Beastie BoysIll Communication

Label:

Brooklyn Dust Music – CDEST 2229

Format:

CD , Album

Country:

Europe

Released:

Genre:

Rock

Style:

Indie Rock

Tracklist

1 Sure Shot
Written-ByCaldato*
3:19
2 Tough Guy
Beats [Hardcore Beats]Amery Smith
Written-BySmith*
0:57
3 B-boys Makin' With The Freak Freak 3:53
4 Bobo On The Corner
Written-ByNishita*
1:13
5 Root Down 3:32
6 Sabotage 2:58
7 Get It Together
Featuring, RapQ-Tip
Written-ByJ. Davis*
4:05
8 Sabrosa
Written-ByNishita*
3:29
9 The Update
Written-ByNishita*
3:15
10 Futterman's Rule
Written-ByNishita*
3:42
11 Alright Hear This 3:07
12 Eugene's Lament
ViolinEugene Gore
Written-ByNishita*
2:12
13 Flute Loop
Written-ByCaldato*
1:54
14 Do It
Rap, FeaturingBiz Markie
Written-ByNishita*
3:16
15 Ricky's Theme
Written-ByNishita*
3:43
16 Heart Attack Man
Beats [Hardcore Beats]Amery Smith
Written-BySmith*
2:15
17 The Scoop
Written-ByCaldato*
3:36
18 Shambala
Written-ByNishita*
3:40
19 Bodhisattva Vow
Written-ByCaldato*
3:08
20 Transitions
Written-ByNishita*
2:31

Companies, etc.

  • Marketed ByEMI
  • Distributed ByEMI
  • Phonographic Copyright ℗Capitol Records, Inc.
  • Copyright ©Capitol Records, Inc.
  • Mastered AtFuture Disc
  • Recorded AtG-Son Studios
  • Mixed AtG-Son Studios
  • Recorded AtTin Pan Alley Studios (2)
  • Mixed AtTin Pan Alley Studios (2)
  • Pressed ByEMI Uden

Credits

  • Bass [Fender Jazz, Zelinger], Acoustic Bass [Uprights]MC Adam Yauch*
  • DesignGibran Evans
  • Drums [Trap Kits]Mike D
  • EngineerMario Caldato Jr.
  • Engineer [Assistant]Settley*
  • GuitarAdrock*
  • KeyboardsMoney Mark
  • Legal [Sample Clearance, At My Forte]Pat Shannahan
  • Management"Old School Ron"*
  • Mastered ByTom Baker (3)
  • Painting [Inside Painting]Alex Grey
  • PercussionEric Bobo
  • Photography By [All Other Photos]Ari Marcopoulos
  • Photography By [Cover]Bruce Davidson (2)
  • ProducerMario Caldato Jr.
  • Written-ByBeastie Boys

Notes

Recorded and Mixed at G-Son Studios, with the parquet floor, Atwater Village, CA. and Tin Pan Alley, New York, N.Y. Sequenced at Bundy's Playhouse. Mastered at Futuredisc.

Inspiration provided by:

"Sure Shot": Contains a sample from "The Funny Sides Of Moms Mabley" recording courtesy of MCA Records Inc.; and embodies portions of the composition "Howlin' For Judy" (J. Steig) published by EMI Deshon Music Inc. (BMI), performed by Jeremy Steig, courtesy of Blue Note Records, a division of Capitol Records, Inc.

"Root Down": Contains samples from "Root Down (and Get It)" (J. Smith) published by Jimmy's Music and performed by Jimmy Smith under license from PolyGram Special Markets, a division of PolyGram Group Distribution, Inc.

"Get It Together": Contains samples from "Headless Heroes Of The Apocalypse" (E. McDaniels) published by Lonport Music (BMI), performed by Eugene McDaniels, courtesy of Atlantic Recording Corporation, by arrangement with Warner Special Products.

"The Update": Contains a sample from "Children Of The Earth Flames" performed by John Klemmer, courtesy of MCA Records, Inc.

"Flute Loop": Contains elements from "Flute Thing" (Al Kooper, published by Unichappell Music, Inc., Sea-Lark Entertainment and Six Continents Music (BMI). All rights istered by Unichappell Music, Inc. all rights reserved. Used by permission. "Flute Thing" performed by The Blues Project, under license from PolyGram Special Markets, a division of PolyGram Group Distribution, Inc.; and contains a sample from "Craps (After Hours)" performed by Richard Pryor, courtesy of Richard Pryor.

"Alright Hear This": Contains excerpts from "Graffiti Rock" performed by Michael Holman, courtesy of Michael Holman.

"The Scoop": Contains a sample from "Jacob's Ladder" (C. Walton Jr.) published by Vernita Music (BMI) and performed by Cedar Walton Jr., courtesy of Columbia Records; and contains samples from "Atma-Tomorrow" performed by Michael Urbaniak's Fusion, courtesy of Columbia Records; and contains samples from "I Know I Could Love You Better" performed by The Free Movement, courtesy of Columbia Records; and contains samples from "Tough" (J. Moore, L. Smith, R. Ford & R. Simmons) published by Neutral Gray Music, Original J.B. Music, Funkgroove Music & Rushgroove Music (ASCAP) and performed by Kurtis Blow, under license from PolyGram Special Markets, a division of PolyGram Group Distribution.

