The Beatles – Rubber Soul
Label: |
Parlophone – PCS 3075 |
|---|---|
Format: |
|
Country: |
Worldwide |
Released: |
|
Genre: |
Pop |
Style: |
Pop Rock |
Tracklist
| A1 | Drive My Car | 2:26 | |
| A2 | Norwegian Wood (This Bird Has Flown) | 2:03 | |
| A3 | You Won't See Me | 3:18 | |
| A4 | Nowhere Man | 2:42 | |
| A5 | Think For Yourself | 2:17 | |
| A6 | The Word | 2:41 | |
| A7 | Michelle | 2:40 | |
| B1 | What Goes On | 2:47 | |
| B2 | Girl | 2:29 | |
| B3 | I'm Looking Through You | 2:25 | |
| B4 | In My Life | 2:24 | |
| B5 | Wait | 2:13 | |
| B6 | If I Needed Someone | 2:20 | |
| B7 | Run For Your Life | 2:18 |
Companies, etc.
- Record Company – EMI
- Record Company – E.M.I. Records
- Record Company – The Gramophone Co. Ltd.
- Record Company – Apple Corps Ltd.
- Licensed To – Apple Corps Ltd.
- Phonographic Copyright ℗ – EMI Records Ltd.
- Copyright © – EMI Records Ltd.
- Copyright © – Apple Corps Ltd.
- Marketed By – EMI
- Distributed By – EMI
- Published By – Sony/ATV Music Publishing LLC
- Pressed By – Optimal Media GmbH – BA98292
- Lacquer Cut At – Abbey Road Studios
Credits
- Composed By – Lennon-McCartney (tracks: A1 to A4, A6, A7, B2 to B5, B7)
- Lacquer Cut By [Run-out Etching i...i] – Sean Magee
- Photography By – Robert Freeman (4)
- Producer, Mixed By – George Martin
Notes
"This album has been prepared using the 2009 digital remasters which had been created from George Martin's CD mixes made in 1986."
Track durations are not printed on the release.
Digital Remaster © 2009 The copyright in this sound recording is owned by EMI Records Ltd.
© 2012 EMI Records Ltd. This label copy information is the subject of copyright protection.
All rights reserved. Artwork © 2012 Apple Corps Ltd. Place of manufacture as stated on label.
Marketed and distributed by EMI., Printed in the EU. UK: 0094638241812.
In the runouts all "geometric" marks are rotated and/or mirrored.
Track durations are not printed on the release.
Digital Remaster © 2009 The copyright in this sound recording is owned by EMI Records Ltd.
© 2012 EMI Records Ltd. This label copy information is the subject of copyright protection.
All rights reserved. Artwork © 2012 Apple Corps Ltd. Place of manufacture as stated on label.
Marketed and distributed by EMI., Printed in the EU. UK: 0094638241812.
In the runouts all "geometric" marks are rotated and/or mirrored.
Barcode and Other Identifiers
- Barcode (Text on hype sticker): 0 94638 241812
- Barcode (Scanned from hype sticker, EAN-13): 094638241812
- Label Code: LC 0299
- Rights Society: SDRM BIEM
- Matrix / Runout (Side A runout, variant 1): 94638241812 S BA98292-01A2 JIV⊥
- Matrix / Runout (Side B runout, variant 1): 94638241812 311 i...i M BA98292-01B2
- Matrix / Runout (Side A runout, variant 2): 94638241812 S⊥⊥ S BA98292-01A2 JIV
- Matrix / Runout (Side B runout, variant 2): 94638241812 i...i M BA98292-01B2 2I^
- Matrix / Runout (Side A runout, variant 3): 94638241812 S BA98292-01A2
- Matrix / Runout (Side B runout, variant 3): 94638241812 i…i M BA98292-01B2
- Matrix / Runout (Side A runout, variant 4): 94638241812 VΛ AG S BA98292-01A2
- Matrix / Runout (Side B runout, variant 4): 94638241812 i…i M 3T BA98292-01B2
- Matrix / Runout (Side A runout, variant 5): 9463824A8A2 S BA98292-01A2
- Matrix / Runout (Side B runout, variant 5): 9463824A8A2 i..i M BA98292-01B2
- Matrix / Runout (Side A runout, variant 6): 94638241812 S BA98292-01A2 2X△
- Matrix / Runout (Side B runout, variant 6): 94638241812 i..i M BA98292-01B2 6+
Other Versions (5 of 956)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Rubber Soul (LP, Album, Repress, Mono, Ernest J. Day print) | Parlophone | PMC 1267 | UK | 1965 | ||
| Rubber Soul (LP, Stereo, Album, 1st) | Parlophone | PCS 3075 | UK | 1965 | |||
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Recently Edited
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Rubber Soul (LP, Album, Stereo) | Odeon | SMO 84 066 | 1965 | |||
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Recently Edited
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Rubber Soul (LP, Album, Mono) | Parlophone | PMCM 1267 | New Zealand | 1965 | ||
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Recently Edited
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Rubber Soul (LP, Album, Mono) | Parlophone | PMC 1267 | Scandinavia | 1965 |
Recommendations
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2016 WorldwideVinyl —LP, Album, Reissue, Remastered, Repress, Stereo
Reviews
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I got this as a replacement for my first ever copy, a beat up original mono pressing. the original probably sounds better, but to my ears this is a good record. i might be comparing apples to oranges, and i have to keep in mind that i compared it to a worn record, but on my system it sounds nice! And at a fair price. -
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By all standards, this is a great and flawless pressing, so nothing to worry about there...
But this is made from a digital master and sounds flat and lifeless, compared to any analog stereo pressings from the 60's and 70's. Of course this album always sounded better in mono, so my best advice is getting the -5/-5 mono pressing. -
I thought it was okish till I heard the hazel yarwood -5-5 pressing. That is another level and compared to that, this sounds very ordinary -
Edited 4 months agoVery happy with this pressing. I also have an original Canadian Mono pressing, and a Japanese EAS. I actually prefer this one out of the three. If you want to spend tons of money, you can look for another pressing, but this is the most balanced I’ve heard that is still affordable. Every pressing of RS seems to have their various issues, and this one corrects most of them - albeit from a digital source. I haven’t heard the 2014 mono pressing. -
Edited 6 months agoAs noted, compressed and 'fake stereo'. But, flat and clean German press. I could play this as my go to copy-sparing my monos- BUT for the fact that "Drive Ny Car" and "What Goes On" do not belong on Rubber Soul. They were released as a single on my '65 OG's.
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Compressed to hell. I only bought it because it comes from the 1987 remix by George Martin (like Help!) and I didn't have that one on vinyl. It lacks the power of the mono edition (2014). Sadly it comes from the same digital master they used for the 2009 CDs... It's a shame! The pressing and packaging are excellent, the record comes very clean and shiny, and has no noise whatsoever. It's a shame the sound is so poor.
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Sounds absolutely gorgeous. The mix is still fiddly, but it has a lot more depth and liveliness compared to the original stereo, making it sound full despite the hard panning. The mono is definitely still the way to go until we get another remix (the recent red mixes sound amazing), but this isn't a bad option at all and I like it as an alternate experience.
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