Quincy Jones – Sounds ... And Stuff Like That!!
Label: |
A&M Records – SP-4685 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Funk / Soul |
Style: |
Soul |
Tracklist
| A1 | Stuff Like That | 6:15 | |
| A2 | I'm Gonna Miss You In The Morning | 3:34 | |
| A3 | Love, I Never Had It So Good | 5:14 | |
| B1 | Tell Me A Bedtime Story | 6:45 | |
| B2 | Love Me By Name | 4:08 | |
| B3 | Superwoman (Where Were You When I Needed You) | 5:25 | |
| B4 | Takin' It To The Streets | 4:24 |
Companies, etc.
- Copyright © – Yellow Brick Road Music Co.
- Copyright © – Nick-O-Val Music
- Copyright © – Antisia Music, Inc.
- Copyright © – Bloody Music, Inc.
- Copyright © – Li'l Bits & The Witch
- Copyright © – Kidada Music Co.
- Copyright © – Black Bull Music, Inc.
- Copyright © – Jobete Music Co., Inc.
- Copyright © – Taurpin Tunes
- Copyright © – A&M Records, Inc.
- Phonographic Copyright ℗ – A&M Records, Inc.
- Produced For – Quincy Jones Productions
- Recorded At – Cherokee Studios
- Recorded At – Westlake Studios
- Recorded At – A&R Studios
- Recorded At – Sound Ideas Studios
- Mixed At – Westlake Audio
- Mastered At – A&M Studios
- Mastered At – Columbia Records Pressing Plant, Santa Maria
- Pressed By – Columbia Records Pressing Plant, Terre Haute
Credits
- Arranged By – Tom Bahler
- Art Direction, Design – Roland Young (3)
- Bass – Anthony Jackson
- Bass Trombone [New York Horn Section] – Alan Raph
- Cello [L.A. String Section] – Gloria Strassner
- Directed By [New York Super Singers: Under The Direction Of] – Tom Bahler
- Drums – Steve Gadd
- Engineer – Bruce Swedien
- Engineer [Assisted By] – Anthony D'Amigo*
- French Horn [L.A. Horn Section] – Sidney Muldrow
- Guitar – Eric Gale
- Harp [L.A. String Section] – Gayle Levant
- Illustration – Brian Davis (9)
- Liner Notes – Alex Haley
- Liner Notes [Acousonic Recording Process] – Bruce Swedien
- Mastered By – Bernie Grundman
- Mixed By – Bruce Swedien
- Percussion – Ralph MacDonald
- Photography By [Inner-Sleeve] – Mark Hanauer
- Piano, Organ – Richard Tee
- Producer – Quincy Jones
- Programmed By [Synthesizer Keyboard Bass] – Clark Spangler
- Saxophone [New York Horn Section] – Howard Johnson (3)
- Saxophone, Flute [L.A. Horn Section] – Jerome Richardson
- Synthesizer, Vocoder [Vocordor], Performer, Programmed By – Michael "Lily" Boddicker*
- Trombone [L.A. Horn Section] – Robert Payne
- Trumpet [L.A. Horn Section] – Snooky Young
- Trumpet [New York Horn Section] – Virgil Jones
- Tuba [L.A. Horn Section] – Roger Bobo
- Viola [L.A. String Section] – Samuel Boghossian
- Violin [L.A. String Section] – Wilbert Nuttycombe
- Violin [L.A. String Section], Concertmaster – Israel Baker
- Vocals [New York Super Singers] – Zach Sanders*
- Vocals [New York Super Singers], Concertmistress – Patti Austin
Notes
"SX T" in deadwax indicates the media was plated at Santa Maria (SX), and pressed at the Terre Haute plant (T).
