Beastie Boys – Hello Nasty
Label: |
Grand Royal – 509996 94239 18 |
---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Funk / Soul |
Style: |
Cut-up/DJ |
Tracklist
A1 | Super Disco Breakin' | |
A2 | The Move | |
A3 | Remote Control | |
A4 | Song For The Man | |
A5 | Just A Test | |
A6 | Body Movin' | |
B1 | Intergalactic | |
B2 | Sneakin' Out The Hospital | |
B3 | Putting Shame In Your Game | |
B4 | Flowin' Prose | |
B5 | And Me | |
B6 | Three MC's And One DJ | |
C1 | The Grasshopper Unit (Keep Movin') | |
C2 | Song For Junior | |
C3 | I Don't Know | |
C4 | The Negotiation Limerick File | |
C5 | Electrify | |
D1 | Picture This | |
D2 | Unite | |
D3 | Dedication | |
D4 | Dr. Lee, PhD | |
D5 | Instant Death |
Companies, etc.
- Phonographic Copyright ℗ – Capitol Records, LLC
- Copyright © – Capitol Records, LLC
- Phonographic Copyright ℗ – Beastie Boys
- Copyright © – Beastie Boys
- Manufactured By – Capitol Records, LLC
- Published By – Brooklyn Dust Music
- Published By – PolyGram International Music Publishing, Inc.
- Published By – EMI April Music Inc.
- Published By – Grand Royal Music
- Published By – Street N.I.G.Z. Music
- Published By – Luscious Jackson Music
- Published By – Fido Speaks Music
- Published By – There Is No Try Music
- Published By – Ariwa Music
- Recorded At – G-Son Studios
- Recorded At – The Dungeon
- Recorded At – The Tree House
- Recorded At – Ted Diamond's House Of Hits
- Recorded At – Soho Music Studios
- Recorded At – Harold Dessau Recording
- Recorded At – RPM Studios
- Mixed At – RPM Studios
- Mastered At – Masterdisk
- Published By – Protoons, Inc.
- Published By – Peer International Corp.
- Published By – Full Keel Music
- Published By – Skyview Music
- Published By – Waterhouse Publishing
- Published By – Fiddleback Music Publishing Co. Inc.
- Published By – Warner-Tamerlane Publishing Corp.
- Mastered At – Record Technology Incorporated – 18432
Credits
- Art Direction – Cey Adams
- Design – Bill McMullen
- Design [For] – The Drawing Board
- Engineer – Mario Caldato, Jr.*
- Engineer [2nd, RPM Studios] – Sue Dyer*
- Lacquer Cut By – CB*
- Legal [Samples Cleared At] – My Forte
- Legal [Samples Cleared By] – Pat Shanahan*
- Management – John Silva (3)
- Mastered By – Howie Weinberg
- Photography By [Cover] – Michael Lavine
- Producer – Mario Caldato, Jr.*
- Turntables [Additional DJ Stylings] – Mix Master Mike (tracks: B2, B3, C1)
- Written-By – Wendell Fite (tracks: B6)
Notes
Gate-fold packaging sleeve design, 180 gram vinyl.
℗ © 1998 Capitol Records, LLC and Beastie Boys
All songs ©Brooklyn Dust Music/PolyGram International Music Publishing, Inc. (ASCAP) Except:
B6 ©Brooklyn Dust Music/PolyGram International Music Publishing, Inc. (ASCAP)/EMI April Music Inc./Grand Royal Music/Street N.I.G.Z. Music (ASCAP).
C2 ©Brooklyn Dust Music/PolyGram International Music Publishing, Inc. (ASCAP)/EMI April Music Inc./Grand Royal Music/Luscious Jackson Music (ASCAP)/Fido Speaks Music (ASCAP).
D1 ©Brooklyn Dust Music/PolyGram International Music Publishing, Inc. (ASCAP)/There Is No Try Music (ASCAP).
