Tracklist
| A | Everythings Gone Green | 5:31 | |
| B1 | Mesh | 3:03 | |
| B2 | Cries And Whispers | 3:26 |
Companies, etc.
- Lacquer Cut At – Bovema / EMI Studios – 58605
- Lacquer Cut At – Bovema / EMI Studios – 58606
Credits
- Producer – Martin Hannet*
- Written-By – New Order
Notes
This version plays Mesh as track B1 and Cries And Whispers as track B2!
Back cover:
Logo with F.B.N. underneath. FBN 8 in top right corner.
No cat# on the spine.
Labels:
Grey/white with red lettering.
Rim text starts at ~1 o'clock, clockwise; Made in EEC on both sides.
Cat# FBN8 on both sides.
Misprint on labels : "Hannet" instead of "Hannett" on this edition.
Side A: Recorded in U.K.
Made in Benelux
Side B: Cries And Whispers
Mesh
Runouts are stamped except for the inscription "Why Did Regulus Go To Rome?" that is etched. This inscription is slightly different than the 1981 & 1988 editions that have "Why Did Regulus Go Back To Rome?".
This edition was also exported to Japan for release on Shinseido Sirius.
Back cover:
Logo with F.B.N. underneath. FBN 8 in top right corner.
No cat# on the spine.
Labels:
Grey/white with red lettering.
Rim text starts at ~1 o'clock, clockwise; Made in EEC on both sides.
Cat# FBN8 on both sides.
Misprint on labels : "Hannet" instead of "Hannett" on this edition.
Side A: Recorded in U.K.
Made in Benelux
Side B: Cries And Whispers
Mesh
Runouts are stamped except for the inscription "Why Did Regulus Go To Rome?" that is etched. This inscription is slightly different than the 1981 & 1988 editions that have "Why Did Regulus Go Back To Rome?".
This edition was also exported to Japan for release on Shinseido Sirius.
Barcode and Other Identifiers
- Rights Society (SABAM is boxed): BIEM/SABAM TM
- Matrix / Runout (Runout side A): FBN 8-A//58605-1 WHY DID REGULUS GO TO ROME?
- Matrix / Runout (Runout side B): FBN 8-B//58606-1
Other Versions (5 of 9)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Everythings Gone Green (12", 45 RPM, Single) | Factory Benelux | FBNL 8 | Belgium | 1981 | |||
| Everythings Gone Green (12") | Factory Benelux | FBN 8 | Japan | 1986 | |||
| Everythings Gone Green (12", 45 RPM, Single, Reissue) | Factory Benelux | FBN 8, FBN8 | Belgium | 1986 | |||
| Everythings Gone Green (12") | Factory Benelux | FBNL 8 | Japan | 1986 | |||
| Everythings Gone Green (12", 45 RPM, Reissue) | Factory Benelux | FBN 8, FBN8 | Belgium | 1988 |
Recommendations
Reviews
-
I have an edition that matches the exact description of Release 2, but on mine, Mesh (the song that opens with a bass) comes first, followed by Cries and Whispers. For this reason, I always thought the cover was correct, and that the label was wrong, but apparently most other editions seem to have Cries and Whispers first.
-
Edited 19 years agoEverything you'd expect from early New Order - pulsating rhythm, rousing synths, distanced vocals, plus a sound that was somewhere in between Duran Duran and Spandau Ballet - 'Everything's Gone Green' represents a band that is literally getting over their punk roots and determined to carve their own niche in the industry. One of the most endearing elements of New Order's music during this time is the fact that they weren't entirely out of the Joy Division shadow but weren't exactly the New Order they'd become either; hence their sound met half way between organic rawness and electronic overtones. When considering the virtually inane lyrics, relentless beat and its reliance on the lengthy jams, one could just as well call 'Everything's Gone Green' as the forerunner to 'Blue Monday' that would emerge two years later.
Release
See all versions
Data Correct
Data Correct
For sale on Discogs
Sell a copy
16 copies from $12.03