BostonBoston

Label:

Epic – 25AP 296

Format:

Vinyl , LP, Album, Stereo

Country:

Japan

Released:

Genre:

Rock

Style:

Classic Rock

Tracklist

A1 More Than A Feeling
Written-ByT. Scholz*
4:46
A2 Peace Of Mind
Written-ByT. Scholz*
5:02
A3 Foreplay/Long Time
Written-ByT. Scholz*
7:49
B1 Rock & Roll Band
Written-ByT. Scholz*
3:00
B2 Smokin'
Written-ByT. Scholz*
4:20
B3 Hitch A Ride
Written-ByT. Scholz*
4:12
B4 Something About You
Written-ByT. Scholz*
3:48
B5 Let Me Take You Home Tonight
Written-ByB. Delp*
4:45

Companies, etc.

  • Manufactured ByCBS/Sony Inc.
  • Phonographic Copyright ℗CBS Inc.
  • Copyright ©CBS Inc.
  • Record CompanyGreat Eastern Gramophone
  • Recorded AtFoxglove Studios, Watertown, MA
  • Recorded AtCapitol Studios
  • Mastered AtCapitol Studios
  • Recorded AtRecord Plant, Los Angeles
  • Mixed AtWestlake Audio

Credits

  • Band [BOSTON Is]Tom Scholz
  • BassFran Sheehan
  • DesignPaula Scher
  • Drums, PercussionSib Hashian
  • Engineer [Assisted By]Doug Ryder*
  • Engineer [Engineered By]Warren Dewey
  • Illustration [Cover]Roger Huyssen
  • Lead Guitar, Rhythm GuitarBarry Goudreau
  • Lead Guitar, Rhythm Guitar, Acoustic Guitar, Guitar [Special Effects], Bass, Organ, Clavinet, PercussionTom Scholz
  • Lead Vocals, Harmony Vocals, 12-String Acoustic Guitar, Rhythm Guitar, PercussionBrad Delp
  • Liner Notes小倉エージ*
  • Management [Direction]Pure Management
  • Management [For Pure Management]Paul Ahern
  • Mastered ByWally Traugott
  • Mixed By [Assisted By]Steve Hodge
  • ProducerTom Scholz

Notes

First Japanese issue with obi & insert featuring Japanese liner notes & English lyrics.

Rice paper CBS/Sony inner sleeve.

Track durations are taken from the Japanese insert and differ slightly from those shown on other worldwide issues.

℗1976 CBS, Inc.

All matrix details are stamped except were indicated otherwise.

Barcode and Other Identifiers

  • Matrix / Runout (Side A and B label matrix number): 25AP 296(E)
  • Matrix / Runout (Side A variant 1): 25AP-296A1 ID14
  • Matrix / Runout (Side B variant 1): 25AP-296B1 ID14 4 (etched) 〄
  • Matrix / Runout (Side A, variant 2): 25AP-296A1 〄 ID9
  • Matrix / Runout (Side B, variant 2): 25AP-296B1 ID9
  • Matrix / Runout (Side A, variant 3): 25AP-296A1 〄 ID3
  • Matrix / Runout (Side B, variant 3): 25AP-296B1 ID5
  • Matrix / Runout (Side A, variant 4): 25AP-196A1 1 A 9 +
  • Matrix / Runout (Side B, variant 4): 25AP-296B1 1 A 11
  • Price Code (Retail price): ¥2,500
  • Matrix / Runout (Side A, variant 5): 25AP-296A1 ID12 +
  • Matrix / Runout (Side B, variant 5): 25AP-296B1 1 D 11

Other Versions (5 of 344)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Boston (LP, Album) Epic PE 34188, 34188 US 1976
Recently Edited
Boston (LP, Album) Epic PE 34188, 34188 Canada 1976
Recently Edited
Boston (LP, Album, Stereo) Epic EPC 81611, PE 34188 Europe 1976
Boston (LP, Album) CBS/Sony APP-1067-E Philippines 1976
New Submission
Boston (LP, Album) Epic ELPS 3785 New Zealand 1976

