Amy Winehouse – Back To Black
Label: |
Island Records Group – 173 412 8 |
|---|---|
Series: |
Back To Soul |
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Funk / Soul |
Style: |
Soul |
Tracklist
| A1 | Rehab | |
| A2 | You Know I'm No Good | |
| A3 | Me & Mr Jones | |
| A4 | Just Friends | |
| A5 | Back To Black | |
| A6 | Love Is A Losing Game | |
| B1 | Tears Dry On Their Own | |
| B2 | Wake Up Alone | |
| B3 | Some Unholy War | |
| B4 | He Can Only Hold Her | |
| B5 | Addicted |
Companies, etc.
- Phonographic Copyright ℗ – Universal Island Records Ltd.
- Copyright © – Universal Island Records Ltd.
- Published By – EMI Music Publishing Ltd.
- Published By – Jobete Music
- Published By – EMI Music Ltd.
- Published By – IQ Music Ltd.
- Published By – Jobete Music Co., Inc.
- Published By – Jobete Music (UK) Ltd.
- Recorded At – Instrument Zoo
- Recorded At – Dapking Studios
- Recorded At – Chung King Studios
- Recorded At – Metropolis Studios
- Recorded At – Daptone Studios
- Recorded At – Allido Sound
- Mixed At – Circle House Studios
- Designed At – Free Barrabas!
- Lacquer Cut At – Metropolis Mastering
- Pressed By – MPO
Credits
- Alto Saxophone – Chris Davies* (tracks: A1, A5, A6)
- Alto Saxophone, Flute, Clarinet, Piano, Celesta [Celeste] – Vincent Henry (tracks: B1)
- Arranged By [All Band Arrangements] – Mark Ronson (tracks: A1, A2, A5, A6, B2)
- Arranged By [Orchestra], Conductor [Orchestra] – Chris Elliott (tracks: A1, A5, A6)
- Backing Vocals – Amy Winehouse (tracks: A3, B1, B3, B5)
- Baritone Saxophone – Ian Hendrickson-Smith (tracks: A1, A2)
- Baritone Saxophone, Tenor Saxophone, Guitar – Vincent Henry (tracks: A3, B1)
- Bass – Salaam Remi (tracks: A4, B1, B3, B5)
- Bass Guitar – Nick Movshon (tracks: A1, A2, A5, A6, B2, B4)
- Cello – John Heley (tracks: A1, A5, A6)
- Clarinet, Bass Clarinet, Guitar – Vincent Henry (tracks: A4)
- Contractor [Orchestra] – Isobel Griffiths (tracks: A1, A5, A6)
- Design – Alex Hutchinson
- Double Bass [Upright Bass], Drums, Piano – Salaam Remi (tracks: A3)
- Drums – Troy Auxilly-Wilson (tracks: A4, B1, B5)
- Drums, Guitar – Salaam Remi (tracks: B3)
- Electric Piano [Rhodes], Organ – John Adams* (tracks: A4, B5)
- Engineer [Assistant Recording] – Dom Morley (tracks: A1, A5, A6, B4)
- Engineer [Assistant] – Mike Makowski (tracks: A1, A2, A5, A6, B2)
- Finger Snaps [Snaps] – Mark Ronson (tracks: B4)
- Guitar – Vincent Henry (tracks: B3)
- Handclaps [Claps] – Vaughan Merrick (tracks: A1)
- Harp – Helen Tunstall (tracks: A1, A6)
- Lacquer Cut By – PHD*
- Leader [Orchestra] – Perry Montague-Mason (tracks: A1, A5, A6)
- Management – Raye Cosbert
- Management [Tour Booking] – Paul Franklin (3)
- Mastered By – Stuart Hawkes
- Mixed By – Tom Elmhirst (tracks: A1, A2, A5, A6, B1, B2, B4)
- Mixed By [Assisted By] – Matt Paul (tracks: A1, A2, A5, A6, B1, B2, B4)
- Organ – John Adams* (tracks: B3)
- Organ [Wurlitzer], Handclaps [Claps] – Victor Axelrod (tracks: A1, A2)
- Percussion – Sam Koppelman (tracks: B4)
- Photography By [Cover, Inner Sleeve] – Mishca Richter*
- Photography By [Inner Sleeve] – Harry Benson (2)
- Piano – Victor Axelrod (tracks: A1, A2, A5, A6, B2, B4)
- Piano, Guitar – Salaam Remi (tracks: B1)
- Producer – Salaam Remi (tracks: A3, A4, B1, B3, B5)
- Producer [Original Demo] – P*Nut (tracks: B4)
- Recorded By – Vaughan Merrick (tracks: A1, A5, A6, B2, B4)
- Recorded By [Assisted By] – Shomari "Sho" Dillon (tracks: A3, A4, B1, B3, B5)
- Saxophone [Saxophones], Guitar [Guitars] – Vincent Henry (tracks: B5)
- Tambourine – Troy Auxilly-Wilson (tracks: B1)
- Tenor Saxophone – Neal Sugarman (tracks: A1, A2, B4)
- Trombone [Tenor] – Richard Edwards (2) (tracks: A1, A6)