[Insert]
A1 Copyright ©1978 Yellow Brick Road Music Co. and Nick-O-Val Music (ASCAP)
A2 Copyright ©1978 Yellow Brick Road Music Co. and Antisia Music, Inc. (ASCAP)
A3 Copyright ©1978 Yellow Brick Road Music Co. and Bloody Music, Inc. (ASCAP)
B1 Copyright ©1976 Li'l Bits & The Witch (ASCAP) and Kidada Music Co. (BMI)
B2 Copyright ©1972 Black Bull Music, Inc. and Jobete Music Co., Inc. (ASCAP)
B3 Copyright ©1976 Taurpin Tunes (ASCAP)
©1978 A&M Records, Inc.
Printed In U.S.A.
Produced For Quincy Jones Productions
Recorded at Cherokee Recording Studios, L.A., Westlake II, L.A. and A&R Recording, N.Y.
Jazz Violins on "Tell Me A Bedtime Story" recorded at Sound Ideas, N.Y.
Mastered at A&M Recording Studios, Hollywood
Valerie Simpson, Nick Ashford and Steve Gadd appear courtesy of Warner Bros. Records
Anthony Jackson, Herbie Hancock, Eric Gale, Hubert Laws, Melvin "Wah Wah" Watson, Frank Floyd and Bill Watrous appear courtesy of Columbia Records
Ralph MacDonald and Bill Eaton appear courtesy of Marlin Records, A Division of T.K. Productions, Inc.
Patti Austin appears courtesy of CTI Records
Chaka Khan appears courtesy of ABC Records and Warner Bros. Records
Tom Scott appears courtesy of CBS Records and Ode Records
Jon Fadis appears courtesy of Pablo Records
Luther Vandross appears courtesy of Cotillion Records
Michael Brecker appears courtesy of Arista Records
[Sleeve]
©1978 A&M Records, Inc.
[Spine]
Printed In U.S.A.
[Labels]
© ℗ 1978 A&M Records, Inc.
Printed in U.S.A.
Custom embossed with copper foil on cover.
Some copies included a fold out poster, along with insert for mail-away T-shirt offer and free LP offer, LP included a lyric sleeve.
Some copies were issued with a hype sticker on shrink wrap: CONTAINS THE SINGLE: | stuff | like | that | SP 4685 | PRINTED IN U.S.A.
Runouts are hand-etched. The Santa Maria/Terre Haute part of the matrix string that refers to mastering and pressing (SXT xxxx) might be faded and difficult to read.
[Insert]
A1 Copyright ©1978 Yellow Brick Road Music Co. and Nick-O-Val Music (ASCAP)
A2 Copyright ©1978 Yellow Brick Road Music Co. and Antisia Music, Inc. (ASCAP)
A3 Copyright ©1978 Yellow Brick Road Music Co. and Bloody Music, Inc. (ASCAP)
B1 Copyright ©1976 Li'l Bits & The Witch (ASCAP) and Kidada Music Co. (BMI)
B2 Copyright ©1972 Black Bull Music, Inc. and Jobete Music Co., Inc. (ASCAP)
B3 Copyright ©1976 Taurpin Tunes (ASCAP)
©1978 A&M Records, Inc.
Printed In U.S.A.
Produced For Quincy Jones Productions
Recorded at Cherokee Recording Studios, L.A., Westlake II, L.A. and A&R Recording, N.Y.
Jazz Violins on "Tell Me A Bedtime Story" recorded at Sound Ideas, N.Y.
Mastered at A&M Recording Studios, Hollywood
Valerie Simpson, Nick Ashford and Steve Gadd appear courtesy of Warner Bros. Records
Anthony Jackson, Herbie Hancock, Eric Gale, Hubert Laws, Melvin "Wah Wah" Watson, Frank Floyd and Bill Watrous appear courtesy of Columbia Records
Ralph MacDonald and Bill Eaton appear courtesy of Marlin Records, A Division of T.K. Productions, Inc.
Patti Austin appears courtesy of CTI Records
Chaka Khan appears courtesy of ABC Records and Warner Bros. Records
Tom Scott appears courtesy of CBS Records and Ode Records
Jon Fadis appears courtesy of Pablo Records
Luther Vandross appears courtesy of Cotillion Records
Michael Brecker appears courtesy of Arista Records
[Sleeve]
©1978 A&M Records, Inc.
