Can – Tago Mago
Label: |
Mute – 9519-1 |
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Format: |
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Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Avantgarde |
Tracklist
A1 | Paperhouse | 7:29 | |
A2 | Mushroom | 4:08 | |
A3 | Oh Yeah | 7:22 | |
B | Halleluwah | 18:22 | |
C | Aumgn | 17:22 | |
D1 | Peking O. | 11:35 | |
D2 | Bring Me Coffee Or Tea | 6:47 |
Companies, etc.
- Published By – Spoon Music
- Published By – Messer Music
- Phonographic Copyright ℗ – Spoon Records
- Copyright © – Spoon Records
- Licensed From – Spoon Records
- Licensed To – Mute Artists LLC
- Pressed By – Rainbo Records – S-91658
- Pressed By – Rainbo Records – S-91659
- Pressed By – Rainbo Records – S-91660
- Pressed By – Rainbo Records – S-91661
- Recorded At – Inner Space Studio
- Remastered At – Sonopress
- Lacquer Cut At – The Soundmasters
- Manufactured By – Schallplattenfabrik Pallas GmbH – 21603
- Manufactured By – Schallplattenfabrik Pallas GmbH – 21604
Credits
- Bass – Holger Czukay
- Design – Intro (11)
- Design [Cover Design] – U. Eichberger*
- Drums – Jaki Liebezeit
- Guitar – Michael Karoli
- Lacquer Cut By [Vinyl Cut] – Kevin Metcalfe
- Liner Notes – David Stubbs
- Music By, Lyrics By – Karoli*
- Organ, Electric Piano – Irmin Schmidt
- Producer, Composed By, Arranged By – Can
- Remastered By – Andreas Torkler
- Remastered By [Attendance] – Jono Podmore
- Supervised By [Vinyl Mastering] – Jono Podmore
- Vocals – Damo Suzuki
Notes
℗ & © 2014 Spoon Records under exclusive license to Mute Artists Limited.
Remastered Edition appears on spine.
Gatefold cardboard jacket with two printed cardboard inner sleeves, card/voucher and round red hype sticker with black font.
Remastered Edition appears on spine.
Gatefold cardboard jacket with two printed cardboard inner sleeves, card/voucher and round red hype sticker with black font.
Barcode and Other Identifiers
- Barcode (Text): 7 24596 95191 0
- Barcode (Scanned): 724596951910
- Matrix / Runout (Side A, stamped): X SPOON 6-A -21603-
- Matrix / Runout (Side A, etched): S-91658
- Matrix / Runout (Side B, stamped): X SPOON 6-B -21603-
- Matrix / Runout (Side B, etched): S-91659
- Matrix / Runout (Side C, stamped): X SPOON 7-A -21604-
- Matrix / Runout (Side C, etched): S-91660
- Matrix / Runout (Side D, stamped): X SPOON 7-B -21604-
- Matrix / Runout (Side D, etched): S-91661 THE SOUNDMASTERS
Other Versions (5 of 118)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Tago Mago (2×LP, Album, Stereo, Gatefold) | United Artists Records | UAS 29 211/12 X | 1971 | ||||
Recently Edited
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Tago Mago (2×LP, Album) | United Artists Records | UAD 60009, UAD 60010 | UK | 1971 | ||
Recently Edited
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Tago Mago (2×LP, Album, Stereo) | United Artists Records | UAS 29 211/12 X | 1971 | |||
Tago Mago (2×LP, Album) | United Artists Records | UAD 60009, UAD 60010 | UK | 1971 | |||
New Submission
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Tago Mago (2×LP, Album, Promo, Gatefold) | Liberty | LP-93025B | Japan | 1971 |
Recommendations
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2000 CanadaVinyl —LP, Album
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Reviews
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This one seems polarizing, but I have the orange version and it sounds amazing. Dynamics are fantastic. It’s a little hot but that suits this record well.
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I purchased this in 2024. The hype sticker incorrectly labels it as orange vinyl. It is black vinyl. I know there are orange versions, but mine, sadly, is incorrectly promoted on the sticker.
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Bought this 5 years ago, gave it a few listens and put it on the shelf. Don't think my musical tastes were ready back then, but just gave this a spin and its fantastic all the way through. Musically, its an experimental fusion of crunchy guitar work, spacy effects and jazz-funk style drumming. The pressing is top notch and it really sings on my set up. Highly recommended!
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Have to give it 5 stars since it knocks the freaking socks off the CD version. Super dynamic with a full range of separation of sounds. Mastered loud. Sounds hot and bright in certain areas but I really can't detract from that as it seems that's what they were going for with this remastering. Definitely a must own on vinyl and I'm glad that I finally got it.
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Edited 4 years agoI think this pressing sounds great, especially for a lo-fi recording. Soundstage is holographic and absolutely three dimensional. I heard sounds go in a circle in my two-channel system! Rarely do I hear that. Great imaging. Highly recommended.
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Edited 5 years agoWorst inner sleeve of all time. Be sure to replace it with a much better one. Otherwise this isn't a bad reissue IMHO.
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Bought brand new/sealed but has a 3/4" scratch straight across A1. Skipped the 1st time but seems ok on successive plays. Never seen anything cosmetically that bad/obvious on a brand new record.
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I think it's interesting when people say a record "sounds digital" and make other statements along those lines. The sampling rate on a CD (for example) is 44.1 kHz. That's each second divided by 44,100. I'm not saying there's no difference; rather, I don't know whether my ears (or anyone's) are sensitive enough to identify a "digital" source with absolute confidence. Undoubtedly, people will argue they can, and maybe so, but I have my doubts.
Now, a bad pressing is another thing. Too much compression or a bad mix can ruin an LP. But these are problems that plague LPs pressed from analog sources, too. I was really disappointed by Dinosaur Jr. - Give A Glimpse Of What Yer Not (for example) and that was recorded and pressed in 2016! The compression is horrible on the LP and I think the digital formats are superior.
As people often write on Discogs, no record sounds bad in isolation. The question is whether this pressing sounds superior to other pressings. I have only heard this particular pressing (plus CDs, back in the day). It sounds good to me: quiet, and reasonably dynamic. Not shrill, and not muddy. Most of us have not heard a pristine copy of the 1971 German Can - Tago Mago. If anybody here owns or has heard both a first pressing and this 2014 remaster side-by-side, I would be very interested in reading a comparison. (Actually, I would love to hear the 1971 LP and compare the two myself!) I can't say this pressing is "as dynamic" as a 1971 pressing. I can't say it's "more (or less) quiet." I certainly can't say it sounds "digital." Taken in isolation, I think this is a pretty good sounding pressing, especially if you're not inclined to spend a lot more for an original LP.
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