D3 ©Brooklyn Dust Music/PolyGram International Music Publishing, Inc. (ASCAP)/Fido Speaks Music (ASCAP).
D4 ©Brooklyn Dust Music/PolyGram International Music Publishing, Inc. (ASCAP)/Ariwa Music/Fido Speaks Music (ASCAP).
Recorded at G-Son Studios, with the parquet floors (Los Angeles, CA), The Dungeon (New York, NY), The Tree House (New York, NY), Ted Diamond's House of Hits (New York, NY), Soho Music Studios (New York, NY), Dessau Studios (New York, NY), RPM Studios (New York, NY).
Mixed at RPM Studios (New York, NY).
Mastered at Masterdisk (New York, NY).
Mix Master Mike appears courtesy of Asphodel Ltd.
Jill Cunniff appears courtesy of Grand Royal/Capitol Records.
Miho Hatori appears courtesy of Cibo Matto/Warner Bros. Records
A1 contains a sample from "Sucker MC's" (Krush Groove I), published by Protoons, Inc. (ASCAP), performed by Run D.M.C., courtesy of Profile Records.
A2 contains a sample from "El Rey Y Yo", published by Peer International Corporation (BMI), performed by Los Angeles Negros, courtesy of Capitol Records, a division of Capitol Records, Inc.; and samples of Bobbito's voice and Lord Sear's human beat box which were excerpted from the WKCR "Stretch" Bobbito Lord Sear radio program.
A5 contains an excerpt from "The Pair Extraordinaire" album as performed by The Pair Extraordinaire, used under license from Capitol Records, a division of Capitol Records, Inc.
A6 contains elements from "Oye Come Va", published by Full Keel Music (ASCAP); and samples from "Modern Dynamic Physical Fitness Activities", performed by Ed Durlacher, courtesy of Educational Activities, Inc., Freeport New York, 11520.
B1 contains samples from "Prelude C# Minor", published by Skyview Music (ASCAP), performed by Les Baxter, courtesy of GNP Crescendo Records; and elements from the Jazz Crusaders album, "Powerhouse", used under license from Capitol Records, a division of Capitol Records, Inc.
B3 contains a sample from "No Ice Cream Sound", published by Waterhouse Publishing, performed by Johnny Osborne, courtesy of Jammy's; and a sample from "Whatcha Want?", published by Protoons, Inc., Pretty Helen Music & Lickshot Lyrics, istered by Protoons, Inc. (ASCAP), performed by Nine, courtesy of Profile Records.
C1 contains a sample from "I've Gotta Keep Movin'", published by Fiddleback Music Publishing Co., Inc. (BMI), istered by Warner-Tamerlane Publishing Corp. (BMI), performed by Alex Bradford & Company, under license from PolyMedia, A Division Of PolyGram Group Distribution, Inc.
C4 contains a sample from "Poor Ole Trash Man" performed by Barbara Lynn, courtesy of Music Enterprises, Inc.; and contains an excerpt from the "In"-Citement! album as performed by The Pair Extraordinaire, used under license from Capitol Records, a division of Capitol Records, Inc.
C5 contains an excerpt from "The Firebird Suite", conducted by Leopold Stokowski, used under license from Capitol Records, a division of Capitol Records, Inc.; and a sample from "Company", published by Range Road Music, Inc., Quartet Music, Inc. & Rilting Music, Inc., istered by Herald Square Music Company (ASCAP), performed by Dean Jones and Company, courtesy of Sony Music.
℗ © 1998 Capitol Records, LLC and Beastie Boys
All songs ©Brooklyn Dust Music/PolyGram International Music Publishing, Inc. (ASCAP) Except:
B6 ©Brooklyn Dust Music/PolyGram International Music Publishing, Inc. (ASCAP)/EMI April Music Inc./Grand Royal Music/Street N.I.G.Z. Music (ASCAP).
C2 ©Brooklyn Dust Music/PolyGram International Music Publishing, Inc. (ASCAP)/EMI April Music Inc./Grand Royal Music/Luscious Jackson Music (ASCAP)/Fido Speaks Music (ASCAP).
