Tracklist
| 1 | 1977 | 1:39 | |
| 2 | Listen | 2:43 | |
| 3 | Jail Guitar Doors | 3:03 | |
| 4 | City Of The Dead | 2:23 | |
| 5 | The Prisoner | 3:01 | |
| 6 | Pressure Drop | 3:36 | |
| 7 | 1-2 Crush On You | 2:57 | |
| 8 | Groovy Times | 3:30 | |
| 9 | Gates Of The West | 3:26 | |
| 10 | Capital Radio Two | 3:20 | |
| 11 | Time Is Tight | 4:05 | |
| 12 | Justice Tonight / Kick It Over | 8:53 | |
| 13 | Robber Dub | 4:41 | |
| 14 | The Cool Out | 3:54 | |
| 15 | Stop The World | 2:33 | |
| 16 | The Magnificent Dance | 5:37 | |
| 17 | Radio Clash | 4:10 | |
| 18 | First Night Back In London | 3:00 | |
| 19 | Long Time Jerk | 2:57 | |
| 20 | Cool Confusion | 3:15 | |
| 21 | Mustapha Dance | 4:25 |
Companies, etc.
- Record Company – Sony Music Entertainment Inc.
- Distributed By – Sony Music
- Phonographic Copyright ℗ – Sony Music Entertainment (UK) Ltd.
- Copyright © – Sony Music Entertainment (UK) Ltd.
- Published By – Nineden Ltd.
- Published By – Keep On Kicking Music
- Published By – Beat That Music Ltd.
- Published By – Rondor Music Ltd.
- Published By – Sparta Florida Music Group Ltd.
- Recorded At – CBS Studios, London
- Recorded At – Marquee Studios
- Recorded At – Utopia Studios
- Recorded At – Wessex Sound Studios
- Recorded At – Island Studios
- Recorded At – The Automatt
- Recorded At – Record Plant, N.Y.C.
- Recorded At – Pluto Studios
- Recorded At – Electric Lady Studios
- Recorded At – Marcus Recording Studios
- Recorded At – Rolling Stones Mobile
- Recorded At – Ear Studios, London
- Recorded At – Peoples Hall
- Mixed At – Wessex Sound Studios
- Remixed At – Power Station
- Remastered At – Whitfield Street Recording Studios
- Made By – Sony Music
- Glass Mastered At – DADC
Credits
- Bass, Vocals – Paul Simonon
- Compilation Producer – Kosmo Vinyl
- Design [Additional Design] – Jules & Josh
- Design [Original Design] – Paul & Jules
- Drums, Percussion – Topper Headon
- Guitar, Vocals – Mick Jones
- Photography By [Clash Photo] – Pennie Smith
- Photography By [Cover Photo] – Rocco Redondo
- Producer – The Clash (tracks: 5 to 12, 14 to 20)
- Project Manager [Project Director] – Gary Pacheco
- Remastered By – Ray Staff
- Supervised By [Re-Mastering Supervised By] – Bill Price
- Vocals, Guitar – Joe Strummer
- Written-By – W. Williams* (tracks: 12)
Notes
All titles published by Nineden Ltd. except tracks 6 Keep On Kicking Music/Beat That Music Ltd., 11 Rondor Music Ltd., 12 Sparta Florida Music Group Ltd.
Track 1 Recorded at CBS Studios, Whitfield Street, London W1, February 1977. 1st released as B side of single 'White Riot'. UK 18th March 1977.
Track 2 (Instrumental) Recorded at CBS Studios, London, April 1977. From the original 'Capital Radio' EP - only available through New Musical Express April 1977.
Track 3 Recorded at CBS Studios, London September 1977. 1st released as B side of the 'Clash City Rockers' single - UK 17th February 1978.
Track 4 Recorded at CBS Studios, London August 1977. 1st released as B side of the 'Complete Control' Single - UK 23rd September 1977.
Track 5 Recorded at Marquee Studio, London, March 1978. 1st released as B side of 'White Man in Hammersmith Palais' single - UK 16th June 1978.
Track 6 Recorded at Marquee Studio, Richmond Mews, London W1, March 1978. 1st released as B side of the 'English Civil War' single - UK 23rd February 1979.
Track 7 Recorded at Marquee Studio, London, March & possibly June 1978. 1st released as B side of 'Tommy Gun' single - UK 24th November 1978.
