Prince – Sign "O" The Times
Label: |
Paisley Park – 925 577-1 |
---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Pop |
Style: |
Pop Rock |
Tracklist
A1 | Sign "O" The Times | 5:02 | |
A2 | Play In The Sunshine | 5:05 | |
A3 | Housequake | 4:38 | |
A4 | The Ballad Of Dorothy Parker | 4:04 | |
B1 | It | 5:10 | |
B2 | Starfish And Coffee | 2:51 | |
B3 | Slow Love | 4:18 | |
B4 | Hot Thing | 5:39 | |
B5 | Forever In My Life | 3:38 | |
C1 | U Got The Look | 3:58 | |
C2 | If I Was Your Girlfriend | 4:54 | |
C3 | Strange Relationship | 4:04 | |
C4 | I Could Never Take The Place Of Your Man | 6:31 | |
D1 | The Cross | 4:46 | |
D2 | It's Gonna Be A Beautiful Night | 8:59 | |
D3 | Adore | 6:29 |
Companies, etc.
- Phonographic Copyright ℗ – Warner Bros. Records Inc.
- Copyright © – Paisley Park Records
- Copyright © – Controversy Music
- Published By – Warner Bros. Music Ltd.
- Recorded At – Paisley Park Studios
- Recorded At – Sunset Sound
- Recorded At – Dierks Studio Mobile Trucks
- Mixed At – Paisley Park Studios
- Mixed At – Sunset Sound
- Mixed At – Dierks Studio Mobile Trucks
- Made By – WEA Musik GmbH
- Mastered At – Allied Record Company
- Mastered At – Sheffield Lab Matrix – △15865
- Mastered At – Sheffield Lab Matrix – △15866
- Mastered At – Record Service Alsdorf
- Pressed By – Teldec-Press GmbH
Credits
- Arranged By [Strings Arranged By] – Claire Fischer* (tracks: B3)
- Art Direction – Laura LiPuma
- Drums, Percussion – Sheila E. (tracks: C1)
- Engineer [Engineered By] – Susan Rogers
- Guitar – Wendy* (tracks: B3)
- Lead Guitar – Mico Weaver (tracks: D2)
- Lead Vocals – Camille (3) (tracks: A3, C2, C3)
- Lyrics By [Lyrics Co-written By] – Susannah (tracks: B2)
- Mastered By – Bernie Grundman
- Music By [Co-written] – Eric Leeds (tracks: D2)
- Percussion, Rap [Transmississippirap] – Sheila E. (tracks: D2)
- Photography By – Jeff Katz (2)
- Producer, Arranged By, Composed By, Performer – Prince
- Saxophone – Eric Leeds
- Sitar, Flute [Wooden Flute] – Lisa* (tracks: C3)
- Tambourine, Congas – Wendy* (tracks: C3)
- Trumpet – Atlanta Bliss
- Vocals – Sheena Easton (tracks: C1)
- Voice [Background Voice] – Susannah (tracks: A2, B2)
- Voice [Backing Voice] – Wendy* (tracks: B3)
- Voice [Co-lead Voice] – Susannah (tracks: D2)
Notes
Blue heart-shaped title/barcode sticker:
[originally on shrink]
Specially-priced two record set
925 577-1 - WX 88
© 1987 Paisley Park Records ℗ 1987 Warner Bros. Records Inc for the US.
Hype sticker:
Double Album includes
I Could Never Take The Place Of Your Man
UK: WX 88 · 925 577-1 Removable Sticker
Spine:
UK: WX 88 925 577-1
Black dust sleeve:
Created & mixed at Paisley Park, Sunset Sound & Dierks Studio Mobile Trucks.
Labels:
925 577-1
WX 88
All songs published by (G.B. only) Warner Bros. Music Ltd.
℗ 1987 Warner Bros. Records Inc for the US.
Made in by WEA Musik GmbH
Similar edition(s): Prince - Sign "O" The Times (initial run without barcode printed on the cover)
[originally on shrink]
Specially-priced two record set
925 577-1 - WX 88
© 1987 Paisley Park Records ℗ 1987 Warner Bros. Records Inc for the US.