[Spine]
Printed In U.S.A.
[Labels]
© ℗ 1978 A&M Records, Inc.
Printed in U.S.A.
Custom embossed with copper foil on cover.
Some copies included a fold out poster, along with insert for mail-away T-shirt offer and free LP offer, LP included a lyric sleeve.
Some copies were issued with a hype sticker on shrink wrap: CONTAINS THE SINGLE: | stuff | like | that | SP 4685 | PRINTED IN U.S.A.
Runouts are hand-etched. The Santa Maria/Terre Haute part of the matrix string that refers to mastering and pressing (SXT xxxx) might be faded and difficult to read.
Barcode and Other Identifiers
- Pressing Plant ID (In SXT, etched in the runouts): T
- Rights Society: ASCAP
- Rights Society: BMI
- Matrix / Runout (Label Side A): SP-5107
- Matrix / Runout (Label Side B): SP-5108
- Matrix / Runout (Variant 2, runout side A): A&M SP5107-P1 SXT C 8 S2
- Matrix / Runout (Variant 2, runout side B): A&M SP5108-P2 SXT F3 S1
- Matrix / Runout (Variant 3, runout side A): A&M SP5107-P1 SX T S2
- Matrix / Runout (Variant 3, runout side B): A&M SP5108-P2 SX T S1
- Matrix / Runout (Variant 5, runout side A): A&M SP5107-T2 T S2
- Matrix / Runout (Variant 5, runout side B): A&M SP5108-T2 SXT S1
- Matrix / Runout (Variant 6, runout side A): A&M SP5107-P1 SXT 4-II 2S
- Matrix / Runout (Variant 6, runout side B): A&M SP5107-T1 SXT G1 S5
- Matrix / Runout (Variant 7, runout side A): A&M SP5107-T1 SXT 1B S1
- Matrix / Runout (Variant 7, runout side B): A&M SP5108-T1 B SXT S1
- Matrix / Runout (Variant 8, runout side A): A&M SP5107-T2 F1 SXT S1
- Matrix / Runout (Variant 8, runout side B): A&M SP5107-T2 B SXT S1
Other Versions (5 of 69)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Sounds ... And Stuff Like That!! (LP, Album) | A&M Records | AMLH 64685 | UK | 1978 | ||
|
Recently Edited
|
Sounds ... And Stuff Like That!! (LP, Album) | A&M Records | AMLH 64685 | Europe | 1978 | ||
|
New Submission
|
Sounds ... And Stuff Like That!! (LP, Album, Promo) | A&M Records | SP-4685 | US | 1978 | ||
| Sounds ... And Stuff Like That!! (LP, Album) | A&M Records | LP 5928, SP 4685 | Yugoslavia | 1978 | |||
|
New Submission
|
Sounds ... And Stuff Like That!! (LP, Album) | A&M Records | AMLH 64685 | Greece | 1978 |
Recommendations
Reviews
-
Edited 2 months agoAlbum Revolution #9:
This journey that I am taking on with the ONE and ONLY "Quincy Jones" has been INSPIRING!!!! I have seen the MANY FACES of "Q" (so to speak), being that he transitioned from "Jazz", to "Fusion" and "Soul & R&B"....That even gave him the COURAGE to tackle "Funk", thanks to his association with "The Brothers Johnson"....
But now, it is 1978, and the World was ENAMORED by the "Disco Movement"....By this time, possibly 50% of the sounds you heard (whether is was on the Radio or from the Disco Techs) were "Disco" based ts....
"Quincy" was also FEELING the BEAT...So, with that we have, "Sounds ... And Stuff Like That!!"....
As ALWAYS, "Q" brought along a HOST of Friends like, "Eric Gale", "Ralph MacDonald", "Richard Tee" and "Steve Gadd"....He also GOT DOWN with the FANTASTIC Husband and Wife Artists and Producing team, "Nick Ashford" and "Valerie Simpson"...."Q" also brought in his "God-Daughter", the ONE and ONLY "Patti Austin", along for the party...