Track 8 Recorded at CBS Studios, London and Utopia Studios, Spencer Court, London NW1, May 1978. Recorded and mixed at Wessex Studios, Highbury New Park, London, January 1979. 1st released on the 'Cost of Living' EP - UK 11th May 1979.
Track 9 Recorded at Island Studios, Basing Street, London W11 April/May 1978, The Automatt, Folsom Street, San Francisco August 1978, The Record Plant, 321 W44 Street, New York City, N.Y. September 1978. Mixed at Wessex Studios, London, January 1979 - 1st released on the 'Cost of Living' EP - UK 11th May 1979.
Track 10 Recorded at Wessex Studios, London, January 1979. 1st released on the 'Cost of Living' EP - UK 11th May 1979.
Track 11 Recorded at Marquee Studio, London, March 1978. Remixed at Wessex Studios, London, August 1980. 1st release on 'Black Market Clash' 10" record USA October 1980.
Track 12 Recorded Wessex Studios, London, November 1979. 1st released as dub side on ''London Calling'/'Armagideon Time' 12" single - UK 11th January 1980.
Track 13 Recorded at Pluto Studios, Granby Row, Manchester. Produced at the Controls' Dread 1980. 1st released on 'Black Market Clash' 10" record USA October 1980.
Track 14 Recorded at Electric Lady Studios, W.8th Street, New York City, 1980. Remixed at Wessex Studios, London, February 1981. 1st released on 'Magnificient Seven'/'The Call Up' 12" single, USA 27th March 1981.
Track 15 Recorded at Electric Lady Studios, New York City, March 1980. Recorded and mixed at Wessex Studios, London, September 1980. 1st released as B side 'The Call Up' single, UK 28th November 1980.
Track 16 Recorded at Electric Lady Studios, New York City, March 1980. Remixed at Wessex Studios, London, February 1981. 1st released on 'Magnificient Seven'/'The Call Up' 12" single, USA 27th March 1981.
Track 17 Recorded at Marcus Music UK Studio, Kensington Gardens, London W2 April 1981. 1st released as B side of the 'This is Radio Clash' single - UK 20th November 1981.
Track 18 Recorded on the Rolling Stones Mobile, Ear Studios, Peoples Hall, Latimer Road, London W10, September 1981 and Electric Lady Studios, New York City, November/December 1981. 1st released as B side of 'Know Your Rights' single- UK 23rd April 1982.
Track 19 Recorded at Ear Studios, London W10, September 1981 and Electric Lady Studios, New York City, November/December 1981. 1st released as B side of 'Rock The Casbah' single - UK 11th June 1982.
Track 20 Recorded at Electric Lady Studios, New York City, November/December 1981. 1st released as B side of 'Should I Stay Or Should I Go' - USA 24th June 1982.
Track 21 Recorded at Electric Lady Studios, New York City, November/December 1981. Remixed Power Station Studios, W53rd Street, New York City, May 1982. 1st released on 'Rock the Casbah' 12" single - UK 18th June 1982.
Original Sound Recording made by Sony Music Entertainment (UK) Ltd. The Copyright in the sound recording is owned by Sony Music Entertainment (UK) Ltd. Columbia is the exclusive trademark of Sony Music Entertainment Inc.
Track 1 Recorded at CBS Studios, Whitfield Street, London W1, February 1977. 1st released as B side of single 'White Riot'. UK 18th March 1977.
Track 2 (Instrumental) Recorded at CBS Studios, London, April 1977. From the original 'Capital Radio' EP - only available through New Musical Express April 1977.
Track 3 Recorded at CBS Studios, London September 1977. 1st released as B side of the 'Clash City Rockers' single - UK 17th February 1978.
Track 4 Recorded at CBS Studios, London August 1977. 1st released as B side of the 'Complete Control' Single - UK 23rd September 1977.
Track 5 Recorded at Marquee Studio, London, March 1978. 1st released as B side of 'White Man in Hammersmith Palais' single - UK 16th June 1978.
Track 6 Recorded at Marquee Studio, Richmond Mews, London W1, March 1978. 1st released as B side of the 'English Civil War' single - UK 23rd February 1979.
Track 7 Recorded at Marquee Studio, London, March & possibly June 1978. 1st released as B side of 'Tommy Gun' single - UK 24th November 1978.
Track 8 Recorded at CBS Studios, London and Utopia Studios, Spencer Court, London NW1, May 1978. Recorded and mixed at Wessex Studios, Highbury New Park, London, January 1979. 1st released on the 'Cost of Living' EP - UK 11th May 1979.
