Fatboy SlimYou've Come A Long Way, Baby

Label:

Skint – BRASSIC 11CD

Format:

CD , Album

Country:

UK

Released:

Genre:

Electronic

Style:

Big Beat

Tracklist

1 Right Here, Right Now
Written-ByWalsh*
6:28
2 The Rockafeller Skank
Written-ByTerry*
6:54
3 Fucking In Heaven
VocalsFreddy Fresh
3:55
4 Gangster Tripping
Written-ByDavis*
5:20
5 Build It Up - Tear It Down 5:05
6 Kalifornia
Written-ByMr Natural*
5:53
7 Soul Surfing
Written-BySmith*
4:57
8 You're Not From Brighton 5:21
9 Praise You
Written-BySlim*
5:24
10 Love Island 5:18
11 Acid 8000 7:28

Companies, etc.

  • Record CompanySkint Records
  • Distributed By3MV
  • Distributed ByPinnacle (3)
  • Phonographic Copyright ℗Skint Records
  • Copyright ©Skint Records
  • Copyright ©Photodisc Inc.
  • Published ByPolyGram Music
  • Published ByPamco Music
  • Published ByMCA Music Ltd.
  • Published ByGold Forever Music, Inc.
  • Published ByRobbins Music Corp. Ltd.
  • Published ByDust Junkys Music
  • Published ByMo Wax Music Ltd.
  • Published ByBMG Music Publishing
  • Published ByCopyright Control
  • Published ByMaat Music Inc.
  • Licensed FromPolydor Records
  • Licensed FromHolland Group Productions Inc.
  • Licensed ThroughCelebrity Licensing, Inc.
  • Licensed FromGoldmine Soul Supply
  • Licensed FromPatricia Miller
  • Licensed FromWelk Music Group
  • Licensed FromSolesides
  • Licensed FromQuannum Records
  • Recorded AtThe House Of Love (2)
  • Glass Mastered AtDisctronics S

Credits

  • Design, Photography By [Other]Red Design
  • Engineer, Mixed BySimon Thornton
  • Photography By [Front Cover Image, Courtesy Of]Rex Features
  • Photography By, Concept By [Booklet Inside Collage]Simon Thornton
  • ProducerFatboy Slim
  • Written-ByFatboy Slim (tracks: 3, 5, 8, 10, 11)

Notes

Made at The House Of Love.

Track 2 "The Rockafeller Skank" contains elements from "Sliced Tomatoes" as performed by Just Brothers. Also contains a sample from "Beat Girl" by The John Barry Seven included.
Track 4 "Gangster Trippin" contains a sample from "Entropy" as performed by Dust Junkys.
Track 5 "Build It Up - Tear It Down" features a sampled extract by The Purple Fox.
Track 7 "Soul Surfing" features a sample from "I'll Do A Little Bit More" performed by The Olympics.
Track 9 "Praise You" features a sample from "Take Yo Praise" by Camille Yarborough.

Made in England.

℗ Skint Records 1998. © Skint Records 1998. (on back cover and CD)

Desert road photograph copyright © 1997 Photodisc Inc..

All tracks published by Polygram Music, except:
Track 1 published by Polygram Music / Pamco Music / MCA Music Ltd.
Track 2 published by Polygram Music / Gold Forever Music Inc / MCA Music Ltd / Robbins Music Corp Ltd.
Track 4 published by Polygram Music / Dust Junkys Music / Mo Wax Music / MCA Music Ltd.
Track 6 published by Polygram Music / BMG Music Publishing.
Track 7 published by Polygram Music / Copyright Control.
Track 9 published by Polygram Music / Maat Music Inc.