Hype sticker:
Double Album includes
I Could Never Take The Place Of Your Man
UK: WX 88 · 925 577-1 Removable Sticker
Spine:
UK: WX 88 925 577-1
Black dust sleeve:
Created & mixed at Paisley Park, Sunset Sound & Dierks Studio Mobile Trucks.
Labels:
925 577-1
WX 88
All songs published by (G.B. only) Warner Bros. Music Ltd.
℗ 1987 Warner Bros. Records Inc for the US.
Made in by WEA Musik GmbH
Similar edition(s): Prince - Sign "O" The Times (initial run without barcode printed on the cover)
Barcode and Other Identifiers
- Barcode (Title sticker on shrink, text): 0 7599-25577-1
- Barcode (Cover, text): 0 7599-25577-1 9
- Label Code: LC 0392
- Other (Black dust sleeve): 925 577-1 A
- Other (Peach dust sleeve): 925 577-1B
- Rights Society: GEMA/BIEM
- Rights Society: ASCAP
- Matrix / Runout (Side A runout, variant 1): R / S Alsdorf 925577-1-A 21 1-25577-A - INTL. S - 1 [Allied 'ɑ' logo] △ 15865 1- <T>
- Matrix / Runout (Side B runout, variant 1): R / S Alsdorf 925577-1-B 21 <T> 1-25577-B - INTL. S - 1 [Allied 'ɑ' logo] △ 15865-X 1-1
- Matrix / Runout (Side C runout, variant 1): R / S Alsdorf 925577-1-C 10 <T> GER 1-25577-C - INTL. S - 1 [Allied 'ɑ' logo] △ 15866 1-1
- Matrix / Runout (Side D runout, variant 1): R / S Alsdorf 925577-1-D II <T> 1-25577-D - INTL. S - 1 [Allied 'ɑ' logo] △ 15866 1 - X 8
- Matrix / Runout (Side A runout, variant 2): R / S Alsdorf 925577-1-A 13 1-25577-A-INTL.-S-1 [Allied 'ɑ' logo] △ 15865 1-1 <T>
- Matrix / Runout (Side B runout, variant 2): R/S Alsdorf 925577-1-B <T> 1-25577-B-INTL. S-1 [Allied 'ɑ' logo] △15865-X 1-1 15
- Matrix / Runout (Side C runout, variant 2): R/S Alsdorf 925577-1-C 8 1-25577-C-INTL. S-1 [Allied 'ɑ' logo] △ 15866 1-1 <T>
- Matrix / Runout (Side D runout, variant 2): R/S Alsdorf 925577-1-D II 1-25577-D-INTL. S-1 [Allied 'ɑ' logo] △15866-X 4 <T>
- Matrix / Runout (Side A runout, variant 4): R/S Alsdorf 925577-1-A GER 1-25577-A-INTL.-S-1 [Allied 'ɑ' logo] △ 15865 1-1 <T>
- Matrix / Runout (Side B runout, variant 4): R/S Alsdorf 925577-1-B GER <T> 1-25577-B-INTL. S-1 [Allied 'ɑ' logo] △ 15865 X 1-1
- Matrix / Runout (Side C runout, variant 4): R/S Alsdorf 925577-1-C <T> GER 1-25577-C-INTL. Sɇ1 [Allied 'ɑ' logo] △ 15866 1-1
- Matrix / Runout (Side D runout, variant 4): R/S Alsdorf 925577-1-D GER 1-1 <T> 1-25577-D-INTL. S-1 [Allied 'ɑ' logo] △ 15866-X
Other Versions (5 of 188)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Sign "O" The Times (2×LP, Album, Allied Record Company Pressing) | Paisley Park | 9 25577-1, 1-25577 | US | 1987 | ||
Recently Edited
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Sign "O" The Times (2×LP, Album, Club Edition) | Paisley Park | W1 25577 | Canada | 1987 | ||
Recently Edited
|
Sign "O" The Times (Cassette, Album) | Warner Bros. Records | 925 577-4, WX88C | Europe | 1987 | ||
Recently Edited
|
Sign "O" The Times (2×LP, Album) | Paisley Park | 25577-1 | New Zealand | 1987 | ||
Sign "O" The Times (2×LP, Album) | Paisley Park | 92 5577-1, 1-25577 | Italy | 1987 |
Recommendations
Reviews
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This record is one of the love affairs of my life. I’ve always loved the unique sound of the mastering of this album, and the vinyl mastering of these early UK pressings seems totally in-point for the records sonic vision. A dark, almost flat, compressed feel to it all, which totally suits it.
