Killing Joke – What's This For...!
Label: |
Malicious Damage – 2311 082 |
---|---|
Format: |
Vinyl
, LP, Album
|
Country: |
UK |
Released: |
|
Genre: |
Rock |
Style: |
New Wave |
Tracklist
A1 | The Fall Of Because | 5:11 | |
A2 | Tension | 4:31 | |
A3 | Unspeakable | 5:18 | |
A4 | Butcher | 6:09 | |
B1 | Follow The Leaders | 5:32 | |
B2 | Madness | 7:41 | |
B3 | Who Told You How? | 3:37 | |
B4 | Exit | 3:40 |
Companies, etc.
- Phonographic Copyright ℗ – E.G. Records Ltd.
- Copyright © – E.G. Records Ltd.
- Copyright © – Energy Music
- Recorded At – The Town House
- Lacquer Cut At – The Town House
- Pressed By – PRS Ltd.
Credits
- Engineer [Uncredited] – Nick Launay
- Written-By, Producer – Killing Joke
Notes
The second catalogue number appears between brackets on the back sleeve under the first.
©1981 EG Records LTD (sleeve)
Labels:
© Energy Music 1981
℗ 1981 EG Records LTD
Recording studio and engineers are taken from Jaz Coleman's "Letters From Cythera" book (page 278-279).
Pressing plant and cutting facility are derived from matrix.
©1981 EG Records LTD (sleeve)
Labels:
© Energy Music 1981
℗ 1981 EG Records LTD
Recording studio and engineers are taken from Jaz Coleman's "Letters From Cythera" book (page 278-279).
Pressing plant and cutting facility are derived from matrix.
Barcode and Other Identifiers
- Matrix / Runout (Runout side A, variant 1): EG MD 550 A//1▽E TH TOWNHOUSE PADRES PRIDE
- Matrix / Runout (Runout side B, variant 1): EGMD 550 B//1▽E TH TOWNHOUSE NICK & STEVE
- Matrix / Runout (Runout side A, variant 2): EG MD 550 A//1▽E TH L1 TOWNHOUSE PADRES PRIDE
- Matrix / Runout (Runout side B, variant 2): EGMD 550 B//1▽E TH TOWNHOUSE NICK & STEVE
- Matrix / Runout (Runout side A, variant 3): EG MD 550 A//1▽E TH 19 1 TOWNHOUSE PADRES PRIDE
- Matrix / Runout (Runout side B, variant 3): EGMD 550 B//1▽E TH 1 11 TOWNHOUSE NICK & STEVE
Other Versions (5 of 46)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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What's This For...! (LP, Album) | Editions EG | EGM 111 | US | 1981 | |||
Recently Edited
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What's This For...! (LP, Album) | Polydor | 2311 082 | 1981 | |||
Recently Edited
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What's This For...! (LP, Album, Stereo) | Malicious Damage | 2302 109 | Netherlands | 1981 | ||
Recently Edited
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What's This For...! (LP, Album) | Malicious Damage | 2302 109 | 1981 | |||
Recently Edited
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What's This For...! (LP, Album) | Malicious Damage | 2311 082 | Norway | 1981 |
Recommendations
Reviews
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Their best album. The primal grooves, noisy guitar, and touches of synth all combine perfectly to make you feel like a caveman being merged with machinery and sent out into a savage dystopia.
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Unspeakable & butcher on side one, are both «Goth» tracks, in my opinion. The opener on side two:»follow the leader» is also a hot /dance Billboard track . Good album!
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Edited 3 years agoTake heed, "Out of the Virus, Immunity Comes. " This recording/record/music are absolutely crystal clear, mastered to perfection. Absolutely one of the best post punk albums and highly influential on so many genres of music to follow.
Such a menacing and meaningful release. Scary well done, nothing quite like it! The original US release, lathe cut pressing by Sterling sound absolutely perfect, brilliant, and amazing. While What's this For...! a dark dystopia, its also sobering psychedelica in sound; brutally honest, prophetic, and even more relevant today, especially towards our future. I repeat, this record is so psychedelic. Killing Joke delivers a left hook to the liver of humanity and an uppercut to the chin of the disgusting filthy oligarchs on this here earth. It's one of the best sounding ionate simple, primal, and polished releases by Killing Joke. Has clean clarity in instrumentation, constructed for the pulpit as warnings to those living to have an awareness of politicians, false prophets, fat cat pixels and personalities manufacturing consent of the population . Its uncomfortable, quick snap of the whip or valve release of industrialized exhaust mechanically timed; The message: truth in darkness, realize this earth is alive, could have been beautiful, maybe still can be, but cause and effect present stark, bleak finality. "Butcher the womb, expect her to bear" ? -
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Long time KJ fan since my simultaneous discovery in 1984 of S/T (Malicious Damage) 1980 and “Night Time” 1984.
As far as follow-ups to debuts are involved, “What’s This For?” is both a natural continuation as well as a showcase of how unpredictable the band was in of defying expectations. Aside from the album’s “hit” single “Follow The Leaders” which isn’t as representative of the rest of the album as any fan would (or wouldn’t) wish, the remainder of the LP is a mixture of simple brutalism, stripped down songs without much artifice, but by no means lacking in their intensity, both as individual pieces and as a whole.
“What’s THIS For?” is apparently KJ’s first real studio child, sine their debut was rumoured to be birthed out of touring and live performances. “The Fall Of Because” remains a definite killer opener to the album and is often cited as such, while “Tension” has an almost underground pop-ish groove to it, albeit strictly in that unique KJ feel. “Unspeakable” and “Butcher” fall under slightly darker tones but are by no means less hypotic in their tribal effectiveness. “Madness” is in my opinion the low point of the album, featuring additional vocals by Big Paul, although his drumming does appear at times to be a hint on the sloppy side. “Who Told You How” has its own unique feel to it, a bit on the morbid side while “Exit” briefly hints at the energy to be found a few years later on “Fire Dances”.
This album remains a strong entry in a legendary band’s legacy, still often quoted by gatherers as an important stepping stone into the band’s ongoing evolution. It doesn’t seem to scorch the skies as their debut did but still manages to burn the house down if allowed so.
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Edited 19 years agoreviews that described this album as hailing 'a new brutalism' in music were perhaps a reaction to the dominance of the tribal drumming and hypnotic rhythm patterns that had never had such full expression in the post-punk scene of the time. again killing joke delivered a unique music and sound that would influence musicians for years afterwards.
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