Barcode and Other Identifiers

  • Barcode (Text): 5 025425 551123
  • Barcode (Scanned): 5025425551123
  • Matrix / Runout (Variant 1): DISCTRONICS S BRASSIC 11 CD 02
  • Mastering SID Code (Variant 1): IFPI L502
  • Mould SID Code (Variant 1): IFPI 8749
  • Matrix / Runout (Variant 2): DISCTRONICS S BRASSIC 11 CD 02
  • Mastering SID Code (Variant 2): IFPI L502
  • Mould SID Code (Variant 2): IFPI 8725
  • Matrix / Runout (Variant 3): DISCTRONICS S BRASSIC 11 CD 02
  • Mastering SID Code (Variant 3): IFPI L502
  • Mould SID Code (Variant 3): IFPI 8711
  • Matrix / Runout (Variant 4): DISCTRONICS S BRASSIC 11 CD 02
  • Mastering SID Code (Variant 4): IFPI L502
  • Mould SID Code (Variant 4): IFPI 8719
  • Matrix / Runout (Variant 5): DISCTRONICS S BRASSIC 11 CD 02
  • Mastering SID Code (Variant 5): IFPI L502
  • Mould SID Code (Variant 5): IFPI 8714
  • Matrix / Runout (Variant 6): DISCTRONICS S BRASSIC 11 CD 02
  • Mastering SID Code (Variant 6): IFPI L502
  • Mould SID Code (Variant 6): IFPI 8716
  • Matrix / Runout (Variant 7): DISCTRONICS S BRASSIC 11 CD 01
  • Mastering SID Code (Variant 7): IFPI L502
  • Mould SID Code (Variant 7): IFPI 8785
  • Matrix / Runout (Variant 8): DISCTRONICS S BRASSIC 11 CD 02
  • Mastering SID Code (Variant 8): IFPI L502
  • Mould SID Code (Variant 8): IFPI 8702
  • Matrix / Runout (Variant 9): DISCTRONICS S BRASSIC 11 CD 02
  • Mastering SID Code (Variant 9): IFPI L502
  • Mould SID Code (Variant 9): IFPI 8707
  • Matrix / Runout (Variant 10): DISCTRONICS S BRASSIC 11 CD 01
  • Mastering SID Code (Variant 10): IFPI L502
  • Mould SID Code (Variant 10): IFPI 8726
  • Matrix / Runout (Variant 11): DISCTRONICS S BRASSIC 11 CD 02
  • Mastering SID Code (Variant 11): IFPI L502
  • Mould SID Code (Variant 11): IFPI 8726
  • Matrix / Runout (Variant 12, Mirrored): DISCTRONICS S BRASSIC 11 CD 02
  • Mastering SID Code (Variant 12, Mirrored): IFPI L502
  • Mould SID Code (Variant 12, Mirrored): IFPI 8732
  • Matrix / Runout (Variant 13, Mirrored): DISCTRONICS S BRASSIC 11 CD 02
  • Mastering SID Code (Variant 13, Mirrored): IFPI L502
  • Mould SID Code (Variant 13): IFPI 8724
  • Matrix / Runout (Variant 14, Mirrored): DISCTRONICS S BRASSIC 11 CD 02
  • Mastering SID Code (Variant 14, Mirrored): IFPI L502
  • Mould SID Code (Variant 14): IFPI 8723
  • Matrix / Runout (Variant 15, Mirrored): DISCTRONICS S BRASSIC 11 CD 02
  • Mastering SID Code (Variant 15, Mirrored): IFPI L502
  • Mould SID Code (Variant 15): IFPI 8729
  • Matrix / Runout (Variant 16, Mirrored): DISCTRONICS S BRASSIC 11 CD 02
  • Mastering SID Code (Variant 16, Mirrored): IFPI L502
  • Mould SID Code (Variant 16): IFPI 8727

Other Versions (5 of 97)

View All
Title (Format) Label Cat# Country Year
You've Come A Long Way, Baby (CD, Album) Dance Pool 491973 5 Australia 1998
Recently Edited
You've Come A Long Way, Baby (2×LP, Album) Astralwerks ASW 66247-1 US 1998
Recently Edited
You've Come A Long Way, Baby (2×LP, Album) Skint BRASSIC 11LP UK 1998
You've Come A Long Way, Baby (CD, Album, EMI Glass Master) Skint ASW 66247-2, 0 1704 66247-2 5 US 1998
Recently Edited
You've Come A Long Way, Baby (CD, Album) Skint ESCA 7350 Japan 1998

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Reviews

  • mattcymru2021's avatar
    mattcymru2021
    Edited 3 years ago
    absolute genious... i enjoyed playing fcking in heaven in the pub. praise you though really grates on me now.. i do wish hed make another album...
    • BigBeat25's avatar
      BigBeat25
      Edited 4 years ago
      Wanna hear some good goofy and cheesy music ? This is for you !