This record never ever gets old. ❤️💥 -
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Arguably Prince's most critically highly-regarded release, and unquestionably of all of his 30+ full albums the one that best showcases his artistic range and diversity, spanning rock, funk, soul, pop, dance and soulful ballads - often simultaneously.
Begat from the ill-fated Crystal Ball and Dream Factory double and triple albums, and resultant from his disbanding of the commercially successful Revolution band (notably following his sacking of long-time side-kicks Wendy [Melvoin] and Lisa [Coleman], Prince felt he needed to go in a new, sexier and harder direction than he was heading with his band. The Revolution's influence is still strongly felt throughout this double album - not least of which in the live recording of 'It's Gonna Be A Beautiful Night' with the full band - and in reality most of the tracks were recorded with, or partially recorded with, his band.
Notwithstanding this, the album is unquestionably his, and contains some of his strongest work ever put to vinyl. The lead single and title track, Sign 'O' The Times, is compelling for its stark and incessant rhythmic drive, thought-provoking (if not especially raw) lyrics, and earnest questioning. Immediately following on to the playful 'Play In The Sunshine', carefree and rocking good times with a mildly positive message, the intense drive of 'Housequake' (of which he famously quipped 'I can play 'Streets Have No Name' but not U2, no-one can play 'Housequake' as a snide putdown of the commercial and award success of Irish megagroup U2 and their phenomenally successful 'Joshua Tree' album) and the beautiful, thought-provoking 'The Ballad Of Dorothy Parker' which closes the first side. Hard to think of a more diverse opening side of an album.
Side Two continues the proceedings with the funky dance 'It', the gorgeous and melodic 'Starfish and Coffee', the funky groove and yearning of 'Hot Thing' before closing with the beautiful soul ballad 'Forever In My Life'. Contentment.
Yet it is at this point, the opening of the second disc, that Prince perhaps nails his finest, if not definitive, 20 minutes of recorded music. The modestly commercial success of the bouncy, perky 'U Got The Look', a ballad with Sheena Easton is followed by the simply beautiful, haunting and heartbreakingly open 'If I Was Your Girlfriend' (a commercial failure, not cracking any top 40 charts despite being the second single from the album). One of Prince's most beautiful and pure songs ever recorded. The powerful and groovy 'Strange Relationship' is a perfect followup, before the side closes with the underrated and sonically-flowing 'I Could Never Take The Place Of Your Man'. Funk, rocking guitar and thoughtful lyrics, not to mention a driving beat make this a superb track.
The album closes with the emotive, religious and moving 'The Cross', the fun live funk of 'It's Gonna Be A Beautiful Night', where Prince's immediate musical past (The Revolution) is combined with his future (the likes of Cat, Miko et al) and he achieves a moment of serendipity. The album finishes with the beautiful, retro soul of 'Adore', harking back to the soul and blues of Motown and other black artists of the '70s.
Sign 'O' The Times is at once sprawling yet focussed, and perfectly highlights Prince's multitude of abilities and musical styles, almost genre-defying in nature, yet being at once perfectly 'Prince'. Whilst this lacks a single (or indeed multiple) 'hits' that many great albums are built around, this is instead a piece of work for the ages, and best presents Prince for what he is - a prodigious musical talent whose influences are many yet whose sound is unique.
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