Track 9 Recorded at Island Studios, Basing Street, London W11 April/May 1978, The Automatt, Folsom Street, San Francisco August 1978, The Record Plant, 321 W44 Street, New York City, N.Y. September 1978. Mixed at Wessex Studios, London, January 1979 - 1st released on the 'Cost of Living' EP - UK 11th May 1979.
Track 10 Recorded at Wessex Studios, London, January 1979. 1st released on the 'Cost of Living' EP - UK 11th May 1979.
Track 11 Recorded at Marquee Studio, London, March 1978. Remixed at Wessex Studios, London, August 1980. 1st release on 'Black Market Clash' 10" record USA October 1980.
Track 12 Recorded Wessex Studios, London, November 1979. 1st released as dub side on ''London Calling'/'Armagideon Time' 12" single - UK 11th January 1980.
Track 13 Recorded at Pluto Studios, Granby Row, Manchester. Produced at the Controls' Dread 1980. 1st released on 'Black Market Clash' 10" record USA October 1980.
Track 14 Recorded at Electric Lady Studios, W.8th Street, New York City, 1980. Remixed at Wessex Studios, London, February 1981. 1st released on 'Magnificient Seven'/'The Call Up' 12" single, USA 27th March 1981.
Track 15 Recorded at Electric Lady Studios, New York City, March 1980. Recorded and mixed at Wessex Studios, London, September 1980. 1st released as B side 'The Call Up' single, UK 28th November 1980.
Track 16 Recorded at Electric Lady Studios, New York City, March 1980. Remixed at Wessex Studios, London, February 1981. 1st released on 'Magnificient Seven'/'The Call Up' 12" single, USA 27th March 1981.
Track 17 Recorded at Marcus Music UK Studio, Kensington Gardens, London W2 April 1981. 1st released as B side of the 'This is Radio Clash' single - UK 20th November 1981.
Track 18 Recorded on the Rolling Stones Mobile, Ear Studios, Peoples Hall, Latimer Road, London W10, September 1981 and Electric Lady Studios, New York City, November/December 1981. 1st released as B side of 'Know Your Rights' single- UK 23rd April 1982.
Track 19 Recorded at Ear Studios, London W10, September 1981 and Electric Lady Studios, New York City, November/December 1981. 1st released as B side of 'Rock The Casbah' single - UK 11th June 1982.
Track 20 Recorded at Electric Lady Studios, New York City, November/December 1981. 1st released as B side of 'Should I Stay Or Should I Go' - USA 24th June 1982.
Track 21 Recorded at Electric Lady Studios, New York City, November/December 1981. Remixed Power Station Studios, W53rd Street, New York City, May 1982. 1st released on 'Rock the Casbah' 12" single - UK 18th June 1982.
Original Sound Recording made by Sony Music Entertainment (UK) Ltd. The Copyright in the sound recording is owned by Sony Music Entertainment (UK) Ltd. Columbia is the exclusive trademark of Sony Music Entertainment Inc.
Barcode and Other Identifiers
- Barcode (Scanned): 5099749535220
- Barcode (Text): 5 099749 535220
- Label Code: LC 0162
- Price Code: CB 681
- Rights Society: MS / BIEM / SDRM
- Other (Manufacturing code): 4953522000
- Matrix / Runout (Variant 1): Sony Music S4953522000-0101 55 A00
- Mastering SID Code (Variant 1): IFPI L555
- Mould SID Code (Variant 1): IFPI 942S
- Matrix / Runout (Variant 2): Sony Music S4953522000-0101 13 A2
- Mastering SID Code (Variant 2): IFPI L553
- Mould SID Code (Variant 2): IFPI 944C
- Matrix / Runout (Variant 3): Sony Music S4953522000-0101 44 A00
- Mastering SID Code (Variant 3): IFPI L554
- Mould SID Code (Variant 3): IFPI 94K5
- Matrix / Runout (Variant 4): Sony Music S4953522000-0101 35 A8
- Mastering SID Code (Variant 4): IFPI L555
- Mould SID Code (Variant 4): IFPI 946A
- Matrix / Runout (Variant 5): Sony Music S4953522000-0101 44 A00
- Mastering SID Code (Variant 5): IFPI L554
- Mould SID Code (Variant 5): IFPI 945R
- Matrix / Runout (Variant 6): Sony Music S4953522000-0101 13 A2
- Mastering SID Code (Variant 6): IFPI L553
- Mould SID Code (Variant 6): IFPI 942C
- Matrix / Runout (Variant 7): Sony Music S4953522000-0101 35 A4
- Mastering SID Code (Variant 7): IFPI L555
- Mould SID Code (Variant 7): IFPI 946B
- Matrix / Runout (Variant 8): Sony Music S4953522000-0101 35 A4
- Mastering SID Code (Variant 8): IFPI L555
