Tracklist
| A1a | Memory Lain, Hugh | 5:00 | |
| A1b | Headloss | 4:19 | |
| A2 | Hoedown | 3:10 | |
| A3 | Surprise, Surprise | 3:45 | |
| A4 | C'Thlu Thlu | 6:10 | |
| B1 | The Dog, The Dog, He's At It Again | 5:53 | |
| B2a | Be All Right | 6:38 | |
| B2b | Chance Of A Lifetime | ||
| B3a | L'Auberge Du Sanglier | 9:46 | |
| B3b | A Hunting We Shall Go | ||
| B3c | Pengola | ||
| B3d | Backwards | ||
| B3e | A Hunting We Shall Go (Reprise) |
Companies, etc.
- Record Company – The Decca Record Company Limited
- Phonographic Copyright ℗ – The Decca Record Company Limited
- Produced For – Gruggy Woof
- Published By – Aristocrat Music
- Published By – Soft Machine Publishing
- Published By – Essex Music International Ltd.
- Recorded At – Decca Tollington Park Studios
- Recorded At – Chipping Norton Recording Studios
- Overdubbed At – West Hampstead Studios
- Remixed At – Decca Tollington Park Studios
- Remixed At – Air Studios
- Pressed By – Decca Record Co. Ltd., Pressing Plant, UK.
- Printed By – Robert Stace
- Made By – British Celanese Limited
Credits
- Arranged By, Performer [Played By] – Caravan
- Bass Guitar, Vocals, Percussion – John G. Perry
- Drums, Percussion, Timpani – Richard Coughlan
- Engineer [Assistant, Overdubs, Decca Studios] – Lindsay Kidd
- Engineer [Assistant, Re-Mix, Air Recording Studios] – Sean Milligan
- Engineer [Assistant, Re-Mix, Tollington Park Studios] – David Baker*
- Engineer [Chipping Norton Recording Studio] – David Grinstead*
- Engineer [Overdubs, Decca Studios] – John Burns (2)
- Engineer [Re-Mix, Air Recording Studios] – John Punter
- Engineer [Re-Mix, Tollington Park Studios] – Kevin Fuller
- Engineer [Tolling Park Studios] – Kevin Fuller
- Guitar, Vocals – Pye Hastings
- Management [Exclusive Representation] – Terry King Associates
- Organ, Piano, Electric Piano, Synthesizer [Davoli] – Dave Sinclair*
- Photography By, Design [Cover Design] – Mark Lawrence (6)
- Producer [Produced By] – David Hitchcock
- Viola – Peter Geoffrey Richardson*
Notes
Original UK release with outside laminated gatefold sleeve & polylined Decca company inner sleeve dated 9-73.
Red/white Deram labels with 'STEREO' appearing below the spindle hole.
A4 appears as "C'Thlu Thlu" on cover, but as "C'Thlu" on label.
Laminated with 'Clarifoil' made by British Celanese Limited.
All titles published by Aristocrat Music except B3d: Soft Machine Pub./Essex Music International.
℗ 1973, The Decca Records Co. Limited, London. Recording first published.
Made in England
Runouts are stamped. The 'A' and 'B' in the matrix numbers variants 3 to 5, & 7 appear to be crossed out.
Red/white Deram labels with 'STEREO' appearing below the spindle hole.
A4 appears as "C'Thlu Thlu" on cover, but as "C'Thlu" on label.
Laminated with 'Clarifoil' made by British Celanese Limited.
All titles published by Aristocrat Music except B3d: Soft Machine Pub./Essex Music International.
℗ 1973, The Decca Records Co. Limited, London. Recording first published.
Made in England
Runouts are stamped. The 'A' and 'B' in the matrix numbers variants 3 to 5, & 7 appear to be crossed out.
Barcode and Other Identifiers
- Rights Society (Side B label): Britico, GEMA
- Rights Society (Side B label boxed): N.C.B.