D1 ©Brooklyn Dust Music/PolyGram International Music Publishing, Inc. (ASCAP)/There Is No Try Music (ASCAP).
D3 ©Brooklyn Dust Music/PolyGram International Music Publishing, Inc. (ASCAP)/Fido Speaks Music (ASCAP).
D4 ©Brooklyn Dust Music/PolyGram International Music Publishing, Inc. (ASCAP)/Ariwa Music/Fido Speaks Music (ASCAP).
Recorded at G-Son Studios, with the parquet floors (Los Angeles, CA), The Dungeon (New York, NY), The Tree House (New York, NY), Ted Diamond's House of Hits (New York, NY), Soho Music Studios (New York, NY), Dessau Studios (New York, NY), RPM Studios (New York, NY).
Mixed at RPM Studios (New York, NY).
Mastered at Masterdisk (New York, NY).
Mix Master Mike appears courtesy of Asphodel Ltd.
Jill Cunniff appears courtesy of Grand Royal/Capitol Records.
Miho Hatori appears courtesy of Cibo Matto/Warner Bros. Records
A1 contains a sample from "Sucker MC's" (Krush Groove I), published by Protoons, Inc. (ASCAP), performed by Run D.M.C., courtesy of Profile Records.
A2 contains a sample from "El Rey Y Yo", published by Peer International Corporation (BMI), performed by Los Angeles Negros, courtesy of Capitol Records, a division of Capitol Records, Inc.; and samples of Bobbito's voice and Lord Sear's human beat box which were excerpted from the WKCR "Stretch" Bobbito Lord Sear radio program.
A5 contains an excerpt from "The Pair Extraordinaire" album as performed by The Pair Extraordinaire, used under license from Capitol Records, a division of Capitol Records, Inc.
A6 contains elements from "Oye Come Va", published by Full Keel Music (ASCAP); and samples from "Modern Dynamic Physical Fitness Activities", performed by Ed Durlacher, courtesy of Educational Activities, Inc., Freeport New York, 11520.
B1 contains samples from "Prelude C# Minor", published by Skyview Music (ASCAP), performed by Les Baxter, courtesy of GNP Crescendo Records; and elements from the Jazz Crusaders album, "Powerhouse", used under license from Capitol Records, a division of Capitol Records, Inc.
B3 contains a sample from "No Ice Cream Sound", published by Waterhouse Publishing, performed by Johnny Osborne, courtesy of Jammy's; and a sample from "Whatcha Want?", published by Protoons, Inc., Pretty Helen Music & Lickshot Lyrics, istered by Protoons, Inc. (ASCAP), performed by Nine, courtesy of Profile Records.
C1 contains a sample from "I've Gotta Keep Movin'", published by Fiddleback Music Publishing Co., Inc. (BMI), istered by Warner-Tamerlane Publishing Corp. (BMI), performed by Alex Bradford & Company, under license from PolyMedia, A Division Of PolyGram Group Distribution, Inc.
C4 contains a sample from "Poor Ole Trash Man" performed by Barbara Lynn, courtesy of Music Enterprises, Inc.; and contains an excerpt from the "In"-Citement! album as performed by The Pair Extraordinaire, used under license from Capitol Records, a division of Capitol Records, Inc.
C5 contains an excerpt from "The Firebird Suite", conducted by Leopold Stokowski, used under license from Capitol Records, a division of Capitol Records, Inc.; and a sample from "Company", published by Range Road Music, Inc., Quartet Music, Inc. & Rilting Music, Inc., istered by Herald Square Music Company (ASCAP), performed by Dean Jones and Company, courtesy of Sony Music.