- Mould SID Code (Variant 8): IFPI 945S
- Matrix / Runout (Variant 9): Sony Music S4953522000-0101 35 A8
- Mastering SID Code (Variant 9): IFPI L555
- Mould SID Code (Variant 9): IFPI 94K5
- Matrix / Runout (Variant 10): Sony Music S4953522000-0101 35 A6
- Mastering SID Code (Variant 10): IFPI L555
- Mould SID Code (Variant 10): IFPI 9410
- Matrix / Runout (Variant 11): Sony Music S4953522000-0101 25 A2
- Mastering SID Code (Variant 11): IFPI L555
- Mould SID Code (Variant 11): IFPI 942T
- Matrix / Runout (Variant 12): Sony Music S4953522000-0101 13 A2 *
- Mastering SID Code (Variant 12): IFPI L553
- Mould SID Code (Variant 12): IFPI 947B
- Matrix / Runout (Variant 13): Sony Music S4953522000-0101 13 B1
- Mastering SID Code (Variant 13): IFPI L553
- Mould SID Code (Variant 13): IFPI 947A
- Matrix / Runout (Variant 14): Sony Music S4953522000-0101 25 A2
- Mastering SID Code (Variant 14): IFPI L555
- Mould SID Code (Variant 14): IFPI L949C
- Other (Variant 14, mould hub): *
Other Versions (5 of 44)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Super Black Market Clash (CD, Compilation, Misprint) | Columbia | 474546 2, COL 474546 2 | UK & Europe | 1993 | ||
|
Recently Edited
|
Super Black Market Clash (CD, Compilation, Misprint, Remastered) | Legacy | EK 53191 | US | 1993 | ||
|
Recently Edited
|
Super Black Market Clash (3×10", 33 ⅓ RPM, Compilation, Remastered, Stereo) | Columbia | 474546 1 | UK | 1993 | ||
|
Recently Edited
|
Super Black Market Clash (Cassette, Compilation) | Columbia | 474546 4 | Netherlands | 1993 | ||
|
Recently Edited
|
Super Black Market Clash (3×10", 33 ⅓ RPM, Compilation, Limited Edition, Remastered) | Legacy | E3 53191 | US | 1993 |
Recommendations
Reviews
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Edited one year agoThis is a fascinating release. In the early years of the band, the LP's in the US, had different track listings from the official UK versions. This resulted in a curious anomaly, resulting in an English band having material, across the pond, not available in the band's native country. This is the chief inspiration for this very interesting compilation. Black market Clash brings this material back home, but adding to the excitement is tons of other rare songs also, like 101ers, instrumental, and material that has just not seen the light of day in years. This is a treasure trove, filled with rare nuggets.
If your new to the band, there is no harm at all starting here, but you might prefer starting your Clash collection with more comprehensive collection like the totally excellent 2 disc sets, The Story Of The Clash, that is not in chronological order, or if you want the music chronologically you really will need The Essential Clash, that takes in the incredible Cost Of Living EP, and the mainly ignored This Is England, from a dissolved, splintered version of the band, but hey that's another story, that I might chat about some other time.
Getting back to starting your Clash collection, if you want a sampler, a less comprehensive compilation, check out The Singles, a 1 disc set with the main A sides, originally released on 45RPM, 7 inch vinyl. This will definitely get you and running, and totally in touch with one of the best, most exciting, adventurous bands that ever walked on our planet.
To be honest, Black Market Clash is more for the diehard fans who all ready own, all the studio albums, and want to fill in the gaps, by getting there mitts on this ultra rare, highly desirable rare cuts.
Adding to the excellence is a poster style booklet, that opens up into a decent size. You also get highly informative liner notes explaining everything about the US release situation, and concise information on every song, this will make you fully aware of how lucky you are to have these gems, in your collection. The alternative is taking out a second mortgage and tracking down the originals, and even if you are loaded, you still will not see them all available for sale, as collectors hold, and don't sell these precious records.
The Grain Of Salt, from -
The🅒🅞🅞🅛 Vault
Release
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