Parmegiani*De Natura Sonorum

Label:

M10 – 275 762

Format:

CD , Reissue

Country:

Released:

Genre:

Electronic

Style:

Musique Concrète

Tracklist

Première Série (28:03)
1 Incidences / Résonances 4:00
2 Accidents / Harmoniques 4:46
3 Géologie Sonore 4:34
4 Dynamique De La Résonance 2:53
5 Étude Élastique 6:42
6 Conjugaison Du Timbre 5:05
Deuxième Série (24:49)
7 Incidences / Battements 1:43
8 Natures Éphémères 4:08
9 Matières Induites 3:44
10 Ondes Croisées 2:01
11 Pleins Et Déliés 4:39
12 Points Contre Champs 8:31

Companies, etc.

  • Copyright ©INA
  • Phonographic Copyright ℗INA
  • Made BySNA

Credits

  • LayoutJean-Paul Théodule
  • Liner NotesBernard Noël
  • Liner Notes [English Notes Translation]Michael Taylor (10)
  • Liner Notes [German Notes Translation]Karin Brown*
  • Photography ByBBR-GRM*

Notes

INA © ℗ 1990-2001.
Made in by SNA.
Originally issued as AM 714.01.

Dynamique de la résonance & Incidences / Battements are previously unreleased.

First premiered June 3, 1975 at Salle Wagram (Paris, ) using the Acousmonium broadcasting system developped by Groupe de recherches musicales (GRM).

Liner notes in French, English & German.

Total playing time: 53'02".

Barcode and Other Identifiers

  • Barcode (Text): 3 597492 757620
  • Barcode (String): 3597492757620
  • Rights Society: SACEM SDRM SACD SGDL
  • SPARS Code: ADD
  • Matrix / Runout: [SNA logo] 1 / INA C 3001 04220203 [SNA logo]
  • Mastering SID Code: IFPI L598
  • Mould SID Code: IFPI 1A22

Other Versions (5 of 7)

View All
Title (Format) Label Cat# Country Year
De Natura Sonorum (LP, Album) INA-GRM AM 714.01 1978
Recently Edited
De Natura Sonorum (Cassette, Chrome) INA-GRM 4714 01 1984
Recently Edited
De Natura Sonorum (CD, Album, Reissue) INA-GRM INA C 3001 1990
De Natura Sonorum (CD, Album, Reissue) INA-GRM INA C 3001 1993
De Natura Sonorum (2×LP, 45 RPM, Reissue) Editions Mego REGRM 009 Austria 2013

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Reviews

  • Kater_Murr's avatar
    Kater_Murr
    As the title says, these twelve pieces by Parmegiani are studies of the nature of sounds and their relations to each other. For example, the first piece confronts short and fast percussive events with longer sounds of various resonant bodies; the sixth piece mixes electronically treated sounds of woodwind instruments; the seventh piece explores the resonant capabilities of metallic objects. Although this work is more austere than later works like La création du monde, it might be a good introduction to Parmegiani's so varied and fascinating oeuvre.

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