- Matrix / Runout (Side A label): ZAL 12551P
- Matrix / Runout (Side B label): ZAL 12552P
- Matrix / Runout (Side A runout, variant 1): ZAL-12551.P.A-3U
- Matrix / Runout (Side B runout, variant 1): ZAL-12552.P.B-3U
- Matrix / Runout (Side A runout, variant 2): ZAL-12551.P-3U C ☐ 4 D
- Matrix / Runout (Side B runout, variant 2): ZAL-12552.P-■-3U K ☐ 2 D
- Matrix / Runout (Side A runout, variant 3): ZAL-12551.P.A̶-3U 1 A
- Matrix / Runout (Side B runout, variant 3): ZAL-12552.P.B̶-3U 1 A
- Matrix / Runout (Side A runout, variant 4): ZAL-12551.P.A̶-3U U 1
- Matrix / Runout (Side B runout, variant 4): ZAL-12552.P.B̶-3U C 1
- Matrix / Runout (Side A runout, variant 5): ZAL-12551.P.A̶-3U B C 3 C
- Matrix / Runout (Side B runout, variant 5): ZAL-12552.P.B̶-3U B K 2 D
- Matrix / Runout (Side A runout, variant 6): ZAL-12551.P-3U 4 D K D
- Matrix / Runout (Side B runout, variant 6): ZAL-12552.P-3U 3 C 11 11
- Matrix / Runout (Side A runout, variant 7): ZAL-12551.P.A̶-3U 1 K 1
- Matrix / Runout (Side B runout, variant 7): ZAL-12552.P.B̶-3U C 1
- Matrix / Runout (Side A runout, variant 8): ZAL-12551.P-3U K D 4 D
- Matrix / Runout (Side B runout, variant 8): ZAL-12552.P-3U K H 3 C
- Matrix / Runout (Side A runout, variant 9): ZAL-12551.P-3U UB 1
- Matrix / Runout (Side B runout, variant 9): ZAL-12552.P-3U UH 2D
- Matrix / Runout (Side A runout, variant 10): ZAL-12551.P-A̶-3U CI 3 C
- Matrix / Runout (Side B runout, variant 10): ZAL-12552.P-3U CM 3 C
Other Versions (5 of 57)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
For Girls Who Grow Plump In The Night (LP, Album, Stereo, AL - Audio Mfg. Pressing) | London Records | XPS 637 | US | 1973 | ||
|
Recently Edited
|
For Girls Who Grow Plump In The Night (LP, Album, Gatefold) | Pink Elephant | PE 877.052 | Netherlands | 1973 | ||
|
Recently Edited
|
For Girls Who Grow Plump In The Night (LP, Album, Stereo, Gatefold) | Kingdom Records | KV 6006 | 1973 | |||
|
New Submission
|
For Girls Who Grow Plump In The Night (LP, Album) | London Records | XPS 637 | Canada | 1973 | ||
|
Recently Edited
|
For Girls Who Grow Plump In The Night (LP, Album, Stereo, Gatefold) | Metronome | brain 1038, 1038 | 1973 |
Recommendations
Reviews
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Ma version Vinyle de chez Kingdom Records - KV6006 - Distribution Vogue de 1973 . J'adore cet Album ! -
My variant 3 copy? has all the above text info, apart from the layout of the text below 'Made in England' on each side, eg, 331/3 NOT 33-1/3. The word Music is below Aristocrat on side 1. GEMA, NCB on side 2?? Could this be a later pressing?
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I have a Decca 1st test pressing of this, as well as 1st NM. I'm gradually comparing the two, and so far the 1st is far duller than the test. The test is not only brighter and cleaner, but the drums are noticeably higher in the mix and seriously punchy. Can anyone confirm if it was remixed for general release? Does anyone know how many tests were made? (I heard only enough for engineers and band) Are there any other differences I haven't identified?
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The sleeping girl on this album's cover was intended to be in the nude, but almost at the last moment someone decided she had to be covered up. The uncensored cover photo was printed in Sounds at the time. You'd think someone would have brought out a reissue with the original artwork reinstated. Or might that be more "problematic" now than it was in 1973?
Release
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