Joe Jackson – Night And Day
Label: |
Universal Music Special Markets – B0024549-01 |
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Format: |
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Country: |
US |
Released: |
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Genre: |
Rock |
Style: |
Pop Rock |
Tracklist
Night Side | |||
A1 | Another World | 4:00 | |
A2 | Chinatown | 4:08 | |
A3 | T.V. Age | 3:45 | |
A4 | Target | 3:52 | |
A5 | Steppin' Out | 4:34 | |
Day Side | |||
B1 | Breaking Us In Two | 4:57 | |
B2 | Cancer | 6:06 | |
B3 | Real Men | 4:05 | |
B4 | A Slow Song | 7:13 |
Companies, etc.
- Phonographic Copyright ℗ – A&M Records Ltd.
- Copyright © – A&M Records Ltd.
- Published By – Albion Music
- Recorded At – Blue Rock Studio
- Mastered At – Cohearent Audio
- Manufactured For – Intervention Records
- Manufactured By – Universal Music Enterprises
- Mastered At – Cohearent Audio
- Lacquer Cut At – Cohearent Audio
- Pressed By – Record Technology Incorporated – 24298
- Record Company – UMG Recordings, Inc.
Credits
- Arranged By, Orchestrated By – Joe Jackson
- Art Direction – Joe Jackson
- Artwork – Philip Burke
- Backing Vocals – Grace Millan
- Bass, Vocals, Percussion – Graham Maby
- Co-producer, Mixed By – Joe Jackson
- Congas, Bongos, Timbales, Bells [Orchestra], Xylophone, Percussion, Flute, Vocals – Sue Hadjopoulos
- Coordinator – Paula Greif
- Drums, Timbales, Percussion – Larry Tolfree
- Engineer – Michael Ewasko
- Engineer [Assisted By] – Ken Tracht
- Lacquer Cut By – KPG*
- Mastered By – Kevin Gray
- Photography By – George DuBose
- Piano, Electric Piano [Fender Rhodes And Yamaha], Organ [Hammond And Gem], Synthesizer [Prophet-5 And Minimoog], Alto Saxophone, Vibraphone, Lead Vocals – Joe Jackson
- Programmed By [Synthesizer] – Jack Waldman
- Written-By – Joe Jackson
Barcode and Other Identifiers
- Barcode (Text on hype sticher): 684334 915560
- Barcode (Scanned from hype sticker, UPC-A): 684334915560
- Matrix / Runout (Side A label): IR-003 A
- Matrix / Runout (Side B label): IR-003 B
- Matrix / Runout (Side A runout, etched): IR-003-A KPG@CA 24298.1(3)...
- Matrix / Runout (Side B runout, etched): IR-002-B KPG@CA 24298.2(3)...
Other Versions (5 of 155)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Night And Day (LP, Album, EMW - Electrosound Midwest Pressing) | A&M Records | SP-4906 | US | 1982 | |||
Night And Day (LP, Album, Stereo, Gatefold) | A&M Records | AMLH 64906 | Europe | 1982 | |||
Recently Edited
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Night And Day (Cassette, Album, Dolby System, B NR) | A&M Records | CS-4906 | US | 1982 | ||
Night And Day (Cassette, Album) | A&M Records | CAM 64906 | Europe | 1982 | |||
Recently Edited
|
Night And Day (Cassette, Album, Club Edition, CRC, Dolby System) | A&M Records | CS 4906 | US | 1982 |
Recommendations
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2019 US12", 45 RPM, Album, Numbered, Reissue, Remastered, Special Edition, Stereo
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2019 US12", 45 RPM, Album, Numbered, Reissue, Remastered, Special Edition, Stereo
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2018 USLP, Album, Numbered, Reissue, Special Edition, Stereo
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2019 US12", 45 RPM, Album, Numbered, Reissue, Remastered, Special Edition, Stereo
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2022 USLP, Album, Reissue, Remastered, Stereo
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2019 US12", 45 RPM, Album, Numbered, Reissue, Remastered, Special Edition, Stereo
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Reviews
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Shane Buettner is live with Steven Westman on The Audiophile Roundtable right now: https://www.youtube.com/live/uXo3YnLpVk0?si=IEjG0BFt9Am2pczm
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Have to disagree with others who have said the OG is a better listen. I found the OG to have a fair amount of sibilance in the vocals, especially during A Slow Song. KG really did a wonderful job on this and other JJ titles on Intervention. I have the OG US, Japanese pressing and the MFSL. While I like the MFSL, this reissue just sounds great. YMMV of course. But I think anyone who loves the record and buys this from IR will be happy. It was recently repressed on 150g vinyl
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My copy is flat, centered, and "the cold depths of deep empty space" level quiet. This pressing > US og's? Perhaps, "different" is more accurate? Og's were very well mastered / pressed and like others have mentioned sound of the era (tone). KG cut this Intervention reissue hot, instrumentation detail is striking, and Jackson's vocals span a massive soundstage...it is perhaps more clinical.
I play this pressing and not the og, but I love them both.
Musical Fidelity M5si / Pro-Ject X1B + Sumiko Wellfleet / Dali Oberon 7's -
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When this reissue came out, I was mostly on a new vinyl buying moratorium. Nevertheless, I still considered buying it, but eventually decided that I was so happy with the original U.S. pressing that spending $30-$35 (I forget exactly when new vinyl prices started to creep up) on it wasn't worth it.
Come several years later, it's completely out of print with all of the sealed stock sold out. There was a clear demand for this title that was starting to drive the price up that wasn't there with most of the other Intervention Joe Jackson reissues, some of which are either still in print or at least in stock in large quantites at notable vinyl vendors. (The exception being "I'm The Man," which is selling for a good bit more than "Night and Day.") Between the price starting to creep up, it being a personal favorite album where an upgrade could be justified, re-reading the reviews, being more confident that the album could sound better on my system, and finding a good deal (always try to get a feel for which sellers grade more strictly!), I bit.
It was 100% the right move. The original U.S. A&M pressing sounds great, but this version is noticeably better in every way. Everything, especially the soundstage, just sounds bigger and clearer. Joe Jackson's spoken word band interplay, in particular, is significantly clearer in the mix than I it being on other versions I'd listen to. Proof positive of the advancements in cutting vinyl, because the conventional wisdom for a long time was to get the original and skip the reissues, whether older (Mobile Fidelity Sound Lab, which came out shortly after the original) or newer (Speaker's Corner). But this Intervention Records pressing cannot be questioned. If this is a personal favorite of yours like it is mine, jump on it now before the price shoots up more to "I'm The Man" levels. -
Very magical sounding record. Theres a certain glamour this recording has that’s brought out by Kevin Gray, as he always does. Highly recommended not only for the great mastering but the great presentation and the great pressing quality. Intervention really showed why they’re a top tier reissue label.
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Terrific pressing (as expected) from Shane's label. Definition is super detailed, very dynamic, just a super pleasant audio experience throughout.
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Edited 2 years agoFlawless packaging, pressing and remaster. Kevin Gray is a busy man, and we are lucky to be able to hear the results of his amazing work. Kudos to RTI for a super-clean pressing.
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I had been getting some mediocre sounding records lately and then got this. What a breath of fresh air, a reset. This is what a good sounding record sounds like.
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