The StrokesRoom On Fire

Label:

BMG – 82876 55497-1

Format:

Vinyl , LP, Album , Matte Sleeve

Country:

US

Released:

Genre:

Rock

Style:

Indie Rock

Tracklist

A1 What Ever Happened?
A2 Reptilia
A3 Automatic Stop
Music ByJ. Casablancas*
Words ByJ. Casablancas*
A4 12:51
A5 You Talk Way Too Much
A6 Between Love & Hate
B1 Meet Me In The Bathroom
B2 Under Control
B3 The Way It Is
B4 The End Has No End
B5 I Can't Win

Companies, etc.

  • Copyright ©BMG
  • Published ByThe Strokes Band Music
  • Manufactured ByBMG Distribution
  • Distributed ByBMG Distribution
  • Recorded AtTMF Studios
  • Mastered AtSterling Sound
  • Pressed ByUnited Record Pressing

Credits

  • A&RSteve Ralbovsky
  • Arranged ByThe Strokes
  • Art DirectionBrett Kilroe
  • BassNikolai Fraiture
  • DrumsFab Moretti*
  • Engineer [2nd Engineer]Will Kelly
  • Engineer [Head Engineer]Toshikazu Yoshioka
  • GuitarNick Valensi
  • ManagementWiz Kid Management
  • Management [Managed By]Ryan Gentles
  • Mastered BySteve Fallone
  • Other [Sensei]J.P. Bowersock
  • PaintingPeter Phillips (10)
  • Photography ByColin Lane (2)
  • ProducerGordon Raphael
  • VocalsJulian Casablancas
  • Words By, Music ByJ. Casablancas* (tracks: A1, A2, A4 to B6)

Notes

This version came with a matte cover.
The otherwise similar Room On Fire came in a glossy sleeve.

Comes with colored lyric inner sleeve.

This album is dedicated to the memory of Aaron Wilkinson.

Recorded at TMF Studios in NYC / Mastered[...] at Sterling Sound, NY / Published by The Strokes Band Music (ASCAP) / Managed [...] - Wiz Kid Management
The painting of "War/Game by Peter Phillips is Copyright © Peter Phillips. Used with permission and courtesy of Zoe Phillips. Peter Phillips, "War/Game," 1961, oil and wood, overall: 84 x 60" (213.36 x 152.4 cm), Albright-Knox Art Gallery, Buffalo, New York, Gift of Seymour H. Knox Jr., 1964.
The painting "Spiritual Heroes of " by Anselm Kiefer is Copyright © 1973 Anselm Kiefer. Used with permission of Anselm Kiefer and courtesy of Gagosian Gallery.

© 2003 BMG / Manufactured and Distributed by BMG Distribution, a Unit of BMG Music, 1540 Broadway, New York, New York 10036-4098

Barcode and Other Identifiers

  • Barcode (Text): 8 2876 55497-1 4
  • Barcode (Scanned): 828765549714
  • Pressing Plant ID (Runouts):
  • Rights Society: ASCAP
  • Matrix / Runout (Runout, variant 1, side A): 82876-55497-1 A RE Ⓤ
  • Matrix / Runout (Runout, variant 1, side B): 82876-55497-1 B RE Ⓤ
  • Matrix / Runout (Runout, variant 2, side A): 82876-55497-1 A III RE Ⓤ
  • Matrix / Runout (Runout, variant 2, side B): 82876-55497-1 B RE Ⓤ
  • Matrix / Runout (Runout, variant 3, side A, etched): 82876 55497-1-A²-RE-1 Ⓤ
  • Matrix / Runout (Runout, variant 3, side B, etched): 82876 55497-1B²-RE-1 Ⓤ
  • Matrix / Runout (Runout, variant 4, side A): 82876 55497-1-A3-RE-1 Ⓤ
  • Matrix / Runout (Runout, variant 4, side B): 82876 55497-1B²-RE-1 Ⓤ

Other Versions (5 of 63)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Room On Fire (CD, Album, Copy Protected) RCA RCA 82876 56969 2 Europe 2003
Recently Edited
Room On Fire (LP, Album) Rough Trade RTRADELP130 UK & Ireland 2003
Recently Edited
Room On Fire (CD, Album) Rough Trade RTRADECD130 UK 2003
Recently Edited
Room On Fire (CD, Album, Cinram, Richmond Pressing) RCA 82876 55497-2 US 2003
Recently Edited
Room On Fire (CD, Album) RCA 82876 57233-2 Australia 2003

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Reviews

  • syedafridiqbal's avatar
    syedafridiqbal
    Thought I’d revisit this and leave an update for fans interested in a good sounding version of this record.

    I recently bought the Made in EU Blue version of this vinyl (make sure it has made in EU in the back cover as the USA version uses the same stamper as this pressing). The European version uses the MOV stamper (Music On Vinyl did a pressing of this sometime ago).

    The sound quality of that is significantly better if not night and day differences. It still sounds lofi but with more punch, air between the instruments and natural vocal presence in the mix. The bass is significantly more punchy.

    I might have been wrong thinking the extra compression was part of the production. The MOV version is just more dynamic and shows the mastering of this version was squashed.

    I do not mean to say that this version is bad. In fact, I have enjoyed this version a lot. But if sound quality is your primary objective, try to get the pressing with MOV in the matrix.

    • rodrigopxo's avatar
      rodrigopxo
      Continuação perfeita do is this it, o único defeito é que acaba
      • syedafridiqbal's avatar
        syedafridiqbal
        I am quite sure the dynamic range was intentionally squashed to give it a lofi feel. This is evident from the hihat sound (it overpowers or is on the same level as other louder instruments at times). However, it doesn’t sound super harsh like many brick-walled records from this era.

        The separation is not as impressive as their later albums but this a mixing choice (nothing to do with mastering).

        As far as mastering, it still sounds better than what I hear on stream services. It sounds less compressed on vinyl and overall has higher fidelity.

        • wongtong's avatar
          wongtong
          Edited one year ago
          My pressing sounds really good. This sounds « raw » which does this album justice. Great record.
          • manastopolis's avatar
            manastopolis
            Side B of my copy had a second center label stuck on which ripped right off… kinda weird but the record sounds great
            • MarquisSmith's avatar
              MarquisSmith
              My copy bought in 2003 has more punch than VMP version.
              • blaketucker's avatar
                blaketucker
                I recently bought this and it appears there was a misprint because my record had the “Side B” label print on both sides yet it plays the entire album. Just curious if anyone else’s copy came like this?
                • PapaMaku's avatar
                  PapaMaku
                  A little bit of surface noise and the soundstage could be wider. However, this lends itself to the lo-fi aesthetic. Clear vocals and great instrumental clarity.
                  • ricstultz's avatar
                    ricstultz
                    I bought my copy way back when it came out and it has the glossy cover. I can confirm this is the og pressing. Sounds ok, nothing to write home about.
                    • warsperfume's avatar
                      warsperfume
                      I bought (cheaply) a sealed copy of this in 2014 which matches the matrix for this entry. I'm going to assume it's been repressed several times since 2003..no way is mine 13 years old.

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