Supertramp – Paris
Label: |
A&M Records – SP-6702 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Pop Rock |
Tracklist
| A1 | School | 5:20 | |
| A2 | Ain't Nobody But Me | 4:53 | |
| A3 | The Logical Song | 3:41 | |
| A4 | Bloody Well Right | 6:11 | |
| B1 | Breakfast In America | 2:36 | |
| B2 | You Started Laughing | 3:50 | |
| B3 | Hide In Your Shell | 6:36 | |
| B4 | From Now On | 6:44 | |
| C1 | Dreamer | 3:15 | |
| C2 | Rudy | 6:51 | |
| C3 | A Soapbox Opera | 4:33 | |
| C4 | Asylum | 6:41 | |
| D1 | Take The Long Way Home | 4:35 | |
| D2 | Fool's Overture | 10:14 | |
| D3 | Two Of Us | 1:23 | |
| D4 | Crime Of The Century | 6:14 |
Companies, etc.
- Recorded By – Mobile One
- Phonographic Copyright ℗ – A&M Records, Inc.
- Copyright © – A&M Records, Inc.
- Published By – Almo Music Corp.
- Published By – Delicate Music
- Recorded At – Pavillon De Paris
- Mixed At – Chateau Recorders
- Mastered At – A&M Studios
- Lacquer Cut At – A&M Mastering Studios
- Pressed By – Columbia Records Pressing Plant, Pitman
Credits
- Art Direction – Mike Doud (2)
- Crew [Security] – Wally Gore
- Design – Mike Fink
- Engineer [Lighting System] – Tam Smith
- Engineer [Monitors] – Ian Lloyd "Biggles" Bisley*
- Engineer [Sound System] – Norman Hall
- Engineer [Stage System] – Van Anonson
- Film Technician [Projection] – Gus Thomson
- Illustration [Cover Illustration] – Cindy Marsh (2)
- Lighting – Tony Shepherd (4)
- Liner Notes – David Margereson*
- Management – Mismanagement Inc.
- Management [Manager] – Dave Margereson
- Management [Mismanagement Inc.] – Mark Felton (2)
- Mastered By – Bernie Grundman
- Merchandising – Sue Davies
- Musician [The Band] – Roger Hodgson
- Photography By [Additional Photos] – Steve Smith (3)
- Photography By [Inside Photo] – Mark Hanauer
- Producer, Engineer – Russel Pope
- Production Manager – "Spy" Matthews*
- Stage Manager – Bobby Joe Harvey
- Technician [Rigger] – Jade Dearling
- Words By, Music By – Rick Davies and Roger Hodgson*
Notes
Recorded live at Paris Pavillon November 29th, 1979.
This album was recorded with the Mobile 1 Remote,
mixed at Chateau Recorders, North Hollywood,
and mastered at A&M Recording Studios.
All tracks: Almo Music Corp. & Delicate Music (ASCAP)
Printed in U.S.A.
℗ © 1980 A&M Records, Inc.
Runout information:
Runouts are etched except for "℗[Trumpet]" and the following faint and small letter "A", "B" or "C" which are stamped if present.
This album was recorded with the Mobile 1 Remote,
mixed at Chateau Recorders, North Hollywood,
and mastered at A&M Recording Studios.
All tracks: Almo Music Corp. & Delicate Music (ASCAP)
Printed in U.S.A.
℗ © 1980 A&M Records, Inc.
Runout information:
Runouts are etched except for "℗[Trumpet]" and the following faint and small letter "A", "B" or "C" which are stamped if present.