Hailing from New York, "Ms. Patti Austin" had ALREADY made a HUGE career for herself, Recording for "Creed Taylor's", "CTI" Label....So it was only FITTING, since she already was part of "Q's" Family, to have this FANTASTIC Vocalist on board!!!!!
Now, FINALLY getting our bearings down, we start with the BUMPIN' "Title Track"....
With the story based on meeting someone at a "Disco Tech", this GET DOWN t had EVERYONE doing the BUMP!!!! With "Ashford & Simpson" being the anchor Vocally, they also ed the Mic to the ONE and ONLY "Chaka Khan"!!!!! Even though she was still a part of "Rufus" at that time, I am sure that she could not resist a Phone Call from "Q" to come in and GRACE this t with her POWERFUL Vocals....This BOMB t is also anchored down by a RIGHTEOUS Guitar ("David T. Walker") and a FLOATING Saxophone ("George Young")....GET DOWN!!!!
"I'm Gonna Miss You In The Morning" is a VERY Smooth and Sultry t...."Ms. Patti Austin" lends her OHHH WEEE Vocals on this one, and she is ed by the ONE and ONLY, "Mr. Vocalist, Luther Vandross"....We again, have a Cheating t going here (Naughty, Naughty)....The t is topped off by the ONE and ONLY "Tom Scott" on "Lyricon".....
The Bass flavored, "Love, I Never Had It So Good" has "Patti" again GRACING her Vocals in a Sultry way....She is ed this time by "Wattsline" member, "Charles May".....
Next, "Q" had a "Q Vision" for "Herbie Hancock's", "Tell Me A Bedtime Story", originally from "Herbie's", "Warner Bros." album, "Fat Albert Rotunda"....In order to pull this off though, "Q" called "Herbie" himself to help him put a "Q" spin on it....It's not too far from the original, it just has a more Sultry sound to it (with Vocals)....It also has "Hubert Laws" on Flute, and "Jim McCurdy" and "Harry Lookofsky", helping the Violins stay in the POCKET.....
"Love Me By Name" has "Ms. Patti Austin" SWOONING us Vocally again....Her Vocals just FLOATS on another Sultry Track that "Q" CONSTRUCTED EXCLUSIVELY for her!!!!! "Herbie Hancock" FLOATS on Keyboards, and "Eric Gale" KILLS the Guitar!!!!!!
Again, not needing the "Stevie Wonder Rule", "Superwoman (Where Were You When I Needed You)" continues "Q's" love for the Artist...Having "Ms. Patti" over the "Herbie" Keyboards, "Hubert" Flute, and "Tom" Lyricon, we have another FLOATING Sultry t....I used to say that NOBODY could EVER do "Stevie"....BOY I WAS WRONG, because "Q" NAILED it EVERY TIME!!!!!
"Q's" Vision for the "Doobie Brothers" CLASSIC, "Takin' It To The Streets" was VERY INTERESTING!!!! Having "Mr. Luther Vandross" and "Gwen Guthrie" on Vocals, it has a Military Drum feel, then it goes into a Smooth Groove, with "Michael Brecker" capping it off on Saxophone....The ending then BREAKS OUT in "Gospel" fashion....Of course, it's not better than the original, but it REALLY is GOOD!!!!
Again, at this stage of the game, "Quincy Jones" could do NO WRONG Musically and Creatively...This was (Again) what he did...At the time, NO ONE could stop this Man from CREATING, ESPECIALLY when People KEPT coming to him!!!!! Think about it, right around the corner was, "The Wiz"!!!!
So, with "Sounds ... And Stuff Like That!!", we just continued to MARVEL at "Mr. Quincy Jones"!!!!! -
Like the m McDonald cover taking it to the streets
For all the cool jams bigreis Spotify. Playlist 1978
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