Tortoise – TNT
Label: |
Thrill Jockey – THRILL 050 |
|---|---|
Format: |
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Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Post Rock |
Tracklist
| A1 | TNT | 7:33 | |
| A2 | Swung From The Gutters | 5:52 | |
| A3 | Ten-Day Interval | 4:44 | |
| B1 | I Set My Face To The Hillside | 6:08 | |
| B2 | The Equator | 3:42 | |
| B3 | A Simple Way To Go Faster Than Light That Does Not Work | 3:33 | |
| C1 | The Suspension Bridge At Iquazú Falls | 5:38 | |
| C2 | Four-Day Interval | 4:45 | |
| C3 | In Sarah, Mencken, Christ, And Beethoven There Were Women And Men | 7:29 | |
| D1 | Almost Always Is Nearly Enough | 2:42 | |
| D2 | Jetty | 8:21 | |
| D3 | Everglade | 4:21 |
Companies, etc.
- Recorded At – Soma Electronic Music Studios
- Edited At – Soma Electronic Music Studios
- Mixed At – Soma Electronic Music Studios
- Recorded At – Idful Music
- Mastered At – SAE Mastering
- Published By – Onions Wrapped In Rubber Music
- Copyright © – Tortoise
- Phonographic Copyright ℗ – Thrill Jockey
- Mastered At – Record Technology Incorporated – 1960
- Mastered At – Record Technology Incorporated – 2028
- Mastered At – Record Technology Incorporated – 2052
Credits
- Bassoon – Caitlin Horsmon
- Cello – Popahna Brandes
- Composed By – Tortoise
- Cornet – Rob Mazurek
- Design [Sleeve Design] – Tortoise
- Layout [Layout Assistance By] – Sheila Sachs
- Mastered By – Roger Seibel
- Performer [Tortoise Is] – John McEntire
- Programmed By [Additional Programming] – John Herndon
- Recorded By, Edited By, Mixed By – John McEntire
- Trombone – Sara P. Smith
- Violin – Julie Liu
Notes
Recorded, edited, and mixed at SOMA Electronic Music Studios, with the exception of "Ten-Day Interval" and "Four-Day Interval," which were recorded at Idful Music Corporation. Recorded and mixed the year beginning November 1996 and ending November 1997.
Track D2 is an alternate version of the track "La Jetée" on Isotope 217's album "The Unstable Molecule".
Side one and three end in a locked groove.
Gatefold jacket with glossy outer jacket and matte finish inner jacket.
The runouts are etched apart from SAE MASTERING which is stamped.
Track D2 is an alternate version of the track "La Jetée" on Isotope 217's album "The Unstable Molecule".
Side one and three end in a locked groove.
Gatefold jacket with glossy outer jacket and matte finish inner jacket.
The runouts are etched apart from SAE MASTERING which is stamped.
Barcode and Other Identifiers
- Barcode: 036172875016
- Barcode (Text): 0 36172-8750-1 6
- Matrix / Runout (Side A runout): THRILL-050-A SAE MASTERING 1960.1(3)
- Matrix / Runout (Side B runout): THRILL-050-B SAE MASTERING 1960.2(3)
- Matrix / Runout (Side C runout): THRILL-050-C RE-1 SAE MASTERING 2028.3(3)
- Matrix / Runout (Side D runout): THRILL-050-D RE-2 2052.4(3)
Other Versions (5 of 28)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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TNT (CD, HDCD, Album) | Thrill Jockey | THRILL 050 | US | 1998 | ||
| TNT (CD, HDCD, Album) | Virgin | 08705 - 2, 845475 2 | UK | 1998 | |||
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Recently Edited
|
TNT (2×LP, Album) | City Slang | EFA 08705 - 1 | 1998 | |||
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Recently Edited
|
TNT (CD, HDCD, Album) | City Slang | EFA 08705 - 2 | 1998 | |||
|
Recently Edited
|
TNT (CD, Album) | Thrill Jockey | TKCB-71338 | Japan | 1998 |
Recommendations
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2000 CanadaVinyl —LP, Album -
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Reviews
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Purchased a used copy for 50 bucks the other day, and I’m blown away with how this sounds. Glad I didn’t spend 48 + tax on the reissues that I’ve only heard bad things about. Side 1 is one of coolest, most grooviest sides of wax I can think of. Locked grooves let the album go on just a bit longer. Another Jeff Parker project I can listen to endlessly
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Edited one year agoThe vibraphone in "Ten-Day Interval" should be one of the greatest moments in ultra high-end vinyl reproduction, stupendous presence and hue, AWESOME!!!!!!
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It’s a beautiful pressing and such a great album. Took me forever to get into it and once I did, it became a fave. -
It's a fantastic high-quality recording with sonic separation between instruments to allow for panning effects during songs, while still maintaining a tight sound throughout. Someone at the recording studio put a lot of thought into how this would all fit together in the end. Rather than be distracting, it makes the music even more mesmerizing. 10/10 -
Edited 5 years agoPaid $40 for this at my local record store. it is in near mint condition. It's was worth every penny. The original pressing sounds amazing. I see the price is going up every year. -
Release
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Recently Edited
Recently Edited
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