Barcode and Other Identifiers
- Barcode (Text): 0 7502-16702-1
- Barcode (Scanned): 075021670211
- Other (On inner sleeve 1 of 2): A&M SP-6702-A
- Other (On inner sleeve 2 of 2): A&M SP-6702-B
- Rights Society: ASCAP
- Matrix / Runout (A label): SP-06702-A
- Matrix / Runout (B label): SP-06702-B
- Matrix / Runout (C label): SP-06702-C
- Matrix / Runout (D label): SP-06702-D
- Matrix / Runout (A runout, variant 1): A+M SP06702A-P2 [Trumpet]
- Matrix / Runout (B runout, variant 1): A+M SP06702B-P3 [Trumpet]
- Matrix / Runout (C runout, variant 1): A+M SP06702C-P3 [Trumpet]
- Matrix / Runout (D runout, variant 1): A+M SP06702D-P2 [Trumpet]
- Matrix / Runout (A runout, variant 2): A&M SP06702A-P2 [Trumpet]
- Matrix / Runout (B runout, variant 2): A&M SP06702B-P3 [Trumpet]
- Matrix / Runout (C runout, variant 2): A&M SP06702C-P3 [Trumpet] A
- Matrix / Runout (D runout, variant 2): A&M SP06702D-P1 [Trumpet]
- Matrix / Runout (A runout, variant 3): A&M SP06702A-P2 [Trumpet] A
- Matrix / Runout (B runout, variant 3): A&M SP06702B-P3 [Trumpet]
- Matrix / Runout (C runout, variant 3): A&M SP06702C-P2 [Trumpet] A
- Matrix / Runout (D runout, variant 3): A&M SP06702D-P2 [Trumpet] B
- Matrix / Runout (A runout, variant 4): ℗[Trumpet] A&M SP06702A-P2
- Matrix / Runout (B runout, variant 4): A&M SP06702B-P3 ℗[Trumpet] C
- Matrix / Runout (C runout, variant 4): ℗[Trumpet] A&M SP06702C-P6
- Matrix / Runout (D runout, variant 4): A&M SP06702D-P2 ℗[Trumpet] B
- Matrix / Runout (A runout, variant 5): A+M SP06702A-P2 A P ℗[Trumpet]
- Matrix / Runout (B runout, variant 5): A+M SP06702B-P3 ℗[Trumpet] P
- Matrix / Runout (C runout, variant 5): A+M SP06702C-P3 [Trumpet] A P
- Matrix / Runout (D runout, variant 5): A+M SP06702D-P2 ℗[Trumpet] B P
- Matrix / Runout (A runout, variant 6): A+M SP06702A-P2 P ℗[Trumpet]
- Matrix / Runout (B runout, variant 6): A+M SP06702B-P3 ℗[Trumpet]
- Matrix / Runout (C runout, variant 6): A+M SP06702C-P2 I ℗[Trumpet] A P
- Matrix / Runout (D runout, variant 6): A+M SP06702D-P2 ℗[Trumpet] C P
Other Versions (5 of 160)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Paris (2×LP, Album) | A&M Records | AMLM 66702 | Europe | 1980 | ||
|
Recently Edited
|
Paris (2×LP, Album) | A&M Records | AMLM 66702, AMLH 66702 | Spain | 1980 | ||
|
Recently Edited
|
Paris (2×LP, Album, Stereo, Gatefold) | A&M Records | AMLM 66702 | UK | 1980 | ||
| Paris (2×LP, Album, Gatefold) | A&M Records | SP-6702 | Canada | 1980 | |||
|
Recently Edited
|
Paris (2×LP, Album, Stereo, Gatefold ) | A&M Records | AMLM 66702 | Italy | 1980 |
Recommendations
Reviews
-
Enjoyable double live LP from Supertramp's 1979 world tour stop in Paris. Most but not all of their hits are present, and performances tend to adhere fairly closely to the studio versions. This pressing features excellent sound, at times you forget it's a live recording. My copy has some paper scuffs, but the vinyl plays very quiet and clean, with no noticeable surface noise. -
Excellent mastering. Much better than the digital versions. Quiet pressing as well and an excellent concert. Definitely a must have.
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Cristine Kirchner say more: Supertramp is the best band of the world
Peron and Eva Lives!
Santiago Leuci for the world! -
Edited 11 years agoMany people like live albums because of the alternate performances of hit songs. And while I like to hear the new ideas that a band has to offer in a live performance as well, I also like and respect a band that can sound as in the studio ("Wow! It sounds as on the record!"). That's what I like the most from this terrific live album by Supertramp. Not only is the live document of the band at its peak, but an awesome recording of an incredibly polished band. Bob Siebenberg is one of the most elegant drummers in rock/pop music, and the whole band is a very well-oiled machine. And, contrary to many other live albums, this one has very few overdubs. It's Supertramp at its best, and that's enough to consider "Paris" an essential live album.
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