      The first time I heard "Right Here, Right Now", I was blown away. I said to myself "This is gonna be awesome".
      And then "The Rockafeller Skank" follows. The first minutes are okay, the funky retro guitar riffs are cool, the beats are nice. However, things become less enjoyable a bit before the fourth minute mark, when the slowing rhythm transitions to a very, very loud high-pitched noise that was not necessary in my opinion. If this is arguably Norman's most well known tune, it's my personal least favorite.
      Fortunately, "F****** In Heaven" (which is a nice recall of Gran Turismo 2) features a more casual atmosphere that will predominate in a few other choons, notably in "You're Not From Brighton", "Gangster Trippin" and "Praise You".
      Otherwise, the other songs offer very danceable vibes that started with "Right Here, Right Now". I will particularly mention the huge beats of "Love Island", the 303 tribute of "Acid 8000" and the heavily distorted lyrics of "Kalifornia".

      I confess that I prefer the dark side of big beat, thanks to artists like The Crystal Method, The Prodigy, Junkie XL, The Chems and Lunatic Calm to quote some the most well-known ones. Therefore, I can't rank "You've Come A Long Way, Baby" as high, yet the latter got unforgettable bangers that are inescapable if you're new to this style.

      As a matter of fact, I do prefer "Better Living Through Chemistry". Even if the level of cheesiness is also non-negligible, I find it more homogeneous and I fully appreciate listening to it from beginning to end, unlike its successor. But that's just me.

      If you like big beats, but you would choose a enjoyable atmosphere to take advantage of on a sunny day, then this is definitely for you, as well as Fatboy's third LP "Halfway Between The Gutter And The Stars" (which is more house oriented) and his "On The Floor At The Boutique" DJ mix.
      To finish in this continuity of a few recommandations, most of the stuff Skint Records released is in the same vein as this CD. I think of artists such as Midfield General (Skint's boss, whose music is as cheesy as Mr. Cook), Cut La Roc, Bentley Rhythm Ace and Lo Fidelity Allstars.
      On other labels, there's also "On The Ropes" by Mint Royale, "The Antidote" by The Wiseguys and "Fused" by Hardwire.
      • NilsLWeber's avatar
        NilsLWeber
        I used to love it, but looking back, it isn't that intersting. I still regard Track 1, 2 and 9 as classics, but the rest reaches from extremely forgettable to horrible annoying - Tracks 3 and 4 are the worst. This style is alright for one song, maybe two - but a whole CD? No thanks
        • RoryHoy's avatar
          RoryHoy
          It's CRAZY to think that this amazing album is now 20 years old - Still one of my favourites.
          • BlueMoonWax's avatar
            BlueMoonWax
            Quality productions, reminds me of my late school days. Mine just says BRASSIC 11.. Same one?
            • Monsieurtumbleweed's avatar
              I never noticed that the dude on the cover is real ugly as well as fat, also this might be the first cd I ever bought!!
              • h4ndcrafted's avatar
                h4ndcrafted
                This is a high quality album from Norman Cook, that is all there is to it. Fun production with great samples that rocked many a party.
                • betacolombia's avatar
                  betacolombia
                  At the end, this si one of the best Big Beat albums ever made, despise of the popularuty of some songs in it. The commercial success is out of the hands of the musician, so there's is no reason to blame Cook for the annoying success of some of his tracks in this album, in fact I don't think when he was making the album thought if some songs will be the headline of some brands or anything. You know in the end, you should go buy this record, forget wherever you listen previously, and enjoy a truly classic, with truly electronic power of the 90's.
                  • shiba's avatar
                    shiba
                    not really my advice... I think that Rockafella skank is one of this rare tracks wich can blow up every party in evry street of evrywhere in the world.
                    Ok: now, that sounds commercial, marketed, targeted, but this is not highly minded music; it's perhaps the only electronic lethal weapon you've got in your collection to make everybody rising their hand during your heavy dully party of specialist.
                    Norman cook, a new rockstar?
                    • behemoth's avatar
                      behemoth
                      Have to agree with Illabadilla on all s. I thought "Praise You" was depressing and "Rockafella" skank was just annoying. The other singles I quite liked, and all the other tracks are very good, but "Acid 8000" is just incredible - his best track by far IMHO.
                      Buy it if you don't already own it - its well cheap now.

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                      • Avg Rating:3.97 / 5
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