- Trumpet – Steve Sidwell (tracks: A1, A6)
- Trumpet [Bass], Flugelhorn – Bruce Purse (tracks: A3, A4, B1, B5)
- Viola – Rachel Bolt (tracks: A1, A5, A6)
- Violin – Warren Zielinski (tracks: A1, A5, A6)
- Written-By – Robert Poindexter (tracks: B4)
Barcode and Other Identifiers
- Barcode (Printed): 6 02517 34128 9
- Barcode (EAN-Code, Scanned): 0602517341289
- Rights Society: BIEM/SABAM
- Label Code: LC00407
- Matrix / Runout (Side A (etched)): MPO 8S 0602517341289 A2 PHD Ⓜ
- Matrix / Runout (Side B (etched)): 0602517341289 B2 Ⓜ 1734128 B3 MPO
Other Versions (5 of 189)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Back To Black (CD, Album, Enhanced) | Universal Records | 171 304-1 | UK | 2006 | ||
| Back To Black (CD, Album, Stereo, Super Jewel Box) | Island Records Group | 171 421 1, 171 421-1 | Europe | 2006 | |||
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Recently Edited
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Back To Black (CD, Album) | Universal Records | 460502601168 | Russia | 2006 | ||
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Recently Edited
|
Back To Black (CD, Album) | Island Records Group | 172 613 3 | Poland | 2006 | ||
|
New Submission
|
Back To Black (CD, Album, Special Edition) | Island Records Group | 174 130-3 | 2006 |
Recommendations
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2014 UK, Europe & USVinyl —LP, Album, Reissue, Remastered -
2015 EuropeVinyl —LP, Compilation, Reissue -
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Reviews
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Edited 6 months agoterrible pressing from digital master, the instrumental part sounds a lil’ good but the vocals are mixed terrible and she sounds like a robot and not only if you listen closely
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Edited 7 months agoIt’s so frustrating that this pressing gives you nothing positive to grab on to. Ok, I suppose it isn’t dire and it is listenable. But Back to Black should be among your top 10 vinyls to own. Everyone knows about its incredible musicality, and this pressing doesn’t take that away. But it’s going to give you overly tight compression with a sound stage that’s so narrow I had to put an ear to a speaker to convince myself this isn’t mono. Amy’s voice should pull you right into The Dublin Castle on a smokey, crowded gig night. Instead it sounds like she’s been slung through a DAW on standard settings. So much for all that promise of Neumann U67 valve mics. Oh well.
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Sound is digital and way too much compressed. It is blown up and on the brick to distortion, typical mastering style of the loudness war. It ruins the music. -
Even if this genre is not up your alley, this is still a must have for any serious collector. An absolute masterpiece which should deserve presence in one of your crates. -
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I'm having the same problem, the sound quality of this pressing is horrible.
Like someone has messing with the gain knob.
Such a waste for such an fantastic album -
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Edited 4 years agoOk, I'm not the most professional person when it comes to the sound of records, but anyways I'd like to give this release a (basic) critic since there isn't one. The sound isn't the best, but it isn't the worst vinyl I ever heard. I'd like to compare it to other reissues. Even the CD sounds better. The quality of the packaging is really nice though.
- Me & Mr. Jones sounds awful
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