Barcode and Other Identifiers
- Barcode (Printed): 5 099969 423918
- Barcode (Scanned): 5099969423918
- Rights Society: ASCAP
- Other (Labels, side A & B): 509996 95882 11
- Other (Labels, side C & D): 509996 95883 10
- Matrix / Runout (Side A runout, variant 1, etched): 5099969423918-A 18432.1(3)... CB
- Matrix / Runout (Side B runout, variant 1, etched): 5099969423918-B 18432.2(3)...
- Matrix / Runout (Side C runout, variant 1, etched): 5099969423918-C 18432.3(3)... CB
- Matrix / Runout (Side D runout, variant 1, etched): 5099969423918-D 18423.4(3)... CB
- Matrix / Runout (Side A runout, variant 2, etched): 5099969423918-A CB 18432.1(3)...
- Matrix / Runout (Side B runout, variant 2, etched): 5099969423918-B 2 18432.2(3)...
- Matrix / Runout (Side C runout, variant 2, etched): 5099969423918-C CB 18432.3(3)...
- Matrix / Runout (Side D runout, variant 2, etched): 5099969423918-D CB 18423.4(3)...
Other Versions (5 of 100)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Hello Nasty (CD, Album, Digipak) | Grand Royal | 7243 4 95723 2 4, 495 7232 | Europe | 1998 | ||
Hello Nasty (CD, Album, Enhanced, Digipak) | Capitol Records | CDP 7243 8 37716 2 2 | US | 1998 | |||
Recently Edited
|
Hello Nasty (2×LP, Album) | Grand Royal Records | C1 7243 8 37716 1 5 | US | 1998 | ||
Recently Edited
|
Hello Nasty (2×LP, Album, Limited Edition, Gold Transparent) | Grand Royal | GR061 | US | 1998 | ||
Recently Edited
|
Hello Nasty (CD, Album, DigiPak) | Brooklyn Dust Music | 7243 8 37716 2 2 | Canada | 1998 |
Recommendations
Reviews
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My copy sounds fantastic -- apart from Hello Nasty being a top two Beastie record IMO (and you can argue that it isn't second!) the mix is super clean. Really heavy bass but is well balanced. Very little static and clear vocals. RIP MCA, and long live the Beasties!
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Edited 2 years agoThis album represents the largest disparity between quality of production and quality of manufacture in my entire collection. This record sounds like a cassette that sat in your dad's Camaro for 6 hot summers and got stuck in the deck. I say this as someone with a vested interest in this release, do not buy.
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Edited one year agoI think this sounds great. Yes there is some sibilance but the CD has that too. The only track that I think has it bad is "Just a Test". As mentioned the bass sounds crazy on this and I think if your cart isn't aligned properly it might skip around. I've heard of that happening on a lot of 90s albums with those real deep bass hits. Remaster is pretty good and they did fix a slight audio glitch on "Negotiation Limerick File" which is jarring because I'd gotten so used to it!
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Anyone in Australia happen to receive two copies of disc 1? I have two copies of disc 2. Get in touch!
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Edited 2 years agoThis is my favourite album of all time. This pressing has a lot of bass which I like. I don’t know why people are going on about how the labels are on the wrong side, for me they’re on the right side. This pressing sounds amazing and I would recommend it to anyone. The album itself is (CONTROVERSIAL OPINION ALERT) the best Beastie Boys album.
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People aren't lying about the bass on this one. But it's balanced well; clear mix that is very of the era. Zero complaints. Crack a brew and enjoy.
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loving the quality on this, super clean sounding, bass that slams, vocal mix is slightly low as mentioned below, but that's my only gripe, and a very minor one at that.
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Finally got my hands on a copy, after a deep clean I gave it a spin... on my initial listen the sibilance issues were rampant and would start in at around the second track. After much research and reading other reviews I tried to see what I could do to alleviate or eliminate the issue all together. Turns out, my Ortofon Blue wasn't at the proper tracking force which was the culprit. After a quick adjustment, the record now sounds better. There's still slight sibilance, but not as bad as before.. So, for all you folks having issues... make sure your cartridge is properly aligned and adequate tracking force is dialed in. Double check your anti skate as well. Good luck!
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