Rick Wakeman – The Six Wives Of Henry VIII
Label: |
A&M Records – L 34804 |
---|---|
Format: |
Vinyl
, LP, Album, Repress
|
Country: |
Australia |
Released: |
|
Genre: |
Rock |
Style: |
Prog Rock |
Tracklist
A1 | Catherine Of Aragon | 3:41 | |
A2 | Anne Of Cleves | 7:50 | |
A3 | Catherine Howard | 6:35 | |
B1 | Jane Seymour | 4:44 | |
B2 | Anne Boleyn 'The Day Thou Gavest Lord Hath Ended' | 6:30 | |
B3 | Catherine Parr | 7:03 |
Companies, etc.
- Phonographic Copyright ℗ – A&M Records
- Manufactured By – Festival Records Pty. Ltd.
- Made By – Festival Records Pty. Ltd.
- Engineered At – Trident Studios
- Engineered At – Morgan Studios
- Mixed At – Trident Studios
- Mixed At – Morgan Studios
- Recorded At – St Giles' Cripplegate
Credits
- Art Direction – Michael Doud*
- Design – Ken Carroll
- Engineer [Assistant] – Pete Flanagan* (tracks: A2 to B1, B3)
- Engineer, Mixed By – Paul Tregurtha (tracks: A2 to B1, B3)
- Liner Notes – Rick*
- Photography By [Front Cover Photograph By] – Bruce Rae
- Photography By [Inside] – Ruan O'Lochlainn
- Producer, Written-By, Arranged By – Rick Wakeman
- Technician [Keyboards & Amplification Set Up By] – Philip Hepple
Notes
Matt gatefold sleeve
Graduated grey labels with black text.
Front & rear cover uses metallic silver ink.
Album name on labels has 'tall' lettering and label numbers are short. Different to The Six Wives Of Henry VIII with same labels but "square" lettering on album name and tall label numbers.
Catalog # presented on sleeve as: L 34804
Catalog # presented on labels as: L-34,804
As was standard practise for Festival, both the cover and labels reference the original source - (UK Lp AMLH 64361).
℗ 1973 A & M Records.
(NB this edition is a repress on a newer label design)
Instruments:
Custom built Hammond C-3 Organ, RMI Electric Piano & Harpsichord, 2 x Mini-Moog Synthesizer, Mellotron 400-D (Brass/Strings/Flutes), Mellotron 400-D (Vocals/Sound Effects/Vibes), Steinway 9’ Grand Piano, Frequency Counter, Custom Mixer.
In addition to the above instruments a Thomas Goff Harpsichord and ARP Synthesizer were used. All sounds put through two Steoreo Leslies, Fender Duel Showman Amp & two JBL Cabinets. Also used a custom built Oscillator, Fuzz & Wahwah Pedal and Binson Echo Unit. The organ on ‘Jane Seymour’ was recorded at St. Giles, Cripplegate.
‘Katherine Of Aragon’ was engineered and mixed at Trident Studios, London. ‘Anne Boleyn’ was engineered at Morgan Studios, London, and mixed at Trident Studios. All the remaining tracks were engineered and mixed at Morgan Studios.
Hymn at the end of ‘Anne Boleyn’ which is 'The Day Thou Gavest Lord Hath Ended'.
Recorded between February and October, 1972. All songs published by Rondor Music.
This album is based around my interpretations of the musical characteristics of the wives of Henry VIII. Although the style may not always be in keeping with their individual history, it is my personal conception of their characters in relations to keyboard instruments. - Rick.
Graduated grey labels with black text.
Front & rear cover uses metallic silver ink.
Album name on labels has 'tall' lettering and label numbers are short. Different to The Six Wives Of Henry VIII with same labels but "square" lettering on album name and tall label numbers.
Catalog # presented on sleeve as: L 34804
Catalog # presented on labels as: L-34,804
As was standard practise for Festival, both the cover and labels reference the original source - (UK Lp AMLH 64361).
℗ 1973 A & M Records.
(NB this edition is a repress on a newer label design)
Instruments:
Custom built Hammond C-3 Organ, RMI Electric Piano & Harpsichord, 2 x Mini-Moog Synthesizer, Mellotron 400-D (Brass/Strings/Flutes), Mellotron 400-D (Vocals/Sound Effects/Vibes), Steinway 9’ Grand Piano, Frequency Counter, Custom Mixer.
In addition to the above instruments a Thomas Goff Harpsichord and ARP Synthesizer were used. All sounds put through two Steoreo Leslies, Fender Duel Showman Amp & two JBL Cabinets. Also used a custom built Oscillator, Fuzz & Wahwah Pedal and Binson Echo Unit. The organ on ‘Jane Seymour’ was recorded at St. Giles, Cripplegate.
‘Katherine Of Aragon’ was engineered and mixed at Trident Studios, London. ‘Anne Boleyn’ was engineered at Morgan Studios, London, and mixed at Trident Studios. All the remaining tracks were engineered and mixed at Morgan Studios.
Hymn at the end of ‘Anne Boleyn’ which is 'The Day Thou Gavest Lord Hath Ended'.
Recorded between February and October, 1972. All songs published by Rondor Music.
This album is based around my interpretations of the musical characteristics of the wives of Henry VIII. Although the style may not always be in keeping with their individual history, it is my personal conception of their characters in relations to keyboard instruments. - Rick.
Barcode and Other Identifiers
- Matrix / Runout (label side 1): SMX41623
- Matrix / Runout (label side 2): SMX41624
- Matrix / Runout (Runout side A, etched, variant 1): 23 SMX 41623 3 2B
- Matrix / Runout (Runout side B, etched, variant 1): 1 SMX 41624 2B
- Matrix / Runout (Runout side A, etched, variant 2): 21 SMX 41623 3 2B
- Matrix / Runout (Runout side B, etched, variant 2): 30 SMX 41624 3 2B
- Matrix / Runout (Runout side A, etched, variant 3): 28 SMX 41623 2B
- Matrix / Runout (Runout side B, etched, variant 3): 6 SMX 41624 2B
Other Versions (5 of 200)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission
|
The Six Wives of Henry VII (LP, Album, Stereo, Gatefold) | A&M Records | 86 560 IT, 86 560 XOT, C 86 560 A | Austria | 1972 | ||
Recently Edited
|
The Six Wives Of Henry VIII (LP, Album, Stereo, Gatefold) | A&M Records | AMLH 64361 | UK | 1973 | ||
Recently Edited
|
The Six Wives Of Henry VIII (LP, Album, Stereo, Terre Haute pressing) | A&M Records | SP-4361, SP 4361 | US | 1973 | ||
Recently Edited
|
Las Seis Esposas De Enrique VIII (LP, Album) | A&M Records | HDAS 371-87 | Spain | 1973 | ||
Recently Edited
|
The Six Wives Of Henry VIII (LP, Album, Stereo, Gatefold) | A&M Records | 86 560 IT | 1973 |
Recommendations
Reviews
-
Stunning virtuoso keyboard driven symphonic prog-rock of (some say pompous & overwrought) tunes combining rock & classical elements w/ melodic orchestral ages, honky-tonk piano breaks & bombastic synthesizers. Includes from Yes men Chris Squire & Steve Howe & excellent drum work from Alan White & Bill Bruford
Can at times be overwhelming but has some brilliant enjoyable dynamic & unique moments.
Release
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New Submission
New Submission
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5 copies from $7.10