"When two are served, you may begin to eat" - Gene Futterman.

℗ © 1994 Capitol Records, Inc.

Printed in Holland (on back inlay)
Made in Holland. (on disc)

Catalogue number (on spine/CD/booklet): 7243 8 28599 2 5
Catalogue numbers (on rear): 7243 8 28599 2 5 , UK: CDEST 2229

Issued in a standard clear tray jewel case with a 16-page booklet with photos, lyrics, and credits.

This version has a clear inner ring and text in outer rim. For the version with green inner ring, see Ill Communication.

For the SID code repress, see Ill Communication.

Barcode and Other Identifiers

  • Barcode (Text): 7 24382 85992 5
  • Barcode (Scanned, UPC-A): 724382859925
  • Label Code: LC1626
  • Price Code (I): 070
  • Price Code (F): PM 520
  • Rights Society: BIEM/STEMRA
  • Rights Society: BMI
  • Rights Society: ASCAP
  • Matrix / Runout (Variant 1): 828599 @ 3 1-5-22-NL
  • Matrix / Runout (Variant 2): 828599 @ 3 1-1-2-NL
  • Matrix / Runout (Variant 3): 828599 @ 3 1-1-19-NL
  • Matrix / Runout (Variant 4): 828599 @ 3 1-1-16-NL
  • Matrix / Runout (Variant 5): 828599 @ 3 1-1-12-NL
  • Matrix / Runout (Variant 6): 828599 @ 3 1-1-10-NL
  • Matrix / Runout (Variant 7): 828599 @ 3 1-2-16-NL
  • Matrix / Runout (Variant 8): 828599 @ 3 1-1-9-NL
  • Matrix / Runout (Variant 9): 828599 @ 3 1-2-8-NL
  • Matrix / Runout (Variant 10): 828599 @ 3 1-2-10-NL
  • Matrix / Runout (Variant 11): 828599 @ 3 1-1-21-NL
  • Matrix / Runout (Variant 12): 828599 @ 3 1-1-23-NL
  • Matrix / Runout (Variant 13): 828599 @ 3 1-5-12-NL

Other Versions (5 of 137)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Ill Communication (2×LP, Album, Gatefold) Grand Royal C1 7243 8 28599 1 8 US 1994
Recently Edited
Ill Communication (CD, Album) Grand Royal TO-8230 Japan 1994
Recently Edited
Ill Communication (2×LP, Album, Gatefold) Brooklyn Dust Music GR006, GR 006 US 1994
Recently Edited
Ill Communication (CD, Album, Club Edition) Grand Royal CDP 528599 US 1994
Recently Edited
Ill Communication (Cassette, Album, Clean) Capitol Records 7243 8 28599 4 9 US 1994

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Reviews

  • luckje_mj's avatar
    luckje_mj
    Hier der Nachfolger des "Check your head"-Albums, das musikalisch mit sehr harten, derben Raps und Musik in die gleiche Kerbe schlägt. Im ersten Song "Sure shot" stellen die drei MCs sich vor, wobei Ad Rock gleich eins klarstellt: "I´ve got more rhymes than I´ve got grey hairs". Der zweite Song "Tough guy", in dem es um den ehemaligen Basketballspieler Bill Laimbeer geht, hätte so auch von Punkveteranen wie Minor Threat oder den Dead Kennedys stammen können. Rap bzw. HipHop ist ein hartes Geschäft und "Putting songs together ain´t no puzzle like Yahtzee", erfahren wir in "B-Boys makin´ with the freak freak". Das Instrumentalstück "Bobo on the corner" dient dann erstmal zum Runterkommen, bevor der Song "Root down", der auch als Single ausgekoppelt wurde, die Rapmaschine wieder anspringen lässt. Das folgende "Sabotage" ist eines der bestens Songs der Beastie Boys und auch das Video, indem sie als Verbrecher gejagt werden ist sehenswert. In den Texten werden viele Vergleiche zu Berühmtheiten gezogen, die ich erstmal bei Wikipedia nachschauen musste, allen voran, bei der folgenden Textzeile in "Get it together": "Yes I´m getting funky and I´m shooting all my jism like John Holmes, the x-rated nigger". Dass sich die Musiker auch für die Erhaltung der Erde, genauso wie für die Freiheit Tibets einsetzen, kann man in "The update" hören. Das Instrumentalstück "Eugene´s lament" wartet dann mit jazzigen Momenten und einem Geigensolo auf. Immer wieder betonen Mike D, MCA und Ad Rock wie gut sie rappen bzw. reimen können: "Building rhymes like a Stonehenge druid" ("Do it") und "People looking at me like I was David Koresh" ("The scoop"). Hardcorepunk, allerdings mit ruhigen agen wird dann noch mal bei "Heart attack man" geliefert.
    Diese drei weißen, kaputten Typen sind im HipHop einfach nicht mehr wegzudenken.

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