Siouxsie & The Banshees – Through The Looking Glass
Label: |
Wonderland (3) – SHELP 4 |
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Format: |
|
Country: |
UK |
Released: |
|
Genre: |
Rock |
Style: |
Art Rock |
Tracklist
A1 | This Town Ain't Big Enough For The Both Of Us | |
A2 | Hall Of Mirrors | |
A3 | Trust In Me | |
A4 | This Wheel's On Fire | |
A5 | Strange Fruit | |
B1 | You're Lost Little Girl | |
B2 | The enger | |
B3 | Gun | |
B4 | Sea Breezes | |
B5 | Little Johnny Jewel |
Companies, etc.
- Phonographic Copyright ℗ – Polydor Ltd. (London)
- Copyright © – Polydor Ltd. (London)
- Published By – Copyright Control
- Published By – EMI Music Publishing Ltd.
- Published By – Campbell Connelly & Co. Ltd.
- Published By – B. Feldman & Co. Ltd.
- Published By – Planetary-Nom
- Published By – Rondor Music (London) Ltd.
- Published By – Virgin Music (Publishers) Ltd.
- Published By – Mainman
- Published By – Fleur Music Ltd.
- Published By – Island Music Ltd.
- Published By – E.G. Music Ltd.
- Recorded At – Abbey Road Studios
- Mixed At – Abbey Road Studios
- Lacquer Cut At – The Town House
- Pressed By – PRS Ltd.
Credits
- Artwork [Spiral Illustrations] – Stephanie Atkins
- Design, Art Direction – Crocodile (London)*
- Drums, Percussion – Budgie (2)
- Electric Bass – Steven Severin
- Engineer – Mike Hedges
- Engineer [Assistant] – Ian Grimble
- Guitar – John Valentine Carruthers
- Harp – Julie Aliss
- Keyboards – Martin McCarrick
- Mastered By – Kevin Metcalfe
- Photography By – Ewan Fraser
- Producer – Banshees*
- Saxophone – Martin Dobson
- Trombone – Peter Thoms
- Trumpet – Luke Tunney
- Viola – Jocelyn Pook
- Violin – Gini Ball
- Vocals [Voices] – Siouxsie*
Notes
Recorded and mixed at Abbey Road (Studio 2) August/September 1986.
Die cut sleeve.
Included with some first pressings is a promotional poster for the album and also the claim of the die cut out sleeve being a "limited edition".
© Polydor Ltd (London) 1987.
℗ 1987 Polydor Ltd (London)
Die cut sleeve.
Included with some first pressings is a promotional poster for the album and also the claim of the die cut out sleeve being a "limited edition".
© Polydor Ltd (London) 1987.
℗ 1987 Polydor Ltd (London)
Barcode and Other Identifiers
- Barcode: 0 42283 14741 6
- Rights Society: ms
- Matrix / Runout (Runout side A, hand-etched, "SHELP4 A // 2 ▽420 H" stamped): (SHELP4 A // 2 ▽420 H VIVA-MALVINAS !! TOWNHOUSE
- Matrix / Runout (Runout side B, hand-etched, "SHELP4 B // 2 ▽420 H" stamped): SHELP 4 B // 2 ▽420 H HOLA! RODRIGUES, BADOIA + FONSECA'S GANG TOWNHOUSE
Other Versions (5 of 76)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Through The Looking Glass (CD, Album, PDO (W. )) | Wonderland (3) | 831 474-2 | Europe | 1987 | |||
Recently Edited
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Through The Looking Glass (LP, Album, Stereo) | Polydor | 831 474-1 | Europe | 1987 | ||
Recently Edited
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Through The Looking Glass (LP, Album, Stereo) | Polydor | 2420414, 831 474-1 | Yugoslavia | 1987 | ||
Recently Edited
|
Through The Looking Glass (LP, Album) | Geffen Records | GHS 24134 | US | 1987 | ||
Recently Edited
|
Through The Looking Glass (CD, Album, PDO (W. )) | Polydor | 831 474-2 | Europe | 1987 |
Recommendations
Reviews
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SIOUXSIE & THE BANSHEES - Through The Looking Glass (1987)
PAÍS: INGLATERRA
Si es que existe una reina dentro de la movida dark, la corona se la lleva, sin lugar a dudas, la hermosa "Susan Janet Ballion", mejor conocida como SIOUXSIE Sioux quien junto a sus leales "Banshees", lograron consolidarse como la banda precursora del "Postpunk".
Sería en "1975" que "Siouxsie" conocería en "Londres" a "Steven Bailey" mejor conocido como "Steven Severin" viendo actuar a los Sex Pistols y volviéndose unos fans acérrimos de ellos.
Ya para "1976", se incorporarían "Marco Pirroni" en la guitarra y "Sid Vicious" en la batería debutando en un festival punk en un club de "Londres", participando con el larguísimo The Lords Prayer (14 minutos de duración) siendo un debut y despedida ya que la banda se desintegra luego de esta presentación.
Tres meses después, ingresaría en la batería "Kenny Morris" y ya en "1977" la formación se completaría con "Pete Fenton" en la guitarra quien estaría 5 meses con la banda y sería reemplazado por "John McKay" hasta "1979" grabando los dos primeros discos de la banda.
En cuanto al disco de Siouxsie And The Banshees , fue lanzado bajo el sello "Polydor" para el mercado europeo y bajo "Geffen Records" para el mercado americano.
Fue el octavo disco de la banda y lo que llamó la atención fue que todos los temas eran covers de sus artistas favoritos como The Doors , Roxy Music , John Cale , Iggy Pop , Bob Dylan , Billie Holiday , Television y los legendarios Kraftwerk en donde el mismo "Ralf Hutter", elogió la versión que hicieron de The "Hall Of Mirrors".
En cuanto a la presentación, la funda viene con lo que se conoce como "Die Cut Sleeve" además de que el que tengo, está autografiado por toda la banda.
Temas recomendados: TODO EL DISCO
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Although it's a cover version album, It doesn't feel like they playing other people songs it sound like they made their own song .
You will sense the powerful persona , the mysterious hidden beauty , the gloomy mood from this iconic goth : Siouxsie & The Banshees through the looking glass.
Discover our self in the looking glass !
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Edited 10 years agoAlso got a factory-sealed copy with all autographs to clearify, the sleeve was first autographed and then factory-sealed Not autographed on the plastic seal.
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