Bowie* – I'm Only Dancing (The Soul Tour 74)
Label: |
Parlophone – 0190295314170 |
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Format: |
|
Country: |
Worldwide |
Released: |
|
Genre: |
Funk / Soul |
Style: |
Soul |
Tracklist
A1 | Introduction – Memory Of A Free Festival | |
A2 | Rebel Rebel | |
A3 | John, I'm Only Dancing (Again) | |
A4 | Sorrow | |
A5 | Changes | |
A6 | 1984 | |
B1 | Moonage Daydream | |
B2 | Rock 'N' Roll With Me | |
B3 | Love Me Do / The Jean Genie | |
B4 | Young Americans | |
C1 | Can You Hear Me | |
C2 | It's Gonna Be Me | |
C3 | Somebody Up There Likes Me | |
C4 | Suffragette City | |
D1 | Rock 'N' Roll Suicide | |
D2 | Panic In Detroit | |
D3 | Knock On Wood | |
D4 | Foot Stompin' / I Wish I Could Shimmy Like My Sister Kate / Foot Stompin' | |
D5 | Diamond Dogs / It's Only Rock 'N' Roll (But I Like It) / Diamond Dogs |
Companies, etc.
- Record Company – Warner Music Group
- Licensed To – Parlophone Records Ltd.
- Produced For – Warner Music
- Produced For – RZO Music
- Phonographic Copyright ℗ – Jones/Tintoretto Entertainment Company LLC
- Copyright © – Jones/Tintoretto Entertainment Company LLC
- Copyright © – Parlophone Records Ltd.
- Copyright © – The David Bowie Archive
- Pressed By – Optimal Media GmbH – BJ92633
- Pressed By – Optimal Media GmbH – BJ95184
- Pressed By – Optimal Media GmbH – BK97921
- Published By – Tintoretto Music
- Published By – RZO Music, Inc.
- Published By – Screen Gems-EMI Music Inc.
- Published By – EMI Music Publishing Ltd.
- Published By – BMG Blue
- Published By – RZO Music Ltd.
- Published By – Chrysalis Music Ltd.
- Published By – Jones Music America
- Published By – ARZO Publishing
- Published By – Colgems-EMI Music Inc.
- Published By – BMG Monarch
- Published By – Universal/Island Music Ltd.
- Published By – TRO-Essex Music International, Inc.
- Published By – Westminster Music Ltd.
- Published By – Grand Canyon Music Inc.
- Published By – EMI United Partnership Ltd.
- Published By – Irving Music, Inc.
- Published By – Universal Music Publishing Ltd.
- Published By – Warner/Chappell North America Ltd.
- Published By – MPL Communications Inc.
- Published By – Lenono Music
- Published By – MPL UK Publishing
- Published By – Songs of Universal, Inc.
- Published By – Universal/MCA Music Ltd.
- Published By – Universal Music Corp.
- Published By – Jerry Vogel Music Co., Inc.
- Recorded At – Michigan Palace
- Recorded At – Municipal Auditorium, Nashville
- Engineered At – Battery Studios, New York
- Mastered At – AIR Mastering
- Designed At – Gas Associates
Credits
- Alto Saxophone – David Sanborn
- Backing Vocals – Warren Peace
- Backing Vocals [Vandross] – Luther Vandross
- Bass – Emir Ksasan
- Coordinator [Production] – Fran Pillersdorf
- Coordinator [Tour] – Patrick Gibbons
- Coordinator [Travel] – Andrew Gurchick
- Costume Designer [Costumes] – Freddie Burretti*
- Crew [Security] – Stuart George
- Crew [Set Construction] – Design Associates
- Crew [Sound] – Showco
- Design – Scott Minshall
- Drums – Dennis Davis
- Hair, Stylist [Wardrobe] – Jac Colello
- Lead Guitar – Earl Slick
- Lighting – Tom Fields Associates
- Lighting Director – Jules Fisher
- Management – Creative Management Associates*
- Management [Personal Assistant] – Corinne Schwab
- Mastered By – Ray Staff
- Music Director, Keyboards – Michael Garson*
- Percussion – Pablo Rosario
- Photography By – David Kennedy (10)
- Production Manager – Jules Fisher
- Project Manager [For Release] – Nigel Reeve
- Rhythm Guitar – Carlos Alomar
- Set Designer – Robert Mitchell*
- Stage Manager – Gui Andrisano
- Stage Manager [Production] – John Anderson (59)
- Tour Manager – Eric Barrett (4)
- Transferred By – Sean Brennan (2)
Notes
Record Store Day 2020 exclusive (on hype sticker bottom right hand corner) release.
Limited to 5000 copies.
RSD Drops: August 29.
Runouts are etched.
All Optimal plating symbols may be inverted (e.g., "⊥" vs "T"), and the entire Optimal character string is mirrored (e.g., "1△" vs "△↾").
Tracks A1 to D2 recorded at the Michigan Palace, Detroit on 20th October, 1974.
Tracks D3 to D5 (being encores) recorded at the Municipal Auditorium, Nashville on 30th November, 1974.
℗ 2020 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Company LLC under exclusive license to Parlophone Records Ltd.
© 2020 Jones/Tintoretto Entertainment Company LLC.
© 2020 Parlophone Records Ltd.
A Warner Music Group Company.
Made in the European Union.
Limited to 5000 copies.