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Reviews

  • Aryaputhra's avatar
    Aryaputhra
    Edited 7 months ago
    This Japanese pressing beats any overpriced audiophile series by a mile. 😌
    • wvuvt1's avatar
      wvuvt1
      I mean can we at least have one comment on how cool the obi is 🤓, love it
      • caltom's avatar
        caltom
        Edited 11 months ago
        Oh my God it's so silent in the quiet parts. Fantastically clean vinyl. Lively, dynamic, warm, excellent excellent detail and instrument separation. Good soundstage. I don't think the bass is lacking or anything is thin, but I listen to a lot of classic rock on Japanese pressings so I already have just a tiny bit of bass added on the EQ. It all comes across well balanced. I almost want another copy just to preserve the mint copy I got. It's so perfect I'm afraid to touch it haha.

        So I spent some time listening and comparing to lossless digital, various amps, headphones and speakers. Have to say this Japanese pressing is the best sounding source I have. The bass is a bit boosted in the lossless digital flac 44/16. Things get a little muddy. I prefer this record over digital hands down. Kind of amazing really. I have to try the DSD version that's out there but I don't think you're going to get the details from digital here that you will from this record. Odd, but I'm good with it and highly recommend this record.

        Also compared to the 2010 US reissue and prefer this one. The 2010 reissue is too boomy with the bass and as a result masks details. Vocals are far better on the Japanese pressing.

        Also compared to original Wly pressing. I prefer the Japanese pressing still. Though it's amazing how much more bass was added in to the 2010 re-release. The Wly pressing is close to the Japanese pressing with maybe ever so slightly more bass, but not really. Probably more mid range presence. The vocals, the sparkling highs, and crisp cleanness of the Japanese pressing are what win me over. I'll keep the Wly for regular play, guests, and Japanese for special occasions/collection purposes. So I did get another copy, but this is the definitive one in my opinion.
        • bellger's avatar
          bellger
          Sounds sped-up and sound not great. Ended up buying a orig USA 1976/ EPIC - PE 34188, 34188 (Wally mastered) and now I'm a happy camper. Pretty big difference and worth the upgrade.

          • Uchoas's avatar
            Uchoas
            This pressing is awesome, got from a local seller, plays incredibly well on my setup. Go for it!
            • fotografia666's avatar
              fotografia666
              Boston's self-titled album on vinyl is a classic rock masterpiece. The sound quality is crisp and clear, showcasing the band's intricate arrangements and soaring guitar solos. The tracks are well-crafted, blending elements of progressive rock, hard rock and heavy metal. The vinyl format brings out the warmth and depth of each performance, making this album a must-have for fans of classic rock.
              • nofro70's avatar
                nofro70
                Great overall full dynamic, rich and crisp sound! It has plenty of bass and not bright in my opinion, just right!! It sounds just as good, if not better, than my US Wally pressing and my 1st UK pressing. My copy has slightly different matrix numbers than the listing but it has the same catalog number and obi.
                • AnalogRx's avatar
                  AnalogRx
                  Comparing this to the only other copy I own which is the 2009 European MOV. This Japanese pressing is a bit thin sounding, missing the low end dynamics that the 2009 pressing has plenty of, I’m running dual subs. This Japanese pressing does sound cleaner, open and airy and not as bright, obviously analog compared to a digitally remastered MOV version. A little bump up on the bass knob for the Japanese version is all it takes for it to sound really really good. Then again, the 2009 sounds spectacular as well, just with the digital remastered sound. Cannot go wrong with either one, just know what you’re getting as they couldn’t be more different sounding.
                  • Circlebrot's avatar
                    Circlebrot
                    This pressing sounds amazing.
                    Really quiet and great dynamics especially A3's acoustic section.
                    Although it is brighter than US pressing, bass is not missed.
                    Cover is high quality too.
                    Highly recommend this version
                    • 3pennyOprah's avatar
                      3pennyOprah
                      Edited 7 years ago
                      This is a fantastic sounding pressing. I can only highly recommend it. I hope to find a US original in good shape soon and A/B 'em.

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