Hazell DeanSearchin' (I Gotta Find A Man) (Original & Special Extended Re-Mix Versions)

Label:

TSR Records – TSR 829

Format:

Vinyl , 12", 33 ⅓ RPM, Stereo, Mono

Country:

US

Released:

Genre:

Electronic

Style:

Disco

Tracklist

A Searchin' (I Gotta Find A Man)
RemixIan Levine
10:01
AA1 Searchin' (I Gotta Find A Man) (Original Version) 8:12
AA2 Searchin' (I Gotta Find A Man) (Instrumental)
RemixIan Levine
7:48

Companies, etc.

  • Published ByDinsdale Music Ltd.
  • Phonographic Copyright ℗TSR Records
  • Mastered AtAllen Zentz Mastering

Credits

  • Arranged ByWinston Sela
  • EngineerFemi Jiya
  • Producer, Written-ByIan Anthony Stephens

Notes

Published by Dinsdale Music Ltd.
℗ 1983 TSR Records
In the runout area is stamped "Mastered at Allen Zentz LA., Calif."

The remixes are mastered in mono; the original version is mastered in stereo.

Issued in a die-cut sleeve that reads on both sides:
Hazell Dean
Searchin' (I Gotta Find A Man)
Original & Special Extended Re-mix Versions

Barcode and Other Identifiers

  • Matrix / Runout (A-Side Runout Etching): TSR-829-A MASTERED AT ALLEN ZENTZ L.A., CALIF.
  • Matrix / Runout (AA-Side Runout Etching): TSR-829-B MASTERED AT ALLEN ZENTZ L.A., CALIF.

Other Versions (5 of 65)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Searchin' (12") Carrere 8407 1983
Recently Edited
Searchin' (I Gotta Find A Man) (Remix) (12", 45 RPM, EP, Stereo) Injection Disco Dance Label 234.602 Netherlands 1983
Recently Edited
Searchin' (I've Got To Find A Man) (12", 45 RPM) Proto (2) ENA(T)X 109 UK 1983
Recently Edited
Searchin' (7", 45 RPM, Single, Stereo) Bellaphon 100·07·227 1983
Recently Edited
Searchin' (I Gotta Find A Man) (7", 45 RPM, Single, Stereo) Injection Disco Dance Label 134.599 Netherlands 1983

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Reviews

  • mjb's avatar
    mjb
    I asked Ian Levine about his remixes on this record, and he said that he did create them in stereo, so the fact that they turned up in mono on the release is a mastering error by the record company. He also mentioned that his versions were the first-ever remixes (that he knows of) which contained more than 50% additional production by the remixer—a notable milestone in the industry, at the time.

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