Pink Floyd – The Wall
Tracklist
1-1 | In The Flesh? | 3:22 | |
1-2 | The Thin Ice | 2:25 | |
1-3 | Another Brick In The Wall (Part 1) | 3:46 | |
1-4 | The Happiest Days Of Our Lives | 1:21 | |
1-5 | Another Brick In The Wall (Part 2) | 4:00 | |
1-6 | Mother | 6:00 | |
1-7 | Goodbye Blue Sky | 2:53 | |
1-8 | Empty Spaces | 2:04 | |
1-9 | Young Lust | 3:29 | |
1-10 | One Of My Turns | 3:37 | |
1-11 | Don't Leave Me Now | 4:16 | |
1-12 | Another Brick In The Wall (Part 3) | 1:43 | |
1-13 | Goodbye Cruel World | 0:45 | |
2-1 | Hey You | 4:44 | |
2-2 | Is There Anybody Out There? | 2:48 | |
2-3 | Nobody Home | 3:37 | |
2-4 | Vera | 1:22 | |
2-5 | Bring The Boys Back Home | 1:17 | |
2-6 | Comfortably Numb | 6:20 | |
2-7 | The Show Must Go On | 1:37 | |
2-8 | In The Flesh | 4:15 | |
2-9 | Run Like Hell | 4:23 | |
2-10 | Waiting For The Worms | 3:56 | |
2-11 | Stop | 0:33 | |
2-12 | The Trial | 5:18 | |
2-13 | Outside The Wall | 1:43 |
Companies, etc.
- Record Company – CBS Records Inc.
- Licensed From – CBS Special Products
- Distributed By – Mobile Fidelity Sound Lab, Inc.
- Manufactured By – Mobile Fidelity Sound Lab, Inc.
- Copyright © – Pink Floyd Music Ltd.
- Phonographic Copyright ℗ – Pink Floyd Music Ltd.
- Published By – Pink Floyd Music Publishers Ltd.
Credits
- Arranged By [Orchestra] – Michael Kamen
- Backing Vocals – Toni Tennille
- Co-producer [Co-produced … By], Engineer [Engineered By] – James Guthrie
- Design [Sleeve] – Roger Waters
- Engineer [Other Engineers] – Rick Hart
- Lyrics By – Roger Waters
- Performer [Pink Floyd] – Roger Waters
- Producer [Produced By] – Roger Waters
- Remastered By [Digital Remastering] – Krieg Wunderlich
- Technician [Sound Equipment] – Phil Taylor (5)
- Written-By – Roger Waters
Notes
- Special Edition Contained In Cardboard Box
- 24k Gold Plated Disc From Mobile Fidelity Sound Lab's "Original Master Recordings" Collection.
Produced Using "Ultradisc" Technology.
- Mastered At The Mastering Lab (Los Angeles, CA, USA).
- Recorded At Superbear (Miravel, ), Producers Workshop (Los Angeles, CA, USA) & C.B.S. (New York, NY, USA) Between April And November 1979.
- The CDs Were Made In Japan.
- 24k Gold Plated Disc From Mobile Fidelity Sound Lab's "Original Master Recordings" Collection.
Produced Using "Ultradisc" Technology.
- Mastered At The Mastering Lab (Los Angeles, CA, USA).
- Recorded At Superbear (Miravel, ), Producers Workshop (Los Angeles, CA, USA) & C.B.S. (New York, NY, USA) Between April And November 1979.
- The CDs Were Made In Japan.
Barcode and Other Identifiers
- Barcode (Text): 0 15775 25372 8
- Barcode (Scanned): 015775253728
- Rights Society: BMI
- SPARS Code: ANALOG-ANALOG-DIGITAL
- Matrix / Runout (CD1 Variant 1): UDCD2-537 1 SP 4WA SPR
- Matrix / Runout (CD2 Variant 1): UDCD2-537 2 SP 4XA SPR
- Matrix / Runout (CD1 Variant 2): UDCD2-537 1 4WD SPR
- Matrix / Runout (CD2 Variant 2): UDCD2-537 2 SP 4XC SPR
- Matrix / Runout (CD1 Variant 3): UDCD2-537 1 SP 4WD SPR
- Matrix / Runout (CD2 Variant 3): UDCD2-537 2 SP 4XA SPR
- Matrix / Runout (CD1 Variant 4): UDCD2-537 1 SP 4WB SPR
- Matrix / Runout (CD2 Variant 4): UDCD2-537 2 SP 4XB SPR
Other Versions (5 of 990)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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The Wall (2×LP, Album, Reissue, Stereo, Gatefold) | Harvest | 1A 158-63410, 1A 158-63411 | Netherlands | 1979 | ||
Recently Edited
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The Wall (2×LP, Album, Stereo, Gatefold) | Harvest | 1C 198-63 410/11 | 1979 | |||
Recently Edited
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The Wall (2×LP, Album, Pitman Press, First Sleeve) | Columbia | PC2 36183, 36183 | US | 1979 | ||
The Wall (2×LP, Album, Santa Maria, Second Sleeve) | Columbia | PC2 36183, 36183 | US | 1979 | |||
Recently Edited
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The Wall (2×LP, Album, Gatefold) | Harvest | 7C 156-63410, 7C 156-63410/11 | Scandinavia | 1979 |
Recommendations
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1979 USLP, Album, Limited Edition, Reissue, Remastered, Stereo
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2011 USA & EuropeHybrid, Multichannel, Stereo, Album, Limited Edition, Reissue, Remastered
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Reviews
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This is practically what the original master tape sounded like. Personally, I think other versions such as the OG CD sound a little better, but this IS the master tape's sound so you have to everything else came from sounding like this at some point.
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Per Steve Hoffman, this (alongside the rest of the Ultradisc 1 series) are all flat transfers. No EQ at all. This is the closest you'll get to the master tape. If you find it too bassy, that's what it sounded like.
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The mastering on this CD is definitely bass-heavy, with a lot of detail hidden in the mix. The 2016 James Guthrie, Joel Plante, and Bernie Grundman remasters are probably the best, though there are some issues with sibilance on those remasters.
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Edited 2 years agoThe MFSL CD is certainly divided into love/hate. After finally getting a copy of the Japan AP40 vinyl, i have to believe the MFSL CD was mastered with that vinyl pressing in mind. The Japanese vinyl has some serious bass like this CD. I prefer that mastering for this particular album (have had the MFSL CD for a few years now). So I'm definitely in the MFSL digital and Japanese vinyl camp. But my experience is limited to the original US vinyl and CD and the remastered LP and CD (which are also excellent). Dont have other CD or vinyl physical media though I've heard the Harvest CDs. Just don't see the need beyond these two at this point.
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Edited 5 years agoI really love this pressing of The Wall. While there is a lot of bass, the mids and treble aren't lost. Hearing sounds from the bass and drums I haven't heard before. I have heard the Japanese CDs from the 80s and I believe those are superior in the treble/mids in of clarity. Both are great pressings for different tastes!
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Edited 4 years agoThis is the closest to the original master tapes as it gets. The original tapes have disintegrated beyond use now.
Mixed for LP.
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Edited 6 years agoI have this. Great collector's item, but is far too bass-y (like a lot of MFSL issues) and is lacking in the higher frequencies, and overall volume.
The "Shine on" and capitol re-issues are the best sounding cd masters of this album.
Release
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Recently Edited
Recently Edited
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