RSD Drops: August 29.
Runouts are etched.
All Optimal plating symbols may be inverted (e.g., "⊥" vs "T"), and the entire Optimal character string is mirrored (e.g., "1△" vs "△↾").
Tracks A1 to D2 recorded at the Michigan Palace, Detroit on 20th October, 1974.
Tracks D3 to D5 (being encores) recorded at the Municipal Auditorium, Nashville on 30th November, 1974.
℗ 2020 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Company LLC under exclusive license to Parlophone Records Ltd.
© 2020 Jones/Tintoretto Entertainment Company LLC.
© 2020 Parlophone Records Ltd.
A Warner Music Group Company.
Made in the European Union.
Barcode and Other Identifiers
- Barcode (Text on sticker): 0 190295 314170
- Barcode (Scanned on sticker): 0190295314170
- Label Code: LC30419
- Rights Society: GEMA/MS
- Rights Society: BMI
- Rights Society: ASCAP
- Matrix / Runout (Side A label): DBRSDLP 2020A
- Matrix / Runout (Side B label): DBRSDLP 2020B
- Matrix / Runout (Side C label): DBRSDLP 2020C
- Matrix / Runout (Side D label): DBRSDLP 2020D
- Matrix / Runout (Side A runout, variant 1): 0190295314170 BJ92633-01 A1 V=
- Matrix / Runout (Side B runout, variant 1): 0190295314170 V= BJ95184-01 B1
- Matrix / Runout (Side C runout, variant 1): 0190295314170 XS BJ92633-02 C1
- Matrix / Runout (Side D runout, variant 1): 0190295314170 VT BK97921-01 D1
- Matrix / Runout (Side A runout, variant 2): 0190295314170 BJ92633-01 A1 X1
- Matrix / Runout (Side B runout, variant 2): 0190295314170 T1 BJ95184-01 B1
- Matrix / Runout (Side C runout, variant 2): 0190295314170 BJ92633-02 C1 I2
- Matrix / Runout (Side D runout, variant 2): 0190295314170 V= BK97921-01 D1
- Matrix / Runout (Side A runout, variant 3): 0190295314170 BJ92633-01 A1 1|
- Matrix / Runout (Side B runout, variant 3): 0190295314170 1| BJ95184-01 B1
- Matrix / Runout (Side C runout, variant 3): 0190295314170 BJ92633-02 C1 2△
- Matrix / Runout (Side D runout, variant 3): 0190295314170 1T BK97921-01 D1
Other Versions (2)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
I'm Only Dancing (The Soul Tour 74) (2×CD, Record Store Day, Limited Edition, Stereo) | Parlophone | DBRSDCD 2020, 0190295301477 | Worldwide | 2020 | |||
New Submission
|
I'm Only Dancing (The Soul Tour 74) (19×File, FLAC, Album, Stereo, Hi-Res Audio 24-Bit/96 kHz) | Parlophone | none | Worldwide | 2020 |
Recommendations
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2020 WorldwideLP, Album, Record Store Day, Limited Edition, Stereo
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2018 USA & EuropeLP, Album, Record Store Day, Limited Edition
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2022 Worldwide12", 33 ⅓ RPM, EP, Record Store Day, Limited Edition, Stereo
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2024 WorldwideLP, Album, Record Store Day, Limited Edition, Stereo
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2020 WorldwideLP, Album, Reissue, Stereo
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2016 EuropeLP, Compilation, Reissue
-
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2022 Worldwide10", 33 ⅓ RPM, EP, Record Store Day, Limited Edition, Stereo
Reviews
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Wonderful recording! Any Bowie fan should be thrilled to have this in their collection. The music outweighs any technical flaws. This is a incredible piece of music history. Only the audiophile fans will find something to complain about. Love this period in Bowie's career! Love, love, love!
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Edited 12 days agoI don't really get how people say it sounds like a bootleg. Sounds great to me no surface noise no compression a 10/10 love the soul tour! A very important record in any Bowie collection.
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Strange!(?) "Limited to 5000 copies" it says in the Notes. However, at present time, 5052 people has noted this as a "have" item under the "Statistics" table above. :-)
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Will there be a CD version? Or only vinyl. I love vinyl, I’m just not set up for it right now. Digital makes vinyl lazy.
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An absolute treat - a document of Bowie as he transforms into "Soul Man". Excellent setlist and fascinating to hear early versions of YA tracks. Vinyl is quiet and clean, sounds great!
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I think its great. An amazing live album, and one of Bowie's best, Up there with Santa Monica. Just dont dig a lot of the saxophone
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Probably the most interesting Bowie releases since his ing ..noone saw this coming ..Bowie may sound raw ..but isn't that great ..A real live show from this period is a gift ..the moaners on here are missing the point ...as a fan of nearly 50 years I don't want a blue vinyl rehash or repackage of something I've purchased a dozen times ...its a revealing snapshot of a tour non of us in the UK saw ..a superb performance ...transitional phase from diamond to philly dog ...if you want to hear perfect versions listen to the studio albums or cracked actor album which is more polished ..me I think its superb ..sell it if ya don't like it ...
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Bowie's voice is ragged, and the recording is just above a decent bootleg. But this is the closest thing we have to a Young Americans tour, so for me if fills a gap in my '70s Bowie collection. Worth it for hardcore fans. Perhaps not so much for the casual ones.
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