispeed Percussion] – Andy Ward (2)
- Electric Guitar, Acoustic Guitar, Slide Guitar, Flute, Vocals – Andy Latimer*
- Engineer [Assistant Engineer] – Rod Thear
- Engineer [Re-Mix Engineer] – Rhett Davies
- Engineer [Recording Engineer] – Rhett Davies
- Organ, Synthesizer [Mini Moog], Electric Piano, Organ [Pipe Organ], Piano [Acoustic Piano], Synthesizer [ARP Odyssey] – Peter Bardens
- Performer [Camel Are] – Peter Bardens
- Photography By [Group Photographs By] – John Anunziato
- Producer [Produced By] – David Hitchcock
- Sleeve [Sleeve Design], Design [Sleeve Design] – Modula (2)
- Written-By [All Titles Written By] – Peter Bardens
Notes
Hype sticker states:
Camel
“The Snow Goose”
Remastered from the
Original Master Tapes
"The Snow Goose" was inspired by the short story of the same title, written by Paul Gallico in 1941.
Some over-dubs recorded at Decca Studios
A Decca Records Release
℗ 2023 Decca Music Group Ltd. © 1975 Universal Music Operations Ltd.
Made in the EU.
Comes with additional two-sided black-white insert.
All runouts stamped
Camel
“The Snow Goose”
Remastered from the
Original Master Tapes
"The Snow Goose" was inspired by the short story of the same title, written by Paul Gallico in 1941.
Some over-dubs recorded at Decca Studios
A Decca Records Release
℗ 2023 Decca Music Group Ltd. © 1975 Universal Music Operations Ltd.
Made in the EU.
Comes with additional two-sided black-white insert.
All runouts stamped
Barcode and Other Identifiers
- Barcode (Printed): 6 02445 68294 2
- Barcode (Scanned): 602445682942
- Rights Society: BIEM/SDRM
- Matrix / Runout (Runout side A): 253456E1 1422297 00602445682942-A
- Matrix / Runout (Runout side B): 253456E2 1409119 00602445682942-B
Other Versions (5 of 124)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
The Snow Goose (LP, Album, Stereo) | Gama (3) | P-SKL 5207 | Portugal | 1975 | ||
|
Recently Edited
|
The Snow Goose (LP, Album, Stereo, Laminated) | Gama (3) | SKL-R 5207, SKL-R.5207 | UK | 1975 | ||
| Music Inspired By The Snow Goose (LP, Album, Stereo) | Nova (6) | 6.22250 | 1975 | ||||
|
Recently Edited
|
The Snow Goose (LP, Album) | North American Records | NA 020 | Canada | 1975 | ||
|
Recently Edited
|
The Snow Goose (LP, Album) | Janus Records | JXS 7016 | US | 1975 |
Recommendations
Reviews
-
The music is excellent, but unfortunately, the pressing is terrible. Well, that's European eco-friendly policies for you—worse and worse recycled vinyl granules.
-
Wow, what an improvement! It breathes and the bass is firm and prominent without being blurry like many other reissues. Mid's and treble is just perfect. The space used on side A shows a non-compressed outcome as well, opposed to the awful 2011 MOV reissue.
Equipment: Genelec 8361A monitoring - room treatment and set perfectly flat. Rega Ania Pro stylus. Rega RP40 turntable. Mackie MS1202VLZPro mixer. -
Forget the Remastered From Original Tapes sticker....Its just ok.
The overall sound is abit muted and flat... the snares, hi hats lack crispness and therefore lack transient expression but yet arent entirely smooth at the same time so the worst of both worlds. The DMM process used on the 2011 MOV pressing has a better top end and restores what is missing here while doing do without adding harshness. As a pressing, the MOV is also FAR lower of noise floor. GZ Media cant get close to Record Industry for pressing quality and so it proves once again. This one also has a little lumpyness in the lower end. After multiple back to backs, in my opinion this has less life than the MOV version while being warped with a bit of non fill and generally more regular ticks than the best pressings..... so back it goes!
I'll be gladly keeping my old MOV! -
Edited one year agoVery nice remaster. Improves everything but changes nothing. By that I mean greater depth and clarity. Instruments emerge from the mix with a much crisper bass anchoring everything. But still it retains the overall 1970's warmth. I bought this with two others from the 2023 Remasters series
-
Nice remastering, good soundscape, good pressing.
This is an instrumental release, fine inspiration. -
Wow, what an improvement! It breathes and the bass is firm and prominent without being blurry like many other reissues. Mid's and treble is just perfect. The space used on side A shows a non-compressed outcome as well, opposed to the awful 2011 MOV reissue.
Release
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